Reuter, Jule (Textredaktion)Antiquariat.de
538 résultats
2008112410Berlin: Nicolai Verlag, 2008. 27,5 cm ; Pp.
A clean, unmarked book with a tight binding. 530 pages, heavily illustrated throughout with b&w photos and prints. Slight edge wear to cover. Corners of very last page torn off (photography credits, does not affect text)
1987ABE-172600751107972 PAGES-16 CM X 20,8 CM-110 LOTS-78 ILLUSTRATIONS-CHAISSAC-REBEYROLLE-FAUTRIER-(24F)
1955999481955 N° I de Mai 1955 - Jean-Jacques Pauvert Editeur - Grand in-8 Broché - revue illustrée - 96 pages
199819441Centre Georges Pompidou 1998 55 pages in-8. 1998. broché. 55 pages. Reproductions photographiques en noir
198611162Seghers 1986 In-8, broché, 335pp
19841233341984 Centre Natioonal des Arts Plastiques, Villa Arson / Ministère de la Culture - 1984 - In-4 en feuilles sous chemise cartonnée
Book is in near fine condition with creaseless covers and spine, very light scuffing of covers. Binding is solid and square, exterior shows no other blemishes, text/interior is clean and free of marking of any kind. 130 pages. Exhibition catalog at the Victoria and Albert Museum, March - May 1983 showing the results of the choices of a panel of 30 distinguished "photographers, painters and writers" such as David Bailey, Bryn Campbell, David Hockney, R. B. Kitaj, Aaron Scharf, Roy Strong, et al, who caption each full page photo with why they love the work. Includes works by 45 photographers, including Ansel Adams, Diane Arbus, Cecil Beaton, Walker Evans, Eikoh Hosoe, Josef Koudelka, Jacques-Henri Lartigue, Irving Penn, Man Ray, Alfred Stieglitz, Joel-Peter Witkin, Max Yavno, and others. Introduction by Mark Haworth-Booth; includes bibliographical references and index of photographers. A great collaboration of artists admiring and appreciating other artist's work.
1988015599Paris Galerie 1900 2000 1988 In-4 Broché, couverture illustrée
33198Editions Jean-Jacques Pauvert - Revue trimestrielle Bizarre n° 1 de 1955. In-4 broché de 100 pages au format 27 x 19 cm. Superbe couverture illustrée par Maurice Henry. Dos carré. Plats et intérieur frais. Numéro avec textes, illustrations et photographies de Eugène Ionesco, J. M. A. Paroutaud, John B. L. Goodwin, Gisèle Prassinos, Lise Deharme, Alphonse Allais, Henri Storck, Saki, Marcel Schneider, Souzouki, Man Ray, Maurice Henry, Francis Rose, etc. Edition originale en très bel état général.
2014REVUESSS9920125Paris, Editions du Centre Georges Pompidou, 2014, 20,5 x 24,5, 176 pages cousues sous couverture souple illustrée. Iconographie noir & blanc et couleurs. Ouvrage publié à l'occasion de l'exposition présentée au Centre Georges Pompidou du 2 juillet au 8 septembre 2014. "Prenant la direction de la revue Littérature en 1922, André Breton fait appel à Francis Picabia et à Man Ray pour illustrer une revue jusqu'alors presque exclusivement investie par des écrivains. Saisissant l'occasion, Picabia inaugure un nouveau style en concevant les couvertures des neufs numéros de la revue, compositions tour à tour étranges, cocasses ou irrévérencieuses. Pour la première fois depuis leur entrée dans la collection du Centre Pompidou, ce catalogue dévoile les dessins originaux de ces couvertures augmentés de pas moins de dix-sept projets alternatifs, restés inconnus jusqu'à il y a peu. Quant à Man Ray, portraitiste habituel du "groupe Littérature", il publie pour la première fois dans la revue ces deux icônes de la modernité photographique que sont devenus Elevage de poussière et Le Violon d'ingres. En réunissant photographies et dessins originaux, dont ceux de Max Ernst et de Robert Desnos, eux aussi contributeurs de la revue, l'exposition "Man Ray, Picabia et la revue Littérature (1922-1924)" rend compte d'un moment méconnu, entre la fin du mouvement Dada et le début du Surréalisme, qui, malgré sa brièveté, s'est révélé extraordinairement fructueux."
4301Revue mensuelle. Grand in-8° agrafé. Environ 60 pages. Bon état.
1965016072Vence Alphonse Chave - Jacques Matarasso 1965 plaquette in-8 Broché, couverture ilustrée
196989268Paris, 1969, in-8, 181pp, broché, Très bel exemplaire de l'édition originale sur papier d'édition! Frontispice de Man ray! 181pp
192465343Paris Gallimard, coll. "Une oeuvre, un portrait" 1924 1 vol. broché in-8, broché, 102 pp., portrait de l'auteur par Man Ray gravé sur bois par G. Aubert. Edition originale tirée à 1115 exemplaires sur vélin cuve de Navarre. Décoloration au dos et sur les couvertures en bordure. Non coupé.
192465343Paris Gallimard, coll. "Une oeuvre, un portrait" 1924 1 vol. broché in-8, broché, 102 pp., portrait de l'auteur par Man Ray gravé sur bois par G. Aubert. Edition originale tirée à 1115 exemplaires sur vélin cuve de Navarre. Décoloration au dos et sur les couvertures en bordure. Non coupé.
1977011637Paris Centre Culturel Américain 1977 In-4 broché, couverture illutrée
15596Bagatelle, sans date. In-4°, broché, reproductions.
1929006671Paris Au Sans Pareil, collection "Les manifestations de l'esprit contemporain" 1929 In-8 Broché Ed. originale
200444114Gruner + Jahr, Hmbg. [2004]. Bildband. 2°. 94 S. OBrosch. N.a.Tit. Nahezu neuwertig.
10339LA BARBACANE In-8, broché, élégante couverture et premier plat orné des initiales de Pierre Albert-Birot en gras et bruit de fond en rappel, 128 pages ainsi que 5 planches ht en noir ( dont Man Ray) -Bel exemplaire et dos faiblement insolé, enrichi d'un mot manusscrit de Max Pons qui à recueilli et présente ces textes .Les plats sont frais et agréables.
13136Ed. Julliard, 1958. In-8 br. Coll. " Les Lettres Nouvelles ". Très belle jaquette illustrée par Man Ray. Texte de Ribemont-Dessaignes accompagné de 23 illustrations. E.O. sur papier d'édition.
1985180724Paris: Philippe Sers 1985. Softcover. VG some shelf wear dented corners and discoloration due to age otherwise all pages clear and intact. Text entirely in French. White wraps with color illustrations and black writing on covers and spine 256 pp. bw illustrations throughout. Text entirely in French. "Already in 1972 the National Museum of Modern Art had a major retrospective devoted to Man Ray. Like all exhibitions held in collaboration with the artist at that time he extensively showed his creative activity and its fascinating diversity: paintings collages drawings sculptures assemblages etc rayographs. In relation to the photographs the other media were there in very small numbers. The current exhibition at the Centre Pompidou proposes therefore is the complementary part of the previous. The focus is on photography by bringing together hundreds of photographs both masterpieces of unknown or little known aspects of his production: portraits of Dadaists and Surrealists friends the celebrities of intellectual and artistic Paris the Anglo-Saxon writers creative photography Illustrative for surrealist magazines nudes and rayographs but also views of Paris the photo mode and commissioned portraits. Some of these blocks unknown in original prints have recently been drawn and will be shown for the first time. As for painting and objects fifty highly selected pieces will give a renewed vision of success he has achieved in various moments of his life with fresh and inventive works. "I paint what cannot be photographed I photograph the things that I don't want to paint . I would rather photograph an idea than an object and a dream rather than an idea." Man Ray's own words suggest the essence of his brilliant original and deeply influential photographic oeuvre. Taking up photography in 1915 for the purpose of reproducing his paintings he earned money doing the same for others when he went to live and work in Paris in 1921. This led to one of the richest careers in the history of photography ranging from portraits of celebrated artists musicians and writers such as Andre Breton Marcel Duchamp Erik Satie Arnold SchUnberg T.S. Eliot and Gertrude Stein to the pictures using light effects outside the camera for which he is famous cliche-verres rayographs and solarizations. These photographs are among the most exciting and revealing manifestations of the profusely fertile artistic impulse which made Man Ray equally celebrated as a painter sculptor writer and filmmaker. Besides many classic images this book includes a huge number of photographs that have never been seen before including portraits of Virginia Woolf and Antonin Artaud and a large selection of erotic pictures. They add up to a truly revealing look at Man Ray whom Cocteau called "the great poet of the darkroom." - website description. Philippe Sers unknown books
In-4 (cm. 29.90), brossura illustrata, pp. 256, con illustrazioni in bianco e nero nel testo. In ottimo stato (nice copy).
199484493Kilchberg bei Zürich, Stemmle AG, 1994. Original Broschur, 4°, 348 Seiten.
