139 résultats
18419009259Boston: Charles C. Little and James Brown 1841. 1st. Hardcover. With an appendix containing the report of the Boston Committee on Animal Magnetism. Bound in publisher's original brown cloth with spine stamped in gilt. A nice tight and bright copy with only minimal rubbing to extremities. minor foxing to fore edge and easily removable pencil notes throughout. An important book. <br/><br/> Charles C. Little and James Brown hardcover books
1873124992London England: Henry Sotheran Joseph Baer and Co 1873. Hardcover. Blue leather with gilt decoration; Raised bands and gilt decoration at spine; All edges gilt; Color marbled endpapers; Approx. 200 pp.; 30 plates. Wonderful engravings of works by Andrea del Sarto Tissot Hans Holbein Gerome da Vinci Rembrandt Ingres and others; Each work accompanied by annotations; Oversized; Nice plates. Henry, Sotheran, Joseph Baer and Co hardcover books
1830WRCAM47583Philadelphia 1830. 8pp. Dbd. Leaves loose. Small tear in first leaf. Minor foxing. About very good. "Having lately seen in a newspaper an imperfect report of the arguments advanced on the occasion referred to in the title page; the author in justice to himself and the cause is induced to present them to the public in a less exceptionable form." Upholds the rights of the Cherokee nation against the U.S. government's encroachment citing the Bill of Rights and Declaration of Independence. AMERICAN IMPRINTS 1758. unknown books
1711308174London: A. Baldwin 1711. First edition. 43 1 pp. 8vo. Modern buff wrappers with manuscript title label. Textblock separated from covers. First edition. 43 1 pp. 8vo. On the siege of Bouchain during the War of Spanish Succession the last major victory of John Churchill 1st Duke of Marlborough. Hare places the Whig Medley in dialogue with the Tory Examiner whose editor for much of 1711 was Jonathan Swift.<br/>Mrs. Manley who worked for Swift at this time when he was the chief political writer for the Earl of Oxford's ministry replies here with a pamphlet satirizing Marlborough and protesting Hare's unfair ventriloquizing for Swift. <br/>Bound with: MANLEY Delarivier. The D. of M-h's Vindication in Answer to a Pamphlet Lately Publish'd Call'd Bouchain . 16 pp. London: John Morphew 1711. First edition. ESTC T32029; Goldsmiths' 4955; Teerink 852. ESTC T29567; Goldsmiths' 4827; Teerink 1034A. Provenance: T.A. Hollick pencil attribution sold Sotheby's London 19-20 May 1980 part of lot 24 A. Baldwin unknown books
17116369London: A. Baldwin 1711. 8vo 20.8 cm 8.25". vi 42 pp. <br><br>Generally attributed to Francis Hare Bishop of Chichester but also attributed to Jonathan Swift this anonymously published political analysis expresses concern not only that putting the Duke of Anjou on the Spanish throne would tilt the balance of power in Europe too far towards France but also that such action would greatly damage the livelihoods of English textile workers among others dependent on international commerce; also questioned are Swift's views on the ramifications of trade with Portuguese America. This is the second expanded edition. <br>Â Â Â Â <br>Â Â Â Â ESTC T58140; Alden & Landis European Americana 711/126; Teerink-Scouten 1034. Blue-green paper wrappers old style. Title-page with small numeric stamp faint traces of other annotations. Small area of worming in inner margins touching a very few letters. A few scattered spots otherwise clean; edges untrimmed. A. Baldwin unknown books
150319123Cambridge: Pr. by J. Smith for Deightons Rivingtons & Parker 183233. 8vo 22.1 cm 8.7". 2 vols. I: iv iv 706 pp.; 1 fold. facs. II: iv 706 pp. <br><br>First edition: The first two and only volumes published of a journal devoted to classical literature from the "philological point of view" p. i. Connop Thirwall who along with Hare was one of the founders of the periodical submitted his essay "On the Irony of Sophocles" to the work; the "Translation of Part of the First Book of the AEneid" was written by Wordsworth. <br>Â Â Â Â <br>Â Â Â Â NSTC 2H412. Contemporary half vellum over marbled papercovered sides spines with gilt-stamped leather title-labels; sides and edges scuffed vol. II with vellum starting to peel or lift up in several places; despite qualifications neither unsound nor unattractive. Front pastedowns each with private collector's 19th-century bookplate and with institutional stamp no other markings; front pastedown of vol. I with bookseller's ticket from B. Westermann & Co. of New York. Some faint foxing more pronounced to endpapers; some corners dog-eared. Pr. by J. Smith for Deightons, Rivingtons, & Parker hardcover books
19783725New York: Aperture 1978. First edition. Oblong quarto original cloth with silver titles to the spine. Near fine in a very good dust jacket. Lengthily inscribed by Chauncey Hare on the title page. As noted historian and social observer Theodore Roszak wrote "these images chronicle not just the spiritual desolation at the heart of an industrial society but also reflect Hare's own despair. Prior to taking up photography he worked as an oil industry engineer for over 20 years becoming increasingly alienated from his work and the attitudes it forced him to take. A chilling body of work that is a harsh indictment of the consequences of industrial production and the alienation it produces in the lives of individuals." "An interesting figure who deserves a renewed focus of critical attention" Parr & Badger. Aperture hardcover books
183246422Cambridge: printed by J. Smith . for Deightons Cambridge; Rivingtons London; and Parker Oxford 1832. First edition volumes I and II all published; pp. 2 iv iii-iv 706; iv 706; light spotting else a fine set in original green cloth gilt-lettered spine; engraved bookplates of Alexander Thomson. "Most members of the Etymological Society wrote for the Philological Museum and in our effort to get at the community of background outlook and philological interest shared by the influential Cambridge scholars we may briefly consider that publication. Hare who shared the editorship with Thirwell explained in the Preface to the first of the only two volumes that were published that English scholars in the 1820's had contributed little more than a 'mite' to the knowledge of classical antiquity . it became the purpose of the Museum to foster the 'spirit of philological criticism' . Actually the majority of the articles were on classical subjects with Thirwell the most prolific contributor. But the Museum also contained several articles on English and the new philology of which Kemble's 'On English Praeterites and Genitives' was the most important being the first exposition in English of Grimm's analysis of the forms of the verb in Germanic" Aarsleff The Study of Language in England 1780-1860 pp. 219-20. Also with articles on 'On English Orthography' and 'On English Diminutives.'. <br/><br/> printed by J. Smith ... for Deightons, Cambridge; Rivingtons, London; and Parker, Oxford hardcover books
1944016361New York NY: VVV 1944. Book. Very good condition. Paperback. First Edition. Quarto 4to. 86 pages of text followed by x pages containing an index and advertisement. Red paperback binding; front cover illustrated by Matta; minor shelfwear to extremities and hand-lettered on the spine "VVV Surrealist issue #4." Protected in custom stiff archival mylar. A magazine about poetry plastic arts anthropology sociology psychology. The editorial advisers include Andre Breton Marcel Duchamp and Max Ernst. The text is clean and unmarked. First edition. VVV Paperback books
183433774London: Richard Bentley New Burlington Street 1834. 1st edition NCBEL III 1392; Sadleir 1672. Not in Wolff. 19th C. maroon morocco-style half-leather binding by Budden with marbled paper boards. Elaborate gilt-decorated spines. Marbled paper eps. AEG. Joints professionally strengthened. Bookplate. Townshend's signature at base of t.p. in each volume. A VG set. 3 volumes 4 300; 4 311 1 blank; 2 288 pp. 12mo. 7-5/8" x 4-5/8" <br/><br/>Author's first book and apparently only published novel issued anonymously. Maurice named the villian of his novel "Captain Marryatt" which was as Sadleir termed it "an error of judgement which brought Maurice a challenge to a duel." Uncommon on the commercial market. Richard Bentley, New Burlington Street hardcover books
1944140940120New York: VVV 1944. First Edition. Fine. No.4 February 1944. 86 12 pp. with plates. Illustrated red wraps with yapped edges. Basically a Fine copy unsophisticated very bright and clean slight bump to head tiny scratch to spine offsetting to plate between pages 56 and 57. The final issue of the surrealist journal featuring work by Aime Cesaire Andre Breton Philip Lamantia Benjamin Peret Leonora Carrington Marcel Duchamp Wilfredo Lam Max Ernst Yves Tanguy and more. Cover illustration by Chilean artist Roberto Matta. VVV unknown books
18954927London: George Allen 1895. First edition. First edition. Two volumes. 8vo. An unsigned binding in the style of the Doves Bindery. Bound in full brown morocco in Doves Bindery style flat spine sewn on five cords heavily stamped in gilt floral designs on all covers in an all-over motif distinctive Arts & Crafts lettering as part of design. With green and citron onlays to upper portion of front covers title author volume number and date on upper covers. A.E.G. Edges and margins of spine somewhat faded. Superb engravings throughout. Morocco book label of Julius Wangenheim 1866-1942 a San Diego banker civic leader and bibliophile who became interested during the last twenty years of his life in developing a collection that would show the history of the book. In 1911 Wangenheim became involved in the planning of the Panama-California Exposition. George Allen unknown books
187020644Paris: Morel 1870. First edition. Contemporary red half morocco and marbled boards marbled endpapers. Very good. 2 vols. 4 pages in text. Folio 44.2 x 33.3 cm. 120 plates comprising 100 chromolithographs and 20 engraved plates. Half-title title page and some text printed in red and black Arranged in chronological order the collection of vibrant printed color plates traces a history of decoration and ornament including textiles ceramics glass wood and metal. This work was an important during the preparation of the Paris Exhibition in 1878 being a highly influential publication in dispersing Japanese and Eastern styles as inspiration for Impressionism and Art Nouveau. The author a cabinet maker and decorator is noted for his Wardrobe "Japanese style" that was sold at 2.036 million pounds sterling at auction at Bonhams London in Dec. 12 2008 beating the world record for a piece of furniture of the 19th century. Some light marginal spotting rubbing and scuffing to leather the marbled boards fresh and bright. Morel unknown books
1942218415New York: Boni & Liveright 1942. First. paperback. very good. Profusely illustrated with color and monochrome photographs gravures overlays and transparencies. 4 volumes in 3 as issued. Slim 4to original colored printed wrappers some sun fading and worn edges but for a few minor spots a very nice clean set. New York: Boni & Liveright 1942 1943 1944. First Editions.<br/><br/> A very good set of this scarce surrealist magazine. A literary and fine art journal with Andre Breton Marcel Duchamp and Max Ernst as editorial advisors. The title is taken from the World War II "V for Victory". Illustrations include color plates inserts cut-outs and other movable parts. The first issue October 1942 has a green cover designed by Max Ernst and contributions by Claude Levi Strauss Wm. Carlos Williams Andre Masson and Robert Motherwell. Volume 2 and 3 is a double issue with a tan cover by Marcel Duchamp and a chicken wire insert on the back cover. The final issue February 1944 has a red cover and is designed by Matta.<br/><br/> Boni & Liveright unknown books