MAN RAY - Louis ARAGON - Benjamin PÉRETLivre Rare Book
539 résultats
19292190S.l.n.e. (Bruxelles, Editions de la Revue Variétés, 1929). Un volume petit in-4 broché (30 x 22 cm), 28 pages sur 14 feuillets non paginés, couverture gris souris imprimé du titre "1929" sur le premier plat. Édition originale illustré de QUATRE PHOTOGRAPHIES PORNOGRAPHIQUE PAR MAN RAY titrées "Printemps , Été, Automne, Hiver" et contrecollées. La plaquette est divisée en deux semetres de l'année : les poèmes du premier semestre (janvier à juin) sont de Péret ceux du second (juillet à décembre) d'Aragon. Une particularité inhabituelle pour ce type de publication, les auteurs et le photographe ont nommément signé leurs œuvres. Exemplaire sur vélin de Montval numéroté au composteur (n° 211), conservé dans sa condition d'origine en excellent état (marge inférieure empoussiérée comme souvent). Photographies et informations supplémentaires sur demande. - — — ENGLISH: "1929". S.l.n.e. (Brussels, Editions de la Revue Variétés, 1929). A paperback 4vo volume (30 x 22 cm), 28 pages on 14 unpaginated sheets, gray soft cover printed with the title "1929" on the front. First edition illustrated with FOUR PORNOGRAPHIC PHOTOGRAPHS BY MAN RAY titled "Spring, Summer, Autumn, Winter" and sticked. The booklet is divided into two semesters of the year: the poems of the first semester (January to June) are from Péret those of the second (July to December) from Aragon. An unusual feature for this type of publication is the authors and the photographer have signed their works by name (printed). Our copy on Montval paper is numbered in the composter (no. 211), preserved in its original condition in excellent condition (lower margin dusty as often). Photographs and additional information on request.
45345Paris : Jean-Michel Place, 1976 - Deux volumes (19x23,5cm) pleine toile imprimée de 812 et 796 pages illustrées dans et hors texte. Sous emboitage. En annexes, index des noms cités, des ouvrages cités et des revues et journaux. Réimpression en fac-similé des huit numéros parus de cette revue dirigée par Pierre Lévy, entouré de Georges Ribemont-Dessaignes et Nino Frank. Exemplaires en bon état.
193487707Au sans pareil | Paris 1934 | 14.50 x 21.50 cm | broché
192448244Nrf | Paris 1924 | 13.50 x 19 cm | broché
192491867Nrf | Paris 1924 | 13.50 x 19 cm | broché
194791779Editions Cahier d'art | Paris 1947 | 18.50 x 24.50 cm | broché
198052585Paris, Jacques Damase, 1980, in-4, 80pp, cartonnage de l'éditeur, illustré en noir et blanc, En 1926, Cocteau écrit un important essai sur la nature et l'artifice du théâtre appelé "Le Numéro Barbette" qui est publié dans la Nouvelle Revue Française. Barbette (Van der Clyde, 1905-1973) était un travesti, danseur et trapéziste, de qui Cocteau était très admirateur. Le texte de Cocteau est accompagné de photographies inédites en noir et blanc de Man Ray, qui a capturé non seulement les aspects de la performance de Barbette, mais aussi son processus de transformation en son personnage féminin. Très bel exemplaire. Couverture rigide
005553Paris, G.L.M., 1937. In-8 (252 X 162 mm) sous chemise noire au premier plat ajouré et rabat, couverture bleue ; (4) ff. dont titre, 12 planches, (1) f. d'achevé d'imprimer.
3523Zürich Galerie Zur Stockeregg 1989. 4° 49 Bl. 45 tlw. farb. Abb. Kart. Tadellos. Jubiläumsband mit aufwendig reproduzierten Aufnahmen zum zehnjährigen Bestehen einer der wichtigsten Photogalerie der «Galerie Zur Stockeregg» von Kaspar M. Fleischmann. Eine kurze Geschichte der klassischen Photographie mit 45 weltberühmten Aufnahmen von Fox Talbot Julia M. Cameron Stieglitz Atget Edward Steichen Edward S. Curtis Heinrich Kühn Paul Strand Edward Weston Imogen Cunningham Kertesz Man Ray Erwin Blumenfeld Moholy-Nagy Brassai Herbert Bayer Robert Frank Josef Sudek. - Wurde in einer Auflage in Höhe von 2000 Ex. gedruckt. Text in Dt./Englisch. 010 Zürich, Galerie Zur Stockeregg, 1989 unknown
192491867Paris: Nrf 1924. Fine. Nrf Paris 1924 13.50 x 19 cm broché First edition one of 535 numbered copies on Navarre laid paper the only issue together with 10 copies on Japan paper. Illustrated with a portrait of the author as frontispiece by Man Ray. A fine copy despite a small minor tear at the head of the spine. Signed autograph inscription by Jacques Baron: "" à Jeanne Pierre et Jacques et X Collet. De tout coeur. Vraiment. Jacques."" Nrf unknown
192448244Paris: Nrf 1924. Fine. Nrf Paris 1924 13.50 x 19 cm broché First edition one of 535 numbered copies on laid Navarre with 10 single draw Japan. Precious and beautiful autograph signed by the author ""Jeanine and Raymond Queneau. Brotherhood friendly sic and everything. Jacques. This April 19 1935 in their home in Neuilly says Neu Neu for ladies"" enriched this handwritten quatrain: ""Hi shadows today / Ravissant the wall in a dream / If going from friend to friend / De as a naked Eve songs."" Illustrated book with a portrait of auterur frontispiece by Man Ray. Beautiful specimen. Nrf unknown
1987234272Ravenna: Essegi 1987. Brossura wrappers. Molto buono Very Good. Testo di Michel Butor. Fotografie in bianco e nero di Maxime Godard. Traduzione di Graziella Borghesi. Edizione in italiano e francese. Cm 22x22. pp. 36. Molto buono Very Good. Prima edizione italiana First Italian Edition. <em>"Al ritorno dagli Stati Uniti Man Ray e Juliet si trasferiscono nel loro <strong>atelier al 2 bis di rue Fé";rou a Parigi</strong> nel maggio 1951. Man Ray muore il 18 novembre 1976. Juliet tenne lo studio fino al gennaio 1990 il ritratto con la scopa nello studio vuoto fu scattato durante la sua ultima visita il 7 gennaio 1990; morì negli Stati Uniti un anno dopo. Sono sepolti nel cimitero di Montparnasse a Parigi.<br /><br /><strong>Le foto dello studio sono state scattate nel 1984 e nel 1985</strong>. Desidero ringraziare Vilbrès Rabboni e Dino Gavina i miei amici italiani che hanno favorito il mio incontro con Juliet nel 1983 Graziella Borghesi la mia compagna che ha condiviso questi momenti di amicizia con Juliet e Michel Butor per la complicità" del loro lavoro e la condivisione degli incontri dal 1984". dal testo di Maxime Godard.</em> Essegi, unknown
193388275Neuilly-sur-Seine: Le Phare de Neuilly 1933. Fine. One of the rarest and most iconic Surrealist magazines Le Phare de Neuilly Neuilly-sur-Seine S.d. 1933 18.20 x 25.10 cm 3 volumes brochés First edition of this important and very rare magazine complete with 4 issues in 3 volumes. Complete collection of this luxurious Surrealist magazine edited and funded by Lise Deharme and characterized by its emphasis on photography. Covers illustrated by Man Ray illustrations in black. Contributions by Salvador Dali Hans Arp Dora Maar Oscar Dominguez Brassaï Lee Miller Jacques Lacan James Joyce Georges Ribemont-Dessaignes Ilarie Voronca Nathalie Barney Benjamin Fondane Pierre Drieu La Rochelle Alejo Carpentier Eugène Jolas Lise Hirtz Lise Deharme Raymond Queneau Claude Sernet Roger Vitrac Robert Desnos Jean Follain Léon-Paul Fargue Pierre Keffer Jacques Baron Gottried Benn Céline Arnauld Monny de Boully Georgette Camille André de Richaud Jules Supervielle Claire Goll Paul Laforgue David Herbert Lawrence Marcel Jouhandeau Paul Dermée Jean Painlevé Nadar Pétrus Borel and Stendhal. Sunned spine on the No. 3/4 issue. Spine-ends and corners slightly rubbed otherwise a wonderfully preserved copy. A very fine example of this rare avant-garde magazine which ""came into being over the course of a few dinners that brought together the dissidents of Surrealism and other poets in this hospitable abode of Lise Deharme. Robert Desnos provided the title. Georges Ribemont-Dessaignes was the editor. Man Ray had designed the cover: a silhouette of a lighthouse against a photographic background of sailing boats. . It contains curiosities: a tale by Petrus Borel a photo by Nadar popular songs an investigation into the neurosis of war epitaphs taken from a cemetery of animals. Among other curiosities a sonnet by the famous psychoanalyst Jacques Lacan. It is entitled Hiatus irrationalis."" Jacques Baron Cahiers de l'Herne Raymond Queneau p. 333. Le Phare de Neuilly unknown
194791779Paris: Editions Cahier d'art 1947. Fine. Dora Maar Signs Her Own Work Editions Cahier d'art Paris 1947 18.50 x 24.50 cm broché First edition which supposedly had an issue of 500 numbered copies. Gallimard donated the paper required for the production of this book but only 258 copies could be printed rather than the 500 announced in the justification from a note by Paul Éluard. A slight crease to the covers slight marginal sunning primarily affecting the rear cover. Illustrated with 11 photographs of Nusch Éluard by Man Ray and Dora Maar. Le temps déborde is a collection of eleven poems published in 1947 a few months after the sudden and unexpected death of Paul Éluards wife Nusch. A poignant ode to their seventeen years of life together the work is illustrated with striking portraits of Nusch. This exceptional copy is signed by Dora Maar beneath or directly on each of her five photographs. We are aware of only one other copy signed by the photographer and none signed by Man Ray. A rare and beautiful copy. In 1965 paying tribute to his friend Aragon recalled his discovery of this masterpiece: He signed it with an invented name Didier Desroches because he had killed Paul Éluard. I let him talk. What he had shown me of Didier was of a confounding beauty. This slender book which was to appear as the work of an unknown to say merely that in my eyes it surpasses everything Éluard ever signed with his own name is to say too little. I thought so then and I think so today. The attribution of each photograph in the collection to either Man Ray or Dora Maar has long been a source of confusion. Strangely the question seems to attract little scholarly attention: as Mary Ann Caws notes Dora Maars portraits of the Surrealists muse were originally attributed to Man Ray since they were so clearly superb in their construction and realization These photographing women: The scandal of genius Angels of anarchy: women artists and surrealism 2009. This misattribution was also a consequence of the systematic erasure of Dora Maars photographic work which she abandoned at Picassos request. The two series by Dora Maar and Man Ray are further entwined by their shared style and by both artists fascination with Nusch. Audacious framing and subtle interplay of shadow and light reflect the two Surrealist photographers formal innovation. Beyond aesthetic alchemy the three of them were very close at the time of these photographs 1935-1938. For several years they all took part with their partners Ady Fidelin and Paul Eluard in late-summer gatherings in the rustic village of Mougins overlooking Cannes at the invitation of Picasso where they indulged in role play identity and couple exchanges Alicia Ortiz Dujovne Dora Maar. Some of the collections illustrations are well known: Man Rays Nusch with mirror his diptych with her eyes closed and open and the celebrated portrait by Dora Maar illustrating the poem LExtase with her carefully lit face floating in darkness supported only with her fingers an elusive expression in her eyes. In one unforgettable version of the same image Les années vous guettent The years lie in wait. Maar superimposes a silvery spiders web over Nuschs features Louise Baring Dora Maar: Paris in the time of Man Ray Jean Cocteau and Picasso. The resonance of the photograph is all the more powerful since Nusch died early of a heart attack just on the day she was to lunch with Dora Maar for whom it was an irreparable loss. Mary Ann Caws For other photographs attribution had remained uncertain notably the portrait of Nusch bare-breasted and draped in foliage illustrating En vertu de lamour: the absence of a signature supports the attribution to Man Ray. A sublime poetic and artistic tribute featuring the finest portraits of Nusch central figure in Man Ray and Éluards shared imagery and graceful model for Dora Maars most accomplished portraits at last restored to their right Editions Cahier d'art unknown
196691822Paris: Jean Petithory 1966. Fine. Man Ray shoots Surrealist Mannequins Jean Petithory Paris 1966 26.5 x 30.2 cm Relié sous étui First edition one of 37 numbered copies ours one of a few hors commerce copies for collaborators and friends signed by Man Ray on the justification. 15 photographs on watermarked vélin Montgolfier mounted on guards each bearing Man Rays printed studio stamp Épreuve originale atelier Man Ray Paris. The copy exceptionally contains the original subscription prospectus and an invitation to the book launch exhibition opening night organised by Simone Loliée. Publishers binding by the renowned bookbinder Mercher bearing his signature in the negative of the photographic paper on each endpaper and pastedown flat black shagreen spine title author and date stamped in gilt lengthwise photographic boards with gilt background after an original composition by Man Ray specially designed for this work original wrappers preserved black paper slipcase. Illustrated with 15 original photographic prints of the mannequins photographed by Man Ray at the 1938 International Exhibition of Surrealism. The mannequins had been transformed by Man Ray himself Salvador Dalí Oscar Dominguez Marcel Duchamp Max Ernst Espinoza Maurice Henry Marcel Jean Léo Malet André Masson Sonia Mossé Joan Miró Wolfgang Paalen Kurt Seligmann and Yves Tanguy. They were presented within a Surrealist staging by Marcel Duchamp and lighting designed by Man Ray himself. During the 1930s the European Surrealists had a fetishistic interest in simulated woman-female mannequins that they transformed into playful sculptural works of art. In 1938 Man Ray photographed a series of their work at the Exposition Internationale du Surréalisme presented in the unsettling half-light of the Galerie des Beaux-Arts on the rue du Faubourg Saint-Honoré. Visitors walking down a corridor on the Rue Surréaliste saw a series of dressmakers mannequins inhabitants of a dreamlike Paris scantily clad or adorned with a jumble of incongruous objects and flanked by street signs bearing highly symbolic names: some real such as the Rue des Vieilles Lanternes where Gérard de Nerval took his own life or the Rue Vivienne where Lautréamont once lived alongside invented ones such as the Rue aux Lèvres the Rue de Tous-les-Diables and the Rue de la Transfusion-de-Sang. The installations of this first international Parisian Surrealist exhibition organised by André Breton and Éluard marked a decisive moment in the history of the movement. For the first time the event dispensed with a straightforward retrospective of individual artists in favour of a series of phantasmagorical stagings live performances and ephemeral artworks prefiguring the modern concepts of installation and happening. Nearly 3000 visitors are said to have thronged to this 1938 Paris exhibition by the light of electric torches: One has the feeling of leaning over certain exhumed walls and of being the first to decipher their signs. Jean Fraysse Le Figaro littéraire 29 January 1938. From Hausmanns sculpture and de Chiricos paintings to the works of Hans Bellmer the mannequin had long occupied a central place in the Dada and Surrealist artistic vocabulary and was cited in Bretons 1924 Manifeste. These woman-objects staged in the spirit of the Musée Grévin offered infinite possibilities for the transformation of the body and the exploration of the unconscious. Some have remained enduringly celebrated such as Le Bâillon vert à bouche de pensée André Massons mannequin enclosed in a birdcage or Duchamps considered the only three-dimensional version of his alter ego Rrose Sélavy taking the form of a man cross-dressed as a woman in the style of Claude Cahun. The mannequin of lesbian artist Sonia Mossé friend of Artaud and photographed by Man Ray with Nusch is her only known artwork and the sole mannequin in the installation created by a woman artist. Man Ray had incorporated Jean Petithory hardcover
16885München R & B bei Zweitausendeins 1980. Gr.8° 383 S. 513 Abb. OLwd. m. OU. Tadell.0 Zahlr. Skizzen Zeichnungen und Photographien von Man Ray. 010 München, R & B bei Zweitausendeins, 1980 unknown
1980BN151384München : Rogner und Bernhard 1980. 1980. Man Ray. Aus d. Ital. von Benjamin Schwarz <br/><br/>Man Ray. Aus d. Ital. von Benjamin Schwarz Man Ray - Schwarz Arturo und Man Ray München : Rogner und Bernhard unknown
1977211680Milano: Feltrinelli 1977. Rilegato tela sovracoperta cloth dust jacket. Ottimo Fine. Con 520 illustrazioni di cui 40 a colori. Cm 22x22. pp. 396. Ottimo Fine. Prima edizione italiana First Italian Edition. Feltrinelli, hardcover
193487707Paris: Au sans pareil 1934. Fine. Au sans pareil Paris 1934 14.50 x 21.50 cm broché First edition one of 300 numbered copies on Montgolfier paper the only printing along with 8 copies on Japan paper. The work is illustrated with a frontispiece featuring an unpublished photographic portrait of Jacques Rigaut by Man Ray. A very fine copy. Au sans pareil unknown
1989213330Udine: Art&";" 1989. Rilegato sovracoperta hard cover dust jacket. Molto buono Very Good. Testo di Cesare de Seta. Numerose fotografie in bianco e nero di Man Ray. 4to cm 29x305. pp. 144. Molto buono Very Good. Sovracoperta con leggere abrasioni Slight abrasions to dustjacket. Prima edizione First Edition. <em>"Prima di fare il fotografo sono stato per molti anni pittore. Poi un giorno mi comprai una macchina fotografica perchè"; non ero soddisfatto delle riproduzioni del mio lavoro fatte dai fotografi professionisti. Invece di dipingere cominciai a fotografare le persone e non volli più fare ritratti. Alla fine decisi che non c'era alcun rapporto tra pittura e fotografia.Certo tutto è gioco. Il motivo Cosa cerco Prima di tutto la libertà. Quando mi dicevano che ero in anticipo sui tempi rispondevo 'Non è" vero io sono nel mio tempo siete voi che siete rimasti indetro'" da un'intervista a Man Ray - Camé";"ra.</em> Art&";", hardcover
35997in4. Sans date. Broché. Traduit de Sénès Florence - Illustrations de Jankovics györgy
1972160190Paris: Galerie des 4 Mouvements 1972. First Edition. First Edition. Published in conjunction with an exhibition at the Galerie des 4 Mouvements which ran from February 25 to March 25 1972. Text and titles in French. <br /> <br /> About Very Good plus in saddle stapled wrappers with French flaps. Light age toning on the page edges with wrappers lightly rubbed and soiled. Galerie des 4 Mouvements unknown
1948119735Beverly Hills CA: Copley Galleries 1948. First Edition. First Edition. One of 500 copies issued. INSCRIBED by the author and artist on the front endpaper: "For Charlotte Bebe and Louis Barron. Cordially Man Ray Hollywood 1949." An exceptional avant-garde association and in one of the strangest alphabet books ever published. <br/><br/>Around this time the Barrons were beginning to experiment with committing electronic sounds as music to magnetic tape and were ultimately not only pioneers in that field inventors. One year after the date of this inscription they would compose their first piece "Heavenly Menagerie" and they would go on to produce the first electronic film score for the seminal 1956 science fiction film "Forbidden Planet" credited as "tonalities" rather than "music" at the time due to union rules. The Barrons' earliest compositions were slow and laborious as their early work preceded the digital age and involved building circuits and tape splicing to create even the smallest sequences of sound. In the decades that followed electronic composition has become a worldwide phenomenon in every musical category. A tremendous association between pioneers in two major fields of twentieth century artistic endeavor.<br/><br/>Near Fine in illustrated cloth covered boards with no dust jacket as issued. Copley Galleries unknown books
2009205540Gottingen Germany: Steidl 2009. First edition and first printing. Hardcover. 367 pages. Text in French. Features a preface by John P. Jacob and an introduction by Merry A. Foresta. Includes hundreds of black and white images by Man Ray. A clean and tight very near fine copy in cloth boards and in a very near fine dust jacket. Steidl unknown
200905N-04Z-TA4STEIDL 2009. Hardcover. Very Good. <br/> <br/> STEIDL hardcover
