Nadar, Manickavasakan SBiblio.com
212 résultats
51548248-nnew. unknown
9348699032.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
68-6378Paris France: Eclair 1894. B&W Photograph on Blank Post Card. 14 x 9 cm. Very Good. En Francais.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Eclair, 1894. unknown
68-6404Paris France: Eclair 1894. B&W Photograph on Blank Post Card. 14 x 9 cm. Very Good. En Francais.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Eclair, 1894. unknown
68-6407Paris France: Nadar 1877. Print of B&W Photograph mounted on decorative paper. 19.2 x 24.2 cm. Overall dimensions 7 x 9 cm. Print measurements. Very Good. En Francais.Signed by A. Cleret on verso.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Nadar, 1877. unknown
68-6405Paris France: Nadar 1877. Print of B&W Photograph mounted on decorative paper. 21 x 27 cm. Overall dimensions 10 x 14 cm. Print measurements. Very Good. En Francais.Signed by A. Cleret on verso.Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Nadar, 1877. unknown
1016873824.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
189113261Paris: A l’Office Général de Photographie 1891-1892. Buono stato di conservazione nel complesso legatura un po' stanca e alcune delle tavole sono distaccate ma presenti; occasionali arrossamenti e fioriture. Copertine dei fascicoli omesse dal legatore; sul dorso del volume erroneamente indicato 1892-93 anziché 1891-92. Tredici fascicoli raccolti in un volume in mezza tela cm 25x18 pp 453 1 184 2 numerose tavole e figure in nero alcune fotografie applicate e tavole a colori. Buono stato di conservazione nel complesso legatura un po' stanca e alcune delle tavole sono distaccate ma presenti; occasionali arrossamenti e fioriture. Copertine dei fascicoli omesse dal legatore; sul dorso del volume erroneamente indicato 1892-93 anziché 1891-92. Rara serie dei primi fascicoli del periodico fondato e diretto dal figlio e successore di Nadar Paul che trasformò l’atelier del padre in una moderna impresa fotografica attiva anche nel campo editoriale e commerciale. La rivista nacque in seno all’Office Général de Photographie aperto a Parigi nel 1889 come studio rivendita di apparecchiature fotografiche e sede delle molteplici attività di Paul Nadar ed ebbe in questi primi anni Georges Aubry e Adrien Lefort segretari di redazione; ciascun fascicolo era illustrato da numerose figure nel testo e da tavole fuori testo in heliogravure o con cliché di serie di scatti di Nadar applicati. La rivista raccoglie articoli di Paul Nadar Auguste e Louis Lumière J. Marey A. Cornu H. Fortier J. Janssen E. Silas L. Vidal e molti altri che illustrano le più recenti innovazioni e ricerche in campo di chimica ottica e tecnica fotografica; presenti inoltre notizie di associazioni e congressi brevetti e aggiornamenti bibliografici; Nadar padre figura con numerosi Souvenirs d’un Atelier de Photographie; in ciascun numero tavole in heliogravure ritratti o illustrazioni delle tecniche descritte con alcune spettacolari immagini di fotografia astronomica curiose tavole di gusto lombrosiano di fotografia forense esempi di policromia… e una stampa fotografica applicata con serie di ritratti di personaggi dello spettacolo Sarah Bernhardt Mme Melba e molte altre attrici. Alla fine della prima annata completa dal numero 1 di aprile al 9 di dicembre copiosi indici dei nomi delle materie e delle tavole; seguono i primi 4 fascicoli del 1892 completando la serie del primo anno di vita della rivista. A l’Office Général de Photographie hardcover
1016878214.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
20021-0262025329Mit Pr 2002. Hardcover. New. illustrated edition. 160 pages. 9.25x7.00x0.75 inches. Mit Pr hardcover
0983908796.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1032895497.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2025x-1032895497Routledge 2025. Hardcover. New. 140 pages. 8.50x5.43x8.74 inches. Routledge hardcover
0983908834.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2021132306010026Tamilunltd 2021-01-25. Hardcover. New. 11x0x8. Hardcover. An unused unmarked and unblemished copy.; 100% Satisfaction Guaranteed! Ships same or next business day! Tamilunltd hardcover
2023__0198870671OUP Oxford 2023. Paperback. New. 3rd edition. 252 pages. 8.25x5.50x0.50 inches. OUP Oxford paperback
2023x-0198870671OUP Oxford 2023. Paperback. New. 3rd edition. 252 pages. 8.25x5.50x0.50 inches. OUP Oxford paperback
20152-0198701977Oxford Univ Pr 2015. Paperback. New. 2nd edition. 190 pages. 7.75x5.25x0.50 inches. Oxford Univ Pr paperback
148780GONCOURT Edmond de. Portrait for La Galerie Contemporaine by Nadar. Woodburytype print with artist's information printed on mount matted and framed in polished dark wood. Paris: Nadar ND. A visually arresting portrait of Edmond de Goncourt by famed portrait photographer Nadar Gaspard-Felix Tournachon 1820-1910. "Nadar's notoriety in photography came after successful careers first in writing and publishing and then in caricature. Nadar's turn to portrait photography appears to be a natural progression from his work in caricature." "Galerie Contemporaine stands out due to its ambitious scope as well as for the quality of the photographic imagery it contained. Underpinned by a certain patriotic sentiment and a more sophisticated approach to celebrity the subtitle Litteraire Artistique declares the work's focus of interest to be high art. In fact Galerie Contemporaine evolved into the most impressive set of celebrity portraits published in nineteenth-century France forming a vital visual record of the leading figures who shaped public life in science and politics as well as the arts during the Second Empire and the emergent Third Republic." Hannavy John editor. Encyclopedia of Nineteenth-century Photography p. 971 and 567. unknown
17-3526Paris : Les Annales Politiques et Littéraires 1900-1940s. B&W postcard 5.5 x 3.5 inches. Very Good. Light toning and edge wear. Scarce. Paris : Les Annales Politiques et Littéraires, [1900-1940s?]. unknown
1976Q-0394411064Alfred A. Knopf 1976-01-01. Hardcover. New. In shrink wrap. Looks like an interesting title! Alfred A. Knopf hardcover
189327471Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 28 Février 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates outside the text including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""We believe we are advancing progress by further engaging the public's interest in this entirely French discovery of Photography."". Thus did Paul Nadar conclude his introduction as a presentation of this precious journal containing a photograph by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. A handsome copy. Of exceptional rarity. Office général de la photographie unknown
189327468Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Juillet 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including a sheet of Nadar's photographic prints and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. Handsome copy. Of remarkable rarity. Office général de la photographie unknown
189327467Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Avril 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including a sheet of Nadar's photographic prints and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. Handsome copy. Of remarkable rarity. Office général de la photographie unknown
189327472Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Octobre 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates outside the text including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""We believe we are advancing progress by further engaging the public's interest in this entirely French discovery of Photography."". Thus did Paul Nadar conclude his introduction as a presentation of this precious journal containing a photograph by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. Small marginal tears at foot of first cover otherwise a handsome copy. Of exceptional rarity. Office général de la photographie unknown
