(LOY, Mina, Man Ray)Biblio.com
117 résultats
1925542699Newark New Jersey: L. Bamberger & Co 1925. Hardcover. Near Fine. Volume III Number 1-Volume III Number 6. Six issues bound without wrappers and preliminary and possibly terminal leaves into two-tone cloth gilt. Quarto. 9-96 9-96 9-96 11-96 9-96 9-96 pp. Articles and ads heavily illustrated in black and white from photographs and drawings; includes eight fashion portraits by Man Ray. Small owner label on front pastedown binding lightly worn with a bit of rubbing on the lower board one leaf with a tiny tear near fine. Six bound issues of Charm magazine a New Jersey women's magazine with a general focus on beauty style cooking and hosting and the finer things of New Jersey society but with forays into literature politics and art. Volume III Number 3 April 1925 is especially notable for featuring the first appearance of Mina Loy's "Modern Poetry" considered a minor modernist classic "often cited and regularly studied" Sophie Oliver in The Journal of Modern Periodical Studies 2020. The magazine was published by Bamberger's Department Store. Issues are charming and uncommon; OCLC locates only seven serial listings but we note only three that possess Volume III NYPL Rutgers Newark Public Library. L. Bamberger & Co hardcover
1956106101956. One black & white illus. Yellow sheet with five vertical folds. Paris: A L’Etoile Scellée 1956.<br /> <br> <br> Scarce A L’Etoile Scellée invitation to a show of works by Man Ray 1890-1976 in April 1956 with a text by André Breton 1896-1966 manager of the Surrealist gallery and check-list of exhibited works. A L’Etoile Scellée located on rue du Pré-aux-Clercs in the 7th arrondissement was an influential exhibition space for the Surrealists from 1952 to 1956.<br /> <br> <br> In excellent condition. unknown
1982309247Milan: Gruppo Editoriale Electa 1982. One of 1000. 2 pages of text and 12 images 15 3/4" x 11 3/4". Folio. Portfolio black wrappers. Fine in wrapper. One of 1000. 2 pages of text and 12 images 15 3/4" x 11 3/4". Folio. Gruppo Editoriale Electa unknown
1937345557Paris: G. L. M. 1937. Originally issued unbound along with twelve other halftone photo reproduction plates and with five sheets of text by André Breton in blue wrappers. 9 3/5 × 6 2/5 in. Single leaf with light foxing and toning to paper else near fine. Originally issued unbound along with twelve other halftone photo reproduction plates and with five sheets of text by André Breton in blue wrappers. 9 3/5 × 6 2/5 in. G. L. M. unknown
2000alyssa054Köln London Madrid Taschen 2000. 2000. folio. pp. 251. numerous b/w. illus. bds. dw. Hardcover. Fine/Dust Jacket Included. Köln, London, Madrid Taschen, [2000]. Hardcover
1989560444New York: Kent Fine Art 1989. Softcover. Fine. First edition. Quarto. 85pp. Light wear a sticker shadow on the rear cover just about fine. Fully illustrated. "Artist's book compiled by Richard Prince." Works by Richard Artschwager Troy Brauntch Francis Picabia Sigmar Polke Richard Prince Man Ray Gerhard Richter Cindy Sherman and Andy Warhol. From a run of 2742 copies. Kent Fine Art unknown
198827284<p>New York:: Abbeville Press 1988. First Printing of the First Edition. A Fine copy in a Fine dust jacket. Amid the exuberant chaos of the Paris art scene between the world wars among the jarring factions of Dadaists Surrealists Futurists and miscellaneous others Philadelphia-born Man Ray was universally admired yet - it seemed - stubbornly mysterious. Although he looms large in today's standard art histories as a figure of unmistakable importance few people have seen more than a selection of his remarkable photographs or a handful of his enigmatic "objects". Indeed surprisingly little is known about this extraordinary and innovative creator of paintings collages drawings films aesthetic theory and autobiography - as well as photographs and objects. "Perpetual Motif: The Art of Man Ray" is the first major book on this mysterious and eclectic artist and his work" The Bloomsbury Review. It not only examines all aspects of the artist's production in all its forms but also discusses Man Ray's multifarious connections with the artistic and political radicals of pre-World War I New York the underground avant-garde as well as the haute monde of Paris between the wars and the emigre society of Hollywood after World War 11. Illustrated with nearly 300 of the artist's works in full colour and duotone many published for the first time.</p> Abbeville Press, hardcover
199874076Paris: Centre Georges Pompidou/Seuil 1998. First edition. 4to. 257 pp w/biography & list of illustrations. Fine in fine dust jacket. Paris: Centre Georges Pompidou/Seuil unknown
193790937GLM 1937. Fine. GLM 1937 16.2 x 25.2 cm En feuilles ENGLISH DESCRIPTION ON DEMAND Edition originale pour laquelle il n'a pas été tiré de grands papiers. Préface d'André Breton intitulée ""Convulsionnaires"" composée d'aphorismes et imprimée sur papier vélin crème. Illustrée de 12 photographies légendées par Man Ray imprimées sur papier couché jaune paille. Couverture bleu Klein parfaitement conservée sous chemise noire à fenêtre et à un rabat. Exemplaire en superbe état de ce célèbre ""livre de dialogues"" surréaliste de Man Ray préfacé par André Breton.   ""Dans cet ouvrage surréaliste il n’y a donc pas seulement un dialogue surprenant et énigmatique entre les photographies et leurs légendes mais aussi entre les artistes André Breton et Man Ray. . Ce qu’il Man Ray veut c’est créer du chaos psychique et aviver l’imagination du lecteur-spectateur. Dans ce livre de dialogue le photographe apparaît comme une lanterne magique qui accentue l’énigme en l’éclairant."" Wouter Marinissen La lanterne magique: Man Ray et l’éclairage de l’énigme dans La Photographie n’est pas l’art Le magicien-photographe rassemble ici douze chefs-d'oeuvre parmi lesquels figurent de saisissants portraits féminins répondant aux désirs surréalistes de Breton dans la préface dont celui de se transformer en femme : ""Je voudrais pouvoir changer de sexe comme de chemise"". Le Sex-Appeal tout en transparences ""l'une des photographies préférées de Man Ray selon le Musée national d'Art Moderne s'accompagne de visages énigmatiques et glamour Miriam Hopkins et Plein air artistique qui s'oppose à la photographie Vide-air utilitaire représentant l'Empire State Building. Plusieurs clichés naissent de la luminosité même comme son Cahier acheté à un mendiant combinant prise de vue solarisée et photogramme inversé :""Le gros plan sur le carnet dégageant de leur contexte et de toute échelle de mesure les motifs réticulés du papier de la reliure oblige à une autre perception de l'objet : vue au microscope ou nébuleuse lointaine il prend une dimension sur-réelle par le simple fait du cadrage et du grossissement."" Bibliothèque nationale de France. D'autres vues mettant en scène des animaux aux légendes contradictoires et provocantes éveillent le psyché du spectacteur : la chaotique colonie de fourmis intitulée Cerveau bien ordonné l'accouplement de grenouilles par photomontage qui devient Quand la nature fait des machines et la rayographie d'une chauve-souris proclamant même avec arrogance sa nature reproductible et commerciale dans son titre Photographie intégrale et cent pour cent automatique. La série s'achève avec le très surréaliste autoportrait du buste de Man Ray affublé de lunettes-grille intitulé Dans les yeux des autres : ""Cela signifie-t-il que Man Ray considère ce portrait à lunettes comme ce qu'il donne à voir à autrui et qui constitue un double masque puisqu'il est inspiré d'un masque de plâtre et que les yeux sont rendus quasiment invisibles par un accessoire aussi spectaculaire "" Agnès Vinas. Précieux manifeste de Man Ray anticonformiste oscillant entre apologie et dérision dont le titre ironique La Photographie n'est pas l'art introduit l'œuvre d'un artiste qui a contribué à établir la photographie comme un art.   GLM unknown
1991Q-0962189316Middendorf Gallery 1991-02-01. Paperback. New. In shrink wrap. Looks like an interesting title! Middendorf Gallery paperback
19919071206Middendorf Gallery 1991-02-01. Paperback. New. 11x8x0. BRAND NEW Perfect Shape No Remainder Mark Middendorf Gallery paperback
194827491Behrman House Inc. Very Good in Very Good dust jacket. 1948. First Edition; First Printing. Hard Cover. SIGNED and inscribed on the half title page by Corinne Chochem. ; Tight and clean. Solid binding. A touch of light shelf wear to dustjacket with a couple of short tears along the edges and mild spotting to top of text block otherwise in Very Good condition and now protected in a new Mylar cover. ; Foreword by Darius Milhaud. Photographs by Slavko Vorkapich. Music arranged by Trudi Rittman. Poems by Alfred Hayes. The portrait of the author at the end of the book is by Man Ray who on several occasions photographed Corinne Chochem. ; 12.10 X 9.20 X 0.50 inches; Signed by Author . Behrman House, Inc. hardcover
192148774Paris.: Au Sans Pareil. 1921 12 Janvier. Folio. 277 x 212 mm. Drop-head title and printed text recto and verso in French with typical dada typography manicules and type variation imprint and list of signatories at foot of verso. A very fine example never folded of this scarce iconoclastic and blasphemous dada manifesto an excellent specimen of dada typography.Tzara's 1921 restatement of dada had a very serious purpose: to reinvigorate and revitalise dada. Tzara was to some extent successful and dada continued albeit with the same troubles that prompted the issue of this manifesto. The document is an outstanding example of the typographical caprice and linguistic inventiveness that made dada so intriguing and appealing. The use of various other schools of art Cubism Expressionism Simultaneism Futurism Unanism Neo-Claissicism Ultraism Creationism Vorticism and Imagism to underline dada's point or rather its lack thereof is classic. Tzara's most iconoclastic and blasphemous slogans were taken up by Van Doesburg for his own later dada poster produced in conjunction with Schwitters 'kleine dada soirée': 'DADA EXISTE DEPUIS TOUJOURS / LA SAINTE VUERGE DÉJÀ FUT DADAÎSTE!'This manifesto was truly international as noted at the head of the sheet: 'Les Signataires de ce manifeste habitent la France l'Amérique l'Espagne l'Allemagne l'Italie la Suisse la Belgique etc. mais n'ont aucune nationalité.'The signatories as listed were: 'E. Varèse Tr. Tzara Ph. Soupault Soubeyran J. Rigaut G. Ribemont-Dessaignes M. Ray sic F. Picabia B. Péret C. Pansaers R. Huelsenbeck J. Evola M. Ernst P. Eluard Suz. Duchamp M. Duchamp Crotti G. Cantarelli Marg. Buffet Gab. Buffet A. Breton Baargeld Arp W. C. Aresnberg L. Aragon.''In 1921 Tristan Tzara found himself battling to sustain Dada's declining popularity. Aesthetic political and social differences among the movement's most prominenet members shook Dada at the doundation. In line with Dada's emphasis on easy distribution Tzara created this one-page flyer presenting a condensed more direct iteration of the Dada Manifesto . The text's inconsistent typefaces orientation and size embody the disorientation and randomness at the heart of the Dadaist philosophy.' From the catalogue of the Art Institute of Chicago.'Dada fait ici le choix d'une composition graphique et d'une typographie affranchies des traditions use de termes saugrenus n'ayant aucun lien logique entre eux recourt aux antonymes «oui = non» aux répétitions «jamais jamais jamais» s'autointerroge «Que fait DADA» affirme et se contredit dans le même temps . La mise en page les différentes tailles de caractères et les polices d'écriture confèrent à l'ensemble un rythme singulier fait d'accélérations de ralentissements de pauses autant d'éléments qui construisent un parcours de lecture heurté discontinu à l'issue duquel renaîtra peut-être un «homme nouveau» purgé de tout espèce de culture.' Anne Delebaree writing in 'Petits Papiers des Avant-Gardes: La Collection Paul Desrtribats'.Destribats Tracts 132 / 133; Ades 8.45; Pompidou 326 / 327. Au Sans Pareil. unknown
19351730881935. MAN RAY. Facile. With poetry by Paul Eluard. Illustrated with photographs by Man Ray. 8vo. original printed wrappers in a new cloth folding box Paris: Edition G.L.M. 1935. One of Man Ray and Eluard most successful collaborations. Facile is illustrated with Man Ray's splendid photographs of nudes which have been sensuously interwoven into the text. This is arguably one of the loveliest photographically illustrated livres de peintres and despite the large edition 1225 copies is now quite scarce. A Century of Artists Books 183. hardcover
193762530Paris: Editions Surréalistes 1937. Fine. Editions Surréalistes Paris 1937 14 x 20.50 cm broché First edition one of 135 numbered copies on Persian pearl paper single draw after 15 green Louis roy. Illustrated book frontispiece a portrait of André Breton by Man Ray. Back and flat slightly and marginally discolored as generally a tiny tear in the back of the head at the level of the cap a tiny spot below the autograph. Autograph signed by Gui Rosey to Benjamin Crémieux. Editions Surréalistes unknown
198714611Thames & Hudson 1987. Paperback. New. Brand New with shrink wrap. Thames & Hudson paperback
192719003Paris: Shakespeare and Co. May & June 1927. Book. Fine. Full Leather. 12mo. Two issued bound together by Bayntun in full tan calf with gilt frames ornate gilt spine panels with gilt-stamped title on a black morocco label gilt dentelles all edges gilt marbled endpapers. Pp. 185 5 adverts; 183 6 adverts 2 double-sided black & white plates in No. 2 and also in No. 3. Bound without the original wrappers and without the half-title to No. 3 pages tanned as usual. Joints rubbed outer corner of No. 3 title-page missing with loss to the year professionally repaired. A beautifully bound handsome copy of two early issues of this important literary review produced in Paris in the twenties. Sylvia Beach in her book "Shakespeare and Company talks of 'transition': "All the best Anglo-Saxon and European work of the period appeared in it much of it for the first time. Of all the reviews I came in contact with 'transition' was the most vital the longest-lived and the review that I felt was most intelligently devoted to the interests of new writing." Contributors include: James Joyce Gottfried Benn Elliot Paul Rainer Maria Rilke Kay Boyle William Carlos Williams Gertrude Stein Morley Callaghan Man Ray Max Ernst Pavel Tchelitcheff Laura Riding. Shakespeare and Co., May & June Hardcover
1929628758<p>Paris: Henri Broca 1929. 174 pp. 22.5 x 18 cm. Stiff white paper wrappers with red and black lettering and illustrated plate on cover. Soil and some splitting to paper of spine with moderate soil and rubbing to covers. Diagonal creasing to bottom corner of front cover. Age toning light soil and some light bumps to edges of text block. Mild age toning thrroughout interior. Binding sound. . Soft Cover. Good.</p> Henri Broca paperback
1972160190Paris: Galerie des 4 Mouvements 1972. First Edition. First Edition. Published in conjunction with an exhibition at the Galerie des 4 Mouvements which ran from February 25 to March 25 1972. Text and titles in French. <br /> <br /> About Very Good plus in saddle stapled wrappers with French flaps. Light age toning on the page edges with wrappers lightly rubbed and soiled. Galerie des 4 Mouvements unknown
196477121Robert Laffont 1964. Book. Good. Soft cover. 8vo - over 7¾" - 9¾" tall. In-8 broché Bon Etat . Robert Laffont Paperback
19643879Paris: Robert Laffont 1964. Original Wraps. Collectible; Very Good. 1964 1st French edition--follwing the American and English editions. Bright and VG in its original pictorial wrappers. Very light creasing to the spine otherwise clean as could be. Octavo 358 pgs. Robert Laffont unknown
19452406New York: Julien Levy Gallery 1945. Single sheet folded once to form 4 pp. Slight edgewear minor staining to center crease. Slight transfer ghost to rear cover as often seen. <br /> <br /> Exhibition brochure designed by Marcel Duchamp cover image based on a photograph by Czech filmmaker Alexander Hackenschmied. Includes an artist's statement by Man Ray a checklist of the exhibition and some definitions by the artist about certain of his "objects of my affection.". Julien Levy Gallery unknown
19622625Paris: Bibliotheque Nationale 1962. First edition. 3 16 pp printed on rectos only. Perfect-bound wrappers lettered in white on the front cover with a mounted photograph. Some slight waviness from mounted image near fine.<br /> <br /> An uncommon catalogue of an exhibition held at the Bibliotheque Nationale of Man Ray's photographic works including photographs along with books and portfolios. Prefaces by Julien Cain and Jean Adhemar of the BnF; catalogue with notations by Adhemar and Evelyne Pasquet. Bibliotheque Nationale unknown
1995002394Milan: Gio Marconi Gallery 1995. Book. Near Fine. No Binding. Cardboard box 13x9x3 cm. containing a booklet with 35 reproductions of photographs and a collection of 9 facsimile copies taken from photographic contact prints carried out by Man Ray in 1937 from the original negatives. The prints measure approx. 86 x 66 cm. and are individually stored in transparent paper sachets. The box set was issued in a limited edition of 1000 on the occasion of the exhibition 'La Mode au Congo" held in the Gio Marconi Gallery in 1995. This is number 822. The box has light wear and a bit of soiling contents are fine. Rare object. . Gio Marconi Gallery unknown
1937001889HHParis France: GLM 1937. First Edition. Fine. A fine copy issued originally unbound now stapled in it's original outer black wrapper. 12 half tone plates in excellent condition and five sheets of text by Andre Brenton. A Nice Copy. GLM unknown
