MAN RAYLivre Rare Book
539 résultats
47407GLM.1937.In-8 en feuilles.Poème de André Breton "Convulsionnaires".12 photos de Man Ray.17 feuillets non paginés. TBE.Rares piqùres.( aucunes sur les photos).In-8 sous couverture bleue d'origine.Jaquette noire avec fenètre,chemise toilée noire à rabats et étui bleu.Un relieur a refait à l'identique,étui,chemise,et jaquette avec beaucoup de soin.
35997in4. Sans date. Broché. Traduit de Sénès Florence - Illustrations de Jankovics györgy
1972160190Paris: Galerie des 4 Mouvements 1972. First Edition. First Edition. Published in conjunction with an exhibition at the Galerie des 4 Mouvements which ran from February 25 to March 25 1972. Text and titles in French. <br /> <br /> About Very Good plus in saddle stapled wrappers with French flaps. Light age toning on the page edges with wrappers lightly rubbed and soiled. Galerie des 4 Mouvements unknown
1948119735Beverly Hills CA: Copley Galleries 1948. First Edition. First Edition. One of 500 copies issued. INSCRIBED by the author and artist on the front endpaper: "For Charlotte Bebe and Louis Barron. Cordially Man Ray Hollywood 1949." An exceptional avant-garde association and in one of the strangest alphabet books ever published. <br/><br/>Around this time the Barrons were beginning to experiment with committing electronic sounds as music to magnetic tape and were ultimately not only pioneers in that field inventors. One year after the date of this inscription they would compose their first piece "Heavenly Menagerie" and they would go on to produce the first electronic film score for the seminal 1956 science fiction film "Forbidden Planet" credited as "tonalities" rather than "music" at the time due to union rules. The Barrons' earliest compositions were slow and laborious as their early work preceded the digital age and involved building circuits and tape splicing to create even the smallest sequences of sound. In the decades that followed electronic composition has become a worldwide phenomenon in every musical category. A tremendous association between pioneers in two major fields of twentieth century artistic endeavor.<br/><br/>Near Fine in illustrated cloth covered boards with no dust jacket as issued. Copley Galleries unknown books
2009205540Gottingen Germany: Steidl 2009. First edition and first printing. Hardcover. 367 pages. Text in French. Features a preface by John P. Jacob and an introduction by Merry A. Foresta. Includes hundreds of black and white images by Man Ray. A clean and tight very near fine copy in cloth boards and in a very near fine dust jacket. Steidl unknown
200905N-04Z-TA4STEIDL 2009. Hardcover. Very Good. <br/> <br/> STEIDL hardcover
196477121Robert Laffont 1964. Book. Good. Soft cover. 8vo - over 7¾" - 9¾" tall. In-8 broché Bon Etat . Robert Laffont Paperback
19643879Paris: Robert Laffont 1964. Original Wraps. Collectible; Very Good. 1964 1st French edition--follwing the American and English editions. Bright and VG in its original pictorial wrappers. Very light creasing to the spine otherwise clean as could be. Octavo 358 pgs. Robert Laffont unknown
196417288Paris: Robert Laffont 1964. SIGNED BY MAN RAY in a clear ink on the half-title. A bright sharp copy to boot of the 1964 1st French edition. Clean and VG in its dark and gold pictorial wrappers with just a touch of very light creasing and bumping along the spine crown and the front panel's upper tip respectively. Otherwise clean as could be with no writing or markings of any kind internally. Octavo generous black-and-white illustrations thruout accompanying the text. Man Ray's autobiography first published in New York in 1963 and followed 1 year later by this handsome Paris edition. <br/><br/> Robert Laffont unknown books
19643879Paris: Robert Laffont 1964. Original Wraps. Collectible; Very Good. 1964 1st French edition--follwing the American and English editions. Bright and VG in its original pictorial wrappers. Very light creasing to the spine otherwise clean as could be. Octavo 358 pgs. <br/><br/> Robert Laffont paperback books
1998R240090649ACTES SUD. 1998. In-12. Broché. Bon état, Couv. convenable, Dos satisfaisant, Intérieur frais. 515 pages - illustration en noir et blanc sur le 1er plat .. . . . Classification Dewey : 810-Littérature américaine
20192-8884167396Abscondita 2019. Paperback. New. Italian language. 8.74x4.96x0.94 inches. Abscondita paperback
In-8°, pp. 317, 60 illustrazioni in tavv. f.t. e illustrazioni n.t., brossura editoriale illustrata.
3038Paris. Vintage photo. Stamp on the back. 2 the. corners are restored. Vintage photo. Stamp on the back. 10 x 15 cm. Vintage print of the iconic image. unknown
26678<p>new oversize pb 32 photographs</p> Galerie Alain Paviot paperback
19452406New York: Julien Levy Gallery 1945. Single sheet folded once to form 4 pp. Slight edgewear minor staining to center crease. Slight transfer ghost to rear cover as often seen. <br /> <br /> Exhibition brochure designed by Marcel Duchamp cover image based on a photograph by Czech filmmaker Alexander Hackenschmied. Includes an artist's statement by Man Ray a checklist of the exhibition and some definitions by the artist about certain of his "objects of my affection.". Julien Levy Gallery unknown
19622625Paris: Bibliotheque Nationale 1962. First edition. 3 16 pp printed on rectos only. Perfect-bound wrappers lettered in white on the front cover with a mounted photograph. Some slight waviness from mounted image near fine.<br /> <br /> An uncommon catalogue of an exhibition held at the Bibliotheque Nationale of Man Ray's photographic works including photographs along with books and portfolios. Prefaces by Julien Cain and Jean Adhemar of the BnF; catalogue with notations by Adhemar and Evelyne Pasquet. Bibliotheque Nationale unknown
1995002394Milan: Gio Marconi Gallery 1995. Book. Near Fine. No Binding. Cardboard box 13x9x3 cm. containing a booklet with 35 reproductions of photographs and a collection of 9 facsimile copies taken from photographic contact prints carried out by Man Ray in 1937 from the original negatives. The prints measure approx. 86 x 66 cm. and are individually stored in transparent paper sachets. The box set was issued in a limited edition of 1000 on the occasion of the exhibition 'La Mode au Congo" held in the Gio Marconi Gallery in 1995. This is number 822. The box has light wear and a bit of soiling contents are fine. Rare object. . Gio Marconi Gallery unknown
1937001889HHParis France: GLM 1937. First Edition. Fine. A fine copy issued originally unbound now stapled in it's original outer black wrapper. 12 half tone plates in excellent condition and five sheets of text by Andre Brenton. A Nice Copy. GLM unknown
2009091500Fotohof 2009. Soft cover. Fine. Facsimile reprint of the original 1937 edition. Total of 15 loose sheets eight with a Man Ray photograph with caption three with Breton text and title and colophon sheet. Sheets are housed in blue printed folder and all housed in de-cut paper cover. Fine <br/> <br/> Fotohof paperback
19370836Livre Avec 12 reproductions photographiques
20261Paris, G.L.M., 1937. In-8, [4] ff. 12 pl., en feuilles, double couverture originale (petite déchirure au 2nd f. de texte).
193724615Paris: GLM 1937. Light crease to the top edge of the plates else fine in wrappers black cutout wrapper. The Frary copy sold at Christie's on April 10 2008. Housed in a custom clamshell box. First Edition. Octavo. SIGNED by Man Ray. Twelve halftone plates and five sheets of text by André Breton unbound as issued laid into blue wrappers and an outer black wrapper with a cutout window often missing or damaged. Described by Parr as "Duchampian ready-mades." Parr / Badger v1 108-109. Paris: GLM unknown books
199819441Centre Georges Pompidou 1998 55 pages in-8. 1998. broché. 55 pages. Reproductions photographiques en noir
196991841Vence: Galerie Alphonse Chave 1969. Fine. ""Without the Signature the Painting Is Worth Nothing"" Galerie Alphonse Chave Vence 1969 20.3 x 25.5 cm En feuilles sous couverture First edition one of 500 copies of this catalogue for the exhibition Les invendables The Unsellables featuring 40 drawings and paintings at the Galerie Alphonse Chave. Illustrated with 5 full-page black lithographs and 6 tipped-in colour plates. In his characteristically provocative style Man Ray opens with a preface mocking collectors' tendency to purchase names on canvas rather than the artworks themselves. Among the pieces selected for this book are several examples from his series of automatic paintings called ""Peintures naturelles "" including the cover created without the use of a brush. Among the other artworks one can find subtle allusions to famous painters: a Déjeuner sur l'herbe a markedly Picassian Centaure disjointed marionette figures Antipolis evoking the compositional language of de Chirico and an Observatoire reminiscent of a Braque still life. Galerie Alphonse Chave unknown
