38 résultats
197555349Revised edition, 1 vol. in-4 cartonnage éditeur, Time-Life Books, New-York, 1975, 208 pp.
20170298São Paulo, self-edited, 2017. One octavo softcover book of 228 x 154 mm, 118 pp. Many black and white pictures throughout the book. Translated from Chinese to English by David Curtis Wright with the author's help. SIGNED by the author on the half-title page. A heart-wrenching and powerful story about a Chinese man who overcame many hurdles to escape an authoritarian government to ultimately land in Brazil, where he and his family fared well in peace. "Born in 1933, Li Mu, pseudonym of Dr. Yeung Chi Bor, is a Chinese-Brazilian doctor and acupuncturist. He grew up in the Chinese province of Guangdong under the Chinese Communist Regime. Targeted by the authorities as 'landlords', Yeung and his family were persecuted, defamed, tortured, and had their possessions confiscated. His father was executed and he was sent to labor camps. Throughout his struggle for survival, Yeung bore witness to one of the worst atrocities in history. He ultimately escaped as a refugee into Hong Kong in 1962 and, in 1977, made a great leap into the unknown, immigrating to Brazil at the age of 44. Dr. Yeung has three daughters and one son, and lives with his wife in the Brazilian city of Belo Horizonte, in the state of Minas Gerais."
1974278801 chapitre ronéotypé extrait de "Cognition and the Symbolic Processes, Volume édited by Walter Weimer David Palermo, Lawrence Erlbaum Associates, 1974, pp. 63-124
190264678Fourth Edition Revised & Enlarged, 8vo vol., editor's hardcover, John Murray, Albermarle Street, Kelly & Walsh, Limited, London, Yokohama Shanghai, Hong-Kong, Singapore 1902, VI pp., 1 f., 545 pp. et une carte dépliante
19970514London, Michael Joseph, 1997. First edition of Adeline Yen Mah's first autobiographic book, signed by her with a blue pen on the title page. Octavo, 225 x 140 mm, (ix) 278 pp. Green cloth hardcover with dust jacket. Signed in Chinese and English by Ms Yen Mah. Book in good condition. Edges show very tiny dots, a little foxing on the first pages near the spine, bottom of the DJ lightly crumpled, margins slightly yellowed. Binding is in very good shape, paper clean, DJ is crisp and well protected beneath its original mylar.
19951352Times books. New York. 1995. In-8 oblong (21,5 x 26 cm). (24) pp. : cartonnage pelliculé illustré en couleurs, jaquette à l’identique.
1966501061 vol. in-8 cartonnage éditeur sous jaquette, Basil Blackwell, Oxford, 1966, 274 pp.
1967501171 vol. in-8 br., Sources in Western Civilization, Herbert Rowen, The Free-Press, New York, 1967, 359 pp.
196757805A human document, with an Introduction by Barbara Hannah, 8vo paperback, Schippert & Co, Zurich, s.d. [ 1967 ], XII-128 pp. with 12 original colored drawings under an envelope pasted on guard, and autograph text in flemish on 14 leaves (letters, poems) in another one. Full Tite : The healing influence of Active Imagination in a Specific Case of Neurosis [ Unique and exceptional copy with autograph manuscripts and 12 original drawings: Anna Marjula mystery solved ! ]
19580451New York, John Day Company, 1958. First edition. An octavo volume of 217 x 142 mm for 188 pp. Bound in full black publisher's cloth with dust jacket with flaps. Blank covers, author's name, title and publisher written vertically on the spine on a pink background. Dust jacket with a drawing of African-Americans playing drums, black and red on a yellow background. Autograph dedication from Langston Hughes on the first white guard: "For Paula-Lima, with a hearty welcome to our U.S.A. Sincerely, Langston Hughes, New York, July 26, 1960" in turquoise blue pen. The table of contents, at the beginning of the book, was also annotated by Hughes with the same pen p. 11. A major figure in the African-American cultural movement known as the Harlem Renaissance, the poet and novelist Langston Hughes (1901-1967) wrote works depicting the lives of black proletarians shared between joys, disillusions, hope, etc. all tinged with jazz and blues. "Through his work, he sought to show the importance of a "black consciousness" and a cultural nationalism that unites men rather than sets them against each other. This pride was subsequently taken up by many men of letters such as Jacques Roumain, Nicolás Guillén, Léopold Sédar Senghor and Aimé Césaire." (Wikipedia) ******************************************** New York, John Day Company, 1958. En anglais. Édition originale. Un volume in-8 de 217 x 142 mm pour 188 pp. Relié plein tissu noir éditeur avec jaquette à rabats. Plats muets, nom d'auteur, titre et éditeur écrits à la verticale au dos sur fond rose. Jaquette à dessin d'Afro-Américains jouant du tambour, noir et rouge sur fond jaune. Envoi autographe de Langston Hughes sur la première garde blanche : "Pour Paula-Lima, chaleureusement la bienvenue chez nous aux États-Unis. Sincèrement, Langston Hughes, New York, 26 juillet 1960" (traduit) au stylo bleu turquoise. La table des matières, en début d'ouvrage, est également annotée par Hughes avec le même stylo p. 11. Figure majeure du mouvement culturel afro-américain dit de la Renaissance de Harlem, le poète et romancier Langston Hughes (1901-1967) écrivit des œuvres dépeignant la vie des prolétaires noirs partagée entre joies, désillusions, espoir, etc. le tout teinté de jazz et de blues. "Par son travail, il a cherché à montrer l'importance d'une « conscience noire » et d'un nationalisme culturel qui unit les hommes plutôt que les oppose. Cette fierté a par la suite été reprise par de nombreux hommes de lettres comme Jacques Roumain, Nicolás Guillén, Léopold Sédar Senghor ou encore Aimé Césaire." (Wikipédia)
2017QZI-22London, Hodder & Stoughton, 2017. First UK edition. Hardback in dark blue cloth with dust jacket. SIGNED by Owen King on a tipped-in paper stuck on the half-title page, below an ex-dono by a previous owner. Interestingly, the paper King signed refers to a bookstore localized in Bangor, MA, so in the USA. The colored endpapers feature a butterfly design in clear blue over navy blue. A brick of a book with its 16 x 24 cm and 718 pp. size! An interesting collaboration between Stephen King and his son.
1904boz_003129Seita KABA. Lettre autographe signée en date du 3 mars 1904, à Tokio "Tokyo", Japon. Dimensions : 12,5 x 20,1 cm. Nombre de pages : 3 pages.
198127959Edited by Federico Mayor, 1 vol. in-8 cartonnage éditeur, Pergamon Press, Oxford, 1981, 236 pp.
1993650891 vol. in-8 cartonnage sous jaquette illustrée, Independent Books, Bromley, 1993, VII-291 pp.
19760366New York, Atheneum/SMI, 1976. Édition originale. Dédicacé par Pelé sur la page de titre. In-8, 222 x 147 mm, 129 pp. Relié plein tissu rose foncé, jaquette rose, image de couverture découpée et collée sur le plat avant, plats et reliure sous plastique. Livre issu de la bibliothèque de la Escola Americana de Rio de Janeiro, tampon "DISCARDED" sur la première garde blanche, tampon de bibliothèque et de date sur la page de titre. Portrait noir et blanc de Pelé en frontispice, dédicace "Do amigo Pelé" sur la page de titre. Album de photos noir et blanc au milieu des pp. 64 à 69 non paginées. Biographie peu courante, rédigée bien avant la version de 2006. New York, Atheneum/SMI, 1976. First edition. Signed by Pelé on the title page. In-8, 222 x 147 mm, 129 pp. Bound in full dark pink cloth, pink dust jacket, cover image cut out and pasted on the front cover, covers and binding under plastic. Book from the library of the Escola Americana in Rio de Janeiro, stamp "DISCARDED" on the first white endpaper, library and date stamp on the title page. Black and white portrait of Pelé on the frontispiece, dedication "Do amigo Pelé" on the title page. Black and white photo album in the middle of the book on unpaginated pp. 64 to 69. Paper a little yellow with some slight creasing. Signed page in good condition. Solid binding. Scarce biographical work, written well before the 2006 version.
19900485Porto Alegre, Gráfica Editora Pallotti, no date [circa 1990]. First and only edition. Bilingual text, English and Portuguese. SIGNED by author on free endpaper: "Para Jayme Albek, o abraço do MOACYR. Maio, 1991" (For Jayme Albek, with a hug from Moacyr, May 1991) An oblong hardcover book of 297 x 217 mm and 120 pp. Widely illustrated with archive black & white photos, along with a few colored maps and drawings. Co-edited by the Instituto Judaico Marc Chagall, with a foreword of the president of the Institute Evelyn Berg. The book recalls the difficult arrival and settlement of Eastern European Jews, by the beginning and middle of the twentieth century, in the most southern state of Brazil. The author, Moacyr Jaime Scliar (1937-2011), spent most of his life in Porto Alegre. He worked as a physician and university professor while also constantly researching and churning literature: short stories, novels, essays, children's literature and some columns in several Brazilian newspapers. ********************************************** Porto Alegre, Gráfica Editora Pallotti, sem data [circa 1990]. Primeira e única edição. Texto bilíngue inglês e português. ASSINADO pelo autor em folha de guarda livre: "Para Jayme Albek, o abraço do MOACYR. Maio, 1991" Livro oblongo de capa dura, 297 x 217 mm, 120 páginas. Amplamente ilustrado com fotos em preto e branco de arquivo, além de alguns mapas e desenhos coloridos. Coeditado pelo Instituto Judaico Marc Chagall, com prefácio da presidente do Instituto, Evelyn Berg. O livro conta a difícil chegada e fixação de judeus do Leste Europeu, no início e meados do século XX, no estado mais ao sul do Brasil. O autor, Moacyr Jaime Scliar (1937-2011), passou a maior parte de sua vida em Porto Alegre. Trabalhou como médico e professor universitário, além de pesquisar e produzir constantemente literatura: contos, romances, ensaios, literatura infantil e algumas colunas em diversos jornais brasileiros.
1973279331 vol. in-4 carré relié pleine toile éditeur sous jaquette, University of Toronto Press, Toronto and Buffalo, 1973, 207 pp.
0217Two 4" x 6" (105 x 148 mm) postcards. The first postcard shows a dam, drawn Art Deco style with clearcut geometric ocher and purple shapes with the illustrator's characteristic style upon a burgundy background. This postcard is SIGNED by Nick Gaetano with the mention "Thomas" on pencil. Back of the postcard features the pencil-written mention "Nick Gaetano, airbrush." The second postcard is white. Instead of an illustration, it features a handwritten note with pen: "07.23.[20]01 Thomas — sorry that it took so long — 7 years — [unreadable]" boldly SIGNED. Back of the postcard features the pencil-written mention "Nick Gaetano" and a pencil tracing of a dollar bill. The second postcard show a very light crease on the left half. Aside from that, both are in neat condition. Dubbed "the accidental Objectivist" in 2011, Nicholas Gaetano (1944-) is mostly known for designing covers for 10 Ayn Rand books. His 25th Anniversary Edition cover art for Atlas Shrugged made him seen in the whole United States. However, he "is also an award-winning artist, illustrator, and photographer whose work is in the collections of the Library of Congress and the Smithsonian. He’s created covers for F. Scott Fitzgerald, Tom Wolfe, Dominick Dunne, H. P. Lovecraft, Agatha Christie, among many others. As an illustrator, he is best known for his distinctive Art Deco style, but Gaetano’s paintings tend toward the abstract. Cy Twombly is a recognizable influence. A recent series features fluid spills of black paint on plastic sheets. Gaetano has exhibited widely, most recently at Roberts & Tilton and the Los Angeles Center for Digital Art." (Interview Magazine, "The Accidental Objectivist", 2011) He now sells Ayn Rand-related or -inspired art at the Cordair art gallery. Gaetano's hand signatures are scarce and quite hard to find. This one stems from a personal friendship and from the pre-9/11 period. Whether framed and hung on a wall, placed on a support or simply put on a buffet top, this will be a fine piece for any Ayn Rand or Art Deco collector.
193761143Avec une lettre autographe du Prof. dr. Willem Mengelberg et une préface de L.M.G. Arntzenius, 1 vol. in-folio br., Andries Blitz, Amsterdam, Aux Oeuvres Françaises, Paris, 1937, env. 70 ff.
boz_006158Mary PICKFORD. Original autograph hand signed for André Jouniaux. From the old collection of André Jouniaux (1924-2013), collector, author of "the song of catherine" which was interpreted by edith piaf then juliette gréco. 19,2 X 24,5CM. Good conditions. Return Accepted at the buyer's expense. Thank you. Great deals. Jérôme KAYSER.
1941152522 LAS en anglais de Léonore Gallet, adressée à Yvonne Astruc en 1941.Léonore Gallet, Violoniste américaine.3 pages manuscrites recto signées. Format in-8°(24x16). Très bon état.
boz_001702James Mason - LETTRE AUTOGRAPHE SIGNÉE À Claude Armand Acteur Lettre autographe signée de James Mason acteur de cinéma britannique au collectionneur Claude Armand Dimensions : 15 x 10,5 cm Nombre de pages : 1
1966229821 vol. in-8 br., Supplement to volume 179 of Acta Medica Scandinavica, 1966, 466 pp.
19830119Los Angeles, Jeremy P. Tarcher / Houghton Miffin, 1983. First edition, second printing. Boldly signed by Nathaniel Branden on the first free endpaper (not a tip-in). In-4, 23 x 27 cm, 271 pp. Original dust jacket with flaps. Table of contents at the beginning. A small defect at the top of the DJ and at the bottom of the spine, otherwise VG. Pages are crisp and clear. Nathaniel Branden's Honoring the Self is a cornerstone of self-esteem psychology. The author was a long friend of Ayn Rand before launching his own, close yet unmistakably his, brand of worldview and knowledge of the human mind. "Tell me how a person judges his or her self-esteem," says pioneering psychologist Nathaniel Branden, "and I will tell you how that person operates at work, in love, in sex, in parenting, in every important aspect of existence--and how high he or she is likely to rise. The reputation you have with yourself--your self-esteem--is the single most important factor for a fulfilling life." (Inside flap)
1990279511 vol. in-8 br., Centro de Investigacion de Lenguas Indigenas, Departemento de Investigacion Cientifica y Superacion Academica, Universidad de Guadalajara, 1990, 199 pp.