Lawrence DURRELLBiblio.com
548 résultats
198083025Edimbourg Edinburgh 1980. Fine. Edimbourg Edinburgh 4 octobre 1980 10 x 14.50 cm une carte postale une enveloppe Suggestive autograph postcard signed by Lawrence Durrell addressed to Jani Brun written in violet felt-tip pen on the verso of a reproduction of a sculpture representing a satyr envelope attached. ""Buttons dear. J'arrive mardi pour deux nuits à Paris - au Royale. Si tu es libre de me joindre. faites moi signed. Suis fatigué après Athens Londres Edinburgh! Love. Larry Durrell."" ""Buttons dear. I arrive Tuesday for two nights in Paris - at the Royale. If you are free to join me. let me know. Am tired after Athens London Edinburgh! Love. Larry Durrell."" After many years spent in Greece Egypt and Rhodes the traveling writer Lawrence Durrell was forced to flee Cyprus following popular uprisings that led the island to its independence from the British crown. Rich only with a shirt and a typewriter but crowned with the success of his novel Bitter Lemons of Cyprus Les citrons acides he arrived in France in 1956 and settled in the Languedoc village of Sommières. In the ""Tartès house"" his large dwelling surrounded by trees he wrote the second part of his work his monumental Avignon Quintet devoted himself to painting and received his illustrious friends including the couple Henry Miller and Anaïs Nin violinist Yehudi Menuhin London publisher Alan G. Thomas and his two daughters Penelope and Sappho. Among the olive trees and under the Mediterranean sun he met in the mid-1960s the young and vivacious ""Jany"" Janine Brun a thirty-something woman from Montpellier of devastating beauty who worked at the Antiquities department of the Sorbonne in Paris. She was nicknamed ""Buttons"" in memory of their first meeting where the young woman wore a dress covered with buttons. Henry Miller also fell under the charm of ""Buttons"" praising her beauty and eternal youth in exceptional unpublished letters. The three companions spent memorable Parisian evenings of which we keep precious autograph traces through their epistolary exchanges. Recommended by Durrell she made numerous trips notably to England from where she received extensive correspondence from the writer as well as original works of art signed with his artist pseudonym Oscar Epfs. unknown
198382998s. l. Paris: S. n. 1983. Fine. S. n. s. l. Paris 1983 21 x 29.50 cm une feuille Typed letter dated June 29 1983 signed by Léo Malet to photographer Bruno de Monès in which the writer thanks his photographer: "". multipliant autour de moi les images de ma ""petite chérie"" que j'éprouve le besoin de vous envoyer encore un bouquin."" "". multiplying around me the images of my 'little darling' that I feel the need to send you another book."" and takes the liberty of asking him for information about a glue and black paper he uses to create his collages often of pornographic inspiration. At the end of the typed letter on letterhead from his Châtillon address Léo Malet adds a handwritten ""Bien à vous. Léon Malet."" ""Yours truly. Léon Malet."" Central fold marks inherent to mailing. S. n. unknown
1963639891963. Fine. 1963 et s. d. 15 x 10.50 cm une carte et un feuillet remplié Autograph letters signed by Lise Deharme addressed to Guy Dupré 9 lines in red pen on a postcard and 17 lines in blue ink on two pages of a folded sheet. Fold inherent to mailing. A collection bearing witness to the friendship between Lise Deharme a figure of Surrealism and Guy Dupré then editor at Plon: « Si je vous écris que j'ai pleuré en lisant votre article j'aurais l'air de commettre une de ces exagérations parisiennes chères à ces amis de nos amis » If I write to you that I cried reading your article I would seem to be committing one of those Parisian exaggerations so dear to those friends of our friends unknown
197470633Ispahan Isfahan 1974. Fine. Ispahan Isfahan 22 novembre 1974 14.90 x 10.20 cm une carte postale Autograph postcard signed by Maurice Béjart addressed to André-Philippe Hersin on the verso of a photographic reproduction showing the trembling minarets of Isfahan. The choreographer sent this postcard from Iran where he created in 1971 under the patronage of Empress Farah Pahlavi his ballet Golestan The Rose Garden and in 1974 at the Shiraz festival his ballet Mallarmé III to music by Pierre Boulez. It would also be during this period that Béjart is said to have converted to Islam after meeting Dariouche Safvate eminent Kurdish Sufi musician. unknown
192984821Angers 1929. Fine. Angers 25 Septembre 1929 13.50 x 20.50 cm quatre pages sur un feuillet double Autograph letter dated and signed by Renée Guilloux about friendship that transcends and sublimes human relationships 80 lines written in black ink on four pages. Folds inherent to mailing small tears at foot without any damage to the text. For Renée Guilloux the friendship she feels for her correspondent dominates distance and silence: "". est-ce que les mots ont su dire la joie des coeurs."" ""have words been able to express the joy of hearts."" and momentary disagreements: ""Mais tous ces mois toutes ces années nous pesaient douloureusement. J'avais l'impression que vous vous étiez mis d'un seul coup à parler très vite avec beaucoup d'agitation dans une langue qui m'était étrangère. mais je savais que ce n'était qu'un moment et qu'après nous reprendrions notre conversation rentable."" ""But all these months all these years weighed on us painfully. I had the impression that you had suddenly started speaking very quickly with great agitation in a language that was foreign to me. but I knew it was only a moment and that afterwards we would resume our profitable conversation."" Despite life's vicissitudes Louis Guilloux and his wife have always shown confidence in the brotherhood that unites them above all: ""J'attendais votre retour dans la certitude dans la paix et bien qu'il n'y ait pas de paroles écrites entre nous votre amitié m'apportait toujours sa même force et sa même joie."" ""I awaited your return with certainty in peace and although there were no written words between us your friendship always brought me the same strength and the same joy."" and in the serenity acquired after so many ordeals endured: ""Vous nous avez trouvés transformés dites-vous grandis. cette paix c'est notre conquête la plus belle. après les inquiétudes et les souffrances."" ""You found us transformed you say grown. this peace is our most beautiful conquest. after the anxieties and sufferings."" Renée Guilloux praises this radiating peace that she shares with her friend: ""Cette paix qui est en nous elle est aussi vôtre cher ami et vous avez grandi comme nous. je pense au rêve de Don Quichotte aux paroles qu'il echange avec Dulcinée. Elles sont pleines de cette lumière."" ""This peace that is in us it is also yours dear friend and you have grown like us. I think of Don Quixote's dream of the words he exchanges with Dulcinea. They are full of this light."" Finally she is reassured by her husband's health which is improving and which allows him to return to his writing work. unknown
193886686Lyon 1938. Fine. Lyon 5 Avril 1938 14 x 10.50 cm un bristol recto verso une enveloppe Autograph card dated and signed by Tancrède de Visan 15 lines in violet ink on Nouvelliste de Lyon letterhead recto and verso. Envelope included. Touched by the floral attention shown by his correspondent Tancrède de Visan addresses these few words of gratitude to Joseph Tauran-Lille: ""Nothing could bring me greater joy than these three hyacinths - white pink and violet - whose tender harmonies illuminate my drawing room while perfuming it"". unknown
1940021765Chicago 1940 to 1950: American Federation of Radio Artists / AFRA 1940. First Editions . Illustrated Wrappers. Fine. 10 7/8" x 8 1/4" x 3. Photographs Throughout. Blue Cloth Gilt. Specially Bound Thick Volume Of Programs For The Annual Charity Benefits Of Afra In Chicago 1940 - 1950 Lacking #8 1945/1946. Bound By Arthur Peterson Jr. Of The Radio Serial The Guiding Light Later A Performer On Tv Including An Important Role In Soap And In Performances And Signed By Many Performers Near Their Ad Pictures; The Program Consist Mainly Of Photo-Illustrated Ads For The Performers And Productions. <br/> <br/> American Federation of Radio Artists / AFRA unknown
1932043778London / New York / Toronto: Longmans Green And Co. 1932. First English Language Edition . Hardcover. Very Good/No Jacket. Plates By Jean Cocteau B/W Drawings. 188 Pp. Green Cloth Gilt; Dark Green Topstain. First English Language Edition. Very Lightly Used No Signs Of Wear All Gilt Brilliant But Wear To Three Letters On Spine Some Fading To Cloth And Some Browning To Spine Cloth A Few Small Faint Water Spots Publisher's Topstain Strong And Even. Ownership Blind Stamp Of Vicente Minnelli At Bottom Of Title Page Tiny 1925 Book Label Of Gotham Book Mart Nyc At Bottom Of Rear Pastedown. Per Wikipedia Vincente Minnelli Born Lester Anthony Minnelli; 1903 - 1986 Was An American Stage Director And Film Director. He Directed The Classic Movie Musicals Meet Me In St. Louis 1944 An American In Paris 1951 The Band Wagon 1953 And Gigi 1958. An American In Paris And Gigi Both Won The Academy Award For Best Picture With Minnelli Winning Best Director For Gigi. In Addition To Having Directed Some Of The Best-Known Musicals Of His Day Minnelli Made Many Comedies And Melodramas. He Was Married To Judy Garland From 1945 Until 1951; The Couple Were The Parents Of Liza Minnelli. Cocteau's Influence On Minnelli Is Referenced In Several Sources: " . The Theatre Years He Was Studying Films Of Jean Cocteau"."Cocteau's Work Was Motivational For Such Directors As Vincent Minnelli Circa Art Magazine. In The Film "Gigi" "Minnelli Used 'Creative Geography' S Technique Created By Jean Cocteau To Make A Variety Of Parisian Locations Seem As Though They Were Next Door To Each Other. <br/> <br/> Longmans, Green And Co. hardcover
1940024673New York: Charles Scribner's Sons 1940. First Edition . Boards. Very Good /DJ Flap Only. 10 1/4" Tall. Original Drawing By Robert Edmond Jones. 88 Pp. An Attractive Example Well Preserved Age Toning To Spine And Top Edge Of Boards Unfaded Hinges Tight Small Loss Along Top Edge Of Spine. Inscribed By Almost All Cast Members "To Dorothy"; From A Collection Of Books From The Estate Of Dorothy Gish Who Had A Role In The Play. <br/> <br/> Charles Scribner's Sons hardcover
1934020156New York: The Press of the Pioneers 1934. First Edition 1st Printing. Cloth. Very Good /No Dust Jacket. Xvii 441 Pp. Blue Cloth Gilt. A Clean Tight Example. Hinges Tight. Cover Gilt Bright. Bookplate Of Previous Owner To Whom Is Addressed A 28 Line Tls From The Author Dated May 28 1937 In El Paso On His Letterhead With A Branding Iron Across The Top Providing A Courteous Reply. Cunningham Discusses The Probably False Photo Of Billy The Kid Which Had Recently Come To Light; Acknowledging That The Photo Of Sam Bass In The Book Is Not Sam Bass After All; Making A Comment On Connelley's Writing On Wild Bill Hickok Etc. Letter In Fine Condition Folded With Mailing Envelope Neatly Attached To Rear Endpaper. Also With The Old Newspaper Clipping Regarding The Billy The Kid Photo And A Prospectus For The Upcoming Caxton Reprint Of This Book. Shallow 1" Long Bump To Top Of Front Board With 1/8" Tear To Cloth. <br/> <br/> The Press of the Pioneers hardcover
1921025845Boston: The Cornhill Company 1921. First Edition 1st Printing. Red Cloth Gilt. Very Good/No Dust Jacket. Frontispiece Plates. Viii 179 Pp. Publisher's Red Cloth Gilt Cover And Spine With Blindstamped Border On Front And Rear Covers. Light Wear No Fraying Very Clean With No Stains Or Marks. With A Full Page Autograph Letter Signed From The Author To Edward A Dickson Evening Express City With His Return Address C/O W. A. Clark Jr. William Andrews Clark The Rare Book Collector And Philanthropist Davis Explaining That He Has Been A House Guest Of Clark. The Letter Discusses The Author And His Book Furnishing A Little Background Information. Also Included Is The Author's Signed Photograph A "Cut" Fir Publication Again Inscribed By Davis Also With His Alternate Name Wesley Hume And Again Giving His Address C/O Clark In Los Angeles. <br/> <br/> The Cornhill Company hardcover
1933030514New York: Covici Friede 1933. 1st Edition 1st Printing. Hardcover. Very Good/No Jacket. 480 Pp.Yellow Cloth Printed In Green.First Printing 1923 Date On Title Page. Light Wear Tiny Split/Fry At Bottom Of Front Spine Edge Spine Browned Endpapers Browning Mostly In 1" Strip Along Gutter Edges Hinge Cracking Before Title Page Binding Solid. Inscribed At Length By Fowler "To My Friend Gil Gilbert Emery With The Polite Proviso That He Read It In Silence And A Hundred Miles Away From Champagne Breakfasts. I Pound With The Forehead Gene Fowler Nov-1933". Emery Was A Minor Hollywood Actor For Decades Usually As A Tall Aristocratic Character. <br/> <br/> Covici Friede hardcover
1925037024New York: George H Doran 1925. 1st Edition 1st Printing. Hardcover. Good. Photographs. 339 Pp. Red Cloth Spine Gilt. First Printing With Doran Logo On Copyright Page. Very Clean Worn And Frayed A Little At Corners Rear Hinge Partly Cracked 5/8" Tear At Bottom Edge Of A Few Pages Near Center. Signed As "Nellie Melba" On The Half-Title. Also Signed By Lewis Addison Armistead A Descendant Of The Civil War General On Front Pastedown And With His Initials On Title Page Dated 1926. <br/> <br/> George H Doran hardcover
1991054612New York: Hyperion / Welcome Enterprises 1991. 1st Edition 1st Printing. Illustrated Boards. Fine. 11 1/4" Tall. Color Plates Throughout. 207 Pp. Illustrated Boards With Holograms.First Printing Stated. Fine Book As New No Dj As Issued. Inscribed By Thomas <br/> <br/> Hyperion / Welcome Enterprises hardcover
1960008835Hollywood circa 1960: Edgar Bergen 1960. First Edition . Black Cloth. Near Fine. About 250 Unprinted Pages Bound In Black Cloth Lettered In Gilt On Spine And Cover. A Humorous Birthday Gift To Hollywood Actress Marie Windsor Probably From Edgar Bergen Who Fills The First Inscribed Page With His Inscription And A Drawing Of Charlie Mccarthy With Other Pages Also Inscribed By Others Mostly Obscenely. <br/> <br/> Edgar Bergen hardcover
1969010291Paris: EURIMPRIM IMPRIMEURS EUROPEENS REUNIS. 2nd Edition. Hard cover in red letherette boards. Published Paris: EURIMPRIM IMPRIMEURS EUROPEENS REUNIS 1969. Folio 9 3/4" x 13" 413pp. illustrated with full page plates of insignia in color and b/w. Text in French. Pebbled red letherette with gilt titles. Russian born Serge Andolenko served admirably as French military officer rising to the rank of brigade général of the French Army. "A passionate historian he was renowned for several publications on the French Army and the Imperial Russian Army." Work covers all infantry regiments including infantry of the foot hunters the Zouaves the foreign legion the Moroccan riflemen the African light infantry and the Moroccan Goums. Mild dust foxing on top edge of page block gilt bit dull else fine clean bright unmarked. A beautiful copy. . Near Fine. Hard. 1st. 1969. EURIMPRIM (IMPRIMEURS EUROPEENS REUNIS) unknown
1927044798Richmond Virginia: The William Byrd Press Inc. Printers 1927. First Edition First Printing . Hardcover. Good/No Jacket. Octavos. 623; 644 pages. Indexed at the rear of Volume II. Two volumes bound in original blue cloth with spine titles in gilt. Moderate wear to the bindings. The bindings have some chips or abrasions in the cloth which seem to have been touched up with blue paint or coloring. This is more evident at the top edge of front cover on Volume II as well as on the side of its spine. Endpapers foxed. Text is toned but generally clean. INSCRIBED by the author on the front flyleaf of Volume I "To S. A. Ashe / with the author's esteem / Landon C. Bell / May 20 1929." Samuel A'Court Ashe 1840-1938 was a lawyer and a Confederate Captain in the Civil War. After the War he served in the North Carolina legislature and was a noted historian author and defender of the Confederacy. There is also a signed typed letter laid in loosely from Drewry McKee Smith to Captain Sam Ashe dated 1929. This is actually a copy of a letter to someone else that the sender signed and sent to Captain Ashe. Includes the original stamped envelope which is on browned paper. Unfortunately someone has stuck this in a folded and taped mylar sleeve and the envelop is stuck to the tape inside the sleeve. The books are NOT signed by Samuel A. Ashe. <br/> <br/> The William Byrd Press, Inc., Printers hardcover
1928009126Philadelphia: Dorrance and Company. Signed. Hard cover in original cloth. Published Philadelphia: Dorrance and Company 1928 second printing in the same month as the first - March 1928. 8vo. 286pp. illustrated with b/w plates. Red linen cloth with gilt spine and cover titles. Inscribed on two occasions by the author; first on frontis photo: "To Charles Ernstberger Jr. Clarence D. Chamberlin." Second on front pastedown: "To Mary L. Zagoreos with best wishes Clarence D. Chamberlin Aug 12th 1961." Two weeks after Lindbergh's solo transatlantic flight aviator Clarence Chamberlin flew non-stop from New York to Germany carry the first transatlantic passenger exceeding Lindbergh's record by 300 miles. Light wear at the heel and tips mild fade area on spine. Very good bright attractive copy. New York Times obituary of Chamberlin laid in. . Very Good. Hard. 1928. Dorrance and Company unknown
1972058611Chicago Il: Cowles Book Company / Henry Regnery 1972. 1st Edition 1st Printing. Hardcover. Very Good/Near Fine. 283 Pp. Brown Clotjh. First Printing. Light Wear Gilt Brihgt Dust Jacket Flaps Pasted To Front Endpapers An D Rear Panel Pasted To Rear Free Endpaper. Dist Jacket From Another Copy Price Clipped Near Fine. <br/> <br/> Cowles Book Company / Henry Regnery hardcover
1928007822New York 1928: White-Smith Music Publishing Co. 1928. First Edition . Soft cover. Near Fine. Large Size Sheet Music Folio Nicely Inscribed By Cadman. Per Wikipedia Charles Wakefield Cadman 1881 - 1946 Was An American Composer. For 40 Years He Worked Closely With Nelle Richmond Eberhart Who Wrote Most Of The Texts To His Songs Including Four American Indian Songs. She Also Wrote The Librettos For His Five Operas Two Of Which Were Based On Indian Themes. He Composed In A Wide Variety Of Genres. He Was Greatly Influenced By American Indian Music Which He Had Been Studying Especially Through The Work Of Ethnologists Alice Fletcher And Francis La Flesche. Fletcher And La Flesche Had Studied The Omaha Tribe And Recorded Their Music And Stories. Having Published Several Articles On American Indian Music Cadman Became Regarded As One Of The Foremost Experts On The Subject. In 1908 He Began Touring To Present Lectures Known As The "Indian Talk" Or "Indian Music Tour" Accompanied By The Performance Of Native American Music And His Own Compositions. Tsianina Redfeather Muscogee / Cherokee Billed As "Princess Redfeather" Performed As A Singer On Some Of His Tours. Her Signature Song Was Cadman's "From The Land Of The Sky-Blue Water". Another Such Song Was "At Dawning" Which Became Widely Known In The 1920S. Cadman Toured Both The Us And Europe For 25 Years To Present This Lecture. Cadman Drew From Omaha And Iroquois Songs For His Four American Indian Songs Op. 45 Which Became His First Commercial Success In 1909. This Was Aided By Performances Of These Songs By Noted Soprano Lillian Nordica Who Was On A Concert Tour. In The Summer Of 1909 He Went To Nebraska To Study The Music And Traditional Instruments Of The Omaha And Winnebago Tribes. He Lived With The People On Their Reservations Learning To Play Their Instruments. During His Trip To The West He Met Francis La Flesche An Omaha Ethnologist Who Was Working With The Smithsonian Institution On Studies Of The Omaha And Osage Peoples. Cadman Assisted Him In Making Recordings On Wax Cylinders Of Traditional Songs. These Works Are Now Held By The Library Of Congress And Some 60 Songs Are Available Online. Cadman Drew From La Flesche's Recordings And He Was Also Interested In His Stories Collected From These Peoples. They Began Work That Year On An Opera; Cadman Had Already Started To Pull Melodies From Three Printed Collections Of Omaha And Pawnee Music Published By Ethnologist Alice Cunningham Fletcher Who Also Was With The Smithsonian. The Songs Were Transcribed Or Harmonized By Others. Cadman And Eberhart Worked Closely With La Flesche By Mail And He Continued To Provide Cadman With Omaha Melodies For The Opera. They Were Not Permitted To Use Melodies Which La Flesche Had Collected For An As Yet Unpublished Report For The Smithsonian. Together With Librettist Nelle Richmond Eberhart Cadman And La Flesche Worked Together For About Three More Years To Create An Opera Based On Omaha Stories And Music. Cadman Made Occasional Indian Music Tours To Raise Money For The Project. He Moved To Denver In 1911. Cadman Completed The Music For Da O Ma 1912 And Sought A Venue For It But It Was Never Produced Or Published. It Was Rejected By The Boston Opera Company The White-Smith Music Publishing Company Which Had Published Numerous Songs By Cadman; And The Metropolitan Opera. In The Course Of Their Work The Team Had Changed The Opera From An Omaha To Sioux Lakota/Dakota Setting. Cadman Did Gain Some Distribution For This Music: Selections From The Opera Were Published By White-Smith In 1917 As A Piano Suite And By Boosey In 1920 As An Orchestral Suite. <br/> <br/> White-Smith Music Publishing Co. paperback
1956023287Englewood Cliffs: Prentice-Hall Inc. 1956. First Edition First Printing . Hardcover. Near Fine/Very Good DJ. 153 Pp. Dark Green Boards Printed In Light Green. First Edition. Very Scarce. Book Is Clean Light Wear At Corners. Dj Clean Not Price-Clipped $2.95 Very Light Wear. Amusingly Inscribed Separately By Both Authors To Food And Wine Expert Robert Balzer. Elise Cavanna Starred In Many Movies With W C Fields Was Married To Merle Armitage And Illustrated Several Books For Him And Also Was The Subject Of A Now Scarce Book By Armitage About Her Art. <br/> <br/> Prentice-Hall Inc. hardcover
1960000863Los Angeles Circa 1960: Self-Published 1960. Original Musical Score . No Binding. Very Good. A Collection Of 7 Undated Unsigned Scores Of Her Arrangements Of Songs By "Karma" Circa 1960 Apparently Her Personal Copies In Her Custom Slipcase With Handwritten Penciled Or Inked Scores And With Additional Mimeographed Copies. Ms. Howard Was An Actress But Later Became An Accomplished Photographer Of Hollywood's Elite Catching Them In Informal Moments And Published A Book Of Those Photographs. She Traveled With Cole Porter And Later Published A Book Of Her Photographs Of Those Travels. In A Blue Chemise. <br/> <br/> Self-Published unknown
1932057859New York: The Macmillan Company 1932. First Edition . Cloth. Fair/No Dust Jacket. Photographs. 303 Pp. Biography By A Friend And Fan A Writer Noted For His 1912 Biography Of Twain. Signed On Title Page By Lillian Gish And Also By Albert Bigelow Paine; Another Ownership Signature Of A Man With A Connection To Her Sister Dorothy Gish This Being Her Copy Although Not Signed By Her. Covers Quite Worn Frayed At Top And Bottom Of Spine Dampstaining To Covers With A Very Slight Waviness At Bottom Of Last 50 Pages. Lacking The Scarce Dust Jacket. <br/> <br/> The Macmillan Company hardcover
197488006s. l.: s. n. 1974. Fine. s. n. s. l. s.d. ca 1974 13.50 x 8.50 cm une feuille Printed visiting card of André Malraux on which he added these few words for his friend Minka Strauss: ""All my affectionate regrets dear Minka but I could not have made it to your elevator."" Handsome copy. s. n. unknown
192085206Paris: S. n. 1920. Fine. S. n. Paris 1er Juillet 1920 11.50 x 9 cm deux pages sur un double feuillet Autograph letter signed by Georges Fourest 15 lines in black ink addressed to a fellow writer. Light foxing on the bristol. Georges Fourest thanks his correspondent: ""Je viens de lire la Revue contemporaie et tout de suite je veux vous remercier de la façon si charmante encore que d'une indulgence excessive dont vous avez signalé ma courte nouvelle ""Le loup garou"". Ai-je besoin de vous dire combien me touchent de si délicats éloges venant de l'artiste que vous êtes Encore merci et croyez moi bien sympathiquement vôtre. Georges Fourest 24 rue de Milan IXe arr. Paris le 1er juillet 1920"" ""I have just read the Revue contemporaine and immediately want to thank you for the charming way albeit with excessive indulgence in which you mentioned my short story 'Le loup garou'. Need I tell you how touched I am by such delicate praise coming from the artist that you are Thanks again and believe me most sympathetically yours. Georges Fourest 24 rue de Milan IXe arr. Paris July 1st 1920"". S. n. unknown
