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19971302430PN. New. 1997. Soft Cover. Date is original print. This is a reprint edition . PN paperback
19981560749232Prentice Hall Upper Saddle River NJ 1998. 5th Edition. Hardcover. New . Book is Brand New Has a small scratch on the upper back edge Quantity Available: 1. ISBN: 0135249015. ISBN/EAN: 9780135249017. Pictures of this item not already displayed here available upon request. Inventory No: 1560749232. . 9780135249017 Prentice Hall hardcover
200583655Pearson. 2005. Seventh Edition. Hardcover. Very Good. Bit of vertical bubbling to the inside covers.; Small 4to 9" - 11" tall; 760 pages; Extra postage required for priority and international shipping. . Pearson hardcover
2004Q-013046256XPearson College Div 2004-05-20. Hardcover. New. New. In shrink wrap. Looks like an interesting title! Pearson College Div hardcover
2004SKU0192394Pearson College Div 2004-05-20. Hardcover. Good. Textbook May Have Highlights Notes and/or Underlining BOOK ONLY-NO ACCESS CODE NO CD Ships with Tracking Pearson College Div hardcover
0135249015.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1975012419Antwerpen 1975 Mercurius Hardcover
12056Antwerpen, Uitgeverij Mercurius, 1975 Gebonden, rood linnen, vergulde titel op de voorplaat en de rug, uitvouwbare geillustreerde schutbladen, 17.5x25 cm., 448 pp,. geillustreerd in kleur en z/w.
1975B87503Antwerpen, Mercurius 1975 447pp.rijkelijk geïllustreerd + 2 uitvouwbare plannen, 25cm., roodlinnen band, stofwikkel, goede staat, B87503
1975009834Antwerpen 1975 Mercurius Hardcover No Jacket
1975009835Antwerpen 1975 Mercurius Hardcover No Jacket
1975019427Antwerpen 1975 Mercurius Hardcover No Jacket
1975025481Antwerpen 1975 Mercurius Hardcover No Jacket
72055Anvers - Bruxelles, Editions Mercurius 1975, 250x180mm, 447pages, reliure d'éditeur sous jaquette. Coiffe supéreure de la jaquette un peu usée, autrement bel exemplaire.
29454Antwerpen, De Vries-Brouwers, Relie, avec couverture color, 446 pag. avec beaucoup d'illustrations.et plans. . ISBN 9789061740230.
2001DADAX1350068233Bloomsbury Visual Arts 2020-01-09. hardcover. New. 6.30x1.00x9.10. Buy with confidence. Excellent Customer Service & Return policy. Bloomsbury Visual Arts hardcover
2020x-1350068233Ava Pub Sa 2020. Hardcover. New. 285 pages. 9.25x6.25x1.00 inches. Ava Pub Sa hardcover
2021x-1350236705Ava Pub Sa 2021. Paperback. New. 304 pages. 9.00x6.25x1.00 inches. Ava Pub Sa paperback
2019130135-77Bloomsbury Visual Arts 2019. 1st Edition . Hardcover. New. <br/> <br/> Bloomsbury Visual Arts hardcover
42464674-nnew. unknown
33183395like new. unknown
33183395-nnew. unknown
A9781350068230Hardback. New. Whatever 'ugliness' is it remains a problematic category in architectural aesthetics - alternately vilified and appropriated either to shock or to invert conventions of architecture. This book presents eighteen new essays which rethink ugliness in architecture - from brutalism to eclectic postmodern architectural productions - and together offer a diverse reappraisal of the history and theory of postmodern architecture and design. The essays address both broad theoretical questions on ugliness and postmodern aesthetics as well as more specific analyses of significant architectural examples dating from the last decades of the twentieth century addressing the relation between the aesthetic register of ugliness and aesthetic concepts such as brutalism kitsch the formless ad hoc-ism the monstrous or the grotesque. The aim of this volume is not simply to document the history of a postmodern anti-aesthetic through case studies. Instead it aims to shed light on an aesthetic problem that has been largely overlooked in the agenda of architectural theory the question if and how ugliness can be of interest to architecture; or if and how architecture can make good use of ugliness. hardcover
197922819New York: Various 1979-1991. Photocopy of typescript with one page original typescript bearing top-copy typed corrections and holograph number that page taped to verso of letterhead. 60pp. printed on recto only stapled at top right corner with neat tape reinforcement over staple on title page. Light wear to title page and final sheet tail edge of two oversized sheets rubbed. Taped revision loose from browned tape mounts. Very good. With four published appearances featuring the story also provided. <br/><br/>A pre-publication copy of Acker’s own corrected typescript for the story ‘New York City in 1979’ which went on to win the 1979 Pushcart Prize making it her first critically acclaimed work. This document gives key insight not only into Acker’s writing methods but also raises interesting questions about the intended structure of the finished story and highlights the mutable interpretations regarding the published presentation of her prose writing via four different versions included herein. <br /> <br />This copy was sent by Acker in late 1979 to friend and fellow experimental writer Paul Buck. The pages have clearly been xeroxed on several different machines with different paper stock and print qualities evident in different sections and pp. 29 is an original typescript passage with visible typed correctionz and numbered in holograph in Acker’s distinctive hand which has been taped onto the verso of a sheet of letterhead for “Performing Artservices Inc. 463 West St NY" an organisation that provided management and administrative services to avant-garde artists. <br /> <br />Included with this document are four published editions of the story. The first although not always credited thus was in International Times vol. 5 no 5. January/February 1980. Run as “New York City ’79” over the centerspread this version is closest to the typescript form. There is persuasive indication that the editors of I.T. were working from a similar photocopy and whether instructed thus by Acker or not they took the cut-up style of the piece at face value and ran it as a series of fragments differentiated from one another by the use of typefaces and with no cohesive order. Probably due to space constraints this version is also heavily abridged however the notable omissions of the three statements about lesbians suggests that there was also a degree of selective censorship at work here. <br /> <br />The first publication of the complete text followed in July 1980 in the pages of San Diego magazine Crawl Out Your Window Issue 7. Here the sentences — which run over multiple pages in the typescript — are conventionalised into standard lines. There are also slight textual differences with a couple of additional sentences added. <br /> <br />The first stand alone publication came in Top Stories 9 1981 which incorporated photographs by Anne Turyn. These images again mutate the text and raise further questions about Acker’s editorial intention; the typescript title-page bears the uncompleted subheading “Photographs by” but gives no further allusions to this content. The final example is the 1991 Semiotexte collection HANNIBAL LECTOR MT FATHER which shows still further textual edits. <br /> <br />In terms of form the most marked difference between the typescript copy and the published editions that followed is the way in which the text is divided into a series of passages or episodes numbered at the head of the page. These can be full paragraphs or single sentences or for example the word “syphilis” which has an entire page to itself. This deliberate distribution of whitespace surrounding the single word which in later editions is returned to the conventional layout of a sentence adds nuance and valence to the story which is arguably altered in transcription. <br /> <br />In the key collection of Acker Papers at Duke University there is a comparable copy described thus in their catalogue: “60-page photocopied typescript corrected in the photocopy with original note on the title page My Copy by Acker”. We have not been able to locate an original typescript suggesting that this format with Acker’s holograph corrections in the copy is as primary a resource for this text as is currently known. A revealing archive showing both Acker's working methods and intentions while simultaneously demonstrating their editorial undoing across numerous editions. [Various] unknown books
0262553244.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
