882 résultats
191031230Paris: Le Livre et l'Image 1910. Fine. Le Livre et l'Image Paris 1910 18 x 27.50 cm broché First edition. Illustrated cover printed in red and black spine with tears but no loss corners showing traces of wear. Collaborations by L. Millanvoy: ""Nadar"" Henry Eon: ""Maxime Maufra"" Clément-Janin Dubray. A brown stain appears in the upper part of page 96 not touching the text. Copy lacking the original embossing by Alexandre Charpentier. Minimal foxing. Le Livre et l'Image unknown
188249471Paris: chés l'auctheur 1882. Fine. chés l'auctheur Paris s. d. 1882 14 x 19 cm relié first edition of this Rabelaisian style pamphlet directed against Gambetta one of 300 numbered copies on paper of the Netherlands. Binding to open bradel ivory wove smooth back red mesh frame compositions painted boards and boards to centers: a bookplate and a monogram on the first front cover and Léon Gambetta dabbling in a bathtub on the second fragile parchment wrappers preserved and bound in contemporary binding signed Dodé. Nadar handwritten signature under the justification of the draw. Book adorned the author of illustrations. Provenance: Library of Frederick Lachèvre bibliographer specialist in French poetry with its large bookplate engraved and painted emblem repeated in the first boardes. A book illustration is reproduced on the lower flat of each volume. Some light and light bites to bookbinding. chés l'auctheur hardcover
188071647Paris: Goupil & Cie 1880. Fine. Goupil & Cie Paris 1880 24 x 33 cm une feuille Photoglypty from the Galerie contemporaine. Portrait of Edmond Goncourt. Mounted sheet on which a photoglypty of 19x24cm has been laid down. Caption at the bottom of the mount: Galerie Contemporaine 126 boulevard de Magenta. Phot. Goupil et Cie. Cliché Nadar 51 rue d'Anjou-St-Honoré. Superb condition. Handsome portrait of the writer seated with a fixed and fierce gaze a cigarette in his right hand his elbow resting on attributes that represent him. Close to a carbon print by its warm and deep tones photoglypty is a complex photomechanical process of photographic reproduction which the publishing industry used for about 20 years from 1875 to 1895. Seeking an ideal and aesthetic image of famous men the plates were always retouched and repainted to erase an unsightly wrinkle or too troublesome defect to polish the hair etc. Thus photography and printmaking converge in a new representation. The Galerie Contemporaine became a publishing house that sold images of contemporary men these images were assembled into 8 folio volumes by Paul de Lacroix but continued to be sold separately at the headquarters of the Galerie Contemporaine. Goupil & Cie unknown
185740580Paris: Michel Lévy 1857. Fine. Michel Lévy Paris 1857 11.50 x 18 cm relié Second edition published one year after the first edition. Half fir green shagreen binding with corners spine with five raised bands set with black fillets decorated with double black compartments embellished with gilt fleurons slight scratches without any gravity on one joint marbled paper boards marbled endpapers and pastedowns all edges gilt. Autograph inscription signed by Nadar to Madame Dufay. Handsome copy. Michel Lévy hardcover
185684662Nadar | Paris 1856 | 6.50 x 10.50 cm | une feuille
187882671Nadar | Paris 1878 | 6 x 10.50 cm | une photographie
187776745Georges Decaux | Paris s. d. [1877] | 11.50 x 18.50 cm | relié
188249432chés l'auctheur | Paris s. d. [1882] | 14 x 19 cm | relié
188249471chés l'auctheur | Paris s. d. [1882] | 14 x 19 cm | relié
186274488Nadar | Paris 1862 | 5.10 x 8.50 cm | une photographie
188071647Goupil & Cie | Paris 1880 | 24 x 33 cm | une feuille
185740580Michel Lévy | Paris 1857 | 11.50 x 18 cm | relié
191031230Le Livre et l'Image | Paris 1910 | 18 x 27.50 cm | broché
18641408855Paris: E. Dentu 1864. Softcover. Octavo xx 1 22-439 pages. In Very Good condition. Rebacked with original front and rear covers preserved. Red label with black lettering to spine. General rubbing and wear to wraps. Inscribed by Nadar on half title page dated 1864. Interior pages clean. Text in French. Illustration loose but present in laid in rear. Shelved in Case 10. Gaspard-Félix Tournachon known by the mononymous pseudonym Nadar was a French photographer caricaturist journalist novelist balloonist and proponent of manned flight. In 1858 he became the first person to take aerial photographs. Le Géant The Giant inspired Jules Verne's Five Weeks in a Balloon. Nadar was the inspiration for the character of Michael Ardan in Verne's From the Earth to the Moon. Wikipedia<br /> <br> <br /> He launched the world’s largest gas balloon known as Le Géant Giant. The 196-foot-tall balloon had required more than 300 seamstresses to assemble its 22000 yards of silk and at the time was the most elaborate aerial vehicle ever devised. airspacemag. 1408855. Shelved Dupont Bookstore. E. Dentu unknown
5007Nadar pens a brief letter with a drawing requesting his friend to give him "three places for the day." He signs "Nadar Tuesday Aug. 8 1892." He fills the bottom portion of the letter with a bust length sketch and descriptive note "made from memory of a young Nadar age 8." This is his second signature in the letter in French on an 8vo sheet n.p. Condition: Fine condition with several slight aging spots and light soiling at the corners. Letters with drawings by Nadar are rare. unknown
113252[Paris, 1869-circa 1872], 2 volumes grand in-4 de 210x300 mm environ comprenant les numéros 1 à 200. Demi-chagrin vert, dos à cinq nerfs portant titres dorés, gardes de papier marbré. Des frottements sur le cuir, discrètes griffures sur les plats, rares rousseurs, bon état général.
113251[Paris,1856-circa 1865], 5 volumes grand in-4 de 210x300 mm environ comprenant les numéros 1 à 501. Demi-chagrin vert, dos à cinq nerfs portant titres dorés, gardes de papier marbré. Des frottements sur le cuir et discrètes griffures sur les plats, des rousseurs, quelques passages crayonnés au tome 1, une garde restaurée au tome 4, sinon bon état général.
198252519Milano: Gruppo Editoriale Electa; Distributed in the USA and Canada by Rizzoli International Publications Inc. New York 1982. First edition. Nadar. Folio 3 pp. 12 full-page loose b&w plates from photographs with tissue guards. Slight scuffing to the publisher's four-point black card portfolio with printed label and white card slipcase which has an erased price on the upper corner. A near fine copy. The text includes a brief essay by Renato Giovannoli and a short chronology. Gruppo Editoriale Electa; Distributed in the USA and Canada by Rizzoli International Publications, Inc., New York unknown
1995213011New York: The Metropolitan Museum of Art 1995. Hardcover. 272 pages. Published in conjunction with a show that was held at the Musee d'Orsay in Paris that ran June 7 through September 11 1994 and then at The Metropolitan Museum of Art for a run of April 14 through July 9 1995. Text by Maria Morris Hambourg Francois Heilbrun and Philippe Neagu and with additional contributions by Sylvia Aubenas Andre Jammes Ulrich Keller Sophie Rochard and Andre Rouille. Includes 98 plates and 103 figures. A fine copy in a fine dust jacket. As new and still in the publisher's shrinkwrap. The Metropolitan Museum of Art unknown
16-4703Paris: Librairie de France 1929-1931. 7 unbound gravures on Arches. 23.2 x 18.5cm. Likely from "Oeuvres complètes illustrées d'Alphonse Daudet." Paris: Librairie de France, 1929-1931. unknown
187749273Paris Sous les piliers tournants de la vague demeure, c'est-à-dire sous les arcades de l'Odéon 1877 1 vol. Broché in-12, broché, couverture verte imprimée, 30 pp. Ce morceau burlesque avait d'abord paru en 1864 dans "Le Théâtre érotique de la rue de la Santé". Il est augmenté d'une préface de Poulet-Malassis (Oberlé, 981).
187749273Paris Sous les piliers tournants de la vague demeure, c'est-à-dire sous les arcades de l'Odéon 1877 1 vol. Broché in-12, broché, couverture verte imprimée, 30 pp. Ce morceau burlesque avait d'abord paru en 1864 dans "Le Théâtre érotique de la rue de la Santé". Il est augmenté d'une préface de Poulet-Malassis (Oberlé, 981).
6076P., Sous les piliers tournants de la vague demeure c’est à dire sous les arcades de l’odéon, l’an 1877. In 12 demi-chagrin dos à nerfs.
20201599063196698GLN-541, Futuropolis, 2020
18641323640Paris: E. Dentu 1864. Octavo xx 1 22-439 pages; VG; original paper wraps backed new paper spine with red label and black lettering; some rubbing and wear to wraps; Inscribed on half-title by Nadar dated in 1864; text in French; interior clean; MW consignment; shelved case 10. Gaspard-Félix Tournachon known by the mononymous pseudonym Nadar was a French photographer caricaturist journalist novelist balloonist and proponent of manned flight. In 1858 he became the first person to take aerial photographs. Le Géant The Giant inspired Jules Verne's Five Weeks in a Balloon. Nadar was the inspiration for the character of Michael Ardan in Verne's From the Earth to the Moon. wikipedia;<br /> <br><br /> <br><br /> He launched the world's largest gas balloon known as Le Géant Giant. The 196-foot-tall balloon had required more than 300 seamstresses to assemble its 22000 yards of silk and at the time was the most elaborate aerial vehicle ever devised. airspacemag. 1323640. Shelved Dupont Bookstore. E. Dentu unknown books
