Acker, KathyBiblio.com
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20221-3753301183Walther Konig 2022. Paperback. New. 400 pages. 9.75x13.50x0.91 inches. Walther Konig paperback
19781410998Toronto Ontario Canada: Rumour Publications 1978. First Edition First Printing. Softcover. Octavo 145 pages. In Very Good condition. Encased in protective mylar covering. Spine black with tan lettering. Mild discoloration on top of front cover. Mild general shelf wear. Previous owner sticker on title page. Signed by Acker on title page. Shelved in Case 6. 1410998. Shelved Dupont Bookstore. Rumour Publications unknown
1978207912Toronto: Rumour Publications 1978. First Edition. Extremities a bit rubbed; near fine. 8vo 145pp; printed wrappers. Rumour Publications unknown
1978OU-4118-7V3ERumour Publications 1978. Paperback. Clean & Unmarked. 0x0x0. Cover & a few leaves have some creases. Previous ownership mark in ink on title-page. Text is clean & spine is uncreased. Overall a nice copy. 143 pp. Rumour Publications paperback
1978541274Toronto: Rumour Publications 1978. Softcover. Near Fine. First edition. Drawings by Robert Kushner. Square octavo. 145pp. Illustrated wrappers. Near fine with some light edgewear and tiny owner initials. Acker is considered a feminist icon and punk poet whose prose combined transitive fiction appropriation and cut-up technique among other experimental styles. Rumour Publications unknown
1987000195New York: Grove Press 1987. Book. Near Fine. Hardcover. Signed by Authors. 1st Edition. 8vo - over 7¾ - 9¾" tall. 400pp. Tight clean unmarked copy of Acker omnibus including Kathy Goes to Haiti My Death My Life by Pier Paolo Pasolini and Florida. Book square and tight dust jacket crisp and vivid and unclipped. Signed by Acker in blue ink on FFEP. 1988 reissue of three of Acker's earlier novels in a single volume. . Grove Press Hardcover
1994Q-0802131565Grove Press 1994-01-13. Paperback. New. In shrink wrap. Looks like an interesting title! Grove Press paperback
1988Q-0802100015Grove Press 1988-12-31. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Grove Press hardcover
1988555467New York: Grove Press 1988. Softcover. Fine. Uncorrected proof. Octavo. 377pp. Near fine with tiny bump at corner and neat scrape. Signed by the author. Grove Press unknown
1988555464New York: Grove Press 1988. Hardcover. Fine/Fine. First edition. Quarto. 410pp. Fine in else fine dust jacket with a touch of sunning on the spine. Signed by the author. Grove Press hardcover
2015ZB1311392The Center for the Humanities The Graduate Center CUNY 2015. Price HAS BEEN REDUCED by 10% until Monday June 29 SALE item 5 softcover volumes FINE. - If you are reading this this item is actually physically in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties taxes or fees required by recipient's country. Photos available upon request. The Center for the Humanities, The Graduate Center, CUNY paperback
20152172New York: The Center for the Humanities The Graduate Center CUNY 2015. First edition. Five volumes. Stapled printed wrappers. Comprises: Kathy Acker: Homage to Leroi Jones ed. Gabrielle Kappes. Jean Sénac: The Sun Under the Weapons Correspondence & Notes from Algeria Parts I & II ed. Kai Krienke. Langston Hughes: Poems Photos & Notebooks from Turkestan ed. Zohra Saed. William S. Burroughs: The Travel Agency is on Fire ed. Alex Wermer-Colan. A fine set. The Center for the Humanities, The Graduate Center, CUNY unknown
199067179Printed in Germany: Petersburg Gallery 1990. First edition. Cloth over boards. Fine. Hardcover cloth rust over boards. 12mo. 6 39 pp. Illustrated throughout in b/w and full colour with full-page plate photographs and engravings. An exhibition catalogue for a show entitled "Nayland Blake - Low -Recent Works" that occurred at Petersburg Gallery NYC from September to October of 1990. An unnumbered copy out of a limited print run of 2000. Blind tooled short title on front board along with author artist and publisher stamped in gilt. Spine the same as front board. Text block is clean unmarked and square with a strong binding. Small crease in spine. Very lightly bumped upper right corner. This copy seems to have never been read. Included with this copy is an original order form from Petersburg Gallery folded a one page CV of Nayland Blake from Petersburg Gallery folded and a photocopied article from Artforum magazine November 1990 entitled "You're History Pal. Reading Nayland Blake" by Maria Porges. Petersburg Gallery unknown
5422761983. Unbound. Very Good. Manuscript. Four lined octavo sheets holograph rectos only. Very good with creases from being mailed small stain on the first page and typical ragged edge from being removed from a spiral bound notebook. Signed and date on the last page along with a word count: "Kathy Acker 1983. app. 950 words." Accompanied by the mailing envelope and a one-page Autograph Note Signed to editor Malcolm Imrie apologizing for her handwriting and how she is looking forward to seeing him. An essay about embracing nihilism as a means of escape - along with a move to London - ending with a sexually brutal metaphor that takes place inside the hallway of a tenement building in New York. Not for the weary though typical stuff for Acker. A short work intended for an unstated English literary magazine which we could not identify suggesting this is possibly unpublished. unknown
1993000586New York: Pantheon 1993. Book. Near Fine. Hardcover. 1st Edition. 8vo - over 7¾ - 9¾" tall. 268pp. Orange boards gilt titles on spine. Spine straight binding tight corners square pages clean and umarked. Unclipped dust jacket is a vivid red and presents very well in a mylar sleeve. Review copy with publisher's review slip laid in. Acker bases My Mother: Demonology loosely on the relationship between George Bataille and Colette Peignot. Acker's reputation has grown since her 1997 death. . Pantheon Hardcover
1993001061<p>New York: Pantheon 1993. Book. Near Fine. Hardcover. Signed by Authors. 1st Edition. 8vo - over 7¾ - 9¾" tall. 268pp. Orange boards gilt titles on spine. Spine straight binding tight corners square pages clean and umarked. Unclipped dust jacket is a vivid red and presents very well in a mylar sleeve. Signed by Acker on the FFEP in black ink. Acker bases My Mother: Demonology loosely on the relationship between George Bataille and Colette Peignot. Acker's reputation has only grown since her 1997 death. .</p> Pantheon hardcover
1993Q-0679403493Pantheon 1993-07-20. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Pantheon hardcover
1994Q-0802134033Grove Press 1994-09-15. Paperback. New. New. In shrink wrap. Looks like an interesting title! Grove Press paperback
0679403493.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1993305766NY: PANTHEON. Fine in Fine dust jacket. 1993. First Edition; First Printing. Hardcover. 0679403493 . First edition. REVIEW COPY. Publisher's publicity release & printed slip laid-in Fine in fine dust jacketj. Tiny spot of mild erasure at front end-paper. . PANTHEON. hardcover
43804New York: Various 1991. Very good overall. Collection of five different versions of Acker's first critically acclaimed work - including a pre-publication copy of her own corrected typescript. The pre-publication copy gives key insight not only into Acker's writing methods but also raises interesting questions about the intended structure of the finished story and highlights the mutable interpretations regarding the published presentation of her prose writing via four different versions included herein. <br /> <br /> This copy was sent by Acker in late 1979 to friend and fellow experimental writer Paul Buck. The pages have clearly been xeroxed on several different machines with different paper stock and print qualities evident in different sections and pp. 29 is an original typescript passage with visible typed corrections and numbered in holograph in Acker's distinctive hand which has been taped onto the verso of a sheet of letterhead for "Performing Artservices Inc. 463 West St NY" an organization that provided management and administrative services to avant-garde artists. <br /> <br /> Included with this document are four published editions of the story. The first although not always credited thus was in International Times vol. 5 no 5. January/February 1980. Run as "New York City '79" over the centerspread this version is closest to the typescript form. There is persuasive evidence that the editors of I.T. were working from a similar photocopy and whether instructed thus by Acker or not they took the cut-up style of the piece at face value and ran it as a series of fragments differentiated from one another by the use of typefaces and with no cohesive order. Probably due to space constraints this version is also heavily abridged however the notable omissions of the three statements about lesbians suggests that there was also a degree of selective censorship at work. <br /> <br /> The first publication of the complete text followed in July 1980 in the pages of San Diego magazine Crawl Out Your Window Issue 7. Here the sentences - which run over multiple pages in the typescript - are conventionalized into standard lines. There are also slight textual differences with a couple of additional sentences added. <br /> <br /> The first stand-alone publication came in Top Stories 9 1981 which incorporated photographs by Anne Turyn. These images again mutate the text and raise further questions about Acker's editorial intention; the typescript title-page bears the uncompleted subheading "Photographs by" but gives no further allusions to this content. The final example is the 1991 Semiotexte collection HANNIBAL LECTOR MT FATHER which shows still further textual edits. <br /> <br /> In terms of form the most marked difference between the typescript copy and the published editions that followed is the way in which the text is divided into a series of passages or episodes numbered at the head of the page. These can be full paragraphs or single sentences or for example the word "syphilis" which has an entire page to itself. This deliberate distribution of white space surrounding the single word which in later editions is returned to the conventional layout of a sentence adds nuance and valence to the story which is arguably altered in transcription. <br /> <br /> In the key collection of Acker Papers at Duke University there is a comparable copy described thus in their catalogue: "60-page photocopied typescript corrected in the photocopy with original note on the title page My Copy by Acker". We have not been able to locate an original typescript suggesting that this format with Acker's holograph corrections in the copy is as primary a resource for this text as is currently known. <br /> <br /> A revealing collection about Acker's Pushcart Prize-winning work showing both her working methods and intentions while simultaneously demonstrating their editorial undoing across numerous editions. Photocopy of typescript with one page original typescript bearing top-copy typed corrections and holograph number that page taped to verso of letterhead. 60pp. printed on recto only stapled at top right corner with neat tape reinforcement over staple on title page. Light wear to title page and final sheet tail edge of two oversized sheets rubbed. Taped revision loose from browned tape mounts. With four published appearances featuring the story also provided. [Various] unknown
3040No place Bay Area: Papyrus Press 1972. Very Good. Kathy Acker's first book certainly the rarest and one that already clearly presages the energy & portent of her later writings. Breathless prose. Printed card-covers with thick tape covering staples 8-5/8" x 7-1/8" in Very Good condition but for some water staining to front cover. The present copy is from the library of another great radical literary figure Jill Johnston 1929-2010 cultural critic memoirist lesbian feminist and champion of the avant-garde and it bears her distinctive stamp in blue ink on the title page which reads "Write first. then live." J.J. While the edges of the covers are a tad softened there are no other mentionable flaws to this piece. Papyrus Press unknown
0802135439.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1992400032New York: Pantheon Books 1992. Softcover. Fine. Uncorrected proof. Printed wrappers. Fine. A collection of Acker's three multipart novels: The Childlike Life of the Black Tarantula I Dreamt I Became a Nymphomaniac!: Imagining and The Adult Life of Toulouse Lautrec. The proof is uncommon. Pantheon Books unknown
1996583461New York: Grove Press 1996. Softcover. Near Fine. Uncorrected proof. Glossy illustrated wrappers. Slight edgewear else near fine. Grove Press unknown
