539 résultats
196948795Vence.: Galerie Alphonse Chave. 1969. Loose as issued in original publisher's printed thick paper wrappers with flaps colour titles to front cover. 4to. 280 x 230 mm. Half-title title with monochrome lithograph of a 1914 Man Ray self-portrait as frontispiece verso leaf with introductory text by Man Ray and reproductions of original works by Man Ray including four further monochrome lithographs and six tipped-in illustrations in colour final leaf with justification and achevé d'imprimer.Original collage by Man Ray of an original signed and numbered photograph tipped onto sandpaper 6 tipped-in colour images and 3 monochrome images. A presentation copy of the deluxe issue of Man Ray's catalogue with the original signed collage.From the edition limited to 500 copies with this one of 50 on 'beau papier' a smooth laid paper signed and numbered by Man Ray to the justification; also included inserted loose is the original collage signed and numbered from the edition of 50 in black ink.Man Ray's presentation is in pencil to the half-title: 'au Dr. Marcel Zara / bien cordialement / Man Ray'.Man Ray's original collage features an original monochrome photograph 138 x 100 mm with a small stamp at lower left mounted to a sheet of fine sandpaper 239 x 178 mm; the photograph is signed by Man Ray at lower right in black ink and the stamp is numbered also in black ink from the edition of 50 copies.'LES INVENDABLES. Pourquoi Car c'est le nom qui est à vendre. San la signature le tableau ne vaut rien. Il faut prendre l'un et l'autre . Il y a ceux qui retournent le tableau pour voir si c'est de la bonne toile de lin fin . Le peintre tient son bâton à poils comme le barbier son blaireau le musicien son archet le soldat sa mitraillette c;est ainsi qu'ils tiennent leur sexe pour faire pipi ou pour faire l'amour . La vérité Il n'y a plus subversif que la vérité . Man Ray'. Man Ray's introductory text. Galerie Alphonse Chave. unknown
192521059Paris, Les Feuilles libres, mai-juin 1925. In-8 broché de [2]- page 219 à 284.
1927012372Paris Les Feuiles libres - Librairie de l'Etoile 1927 In-8 Broché
1993182589Kyoto: Gingami shobo 1993. Signed limited edition number 16 of 20 copies signed by the author additionally with a presentation inscription from the author on the half-title "For Roger Wicker. Thank you very much. Teruo Ishihara. September 27 1993." This attractive publication by a leading Japanese collector of Man Ray art and archives is accompanied by a selection of material sent by Ishihara to Wicker concerning other exhibitions of the artist in Japan. Wicker was the proprietor of Berkeley's Turtle Island Book Shop. Loosely inserted in the catalogue is a typed letter signed from Ishihara dated the same day as the presentation thanking Wicker for helping him source material related to Man Ray. The related ephemera includes Ishihara's 1994 folding change of address notice number 2 of 20 signed copies with a laid-down colour photograph a typed letter signed with eight colour photographs of a December 1996 exhibition in Nagoya a further typed letter signed two loose exhibition photographs assorted flyers and a booklet for the 1987 show at Kodama Gallery Osaka. Items from Ishihara's collection appeared in "Man Ray of Our Affections: An Exhibition Celebrating the 135th Anniversary of His Birth" 11 January - 23 March 2025 Tokyo Fuji Art Museum. Quarto 32 pp. With 16 colour photographs laid down on folding card leaves 2 colour photographs laid down on acetate leaf; title page guarded with acetate with laid-down photograph pink paper silhouette of hand and arm and printed title label; bound-in colour bifolium advert for 1991 exhibition; in-text explanatory keys identifying exhibits in photographs. Text in Japanese. Original green card wrappers front cover with window looking through to title page. Sunning to spine of catalogue light general creasing: a fine collection. unknown
1296Hermann. 1965. In-8° oblong broché. Illustrations in et hors texte. 148 pages.
46692Marseille, directeur: Jean Ballard. Un volume 16,5x25,5cm agrafé, de 100 pages illustrées de 8 reproductions photographiques, notamment de Man Ray. Exemplaire en bon état.
1988014517Paris Musée des Arts Décoratifs 1988 In-4 carré Reliure éditeur
198645526Paris, Belfond/Paris Audio-Visuel, 1986, in-4, relié, jaquette éditeur, 280 pages. Très bon état.
25432Paris, Éditions Cahiers d'Art, 1947, in-8, broché, couverture de papier vergé crème rempliée, non paginé [24 p.] Edition originale. 11 poèmes dédiés à la mémoire de Nusch, l'épouse du poète morte quelques mois auparavant. Publié sous le pseudonyme de Didier Desroches, il est orné de 11 portraits photographiques en noir et blanc par Man RAY et par Dora MAAR. 1/500 ex. num. sur papier couché. Bel exemplaire.
194791779Editions Cahier d'art | Paris 1947 | 18.50 x 24.50 cm | broché
194791779Paris: Editions Cahier d'art 1947. Fine. Dora Maar Signs Her Own Work Editions Cahier d'art Paris 1947 18.50 x 24.50 cm broché First edition which supposedly had an issue of 500 numbered copies. Gallimard donated the paper required for the production of this book but only 258 copies could be printed rather than the 500 announced in the justification from a note by Paul Éluard. A slight crease to the covers slight marginal sunning primarily affecting the rear cover. Illustrated with 11 photographs of Nusch Éluard by Man Ray and Dora Maar. Le temps déborde is a collection of eleven poems published in 1947 a few months after the sudden and unexpected death of Paul Éluards wife Nusch. A poignant ode to their seventeen years of life together the work is illustrated with striking portraits of Nusch. This exceptional copy is signed by Dora Maar beneath or directly on each of her five photographs. We are aware of only one other copy signed by the photographer and none signed by Man Ray. A rare and beautiful copy. In 1965 paying tribute to his friend Aragon recalled his discovery of this masterpiece: He signed it with an invented name Didier Desroches because he had killed Paul Éluard. I let him talk. What he had shown me of Didier was of a confounding beauty. This slender book which was to appear as the work of an unknown to say merely that in my eyes it surpasses everything Éluard ever signed with his own name is to say too little. I thought so then and I think so today. The attribution of each photograph in the collection to either Man Ray or Dora Maar has long been a source of confusion. Strangely the question seems to attract little scholarly attention: as Mary Ann Caws notes Dora Maars portraits of the Surrealists muse were originally attributed to Man Ray since they were so clearly superb in their construction and realization These photographing women: The scandal of genius Angels of anarchy: women artists and surrealism 2009. This misattribution was also a consequence of the systematic erasure of Dora Maars photographic work which she abandoned at Picassos request. The two series by Dora Maar and Man Ray are further entwined by their shared style and by both artists fascination with Nusch. Audacious framing and subtle interplay of shadow and light reflect the two Surrealist photographers formal innovation. Beyond aesthetic alchemy the three of them were very close at the time of these photographs 1935-1938. For several years they all took part with their partners Ady Fidelin and Paul Eluard in late-summer gatherings in the rustic village of Mougins overlooking Cannes at the invitation of Picasso where they indulged in role play identity and couple exchanges Alicia Ortiz Dujovne Dora Maar. Some of the collections illustrations are well known: Man Rays Nusch with mirror his diptych with her eyes closed and open and the celebrated portrait by Dora Maar illustrating the poem LExtase with her carefully lit face floating in darkness supported only with her fingers an elusive expression in her eyes. In one unforgettable version of the same image Les années vous guettent The years lie in wait. Maar superimposes a silvery spiders web over Nuschs features Louise Baring Dora Maar: Paris in the time of Man Ray Jean Cocteau and Picasso. The resonance of the photograph is all the more powerful since Nusch died early of a heart attack just on the day she was to lunch with Dora Maar for whom it was an irreparable loss. Mary Ann Caws For other photographs attribution had remained uncertain notably the portrait of Nusch bare-breasted and draped in foliage illustrating En vertu de lamour: the absence of a signature supports the attribution to Man Ray. A sublime poetic and artistic tribute featuring the finest portraits of Nusch central figure in Man Ray and Éluards shared imagery and graceful model for Dora Maars most accomplished portraits at last restored to their right Editions Cahier d'art unknown
19647327Paris, Galerie Charpentier, [1964]. Brochure in-8 non paginée, couverture illustrée en couleurs. Quelques salissures au premier plat.
4577In-8° à l'italienne, broché. Couverture photographique de Pierre Molinier. Textes d'André Breton, Benjamin Péret, Julien Gracq, Fernando Pessoa, Leonora Carrington, Joyce Mansour Illustrations de Leonora Carrington, Man Ray, Remedios, Wolfgang Paalen, Toyen, Jean Degottex
4567In-4° broché. André Breton, Marcel Duchamp, Salvador Dalí, Paul Eluard, Benjamin Péret, Pierre Yoyotte, Paul Nougé, Roger Caillois, Alberto Savinio, Gilbert Lély, Joe Bousquet, Alberto Giacometti Hors-textes de Marcel Duchamp, Max Ernst, Salvador Dalí, Man Ray
18812Paris, Librairie José Corti, Juillet 1930 à mai 1933. 6 volumes reliés, demi-maroquin parme à coins, non rognés, couvertures conservées.
19535594Editions Arcanes 1953. Fort in-8 broché de 282 pages au format 14 x 4 x 19 cm. Couverture avec photographie de Man Ray. Dos resté carré, malgré de légères pliures de lecture. Plats avec de très légères brunissures. Intérieur frais. Coins avec infimes frottis et tassements. Avant-propos de Jean Ferry. Très nombreuses photos hors texte. Filmographie.ndex des titres de films et des auteurs. Très bel état général. Edition originale.
Mm 165x205 Brossura editoriale di pp. 128, con illustrazioni in bianco e nero e colori, testo in francese. In ottimo stato. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE.
19330053231933 Neuilly-sur-Seine, 1933. Grand in-8 (185 X 253 mm) broché, premier plat de la couverture illustré par Man Ray. Quelques petites traces de frottements et griffures en tête du premier plat.
193388275Le Phare de Neuilly | Neuilly-sur-Seine S.d. [1933] | 18.20 x 25.10 cm | 3 volumes brochés
193388275Neuilly-sur-Seine: Le Phare de Neuilly 1933. Fine. One of the rarest and most iconic Surrealist magazines Le Phare de Neuilly Neuilly-sur-Seine S.d. 1933 18.20 x 25.10 cm 3 volumes brochés First edition of this important and very rare magazine complete with 4 issues in 3 volumes. Complete collection of this luxurious Surrealist magazine edited and funded by Lise Deharme and characterized by its emphasis on photography. Covers illustrated by Man Ray illustrations in black. Contributions by Salvador Dali Hans Arp Dora Maar Oscar Dominguez Brassaï Lee Miller Jacques Lacan James Joyce Georges Ribemont-Dessaignes Ilarie Voronca Nathalie Barney Benjamin Fondane Pierre Drieu La Rochelle Alejo Carpentier Eugène Jolas Lise Hirtz Lise Deharme Raymond Queneau Claude Sernet Roger Vitrac Robert Desnos Jean Follain Léon-Paul Fargue Pierre Keffer Jacques Baron Gottried Benn Céline Arnauld Monny de Boully Georgette Camille André de Richaud Jules Supervielle Claire Goll Paul Laforgue David Herbert Lawrence Marcel Jouhandeau Paul Dermée Jean Painlevé Nadar Pétrus Borel and Stendhal. Sunned spine on the No. 3/4 issue. Spine-ends and corners slightly rubbed otherwise a wonderfully preserved copy. A very fine example of this rare avant-garde magazine which ""came into being over the course of a few dinners that brought together the dissidents of Surrealism and other poets in this hospitable abode of Lise Deharme. Robert Desnos provided the title. Georges Ribemont-Dessaignes was the editor. Man Ray had designed the cover: a silhouette of a lighthouse against a photographic background of sailing boats. . It contains curiosities: a tale by Petrus Borel a photo by Nadar popular songs an investigation into the neurosis of war epitaphs taken from a cemetery of animals. Among other curiosities a sonnet by the famous psychoanalyst Jacques Lacan. It is entitled Hiatus irrationalis."" Jacques Baron Cahiers de l'Herne Raymond Queneau p. 333. Le Phare de Neuilly unknown
20958Dessins de Chas Laborde gravés sur bois par Robert Dill. P., Editions de la Banderole, *Collection d'Œuvres Originales*, 1920, in-12, relié demi-maroquin brique à coins, tête dorée, couv et dos conservés, dos à 5 nerfs, tête dorée, non rogné (Marcel Day), 150 p. Edition originale num. sur Lafuma teinté. Exceptionnel exemplaire enrichi de 10 dessins originaux à l’encre de Pierre Mac Orlan montés sur onglets ou contrecollés sur papier blanc, tous en début de volume, ainsi que d’une PHOTOGRAPHIE ORIGINALE de MAN RAY en tirage argentique d’époque, format 9,8 × 7,4.Les dessins ont été reproduits dans des ouvrages illustrés par Mac Orlan comme *Les Pattes en l’air* (1911), les *Contes de la pipe en terre* (1914), *U-713 ou les Gentilshommes d’infortune* (1917) ou encore dans des revues et plus probablement dans La Baïonnette. La photographie de Man Ray date du tout début des années 20. Elle est prise en buste, Mac Orlan est élégamment vêtu et porte un nœud papillon.
6937Jacques Damase, éditeur. 1980. Album cartonnage in-4°. Couverture photographique. 80 pages. Le texte de Cocteau a paru dans la N.R.F. en 1926 ; il paraît ici pour la première fois en volume. Il est accompagné de 14 photographies inédites et de dessins de Man Ray. Il est suivi de la traduction en allemand du texte de Cocteau, parue dans la revue Der Queschnitt (1926). Suit un long article de Judith Erêbe sur Barbette et A Visit to Barbette, texte de huit pages de Francis Steegmuller (1966). Etat neuf.
120281Paris, Jacques Damase 1980, 300x220mm, 76pages, reliure d'éditeur. Cartonnage illustré de l’éditeur. Bel exemplaire.
198052585Paris, Jacques Damase, 1980, in-4, 80pp, cartonnage de l'éditeur, illustré en noir et blanc, En 1926, Cocteau écrit un important essai sur la nature et l'artifice du théâtre appelé "Le Numéro Barbette" qui est publié dans la Nouvelle Revue Française. Barbette (Van der Clyde, 1905-1973) était un travesti, danseur et trapéziste, de qui Cocteau était très admirateur. Le texte de Cocteau est accompagné de photographies inédites en noir et blanc de Man Ray, qui a capturé non seulement les aspects de la performance de Barbette, mais aussi son processus de transformation en son personnage féminin. Très bel exemplaire. Couverture rigide
19827009Paris, Editions Jannink, 1982, Relié, Jaquette jaunie, sinon très bon état.
