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Edited by Shigeru Miyamoto and others (Fukuoka samurai)Biblio.com

Self-training 3 4 5 3 volumes

Kabuki; SamuraiBiblio.com

Military Imagery in Early Japanese Cartes de Visite of Samurai Roles in Kabuki Performance ca. 1860s-80s

1860231401860. Meiji JapanSamuraiKabuki Theatre Samurai identity in the late 19th century photo archive documenting kabuki depictions of warrior masculinity in Japan during the early Meiji period made after the abolition of the samurai class when images of warriors continued to shape popular understandings of military tradition and masculinity in Japan. These four photographs preserve samurai imagery as presented in popular theatre at a time when Japan's military identity was changing under rapid political transformation. The archive is especially strong for showing how kabuki performance sustained martial ideals in visual form after the social foundations of hereditary warrior status had been dismantled.<br /> Photo archive of 4 albumen carte-de-visite photographs approximately 2.5 x 3.5 inches Japan circa 1860s-1880s. The images show male sitters posed in studio interiors against plain backdrops and atop patterned floor coverings each dressed as a samurai or warrior character. One figure stands in full armor with a sword at his side and a striped staff or bow-like prop in hand his costume built from lamellar armor tassels shin guards and layered protective dress that stress the ceremonial weight of warrior costume. A second sitter tentatively identified as kabuki actor Jitsukawa Enjaku appears seated frontally in voluminous robes with sharply extended shoulder forms flanked by swords and posed on a textile-covered platform in a deliberately formal composition. A third stands holding a small prop structure in one hand with a sword tucked at the waist while a fourth in a more lightly defined but heavily worn image sits in traditional dress with topknot hairstyle and blades visible at the sash. Across the group the repeated use of swords stylized posture and exaggerated makeup grounds the archive in theatrical samurai iconography rather than ordinary portraiture.<br /> These photographs belong to the decades in which photography popular prints and theater recoded samurai visuals as a national historical image rather than a living class identity. Kabuki played a central role in that process preserving warrior narratives and masculine ideals for mass audiences while early commercial photography made those images widely distributable and accessible. For institutions building Japanese photography theater or military history holdings the archive offers direct evidence of how samurai identity was presented popularized and circulated in the first generation of Japanese photography. Heavy fading staining edge wear and mount losses to several cards most notably one with substantial abrasion and corner loss; overall fair to good condition. A group exemplifying the presentation of samurai imagery in popular theatre and photography in Meiji Japan. unknown

Max Rambod Inc. · États-Unis750,00 $US≈ 634,57 €