NadarLivre Rare Book
883 résultats
1979R100059070Editions d'aujourd'hui. 1979. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 312 pages.. . . . Classification Dewey : 770-Photographie
1864181176Paris.: Dentu. 1864. 1st Edition. 12mo. Contemporary quarter cloth over stippled boards gilt spine title marbled endpapers. Very good covers soiled light shelfwear contents tight and bright. 18x11x2.5 cm. French text. Scarce. Nadar was a pioneering photographer and balloonist who was the first to take photographs from a balloon. The “Geant†was a huge experimental balloon that crashed at the end of its second flight leading Nadar to become a proponent of heavier-than-air flight. weight: 1.0 lb. Introduction by Babinet. Dentu. hardcover
7776"P., Dentu, 1865. In 12 demi-chagrin rouge, dos à nerfs orné, couverture illustré conservée; frontispice dépliant, 439 pp."
42285saying he "could not ask for work to go better or faster - and one day I shall endeavour to return your kindness which I have done nothing to deserve. I am enclosing a note for Perdiguier please could you put on the address if he was responsible for the very kind words on the heading. Try and avoid colliding with Villemessant here on Monday." 1 side 8vo. no place but with his red Monogram "N" with "Quand Meme" at the head no date circa Nadar was a proponent of heavier-than-air flight. In 1858 he became the first person to take aerial photographs. Photographic portraits by Nadar are held by many of the great national collections of photographs. His son Paul Nadar 18561939 continued the studio after his death. The correspondent is possibly Philippe GILLE 1831-1901 who was a French dramatist and opera librettist who was born and died in Paris. He was photographed by Nadar in the 1870s. He is probably referring to Hippolyte de VILLEMESSANT 1810-1879 who was a Conservative French Journalist and was also photographed by him. Transcription Il n'est réellement pas possible mon Gille de faire mieux et plus vite et je tâcherai de te rendre quelque jour cette si bonne amitié que je n'ai rien fait pour mériter. Ci-joint un mot pour Perdiguier tu mettras l'adresse si c'est lui qui a fait la petite note d'entête vraiment trop obligeante. Arrange-toi pour ne pas venir lundi avec Villemessant. Mardi bon ! Ton Nadar Tanslation Dear Gille I could not ask for work to go better or faster - and one day I shall endeavour to return your kindness which I have done nothing to deserve. I am enclosing a note for Perdiguier please could you put on the address if he was responsible for the very kind words on the heading. Try and avoid colliding with Villemessant here on Monday. Perhaps Tuesday would be possible. Yours Nadar unknown
43283saying that "Vieusseux wants to put Villemessant's portrait in the Exhibition. I need not remind you that we agreed to the portrait in question being exhibited and Vieusseux expects that at least there he will have due satisfaction. As he wants to have the portrait back and touch it up a bit before sending it in let me know as soon as possible if we can take it directly from the owner." 1 side 8vo. 51 Rue d'Anjou St Honoré Paris with his red printed letterhead 25th February Nadar was a proponent of heavier-than-air flight. In 1858 he became the first person to take aerial photographs. Photographic portraits by Nadar are held by many of the great national collections of photographs. His son Paul Nadar 18561939 continued the studio after his death. The correspondent is possibly Philippe GILLE 1831-1901 who was a French dramatist and opera librettist who was born and died in Paris. He was photographed by Nadar in the 1870s. He is probably referring to Hippolyte de VILLEMESSANT 1810-1879 who was a Conservative French Journalist and was also photographed by him. Emile VIEUSSEUX 1824-1890 was a Florentine painter who worked in Nadar's studio in Paris. Transcription PHOTOGRAPHIE NADAR SPÉCIALITÉ D'AGRANDISSEMENTS NOIRS ET PEINTS 51 rue d'Anjou St. Honoré 51. Hôtel privé. Paris le 25 fevrier 1878 Mon cher Gille Vieusseux désire envoyer à l'Exposition le portrait de Villemessant. Je ne te rappelle pas que l'Exposition de ce portrait était convenue et Vieusseux compte qu'au moins là il aura satisfaction due. Comme il veut revoir et reprendre un peu ce portrait avant l'envoi au Salon réponds-nous le plus vite possible si nous pouvons le fair prendre chez le propriétaire. Respects affectueux à Madame Gilles et à Madame Massé. Ton. Nadar Translation NADAR PHOTOGRAPHY SPECIALISING IN BLACK AND WHITE COLOURED ENLARGEMENTS 51 rue d'Anjou St. Honoré 51. private residence. Paris 25th February 1878 Dear Gille Vieusseux wants to put Villemessant's portrait in the Exhibition. I need not remind you that we agreed to the portrait in question being exhibited and Vieusseux expects that at least there he will have due satisfaction. As he wants to have the portrait back and touch it up a bit before sending it in let me know as soon as possible if we can take it directly from the owner. Please remember me to your wife and Mrs Massé. Yours. Nadar. unknown
287711Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century April 1862. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
287710Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century April 1862. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
287712Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century April 1862. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
287713Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century April 1862. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
1990nu417Obsidiane Broché 1990 In-8, (19.5x13.5 cm), broché, couverture à rabats illustrée, 99 pages, quelques illustrations en noir et blanc ; petites traces sur les plats, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1990RO20272821OBSIDIANE. 1990. In-12. Broché. Etat d'usage, Couv. convenable, Dos satisfaisant, Quelques rousseurs. 99 pages - nombreuses illustrations noir/blanc, dans et hors texte - jaquette correcte. . . . Classification Dewey : 928-Ecrivains
AM10504NBBroché. 1985. 100 pages. Livre légèrement ondulé. Photos sur demande.
Z17246BROCHE PETITES TACHES BRUNES SUR LA PAGE DE GARDE.
1985RO30327081Obsidiane. 1985. In-8. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 99 pages. Couverture contrepliée. Quelques illustrations en noir et blanc, hors texte. Quelques coupures de presse.. . . . Classification Dewey : 848-Ecrits divers, citations, journaux intimes, souvenirs, mémoires
199868839Nmes : Jacqueline Chambon 1998. 225x155mm. broch. 564 Jacqueline Chambon unknown
197965531979 Paris, Arthur Hubschmid, 1979, In huit, tome II : pp 709 à 1298, reliure toilée éditeur, couleur chocolat,
17-3523Paris : B&S Lyon 1900-1940s. B&W postcard 5.5 x 3.5 inches. Very Good. Minor toning on verso. Scarce. Paris : B&S Lyon, [1900-1940s?]. unknown
296486Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1860. Professionally printed on premium fine-art paper Photo Matt Fibre in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
296487Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1860. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
296488Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1860. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
296485Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1860. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
283526Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1856–58 printed ca. 1900. Professionally printed on premium fine-art paper Photo Rag Bright White premium quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
283527Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1856–58 printed ca. 1900. Professionally printed on premium fine-art paper Museum Etching museum quality in size A2. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
283524Contentum Ltd. Loose sheet. New. High-quality art print based on an original work from the Met. Created in the 19th century 1856–58 printed ca. 1900. Professionally printed on premium fine-art paper Museum Etching museum quality in size A3. The artwork is printed with a white border museum-style presentation. Contentum Ltd. unknown
