883 résultats
189327468Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Juillet 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including a sheet of Nadar's photographic prints and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. Handsome copy. Of remarkable rarity. Office général de la photographie unknown
189327467Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Avril 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including a sheet of Nadar's photographic prints and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. Handsome copy. Of remarkable rarity. Office général de la photographie unknown
189327472Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Octobre 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates outside the text including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""We believe we are advancing progress by further engaging the public's interest in this entirely French discovery of Photography."". Thus did Paul Nadar conclude his introduction as a presentation of this precious journal containing a photograph by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. Small marginal tears at foot of first cover otherwise a handsome copy. Of exceptional rarity. Office général de la photographie unknown
189127452Paris: Office général de la photographie 1891. Fine. Office général de la photographie Paris Octobre 1891 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each issue contains at least two plates including a sheet of photographic prints by Nadar and a photograph often reproduced in photogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie. ». ""We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a photograph by the celebrated photographer in each issue. Explaining the creation of Paris-photographe P. Nadar notes the absence of a luxurious photography journal in France unlike the magnificent foreign publications. Small marginal tears with minor lacks to covers angular traces of kraft paper that protected the journal on the covers handsome interior condition. Of exceptional rarity. Office général de la photographie unknown
189427456Paris: Office général de la photographie 1894. Fine. Office général de la photographie Paris 30 Mai 1894 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including a sheet of photographic prints by Nadar and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie. » ""We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. Pale and light marginal dampstains without consequence to the boards handsome copy. Of exceptional rarity. Office général de la photographie hardcover
189327461Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Septembre 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy includes at least two plates including a plate of Nadar's photographic prints and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie. » ""We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the famous photographer in each issue. Behind the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France in contrast to the magnificent foreign publications. Handsome copy. Of extraordinary rarity. Office général de la photographie unknown
189327473Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Mai 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly review founded and edited by Paul Nadar. Each issue contains at least two plates including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie."" ""We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious review containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography review in France unlike the magnificent foreign publications. Small marginal tears at foot of first cover otherwise a fine copy. Of exceptional rarity. Office général de la photographie unknown
189327466Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 mars 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie. » ""We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the celebrated photographer in each issue. Regarding the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France in contrast to the magnificent foreign publications. Handsome copy. Of exceptional rarity. Office général de la photographie unknown
189427459Paris: Office général de la photographie 1894. Fine. Office général de la photographie Paris 30 Août 1894 18.50 x 27 cm broché First edition of this exceedingly rare scholarly review founded and directed by Paul Nadar. Each copy includes at least two plates including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie. ». Thus Paul Nadar concluded his introduction as a presentation of this precious review containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography review in France contrary to the magnificent foreign publications. A small trace of kraft paper which initially protected this issue handsome copy. Of exceptional rarity. Office général de la photographie unknown
189427460Paris: Office général de la photographie 1894. Fine. Office général de la photographie Paris 30 Septembre 1894 18.50 x 27 cm broché First edition of this exceedingly rare scholarly review founded and directed by Paul Nadar. Each copy includes at least two plates including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie. ». Thus Paul Nadar concluded his introduction as a presentation of this precious review containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography review in France contrary to the magnificent foreign publications. Light pale marginal dampstains to foot of covers handsome copy. Of exceptional rarity. Office général de la photographie unknown
189327465Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Novembre 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including a plate of photographic prints by Nadar and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie. » ""We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the celebrated photographer in each issue. Regarding the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France in contrast to the magnificent foreign publications. Handsome copy subscription form pasted to first cover. Of exceptional rarity. Office général de la photographie unknown
189327469Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Décembre 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including one plate of photographic prints by Nadar and one photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a photograph by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. Handsome copy publisher's notice slip pasted to first cover. Of exceptional rarity. Office général de la photographie unknown
189327470Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Janvier 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including one plate of photographic prints by Nadar and one photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. ""We believe we are advancing progress by further engaging the public with this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a photograph by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. Handsome copy. Of exceptional rarity. Office général de la photographie unknown
189427458Paris: Office général de la photographie 1894. Fine. Office général de la photographie Paris 30 Juillet 1894 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy contains at least two plates including a sheet of photographic prints by Nadar and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie. » ""We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the celebrated photographer in each issue. At the origin of the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France contrary to the magnificent foreign publications. A small trace of kraft paper that initially protected this issue handsome copy. Of exceptional rarity. Office général de la photographie unknown
189327464Paris: Office général de la photographie 1893. Fine. Office général de la photographie Paris 30 Septembre 1893 18.50 x 27 cm broché First edition of this extremely rare scholarly journal founded and directed by Paul Nadar. Each copy includes at least two plates including a plate of Nadar's photographic prints and a photograph often reproduced in heliogravure. Contributions by P. Nadar A. and L. Lumière A. Marey G. Geffroy J. Grand-Carteret J. Demarçay Davison S. Ferrand H. Fourtier C. Gravier A. Guerronnan Ponton d'Amécourt H. Reeb L. Vidal J. Waterhouse. « Nous pensons faire oeuvre de progrès en intéressant encore davantage le public à cette découverte toute française de la Photographie. » ""We believe we are advancing progress by further interesting the public in this entirely French discovery of Photography."". Thus Paul Nadar concluded his introduction as a presentation of this precious journal containing a print by the famous photographer in each issue. Behind the creation of Paris-photographe P. Nadar explains the absence of a luxurious photography journal in France in contrast to the magnificent foreign publications. Handsome copy. Of extraordinary rarity. Office général de la photographie unknown
1256P., La Découverte/Maspero, 1983. Grd in-16, br, couv. pelliculée ill. en couleurs.
187843Belles lettres - Théâtre journal hebdomadaire paraissant le jeudi du numéro 209 de Mai 1877 au numéro 364 de Mai 1880, soit 156 numéros reliés en 2 volumes. rédacteur en chef : A. Godement Reliure demi cuir à 4 nerfs, plats de percaline verte, format : 29 x 38 cm (plats et dos frottés). Chaque numéro de 4 pages, comporte la biographie d'une personnalité de l'époque et son portrait photographique en photoglyptie contre-collée sur la page de titre. Les photographies ont un format d'environ 9 x 12 cm. La photoglyptie est signée : LEMERCIER et les clichés sont signés de : NADAR, Pierre Petit, Carjat,, Dagron, Lopez, etc, etc, .... Extraits de la liste des célébrités : Emile Augier, Jules Verne, Jules Simon, Berthe Deligny, Léon Gambetta, Cécile Daubray, Ernest Renan, Emma Thursby, Jane May, Louis Blanc,MaurelLouise Thuillier, Dalbret, Labiche, George Sand,
2015123445Paris Futuropolis 2015 1 vol. relié grand in-8, cartonnage illustré, 389 pp., illustrations en noir. Premier tirage. Envoi autographe et dessin original de l'auteur sur la page de garde. Très bon état.
2015123445Paris Futuropolis 2015 1 vol. relié grand in-8, cartonnage illustré, 389 pp., illustrations en noir. Premier tirage. Envoi autographe et dessin original de l'auteur sur la page de garde. Très bon état.
20132-8415685041Astiberri Ediciones 2013. Perfect Paperback. New. Spanish language. 9.61x6.77x1.42 inches. Astiberri Ediciones paperback
4046The proof sheet titled "Paris-Photographie" contains 30 images together composed of five rows of six images each. The images are identified at the bottom of the sheet under the title "Nadar-Actualité." The first row of six photographic proofs shows "Madame Nellie Melba" in "Romeo et Juliette" the next three rows show Sigrid Arnoldson and the last row shows Marthe Brandes. Nellie Melba 1861-1931 renown Australian opera singer and the first Australian to achieve international recognition in the classical music world; Sigrid Arnoldson 1861-1943 Swedish international opera star; Marthe Brandes 1862-1930 French comedienne. The browned sheet is in overall good condition with some soiling at lower right portion not affecting text and slight bend in right upper margin and lower left corner. unknown books
1904Pro4<p><b>PROUST Jeanne WEIL 1849-1905</b></p><p>5th December 1904 original period film print. Round photography 159 cm diameter mounted on thick paper frame in the photographer's name.Tiny spot on lower margin of the mounting small stainStamp on verso from collection Suzy Mante-Proust collection</p><p><b>One of Jeanne Weil Proust's last portraits less than a year before her death</b></p><p>This portrait was taken on December 5th 1904. At this time aged 56 years old Proust's mother has been a widow for a year. The translation of his son's <i>The Bible of Amiens</i> was published that same year. She died of nephritis a year later on September 26 1905. Nadar did process her portrait and removed the shadows and various flaws on her face.</p><p>Michel Schneider notes that the narrator's mother in the <i>Search</i> is obviously inspired by the mother of the author himself. Jeanne Proust was born Jeanne Weil in 1849 from a Jewish family of the enlightened bourgeoisie. Much has been said about the intellectual complicity that united her with elder son. Marcel Proust who during his mother's lifetime wrote only <i>beautiful</i>things in the spirit of the time <i>Pleasures and Days</i> will not become the novelist of the <i>Search</i> until after the death his mother an event that has somehow freed his creation. In the novel the grief he felt at his death is shifted to that of the grandmother and that of Albertine. In the <i>Search</i> Mom doesn't die she is also mentioned more than 500 times.</p><p>Provenance:<br />-Proust Family<br />-Suzy Mante-Proust only daughter of Robert Proust by descent<br />-Patricia Mante-Proust granddaughter of Suzy Mante-Proust by descent</p><p><u>References:</u><br />Nadar repr. p. 32 in full. <br />Cattaui n° 59 repr. <br />Mauriac repr. p. 10.</p>
IN 8°, pp.XLIV,210 + 15 c. f.t. CON 32 ILLUSTRAZIONI FOTOGRAFICHE. COPERTINA EDITORIALE ILLUSTRATA in b/n. CON TITOLO. NADAR, PSEUDONIMO DI GASPARD - FELIX TOUNACHON<BR>( PARIGI 1820 - 1910 ), PIONIERE DELLA FOTOGRAFIA. REALIZZO' PER PRIMO LE FOTOGRAFIE AEREE SCATTATE DA UN AEROSTATO E SPERIMENTO' INOLTRE L'IMPIEGO DEL FLASH AL MAGNESIO NELLA FOTOGRAFIA. OPERA FACENTE PARTE DELLA COLLANA UNIVERSALE ARTE E SPETTACOLO, 56.PRIMA EDIZIONE ITALIANA. OTTIMA CONSERVAZIONE. ID 5944
198252519Milano: Gruppo Editoriale Electa; Distributed in the USA and Canada by Rizzoli International Publications Inc. New York 1982. First edition. Nadar. Folio 3 pp. 12 full-page loose b&w plates from photographs with tissue guards. Slight scuffing to the publisher's four-point black card portfolio with printed label and white card slipcase which has an erased price on the upper corner. A near fine copy. The text includes a brief essay by Renato Giovannoli and a short chronology. <br/><br/> Gruppo Editoriale Electa; Distributed in the USA and Canada by Rizzoli International Publications, Inc., New York unknown books
L'eccentrico Baudelaire con l'estroso fiocco nero annodato sulla camicia immacolata, lo sguardo fiero e inflessibile di Victor Hugo da vecchio o il fascino magnetico di Sarah Bernhardt, ancora ventenne. Difficile non conoscere i ritratti fotografici di Felix Tournachon, in arte Nadar, abile come nessun altro nel cogliere la "sembianza intima" dei suoi contemporanei nella Parigi della seconda metà dell'Ottocento. Nato sotto la Restaurazione e uscito di scena alla vigilia della Grande Guerra, Nadar visse quasi un secolo da personaggio pubblico di primo piano. In questa biografia Stéphanie de Saint Marc ci svela gli altri volti del grande fotografo, incarnazione di un "paradosso vitale dalle mille sfumature": i turbolenti esordi che spiazzarono l'opinione pubblica con le prime, pioneristiche vignette, contribuendo alla nascita della petite presse, la futura stampa scandalistica; i "colpi di testa", come quel mattino di marzo del 1848 in cui mollò tutto e, a piedi, partì con l'esercito francese alla volta della Polonia per liberarla dall'invasore russo; l'insaziabile spirito d'avventura che lo portò prima in cielo, a fotografare le nuvole a bordo di un pallone aerostatico, e poi giù nelle viscere della terra, a immortalare le catacombe di Parigi utilizzando una sorta di flash ante litteram; il carattere goliardico di un artista chiacchierato "che in cinque minuti passava al tu e aveva ottomila amici", ma al contempo introverso... Autori: Stéphanie de Saint Marc. Traduttori: Ximena Rodriguez Bradford.
