HOPPE, Emil OttoBiblio.com
1 775 résultats
86838c. 1950's. . Gelatin silver print. Dimensions: 12 x 14.2 cm. Printed description and artist's stamp on reverse. Fine tonal range and in good condition.<br /> "View of the squatters village Nga choi after the huts have been pulled down. The people look like ants removing the timber on their backs." description on reverse.<br /> [c. 1950's]. unknown
86839c. 1950's. . Gelatin silver print. Dimensions: 13.6 x 16.8 cm. Artist's signature and description in ink on reverse. Fine tonal range and in good condition.<br /> "One of the 'luxurious' squatters' houses." description on reverse.<br /> [c. 1950's]. unknown
60939c.1950's . Silver gelatin print 21.5 x 15 cm. Copyright stamp and press agency label on reverse; some minor creasing.<br /> <br /> [c.1950's] unknown
87344c.1950s. . Silver gelatin print. Dimensions: 16 x 12 cm. Title and photographer's signature in ink on reverse. Good tonal range and in good condition. <br /> <br /> [c.1950s]. unknown
60859c.1950's . Gelatin silver print 16.5 x 11.9 cm. In overall good condition.<br /> Sir Christopher Wren built St Stephen's Walbrook as one of the parish churches to replace those destroyed in the Great Fire of 1666.<br /> [c.1950's] unknown
60872c.1950. . Gelatin silver print 12.4 x 9.8 cm. Signed 'E.O Hoppé' and titled on reverse.<br /> Designed by the leading architect of the English Baroque Nicholas Hawksmoor St George's Bloomsbury was one of the twelve new churches designed and paid for under the 1711 Act of Parliament for building Fifty New Churches. This was the sixth and final London church designed by Hawksmoor.<br /> [c.1950]. unknown
87342c.1950s. . Silver gelatin print. Dimensions: 20 x 15cm. Printed title on Anthony Verlag label and description in ink on reverse. Good tonal range and in good condition. <br /> "The traditional village cars two wheeled and covered with matting." Description on reverse.<br /> [c.1950s]. unknown
60829c.1950s. . Gelatin silver print. Dimensions: 175 by 125mm. 7 by 5 inches. Large vertical crease to the right of centre right margin slightly chipped.<br /> <br /> [c.1950s]. unknown
60484c.1950's . Gelatin silver print. 14cm x 16.5cm. Photographer's credit on German publisher's label on reverse.<br /> <br /> c.1950's unknown
60473c.1960's . Gelatin silver print. Dimensions: 13.3 x 15.7 cm. Ink title on reverse.<br /> <br /> c.1960's unknown
87331c.1950s. . Silver gelatin print. Dimensions: 13 x 18cm. James Carr label and ink title on reverse. Good tonal range and in good condition. <br /> <br /> [c.1950s]. unknown
87377c.1930's. . Silver gelatin print. Dimensions: 12 x 15.5 cm. Title printed on Anthony Verlag label attached to reverse. Good tonal range and in good condition; slight creasing of upper right corner. <br /> <br /> [c.1930's]. unknown
60843c.1950's. . Gelatin silver print. Dimensions: 23 x 16.6 cm. Photographer's signature in ink. Description attached on reverse.<br /> Every girl who carries her weekly salary in her handbag feels like an heiress in her own right.<br /> [c.1950's]. unknown
60863c.1950's . Gelatin silver print. 22.6cm x 16.6cm.<br /> <br /> [c.1950's] unknown
60862c.1950's . Gelatin silver print. 22.3cm x 17cm.<br /> <br /> [c.1950's] unknown
86727c.1950's. . Gelatin Silver Print. Dimensions: 11.2 x 15.8 cm. Photographer's ink signature and title on the reverse. Good tonal range and in good condition.<br /> <br /> [c.1950's]. unknown
60688c.1950. . Gelatin silver print. Dimensions: 155 by 110mm. Stamped and photographer's initials on verso. <br /> <br /> c.1950. unknown
60878c.1950's. . Gelatin silver print. 15.1cm x 11cm. Mounted on card title in ink on reverse.<br /> <br /> [c.1950's]. unknown
60475c.1950's . Gelatin silver print. Dimensions: 20 x 16 cm. Good tonal range and in good condition. Ink title and description on reverse. German publisher's label attached to reverse.<br /> <br /> [c.1950's] unknown
87050c.1950's. . Silver gelatin print. Dimensions: 16.5 x 23 cm. Photographer's signature and title in ink on reverse. Good tonal range and in good condition.<br /> <br /> [c.1950's]. unknown
87025c. 1950's. . Silver gelatin print. Dimensions: 20.3 x 15.3 cm. Artist's signature and title in ink on reverse. Very good tonal range and in good condition<br /> <br /> [c. 1950's]. unknown
60632c.1940's . Gelatin silver print. Dimensions: 23 x 17.2 cm. 'Dorien Leigh' stamp and title and description on reverse.<br /> Rations for one won't spoil her picnic and judging by the size she won't go hungry description on reverse.<br /> c.1940's unknown
60455c. 1960's . Gelatin silver print 11cm x 11.5cm. Photographer's ink signature on reverse. Printed title and description on paper attached to the reverse.<br /> Near Jerusalem between the town and the Dead City one finds at the end of a Canyon the Monastery of St. Sabba built by the Emporer Justinan. The saint is supposed in the 5th Century to have lived in a cave with a lion in this neighbourhood for many years. Anchorites inhabited similar caves prior to the building of the Monastery. No women are allowed in the Monastery. The Arab population all around is Christian. It is now a Greek Orthodox Monastery. The silver keys to the Monastery. Description attached to the reverse.<br /> [c. 1960's] unknown
60479c.1960's . Gelatin silver print. 11cm x 11.5cm. Photographer's ink signature and printed description on reverse.<br /> The Monastery of St. Sabba Palestine.<br />Near Jerusalem between the town and the Dead City one finds at the end of a Canyon the Monastery of St. Sabba built by the Emporer Justinan. The Saint is supposed in the 5th century to have lived in a cave with a lion in this neighbourhood for many years. Anchorites inhabited similar caves prior to the building of the Monastery. No women are allowed in the Monastery. The Arab population all around is Christian. It is now a Greek Orthodox Monastery. description on reverse.<br /> c.1960's unknown
60471c.1950's . Gelatin silver print. 16.2cm x 22.6cm. Photographer's title and ink signature on the reverse. <br /> A fascinating view of the Stari Most old bridge which was commissioned by Suleiman the Magnificent in 1557 and designed by Mimar Hayruddin a student and apprentice of the great Ottoman architect Mimar Sinan. Known in Turkish during the Ottoman occupation as Mostar köprüsü the bridge which spanned the Neretva river as it flows through Mostar stood for 427 years until destroyed in 1993 during the Bosnian war. It was subsequently restored and reopened in 2004.<br /> c.1950's unknown
