NadarBiblio.com
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1979113298Artur Hubschmid 1979. Hardcover. Very good/Good. In French. Two volumes of Nadar's photography drawings and writings. Covers sunned along edges. Jackets edgeworn and chipped. Artur Hubschmid hardcover
185692642Paris: Michel Levy Freres 1856. 1st ed. Hardcover. Good. 281p. Rebound in contemporary 1/4 leather green boards backed in green leather with tiny matching corners. 17 cm. Cover scuffing and wear including two modest holes in leather backstrip. Moderate foxing mostly on first and last portions of the book. French text. Nadar was a photographer novelist balloonist etc. He appears to have taken the first aerial photographs from a balloon in 1858. Michel Levy Freres hardcover
2011932815.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
SBS55293NEW. NEW. Enviamos a todo el mundo por USPS. UPS o DHL. 100% garantia en su compra. We ship worldwide. unknown
1543026958.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
68-6412Paris France: Theatre De La Porte Saint-Martin 1888. B&W Photograph mounted on white card stock. Overall size: 23.5 x 31.5 cm. Photo size: 10.3 x 14.5 cm. Very Good. Details penned in black ink to lower left corner En Francais. Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Theatre De La Porte Saint-Martin, [1888]. unknown
68-6411Paris France: Theatre De La Porte Saint-Martin 1887. B&W Photograph mounted on white card stock. Overall size: 23.5 x 31.5 cm. Photo size: 10.3 x 14.5 cm. Very Good. Details penned in black ink to lower left corner En Francais. Provenance:Colette Monceau born Nancey 1921-2016. Biographical note: born in Nice in 1921 Colette Monceau was a student of Charles Dullin in the second half of the forties and played in several plays during the same period. At the end of the 1950s she took courses at Pierre Foix's school of graphology in Paris and worked in particular on dance as part of the exam for the Group of Consulting Graphologists of France. Having become a consultant graphologist she also teaches this technique. Particularly interested in the writings of Louis Jouvet and Sarah Bernhardt she wrote three works that remained unpublished as well as several articles. It constitutes a thousand files devoted to actors and actresses as well as personalities from varied backgrounds. Colette Monceau née Nancey 1921-2016. Notice biographique : née à Nice en 1921 Colette Monceau est élève de Charles Dullin dans la seconde moitié des années quarante et joue dans plusieurs pièces à cette même période. À la fin des années cinquante elle suit les cours de l’école de graphologie de Pierre Foix à Paris et travaille notamment sur la danse dans le cadre de l'examen du Groupement des graphologues conseils de France. Devenue graphologue-conseil elle enseigne également cette technique. S'intéressant notamment aux écritures de Louis Jouvet et de Sarah Bernhardt elle rédige trois ouvrages restés inédits ainsi que plusieurs articlesExpertise by Daniel BRUKARZ Expert auprès de la CEA. Paris. Paris, France: Theatre De La Porte Saint-Martin, [1887]. unknown
2209JS310<p>Préface de Jean-François Bory. Introduction aux photographies et rédaction des notices par Philippe Néagu por les Arts et la Musique et Jean-Jacques Poulet-Allamagny pour les Lettres et les Activités diverses. Introductions notes et commentaires par Jean-François Bory. Bookking International. Paris. 1994.</p>_x000d_<p>2 Volumes de 215x15 cm. Com 1298 iii págs. com numeração contínua. Encadernações do editor com as pastas flexíveis e acondicionadas em pasta de cartão. Incluiem fitas marcadoras em tecido. Ilustrado a preto e branco.</p>_x000d_<p>Exemplar apresenta desgaste na caixa de protecção.</p>_x000d_<p>Contém antologia dos textos atinentes a fotografia glossário e índice onomástico.</p>_x000d_<p> </p>_x000d_<p> </p> I-121-G-3 hardcover
1979233660Milano: Electa 1979. Fogli sciolti in cartelletta custodia loose as issued in original portfolio and slip-case. Ottimo Fine. <em><strong>Portfolios Electa a cura di Daniela Palazzoli</strong></em>. 12 tavole fotografiche ritratti di Gustave Doré"; Théophile Gautier Honoré Daumier Eugène Delacroix Gioacchino Rossini Charles Baudelaire Jean-François Millet Hector Berlioz Sarah Bernhardt Filippo Palizzi Michaul Alè"ksandrovic - Cm 40x30. Un quartino con presentazione e nota biografica in italiano e inglese e didascalie. Cm 405x305. pp. 4 tavole. Ottimo Fine. Edizione originale di 1000 esemplari numerati Original edition of 1000 numbered copies. <em>"Loro i rivoluzionari gli artisti i bohé";miens i moschettieri i dandies i mangiatori di hascisc i vendicatori gli avventurieri sono di fronte a noi come veri identici a sè" stessi. Da quelle fotografie ci guardano con gli occhi scintillanti di coraggio e ironia con le loro capigliature incredibili e le fantastiche cravatte. A noi rimangono i romanzi e queste immagini: ancora li confonderemo ancora giocheremo con le fotografie come un mazzo di tarocchi per generare infiniti romanzi infinite avventure." dal testo.</em> Electa, unknown
1973232325Torino: Einaudi Saggi 1973. Rilegato tela sovracoperta cloth dust jacket. Molto buono Very Good. Testi di Nadar Jean Prinet Antoinette Dilasser Lamberto Vitali. Con 100 fotografie e altri documenti. Appendice: Ernest Lacan La fotografia in Francia - Biografia - Bibliografia. Cm 215x21. pp. 404. Molto buono Very Good. Prima edizione italiana First Italian Edition. <em>La più"; completa raccolta mondiale delle opere di Nadar geniale pioniere della fotografia. Capolavori di autenticità" espressiva e di sapienza poetica i suoi ritratti appartengono alla grande stagione culturale di Corot e Baudelaire di Courbet e di Dumas dei fratelli Goncourt e di Sainte-Beuve.<br /><br />"Lo studio di Rue Saint-Lazare ha una luce laterale che cade sui soggetti come velata capace di passaggi di tono densi e insieme sottili senza contrsti così"; da rendere un senso di atmosfera quasi magica. Il successo è enorme: tutta la società" parigina e non solo quella passa dallo studio di Nadar. Il quale irrequieto inizia una serie di esperimenti innovatori: l'impiego della luce artificiale e la fotografia aerea con un pallone arerostatico".</em> Einaudi, Saggi hardcover
17-5716Paris France: Bibliothèque Nationale 1965. 8vo. 82 pp. Soft Cover Wraps. Exhibition Catalogue. Black and White Plates. From the Collection of Jacques Laget. Very Good light foxing to covers. Paris, France: Bibliothèque Nationale, 1965. paperback
105743165 x 11 cm Min gebräunt rückseitig kleiner Stemp. a. Fuss tadell. Unter Bild gedruckt: links: Nadar rechts: Atelieradresse: Rue d’Anjou St.Hré 51 Hòtel privé.Rückseitig: Medaille d’or Exposition universelle 1878. 010 unknown
70-1508Paris: 19th Century French Publisher 1858. Original B&W gravure. 19 x 12 inches. Very Good. Light surface wear throughout. Stain in right margin not affecting image. Scarce. Paris: [19th Century French Publisher], [1858]. unknown
41879Paris 1877. 2° 1 Doppelbl. m. montierter Orig.-Photogr. 12.5 x 8.5 cm a. erster Seite Im Falz tlw. durchgerieben etw. randrissig u. -knittrig m. kleinen Verlusten die Photogr. tadellos. Mit der «Camée artistique» zur Theaterschauspielerin Jane Hading - diese auch auf der Photographie bezeichnet mit «Cliché Nadar». Text frz. 010 Paris, 1877 unknown
41878Paris 1877. 2° 1 Doppelbl. m. montierter Orig.-Photogr. 12.5 x 8.5 cm a. erster Seite Im Falz tlw. durchgerieben etw. randrissig u. -knittrig die Photogr. tadellos. Mit der «Camée artistique» zu der Opernsängerin «Mlle. Sablairolles» - diese auch auf der Photographie bezeichnet mit «Cliché Nadar». Text frz. 010 Paris, 1877 unknown
105745165 x 11 cm Min gebräunt rückseitig kleiner Stemp. a. Fuss tadell. Rückseitig von der berühmten Schauspielerin 1844–1923 signiert.Unter Bild gedruckt: links: Nadar rechts: Atelieradresse: Rue d’Anjou St.Hré 51 Hòtel privé.Rückseitig: Medaille d’or Exposition universelle 1878. 010 unknown
105744165 x 11 cm Min gebräunt rückseitig kleiner Stemp. a. Fuss tadell. Unter Bild gedruckt: links: Nadar rechts: Atelieradresse: Rue d’Anjou St.Hré 51 Hòtel privé.Rückseitig: Medaille d’or Exposition universelle 1878. 010 unknown
186638812Paris: E. Dentu 1866. First and only edition of this novel by Nadar. The frontispiece is A DELICATE MOUNTED ORIGINAL PHOTOGRAPH BY NADAR SIGNED WITH HIS BLINDSTAMP. 3 331 pp. Printed on good wove paper. 12mo. Bound in quarter contemporary calf and decorated boards. Binding somewhat worn but completely solid and joints not cracked. Occasional faint old internal staining in the margins. THE MOUNTED PHOTOGRAPH IS IN PERFECT CONDITION. EXTREMELY RARE: WorldCat cites only four copies. sxxi <br/><br/> E. Dentu hardcover
1973004033Torino: Giulio Einaudi Editore 1973. Book. Very Good - Fine. Hardcover. First Edition. Small 4to. Dust Jacket Condition: Very Good . xii i 403 pp Indice delle illustrazioni Lamberto Vitali: Il fotografo Nadar; Jean Prinet e Antoinette Dilasser: Nadar; Nadar: Antologia di scritti; 94 fotografie di Nadar: testi e traduzione a cura di Lamberto Vitali; Adrien Tournachon detto Nadar jeune; Adolphe Bertsch; Bertall; Étienne Carjat-Salomon; Adam-Salomon; Appendice: Ernest Lacan La fotografia in Francia; dati cronologici; bibliografia. Text in Italian. Prima edizion: Finito di stampare il 10 novembre 1973. Not Price Clipped. 1" closed tear near spine of bottom edge front panel dj with minute chips to top and bottom edge spine of same. Faintly bumped bottom fore-edge corner with lightly age-toned text block edges else Pristine no wear. Clean tight and strong binding with no underlining highlighting or marginalia. Orange cloth with black lettering to spine. Giulio Einaudi Editore Hardcover
53529Bibliothèque Nationale 1965 In-8 20 cm 84pp. illustr. photographies Nb-0240 Cataloque d'exposition - 410 references: Nadar et sa famille - Nadar et le journalisme - Nadar ecrivain - Le Pantheon Nadar - Nadar photographe - Nadar et l'Aeronautique la theorie du plus lourd que l'air le ballon le Siege de Paris unknown
187776745Paris: Georges Decaux 1877. Fine. Georges Decaux Paris s. d. 1877 11.50 x 18.50 cm relié First edition. Contemporary half bottle-green shagreen binding spine with five raised bands set with gilt fleurons some minor rubbing to spine without gravity marbled paper boards endpapers and pastedowns of pebbled paper contemporary binding. Some minor foxing without gravity a pencil library shelf mark on one endpaper. Autograph inscription dated and signed by Nadar: ""A M. Bertrand de main amie. Nadar. Nov"". Georges Decaux hardcover
188249432Paris: chés l'auctheur 1882. Fine. chés l'auctheur Paris s. d. 1882 14 x 19 cm relié first edition of this Rabelaisian style pamphlet directed against Gambetta one of 300 numbered copies on Holland paper. Binding to open bradel ivory wove smooth back red mesh coaching boards and boards painted in watercolor compositions centers: a bookplate and a monogram on the first front cover and Léon Gambetta embodying Christ crucified fragile parchment wrappers preserved and bound in contemporary binding signed Dodé. Nadar handwritten signature under the justification of the draw. In addition this copy is enriched with a handwritten correction Nadar pencil in The Passion p. 45 to orveitan sic. Book adorned the author of illustrations. Provenance: Library of Frederick Lachèvre bibliographer specialist in French poetry with its large bookplate engraved and painted emblem repeated in the first boardes. A book illustration is reproduced on the lower flat of each volume. Some light and light bites to bookbinding. chés l'auctheur hardcover
191031230Paris: Le Livre et l'Image 1910. Fine. Le Livre et l'Image Paris 1910 18 x 27.50 cm broché First edition. Illustrated cover printed in red and black spine with tears but no loss corners showing traces of wear. Collaborations by L. Millanvoy: ""Nadar"" Henry Eon: ""Maxime Maufra"" Clément-Janin Dubray. A brown stain appears in the upper part of page 96 not touching the text. Copy lacking the original embossing by Alexandre Charpentier. Minimal foxing. Le Livre et l'Image unknown
188249471Paris: chés l'auctheur 1882. Fine. chés l'auctheur Paris s. d. 1882 14 x 19 cm relié first edition of this Rabelaisian style pamphlet directed against Gambetta one of 300 numbered copies on paper of the Netherlands. Binding to open bradel ivory wove smooth back red mesh frame compositions painted boards and boards to centers: a bookplate and a monogram on the first front cover and Léon Gambetta dabbling in a bathtub on the second fragile parchment wrappers preserved and bound in contemporary binding signed Dodé. Nadar handwritten signature under the justification of the draw. Book adorned the author of illustrations. Provenance: Library of Frederick Lachèvre bibliographer specialist in French poetry with its large bookplate engraved and painted emblem repeated in the first boardes. A book illustration is reproduced on the lower flat of each volume. Some light and light bites to bookbinding. chés l'auctheur hardcover
188071647Paris: Goupil & Cie 1880. Fine. Goupil & Cie Paris 1880 24 x 33 cm une feuille Photoglypty from the Galerie contemporaine. Portrait of Edmond Goncourt. Mounted sheet on which a photoglypty of 19x24cm has been laid down. Caption at the bottom of the mount: Galerie Contemporaine 126 boulevard de Magenta. Phot. Goupil et Cie. Cliché Nadar 51 rue d'Anjou-St-Honoré. Superb condition. Handsome portrait of the writer seated with a fixed and fierce gaze a cigarette in his right hand his elbow resting on attributes that represent him. Close to a carbon print by its warm and deep tones photoglypty is a complex photomechanical process of photographic reproduction which the publishing industry used for about 20 years from 1875 to 1895. Seeking an ideal and aesthetic image of famous men the plates were always retouched and repainted to erase an unsightly wrinkle or too troublesome defect to polish the hair etc. Thus photography and printmaking converge in a new representation. The Galerie Contemporaine became a publishing house that sold images of contemporary men these images were assembled into 8 folio volumes by Paul de Lacroix but continued to be sold separately at the headquarters of the Galerie Contemporaine. Goupil & Cie unknown
