[ Cliché Mulnier ] Portrait de Eugène LABICHELivre Rare Book
41 résultats
1885GF58271885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
1885GF58101885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie originale d'époque tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
1885GF58581885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie originale d'époque en noir tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
1885GF58391885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie originale d'époque tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
1885GF58211885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie originale d'époque tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
1885GF58481885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie originale d'époque tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
1885GF58071885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie originale d'époque tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
1885GF59041885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 11,5 x 8 cms environ, contrecollée sur papier -
1885GF318831885 Paris - Galerie Contemporaine des Illustrations Françaises - Photographie d'époque (1877) , en noir, tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort - très bon état -
1885GF58801885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 11,5 x 8 cms environ, contrecollée sur papier -
1885GF58841885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 11,5 x 8 cms environ, contrecollée sur papier -
1885GF59061885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 11,5 x 8 cms environ, contrecollée sur papier -
1885GF57911885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie originale en noir et blanc tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
1885GF59001885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie en ovale tirée en photoglyptie de 11,5 x 8 cms environ, contrecollée sur papier -
1885GF58701885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie en noir tirée en photoglyptie de 11,5 x 8 cms environ, contrecollée sur papier (34 x26cm) -
1885GF57951885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie originale d'époque tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort - Il est représenté assis, les mains croisées sur les genoux.
1885GF58961885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 11,5 x 8 cms environ, contrecollée sur papier -
1885GF58461885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie originale d'époque tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
1885GF58931885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 11,5 x 8 cms environ, contrecollée sur papier -
1885GF59051885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 11,5 x 8 cms environ, contrecollée sur papier -
1885GF59101885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 11,5 x 8 cms environ, contrecollée sur papier -
1885GF57971885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
1885GF58451885 Paris - Galerie Contemporaine des Illustrations Françaises - (vers 1885) - Photographie d'époque tirée en photoglyptie de 23 x 18,5 cms environ, contrecollée sur carton fort -
45829Albumen print photograph carte de visite format 104 x 62 mm; verso with the imprint of the photographic studio of Ferdinand Mulnier 25 Boulevard des Italiens which also mentions the gold medal awarded to him at the Exposition Universelle of 1878 and with contemporary captions in ink and pencil identifying the sitter as Lefebvre; in fine condition. The creator of a Melbourne icon. Jules Joseph Lefebvre 1836-1911 trained as a painter at the École nationale supérieure des Beaux-Arts in the early 1850s. Between 1855 and 1898 he exhibited no fewer than 72 works in the Paris Salon the majority of them oil portraits of exotic women. In the Salon of 1875 he exhibited Chloé an evocation of a pastoral idyll from classical antiquity inspired by André Chenier's poem Mnazile et Chloé. The painting - a full-length nude portrait - won Lefebvre the prestigious Gold Medal of Honour. The beautiful young model who posed for Lefebvre was a 19-year-old Parisienne identified only as Marie who is reputed to have committed suicide out of unrequited love at the age of 21. The painting's association with Australia goes all the way back to 1879 when it was brought out for exhibition in the French gallery at the Sydney International Exhibition of that year. The following year it was part of the Melbourne International Exhibition. The painting won a gold medal at both events. Chloé was then purchased by Dr. Thomas Fitzgerald of Melbourne for 850 guineas - an astronomical sum for the time particularly in the Australian colonies. In 1883 Fitzgerald loaned the painting to the National Gallery on the understanding it would be returned to him after his proposed three-year visit to Ireland. However its full-frontal nudity proved scandalous in the puritanical atmosphere of Melbourne society and after only three weeks the Gallery was forced to bow to pressure from the Presbyterian Assembly: Chloé was essentially banned from public display in Melbourne and Fitzgerald was obliged to send the painting to Adelaide for safe-keeping during his absence from Australia. From the late 1880s until his death in 1908 Chloé hung in Fitzgerald's magnificent Lonsdale Street residence ""Rostella"" - even though he was forced to move her from the front room to the back of the 24-room mansion after complaints from prurient passers-by. In 1908 the painting was acquired from Fitzgerald's estate at auction for £800 - less than Fitzgerald had paid for it nearly three decades earlier - by Melbourne publican Henry Figsby Young. Since 1909 the painting has been on permanent display in the bar of Young & Jackson's Hotel on the corner of Flinders and Swanston Streets. Chloé has long been synonymous with this famous Melbourne landmark and the painting itself - in turn condemned romanticised and fetishised - has played a significant part in the cultural and social history of the city. Trove locates no portraits of Jules Joseph Lefebvre in any Melbourne or indeed Australian institutional collections. unknown
GF16770Numéro 28 du journal "Camées Artistiques" - Paris - 1880 - Journal Hebdomadaire paraissant le samedi - Portraits et Biographies des Célébrités Contemporaines - 4 pages in folio avec portrait en photoglyptie Goupil (format 12 x 8,5 cm) collé dans un encadrement au centre du premier feuillet -