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18622773Paris SILVESTRE 1862 1 Illustrations PERUGINI. Paris., Silvestre, 1862, demi maroquin vert à coins, dos à 5 nerfs, illustré de 80 planches lithographiées en couleurs, 298 pp.
184028007518Paris 1840s-50s. Coated stock wraps. Title page and 8 leaves. E. Hagnauer del et Lith. Imp. Marcilly. Each with full color embroidery patterns for various articles. Vibrant colors with gilt embellishment. This booklet features circular and square trivets. Measures 6" x 4 1/4". <br/><br/> paperback books
18446Dornach (Alsace), Th de Dillmont, sans date. In-4 de (6) pp. + 40 pl.; en feuilles sous chemise cartonnée décorée à ruban. Illustré de 40 planches à pleine-page dont une double.bon état.
2004Q-1571202277C&T Publishing 2004-05-01. Paperback. New. In shrink wrap. Looks like an interesting title! C&T Publishing paperback
192116198Paris L. DUREL 1921 1 Paris, L. Durel et imp. Montagne, 1921. In-8, percaline éditeur grenat à la manière des almanachs royaux du XVIIIe siècle, papier fort teinté, 157 pp.
5777lettres,chiffres,monogrammes et ornements à points comptés. In 12 à l’italienne,cartonnage d’éditeur titre et décor en ouvrage sur le premier plat titre en long, au dos.Titre,92 planches en couleurs en 46 pages,9 calques de planches,42 pages de catalogue.Edition Thérèse Dillmont Mulhouse France, sans date. Légèrement manié
6264lettres,chiffres,monogrammes et ornements à points comptés suivis d’une série de modèles avec calques pour broderie de blanc,in 12 cartonné d’éditeur titre au dos et sur le premier plat,encadré d’une frise,titre suivi de 92 planches et de 10 calques.Catalogue en fin de volume Th. Dillmont éditeur
20428Paris, Mme J. Sonrel, 1961.In-folio oblong, 32 pp., broché, couverture originale illustrée (petite déchirure marginale à plusieurs ff.)
193726611937 revue (magazine) in-quarto (Grand Aigle), couverture illustrée (cover illustrated) très légèrement défraîchie (lightly faded), illustrations : nombreux modèles en grandeur d'exécution (patterns in the size of making), 64 pages, 1937 à Paris Edition du Petit Echo de la Mode,
100508Bibliothèque D.M.C. Dillmont Editions Th. de Dillmont, Bibliothèque D.M.C., 1954, 60 planches + VII p. de texte, broché oblong, environ 22x31cm, plats salis et froissés, une déchirure sans manque en bordure de la page de titre et la première de l'introduction, sinon intérieur propre.
1956va144Sonrel Mme J. Collection JS Dos agrafé 1956 In-12 (24 x 15 cm), format à l'italienne, dos agrafé, 12 pages ; très bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
19998717Flammarion 1999 In-4 Relié toile éditeur sous jaquette, 157 pp. Nombreuses illustrations en couleurs.
1880253121880 Paris, sans date, vers 1880 ; plaquette in-12°, couverture beige illustrée et imprimée en noir ; 7 pages de modèles imprimées en bleu d'un seul tenant.
188084241880 Paris, sans date, vers 1880 ; plaquette in-12°, couverture beige illustrée et imprimée en noir ; 7 pages de modèles imprimées en bleu d'un seul tenant.
19080Paris, Albin Michel/Régine Deforges, 1987. 25 x 31, 47 pp., nombreuses illustrations en couleurs, cartonnage d'édition illustré, bon état (couverture avant légèrement : 1 coin plié).
57185Not Dated. An attractive embroidered scene using variously coloured and metallic thread. Fine condition. The image measures 19 x 37.5 inches in a frame measuring 21.5 x 40 inches. Large and beautifully executed a striking image. This is an oversize item and normal postage rates do not apply. Large framed artworks are sometimes available for pickup only. <br/><br/> Not Dated. unknown
57184c.1900. An attractive embroidered scene using gold and metallic thread. Japanese probably from the Meiji period. Very beautifully executed. Fine condition. The image measures 13 x 19 inches in a frame measuring 20 x 27 inches. Small chips from frame edges. This is an oversize item and normal postage rates do not apply. Large framed artworks are sometimes available for pickup only. <br/><br/> c.1900. unknown
4471Normandy 19th century. Embroidered ceremonial stole measuring 184 x 48.5 cm approx. 72.5 x 19 inches liner of thick doubled cotton or linen fabric covered in red felt the front elaborately embroidered with applied passementerie: couched embroidered flowering plants in gold and colored threads including roses vines and wheat sheafs within a wide embossed gold band two bosses at top of the bands beneath a very large and heavy applied embroidered embossed gold cloth disk representing the sun with wavy rays surmounted by a pair of double attached tassels and with two other tassels on its sides borders of abundant fringe further decorated with metallic thread a near the bottom a large appliqué of a richly embroidered figure of a bishop with pilgrim’s staff his face and hands painted his vestments embellished with colored threads sequins purls and lace below him the embroidered number 2 and the name Ste. Marthe. Condition: worn dusty the felt with holes possibly wormed especially at top.<br /> <br /> Known as a chaperon de chariton or de charité this heavy and elaborately embroidered 6-foot long “stole†would have been a regular feature of village life in Normandy being worn by members of the village’s charitable lay confraternity.<br /> <br /> Sometimes known simply as “charités†charitable confraternities were still active during the 19th century after being temporarily suppressed by Revolutionary secularism and at least until recently could still be found in some Normandy villages especially in the Eure Chaline p. 96. Their principal charge dating back to centuries of plague was the burial of the dead. Each confraternity placed itself under the tutelage of a saint or several saints and the Virgin. Consisting of 12 members called “charitons†they were led by the village curé; while basically egalitarian each member had a different charge such as banner-carrier bell-ringer treasurer etc. The chaperon was the most important of several elements of their special costumes the others being an equally heavy dalmatic a soutanelle or black robe and the barette the ecclesiastical beretta. These were worn in church and in processions. Red chaperons were for regular processions and black ones for funerals. Originally carried only by the ancien maitre the recently retired master of the confraternity a role that was relayed every two years the chaperon came to be worn by all members of the confraternity. One can only imagine what martyrdom hot days brought. In compensation for their sufferings confraternity brothers expected to be wined and dined after funerals earning a certain reputation; hence the French saying “boire comme un chariton.â€<br /> <br /> This lavishly embroidered and decorated chaperon was probably made by local women. In photos of modern processions somewhat lighter-looking and simpler chaperons are worn by the charitons. <br /> <br /> Sainte-Marthe is a village in the Eure. The Musée des Beaux-Arts of Bernay has a chaperon from the same village Inv. 985.6.1.<br /> <br /> Cf. N. J. Chaline N.J. “Pratique et vie religieuse en Haute-Normandie aux XIXe et XXe siècles†Cahier des Annales de Normandie 1976 no. 8 Mentalités religieuses dans la France de l'ouest aux XIXe et XXe siècles: études d'histoire sérielle pp. 35-116. unknown
Very Good English Paperback. Pbo. 4to. (29 x 21 cm). In Turkish. 18 p. texts; [22] p. b/w plates. Turkish handicrafts series V. Anatolian women clothes. Anadolu kadin kiliklari. (El sanatlari V).
Very Good English Paperback. Pbo. 4to. (29 x 21 cm). In Turkish. 11 p. texts; [16] p. b/w plates. Turkish handicrafts series I. Anatolian socks. Anadolu çoraplari. (El sanatlari I).
Budapest, 1980. In-8 relié toile avec jaquette, 67 pages suivies de 79 pages d'illustrations (en noir et blanc)
H-7-494847374756Very Good. unknown
196459551964 revue (magazine) grand in-octavo, dos et couverture marrons imprimés (spiner and cover printed), tranches lisses (edges smooth), quelques illustrations (some illustrations), 272 pages, 1964 à Laval Imprimerie de la Mayenne,
1920225421920 1 Draeger, (1920), in-4, porte-buvard de voyage dans un cartonnage à décor persan enfermant un poème.
Features: Sculpture Busts - the face of the individual; Portrait Miniatures; Collecting Banknotes for their art; English Embroidery; The Vienna Secession and the Contemporary Artistic Movements; Antique Beds; Glass Candlesticks; Precious Objects Mounted in Silver; Theatrical Mezzotints after Zoffany; Longcase Clocks from the Country; Victorian Majolica; Antique Collecting in America; Under l0 pounds in Streatham and Croydon. Somewhat above-average external wear. Magazine