(LOY, Mina, Man Ray)Biblio.com
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1925542699Newark New Jersey: L. Bamberger & Co 1925. Hardcover. Near Fine. Volume III Number 1-Volume III Number 6. Six issues bound without wrappers and preliminary and possibly terminal leaves into two-tone cloth gilt. Quarto. 9-96 9-96 9-96 11-96 9-96 9-96 pp. Articles and ads heavily illustrated in black and white from photographs and drawings; includes eight fashion portraits by Man Ray. Small owner label on front pastedown binding lightly worn with a bit of rubbing on the lower board one leaf with a tiny tear near fine. Six bound issues of Charm magazine a New Jersey women's magazine with a general focus on beauty style cooking and hosting and the finer things of New Jersey society but with forays into literature politics and art. Volume III Number 3 April 1925 is especially notable for featuring the first appearance of Mina Loy's "Modern Poetry" considered a minor modernist classic "often cited and regularly studied" Sophie Oliver in The Journal of Modern Periodical Studies 2020. The magazine was published by Bamberger's Department Store. Issues are charming and uncommon; OCLC locates only seven serial listings but we note only three that possess Volume III NYPL Rutgers Newark Public Library. L. Bamberger & Co hardcover
1956106101956. One black & white illus. Yellow sheet with five vertical folds. Paris: A L’Etoile Scellée 1956.<br /> <br> <br> Scarce A L’Etoile Scellée invitation to a show of works by Man Ray 1890-1976 in April 1956 with a text by André Breton 1896-1966 manager of the Surrealist gallery and check-list of exhibited works. A L’Etoile Scellée located on rue du Pré-aux-Clercs in the 7th arrondissement was an influential exhibition space for the Surrealists from 1952 to 1956.<br /> <br> <br> In excellent condition. unknown
1982309247Milan: Gruppo Editoriale Electa 1982. One of 1000. 2 pages of text and 12 images 15 3/4" x 11 3/4". Folio. Portfolio black wrappers. Fine in wrapper. One of 1000. 2 pages of text and 12 images 15 3/4" x 11 3/4". Folio. Gruppo Editoriale Electa unknown
1937345557Paris: G. L. M. 1937. Originally issued unbound along with twelve other halftone photo reproduction plates and with five sheets of text by André Breton in blue wrappers. 9 3/5 × 6 2/5 in. Single leaf with light foxing and toning to paper else near fine. Originally issued unbound along with twelve other halftone photo reproduction plates and with five sheets of text by André Breton in blue wrappers. 9 3/5 × 6 2/5 in. G. L. M. unknown
2000alyssa054Köln London Madrid Taschen 2000. 2000. folio. pp. 251. numerous b/w. illus. bds. dw. Hardcover. Fine/Dust Jacket Included. Köln, London, Madrid Taschen, [2000]. Hardcover
1989560444New York: Kent Fine Art 1989. Softcover. Fine. First edition. Quarto. 85pp. Light wear a sticker shadow on the rear cover just about fine. Fully illustrated. "Artist's book compiled by Richard Prince." Works by Richard Artschwager Troy Brauntch Francis Picabia Sigmar Polke Richard Prince Man Ray Gerhard Richter Cindy Sherman and Andy Warhol. From a run of 2742 copies. Kent Fine Art unknown
198827284<p>New York:: Abbeville Press 1988. First Printing of the First Edition. A Fine copy in a Fine dust jacket. Amid the exuberant chaos of the Paris art scene between the world wars among the jarring factions of Dadaists Surrealists Futurists and miscellaneous others Philadelphia-born Man Ray was universally admired yet - it seemed - stubbornly mysterious. Although he looms large in today's standard art histories as a figure of unmistakable importance few people have seen more than a selection of his remarkable photographs or a handful of his enigmatic "objects". Indeed surprisingly little is known about this extraordinary and innovative creator of paintings collages drawings films aesthetic theory and autobiography - as well as photographs and objects. "Perpetual Motif: The Art of Man Ray" is the first major book on this mysterious and eclectic artist and his work" The Bloomsbury Review. It not only examines all aspects of the artist's production in all its forms but also discusses Man Ray's multifarious connections with the artistic and political radicals of pre-World War I New York the underground avant-garde as well as the haute monde of Paris between the wars and the emigre society of Hollywood after World War 11. Illustrated with nearly 300 of the artist's works in full colour and duotone many published for the first time.</p> Abbeville Press, hardcover
199874076Paris: Centre Georges Pompidou/Seuil 1998. First edition. 4to. 257 pp w/biography & list of illustrations. Fine in fine dust jacket. Paris: Centre Georges Pompidou/Seuil unknown
193790937GLM 1937. Fine. GLM 1937 16.2 x 25.2 cm En feuilles ENGLISH DESCRIPTION ON DEMAND Edition originale pour laquelle il n'a pas été tiré de grands papiers. Préface d'André Breton intitulée ""Convulsionnaires"" composée d'aphorismes et imprimée sur papier vélin crème. Illustrée de 12 photographies légendées par Man Ray imprimées sur papier couché jaune paille. Couverture bleu Klein parfaitement conservée sous chemise noire à fenêtre et à un rabat. Exemplaire en superbe état de ce célèbre ""livre de dialogues"" surréaliste de Man Ray préfacé par André Breton.   ""Dans cet ouvrage surréaliste il n’y a donc pas seulement un dialogue surprenant et énigmatique entre les photographies et leurs légendes mais aussi entre les artistes André Breton et Man Ray. . Ce qu’il Man Ray veut c’est créer du chaos psychique et aviver l’imagination du lecteur-spectateur. Dans ce livre de dialogue le photographe apparaît comme une lanterne magique qui accentue l’énigme en l’éclairant."" Wouter Marinissen La lanterne magique: Man Ray et l’éclairage de l’énigme dans La Photographie n’est pas l’art Le magicien-photographe rassemble ici douze chefs-d'oeuvre parmi lesquels figurent de saisissants portraits féminins répondant aux désirs surréalistes de Breton dans la préface dont celui de se transformer en femme : ""Je voudrais pouvoir changer de sexe comme de chemise"". Le Sex-Appeal tout en transparences ""l'une des photographies préférées de Man Ray selon le Musée national d'Art Moderne s'accompagne de visages énigmatiques et glamour Miriam Hopkins et Plein air artistique qui s'oppose à la photographie Vide-air utilitaire représentant l'Empire State Building. Plusieurs clichés naissent de la luminosité même comme son Cahier acheté à un mendiant combinant prise de vue solarisée et photogramme inversé :""Le gros plan sur le carnet dégageant de leur contexte et de toute échelle de mesure les motifs réticulés du papier de la reliure oblige à une autre perception de l'objet : vue au microscope ou nébuleuse lointaine il prend une dimension sur-réelle par le simple fait du cadrage et du grossissement."" Bibliothèque nationale de France. D'autres vues mettant en scène des animaux aux légendes contradictoires et provocantes éveillent le psyché du spectacteur : la chaotique colonie de fourmis intitulée Cerveau bien ordonné l'accouplement de grenouilles par photomontage qui devient Quand la nature fait des machines et la rayographie d'une chauve-souris proclamant même avec arrogance sa nature reproductible et commerciale dans son titre Photographie intégrale et cent pour cent automatique. La série s'achève avec le très surréaliste autoportrait du buste de Man Ray affublé de lunettes-grille intitulé Dans les yeux des autres : ""Cela signifie-t-il que Man Ray considère ce portrait à lunettes comme ce qu'il donne à voir à autrui et qui constitue un double masque puisqu'il est inspiré d'un masque de plâtre et que les yeux sont rendus quasiment invisibles par un accessoire aussi spectaculaire "" Agnès Vinas. Précieux manifeste de Man Ray anticonformiste oscillant entre apologie et dérision dont le titre ironique La Photographie n'est pas l'art introduit l'œuvre d'un artiste qui a contribué à établir la photographie comme un art.   GLM unknown
59402Paris; Editions Albert Skira 1934 1934 1935. Issues 5 6 and 7 bound together in one hardback volume. 4to 31cm x 25cm iv 33pp 68pp 69pp plus plates and adverts. Bound in plain brown cloth with the original cover of issue number 5 a design by F Bores pasted to the front board. The binding is defective - a substantial section of the spine is missing but the text block remains tightly bound. There are some signs of wear to the contents - the endpapers are foxsed a few of the plates have some creasing of the corners and there is a tear to one page. This book includes originals of issues 5 6 and 7 of the avant-garde surrealist magazine. Please note that the covers of issues 6 and 7 have not been bound in. Text in French. Paris; Editions Albert Skira, 1934, 1934, 1935. hardcover
70-2361San Francisco : Catherine Clark Gallery 1998. 5.5 x 8.75 inches. Very Good. Single sheet printed both sides. Corners lightly bumped else fine. Extremely Scarce. San Francisco : Catherine Clark Gallery, 1998. unknown
1991Q-0962189316Middendorf Gallery 1991-02-01. Paperback. New. In shrink wrap. Looks like an interesting title! Middendorf Gallery paperback
19919071206Middendorf Gallery 1991-02-01. Paperback. New. 11x8x0. BRAND NEW Perfect Shape No Remainder Mark Middendorf Gallery paperback
201194876Schirmer/Mosel. New. 2011. Hardcover. 3829605404 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 316 pages ; 522 illustrations including 30 in color. -- with a bonus offer-- . Schirmer/Mosel hardcover
194827491Behrman House Inc. Very Good in Very Good dust jacket. 1948. First Edition; First Printing. Hard Cover. SIGNED and inscribed on the half title page by Corinne Chochem. ; Tight and clean. Solid binding. A touch of light shelf wear to dustjacket with a couple of short tears along the edges and mild spotting to top of text block otherwise in Very Good condition and now protected in a new Mylar cover. ; Foreword by Darius Milhaud. Photographs by Slavko Vorkapich. Music arranged by Trudi Rittman. Poems by Alfred Hayes. The portrait of the author at the end of the book is by Man Ray who on several occasions photographed Corinne Chochem. ; 12.10 X 9.20 X 0.50 inches; Signed by Author . Behrman House, Inc. hardcover
201123968Munich: Schirmer/Mosel 2011. hardcover in dust jacket. no flaws or wear. clean. no markings. no bumps tears creases. strong binding.; english text edition.; 320pp. 485 duotone illustrations and 32 in color. comprehensive volume on man ray's portrait photography gathered from the man ray archives of the centre pompidou. First English Language Edition. Hardcover. Near Fine Plus/Near Fine Plus. 4to - over 9¾" - 12" tall. Schirmer/Mosel Hardcover
201194895Skira. New. 2011. Hardcover. 8857209741 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 328 pages; 369 illustrations including 149 in color. -- with a bonus offer-- . Skira hardcover
192148774Paris.: Au Sans Pareil. 1921 12 Janvier. Folio. 277 x 212 mm. Drop-head title and printed text recto and verso in French with typical dada typography manicules and type variation imprint and list of signatories at foot of verso. A very fine example never folded of this scarce iconoclastic and blasphemous dada manifesto an excellent specimen of dada typography.Tzara's 1921 restatement of dada had a very serious purpose: to reinvigorate and revitalise dada. Tzara was to some extent successful and dada continued albeit with the same troubles that prompted the issue of this manifesto. The document is an outstanding example of the typographical caprice and linguistic inventiveness that made dada so intriguing and appealing. The use of various other schools of art Cubism Expressionism Simultaneism Futurism Unanism Neo-Claissicism Ultraism Creationism Vorticism and Imagism to underline dada's point or rather its lack thereof is classic. Tzara's most iconoclastic and blasphemous slogans were taken up by Van Doesburg for his own later dada poster produced in conjunction with Schwitters 'kleine dada soirée': 'DADA EXISTE DEPUIS TOUJOURS / LA SAINTE VUERGE DÉJÀ FUT DADAÎSTE!'This manifesto was truly international as noted at the head of the sheet: 'Les Signataires de ce manifeste habitent la France l'Amérique l'Espagne l'Allemagne l'Italie la Suisse la Belgique etc. mais n'ont aucune nationalité.'The signatories as listed were: 'E. Varèse Tr. Tzara Ph. Soupault Soubeyran J. Rigaut G. Ribemont-Dessaignes M. Ray sic F. Picabia B. Péret C. Pansaers R. Huelsenbeck J. Evola M. Ernst P. Eluard Suz. Duchamp M. Duchamp Crotti G. Cantarelli Marg. Buffet Gab. Buffet A. Breton Baargeld Arp W. C. Aresnberg L. Aragon.''In 1921 Tristan Tzara found himself battling to sustain Dada's declining popularity. Aesthetic political and social differences among the movement's most prominenet members shook Dada at the doundation. In line with Dada's emphasis on easy distribution Tzara created this one-page flyer presenting a condensed more direct iteration of the Dada Manifesto . The text's inconsistent typefaces orientation and size embody the disorientation and randomness at the heart of the Dadaist philosophy.' From the catalogue of the Art Institute of Chicago.'Dada fait ici le choix d'une composition graphique et d'une typographie affranchies des traditions use de termes saugrenus n'ayant aucun lien logique entre eux recourt aux antonymes «oui = non» aux répétitions «jamais jamais jamais» s'autointerroge «Que fait DADA» affirme et se contredit dans le même temps . La mise en page les différentes tailles de caractères et les polices d'écriture confèrent à l'ensemble un rythme singulier fait d'accélérations de ralentissements de pauses autant d'éléments qui construisent un parcours de lecture heurté discontinu à l'issue duquel renaîtra peut-être un «homme nouveau» purgé de tout espèce de culture.' Anne Delebaree writing in 'Petits Papiers des Avant-Gardes: La Collection Paul Desrtribats'.Destribats Tracts 132 / 133; Ades 8.45; Pompidou 326 / 327. Au Sans Pareil. unknown
19351730881935. MAN RAY. Facile. With poetry by Paul Eluard. Illustrated with photographs by Man Ray. 8vo. original printed wrappers in a new cloth folding box Paris: Edition G.L.M. 1935. One of Man Ray and Eluard most successful collaborations. Facile is illustrated with Man Ray's splendid photographs of nudes which have been sensuously interwoven into the text. This is arguably one of the loveliest photographically illustrated livres de peintres and despite the large edition 1225 copies is now quite scarce. A Century of Artists Books 183. hardcover
2009835040International Arts and Artists. New. 2009. Paperback. 081667017X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 200 pages; 175 illustrations. -- with a bonus offer-- . International Arts and Artists paperback
193762530Paris: Editions Surréalistes 1937. Fine. Editions Surréalistes Paris 1937 14 x 20.50 cm broché First edition one of 135 numbered copies on Persian pearl paper single draw after 15 green Louis roy. Illustrated book frontispiece a portrait of André Breton by Man Ray. Back and flat slightly and marginally discolored as generally a tiny tear in the back of the head at the level of the cap a tiny spot below the autograph. Autograph signed by Gui Rosey to Benjamin Crémieux. Editions Surréalistes unknown
2010EN254490Didier London 2010. 1st Edition. SOFTCOVER. 4to in stiff glossy card covers 64pp on thick art paper colour plates etc __CONDITION : A well preserved AS NEW unmarked copy. . . . . . . . . . . . . . To see more of our books on jewellery etc type DbbGEMS in the Keywords search box __We always ship in PROTECTIVE CARD PARCELS Didier, London paperback
75-0851Cologne DE: Steidl & Partners 2008. First Edition. 4to. Soft Covers. Clean inside copy. Slight scuffing on covers. Very Good. 216 pp.Color plates.German and English text. One was a famous artist and a pioneering photographer the other an ardent collector of photography a curator and author--known to his many friends as "Mr. Photokina" for his founding and curatorship of the legendary exhibitions at the Photokina photography fair in Cologne. Man Ray 1890-1976 and L. Fritz Gruber 1908-2005 nurtured a professional and personal friendship for more than 20 years enjoying that particular closeness that can sometimes arise between artist and connoisseur. Gruber was closely involved in projects such as Man Ray's solo exhibition at Photokina and the book Man Ray Portraits one of many now-collectable photography books Gruber edited. With an unsurpassed scholarly knowledge of Man Ray's work over the course of several decades Gruber and his wife Renate put together the collection that is the basis of this book. The collection itself now resides in Cologne's Ludwig Museum. In addition to Man Ray's photographs sculptural work and objects the book includes extensive correspondence between Man Ray and Gruber and several essays on their association. Against this broadly-drawn backdrop a moving personal picture emerges of the Grubers' diligent commitment to the work of this American artist. This volume provides many new insights on Man Ray particularly within the final creative phase of his life. Text by Herbert Molderings Photographs by Man Ray introduction by Gabriele Conrath-Scholl contributions by L. Fritz Gruber.Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author.Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-1977. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. Cologne, DE: Steidl & Partners, 2008 paperback
75-0852Cologne DE: Steidl & Partners 2008. First Edition. 4to. Soft Covers. Sealed in publisher's shrink wrap with no marks or flaws. Clean inside copy. Slight scuffing on covers. Fine. 216 pp.Color plates.German and English text. One was a famous artist and a pioneering photographer the other an ardent collector of photography a curator and author--known to his many friends as "Mr. Photokina" for his founding and curatorship of the legendary exhibitions at the Photokina photography fair in Cologne. Man Ray 1890-1976 and L. Fritz Gruber 1908-2005 nurtured a professional and personal friendship for more than 20 years enjoying that particular closeness that can sometimes arise between artist and connoisseur. Gruber was closely involved in projects such as Man Ray's solo exhibition at Photokina and the book Man Ray Portraits one of many now-collectable photography books Gruber edited. With an unsurpassed scholarly knowledge of Man Ray's work over the course of several decades Gruber and his wife Renate put together the collection that is the basis of this book. The collection itself now resides in Cologne's Ludwig Museum. In addition to Man Ray's photographs sculptural work and objects the book includes extensive correspondence between Man Ray and Gruber and several essays on their association. Against this broadly-drawn backdrop a moving personal picture emerges of the Grubers' diligent commitment to the work of this American artist. This volume provides many new insights on Man Ray particularly within the final creative phase of his life. Text by Herbert Molderings Photographs by Man Ray introduction by Gabriele Conrath-Scholl contributions by L. Fritz Gruber.Provenance: From the estate of Gerald Nordland 1927-2019. Nordland was a museum director art critic educator and author.Dean of the Chouinard Art Institute 1960-64 Director of the San Francisco Museum of Art now SFMoMA 1966-73 Milwaukee Art Museum 1977-85 and the UCLA Wight Art Gallery 1973-1977. He is the author of over 60 publications including books on Lachaise Nakian Diebenkorn and Frank Lloyd Wright. Cologne, DE: Steidl & Partners, 2008 paperback
200993697Steidl. New. 2009. Hardcover. 386521696X . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 370 pages; 320 drawings and photographs. Description: "ocked in enormous bank vaults and largely removed from public scrutiny for more than a decade the little known collection of the Man Ray Trust comprises more than 4000 works by Man Ray. The 320 photographs and drawings selected for this publication are among the rarest of Man Rays works and will be a revelation to even his most devoted admirers. At the core of Man Ray: Trees Flowers Insects Animals is a series of landscape photographs made by Man Ray from the 1920s through the 1950s many of which bear the distinct influence of Eugène Atget. With subjects including castles and ruined buildings street scenes and the objects from which he drew inspiration for other artworks the photographs and drawings in this book represent an intermediary step in Man Rays creative process. The title of the series Trees Flowers Insects Animals was discovered by the editor scrawled across the backside of a photograph and provides a key to this most unusual collection. These photographs function as a subject index to the themes and motifs that Man Ray employed in his better known works. They are on the one hand a record of his travels and observations in Europe and the United States. On the other hand they are the relic of a moment preserved by Man Ray for later use and interpretation." -- with a bonus offer-- . Steidl hardcover
