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Very Good Turkish, Ottoman (1500-1928) Handsome fine contemporary brown half-leather bindings. Six raised bands to spine, title, and issue numbers gilt lettered, floral decorations in compartments. 4to. (30 x 24 cm). In Ottoman script (Old Turkish with Arabic letters) and French. All pages with illustrations in text or full-page illustrations, all numbers with an Islamic numbering system, reversed collation, with two title pages: Ottoman recto and in French verso, numbers 35, 41, 44, 45 with title pages in color. Rare poster is coming with the set inside the volumes as a supplement to the magazine. Extremely rare togetherness of the complete set of 130 issues of the Ottoman Turkish-French satirical magazine "Kalem", richly illustrated with thousands of attractive illustrations and cartoons, started its publication life with the end of Sultan Abdulhamid II's repression regime in 1908. The collection provides an invaluable resource, reflecting the changes in society after the Second Constitutional Revolution in New Ottoman State. The magazine was published weekly in 130 numbers between 21 August 1324 (3 September 1908) and 16 June 1327 (29 June 1911), starting immediately after the Second Ottoman Constitutional Revolution. The magazine was a mixture of satire and a saloon magazine, focusing on politics, social life, and revolution. The only continuously running part of the magazine was Haftalik Dedikodu (Weekly Gossip). The founders of the magazine were Salah (Selah) Cimcoz (1875-1947), a Turkish politician, lawyer, and owner of Kalem Newspaper, and Celal Esat Arseven (1876-1971) a Turkish painter, writer, and parliamentarian. He was the first to introduce the history of art and urbanistic architecture to Turkey. Duman 1080.; Only one complete copy survive in institutions worldwide in OCLC 472569754 (Bibliothèque nationale de France, BnF). (Source: References: Tobias Heinzelmann, Die Balkankrise in der osmanischen Karikatur).
Very Good Turkish, Ottoman (1500-1928) Contemporary two-cloth bindings. Folio. (40 x 29 cm). In Ottoman script (Old Turkish with Arabic letters). Extremely rare complete ran of the first episode in Arabic letters, of this richly illustrated pre-Republic Turkish satyric magazine including 90 issues in two folio volumes, published between 2 Kanun-i Sânî 1338 [February 2, 1922] - 9 Ikinci Tesrîn 1339 [November 9, 1923]. The Ottoman Turkish satirical magazine "Aydede" appeared in the first episode from January to November 1922 twice a week in 90 issues. Its founder, owner, and publisher Refik Halit Karay (1888-1965), a well-known poet and journalist, criticized through the published articles, poems, and caricatures not only the social inconveniences and imbalances within the Turkish society but also the young Turkish republic in general. One of the contributors to Aydede was Ratip Tahir Burak, a well-known Turkish cartoonist. Despite the short period of its publication, the magazine influenced the satirical style of many intellectuals and subsequent satirical magazines, including Akbaba. In 1922, the publication of the magazine ceased when Refik Halit was forced by the Turkish Government into exile in Aleppo and Beirut. The reason was Refik Halit's overt opposition to the ongoing Turkish War of Independence. After his return, he published the magazine 1948 and 1949 for another ten months in the second episode in 125 issues, but with little success. (Wikipedia). Duman 0156.
Very Good Turkish, Ottoman (1500-1928) Contemporary cloth bdg. made after the Turkish Letter Revolution, in Latin script. Folio. (38 x 28 cm). In Ottoman script (Old Turkish with Arabic letters). 36 issues complete set. Exceedingly rare complete ran of important illustrated "Bosbogaz ile Güllabi" [i.e. The Gabbler and the Asylum Guard], which is an Ottoman satirical magazine, published twice a week from 6 August to 14 December 1908 in Istanbul by Hüseyin Rahmi Gürpinar (1864-1944) and Ahmet Rasim (1864-1932) in a total of 36 issues. The articles of the magazine contained original and fine jokes and satire. In addition to various writings, it also contained caricatures of famous people of the time and jokes about the magazine Mizan. Among other things the caricatures related to the annexation of Bosnia and Herzegovina. Some of the humorous articles were published in series and the articles were written in simple language and in a linguistic style appropriate to the period. In addition, Bosbogaz ile Güllabi contained daily news and serious articles that appeared under the name "Bosbogazin ciddî makalesi" ("Serious Bosbogaz Articles"). Apart from the signed articles, there were many anonymously written articles in the magazine. It is possible to trace them back to Hüseyin Rahmi because of the same writing style. Due to his critical style, he took over the administration of the magazine, which was published several times by the Ottoman government. Another famous writer besides Gürpinar and Ahmet Rasim was Mithat Cemal Kuntay (1885-1956). (Wikipedia). Duman 262.
Very Good English In contemporary hardcover. In Ottoman script and French ( are completely first series and first 33 issues of second series). Last 3 issues are in Modern Turkish. First series: Issue: 1 - 43. (28 November 1910 - 19 October 1912) / Second series: Issue: 1 - 36. (15 December 1927 ¿ 1928). 1st series set, 2nd series first 36 issues. (All published: 1 - 43 / 1 - 49). 4to. (27 x 20 cm). 2 volumes. Turkish political satiric humor periodical which has infuriated The Union and Progress party. Duman: 0286.
Traduit et annoté par Louis Viardot, vignettes de Tony Johannot, 2 vol. grand in-8 reliure postérieure demi-maroquin à coins à long grain rouge, dos lisse orné en long, tête dorée, filets dorés en mors et coins, couvertures et dos conservés, reliure signée de Semet & Plumelle, J.-J. Dubochet et Cie, Paris, 1836 (tome 1), 1837 (tome 2), Tome 1 : 1 ff. (fx.-titre), 1 ff. (dessin de T. Johannot gravé par Porret et tiré sur Chine volant), 1 ff. (frontispice gravé par Andrew, Best et Leloir), 1 ff. (titre), 744 pp. ; Tome 2 : 1 ff. (fx.-titre), 1 ff. (dessin de T. Johannot gravé par Brevière et tiré sur Chine volant), 1 ff. (frontispice gravé par Andrew, Best et Leloir), 1 ff. (titre), 757 pp. Magnifique exemplaire de premier tirage superbement relié par Semet & Plumelle, d'une parfaite fraîcheur intérieure, bien complet des très rares couvertures et des dos d'origines, pour ce grand classique de la littérature mondiale et de l'illustration romantique (800 vignettes de Tony Johannot gravées sur bois). Exemplaire de premier tirage, conforme aux indications de Brivois et Carteret (la figure de la page 256 a le regard tourné à droite, les couvertures sont bien à la date de 1838, imprimées par Everat et Cie). Bel exemplaire (infimes frott. en dos, parfait état par ailleurs). Vicaire, II, 156 ; Escoffier, 1215 ; Carteret, III, 136 ; Brivois, 90 Français
Ampia incisione (54 x 38 cm.) satirica, che presenta allegoricamente gli sviluppi della guerra per la successione Palatina e la guerra con la Turchia: i regnanti europei sono rappresentati come pazienti (ipocondriaci) curati da un dottore tedesco. Ogni personaggio, nell’illustrazione, è numerato, e il rimando numerico trova riferimento nel testo in basso: il dottore (1) tiene in mano un campione di urine e un libro e nella cintura ci sono biglietti di carta con scritti i nomi di località tedesche: gli altri sono Luigi XIV (2), Guglielmo III (3), Egon Von Fürstenberg (4), Maria di Modena (8). Testo in olandese, in due colonne. A wide satirical etching, showing an allegory about the consequences of Palatine succession. The European monarchs are represented as patients (hypocondriac) cared by a German doctor. Between the figures you can distinguish Louis XIV, Egon Von Fürstenberg, Whilem the III. Dutch text on two columns. British Museum 1855,0114.198
1 vol. grand in-8 reliure postérieure plein maroquin vert, dos à 5 nerfs orné (caissons à quadruple filets dorés), quadruple filet doré d'encadrement en plats et chasses, toutes tranches dorées, premier plat de couverture conservé, date en queue, reliure signée de Marius Michel, Publié par J. Hetzel, Paris, Paris, 1843, 2 ff. (prospectus d'origine), 2 ff. (faux-titre et titre), 170 pp. et 1 f. n. ch. (table des matières et placement des gravures) avec 63 planches hors texte dessinées par Tony Johannot, et gravées sur bois par Brugnot, Dujardin, Rouget, Andrew, Best of Leloir, etc. Magnifique reliure de Marius Michel, pour ce sublime exemplaire en état parfait, parfaitement lavé et encollé, de l'édition originale et premier tirage des illustrations d'un des plus beaux illustrés romantiques, "ouvrage supérieurement exécuté, charmant comme texte et illustrations". L'exemplaire est bien complet du premier plat de la couverture d'origine, ainsi que du prospectus. Carteret, III, 596 ; Vicaire, V, 1252 Français
Very Good Turkish Original artwork in watercolor, Indian ink, and dry paint. 11,5x9,5 cm. This rare original artwork of Mary and Jesus comes along an exceptional provenance of Turkish cartoonist Semih Balcioglu (1928-2006), with his handwritten note on verso "Cemal Nadir'in bir kompozisyonudur" [i.e. It's composed by Cemal Nadir]. Signed on right lower as "C. N". Unpublished work. Cemal Nadir was a Turkish cartoonist. He was born in Bursa, Ottoman Empire on 13 July 1902. His father Sevket was a calligrapher (Turkish: Hattat) employed in courts. After finishing high school, he began working as a sign painter in Bursa. He also created cartoons, and his first cartoon appeared in Diken (literally: "The Thorn") periodical. Although he moved to Istanbul and tried to be a full-time cartoonist, he could not make it and he returned to Bursa. The Alphabet reform of 1929 gave Cemal Nadir a second chance to show his talent. When Turkey adopted the Latin alphabet replacing the Ottoman Turkish alphabet in Arabic script, all sign boards were necessarily changed, and he worked hard to meet the demand. The same year, he moved once more to Istanbul to work for the daily Aksam. Later, he also drew for the newspaper Son Posta, as well as for satirical magazines such as Akbaba. He also contributed to Yedigün. During this period, he published the satirical magazine Amcabey. During World War II, he drew anti-Nazism cartoons in the daily Cumhuriyet. In 1946, Republican People's Party (CHP) invited him to run for a seat in the parliament. However, he refused the invitation, he said that with political affiliation he would not be able to create cartoons.
Very Good Turkish, Ottoman (1500-1928) Contemporary half leather and quarter bdg. Two volumes. Five raised bands to the spine. Gilt lettering on compartments. Wear on the spine of the first volume. A label on the second's spine. Occasionally slight stains on thin papers. Overall very good volumes. 4to. (27 x 19 cm). In Ottoman script (Old Turkish with Arabic letters). Extremely rare 29 issues of the second and third years in two volumes of this rare Hamidian period (1876-1908) Ottoman periodical, devoted to the circulation of contemporary prose and poetry, as well as criticism, Mekteb was edited by Ismail Hakki from 1891 to 1894, followed by Ebülfeyyaz Hakki from 1894-1898. The magazine was a particularly important voice for the Servet-i Fünun [i.e. The Wealth of the Sciences] generation of writers. Weekly; 26 Temmuz 1307 [8 August 1891] - 30 Kanun-i Sanî 1313 [12 February 1898]. This periodical was published by Ottoman-Armenian bookseller, publisher, and printer Karabet Kesisyan Efendi (Garabed Keshishian, 1850-1911), who is a prominent Armenian figure in the history of Ottoman printing. As a prolific and enterprising figure, he was one of the most famous printers of the Hamidian Era (1876-1909). His contributions in this field reflect the sociocultural changes that occurred gradually in the Ottoman Empire in the nineteenth century. His printing house published mostly Turkish language textbooks and became the sole provider for the Turkish military and civil schools from 1889 until the beginning of the twentieth century. Duman 1331.
Very Good English Original 1/4 leather bound, boards with tughra and Ottoman state amblem with Ottoman lettered gilt. In Ottoman script and French. First serie se: Issues: 1-43. (28 November 1910 - 19 October 1912). (All published of first serie: 1-43.). 4to. (27 x 20 cm). Turkish political satiric humor periodical which has infuriated The Union and Progress party. Duman: 0286. Djem. Revue politique, humoristique et satirique illustree.= Cem. Persembe günleri nesrolunur, siyasî, edebî, musavver mizah mecmuasidir. Set of first serie. [43 issues in 1 volume]. Texts by Refik Halid Karay, Hamdullah Suphi Tanriöver
- J.B. Baillière & fils, Paris & Londres & New York 1857, 13,5x21,5cm, relié. - Edition originale de la traduction française. Reliure en demi chagrin aubergine, dos lisse orné de filets dorés, plats de papier marbré, gardes et contreplats de papier à la cuve, reliure de l'époque. Plats légèrement et marginalement éclaircis, un petit accroc en angle supérieur droit du premier plat, rousseurs. Rare exemplaire de ce texte majeur de l'homéopathie. [ENGLISH DESCRIPTION ON DEMAND]
1 vol. in-8 reliure de l'époque demi-veau vert, dos lisse orné en long (motif romantique), roulette estampée à froid en mors, Chez H. Delloye, Paris, 1839, 2 ff., 200 ff., 1 f. Edition originale et premier tirage de cet étonnant ouvrage, orné de 100 portraits gravés sur bois en noir par Maurisset, d'après les sculptures de Dantan Jeune. Les textes, en regarde de chacun des 100 portraits, sont de Louis Huart. Bon état (coupes et plat lég. frottés, des rouss.). On y retrouve notamment croqués : Balzac, La Canne de Balzac (sic), Berlioz, Comte, Dantan, Alexandre Dumas, Victor Hugo, Frédéric Lemaitre, Liszt, Orfila, Rossini, Strauss, Vernet, etc... Vicaire, IV, 220 ; Carteret, III, 182 Français
1 vol. in-4 br., Imprimerie du Marval, Vitry-sur-Seine, 1986 Exemplaire dédicacé par Jean Jacques Sempé à l'écrivain bordelais Michel Suffran, avec un dessin original (le Pont de Pierre, Bordeaux, 2 février 1987). Bel ensemble réunissant deux girondins de talent, le grand dessinateur Jean Jacques Sempé (né à Pessac, près de Bordeaux) et l'écrivain bordelais Michel Suffran. On joint le menu du Déjeuner offert à l'occasion de la Remise du Grand Prix de Littérature de la Ville de Bordeaux à Monsieur Jean-Jacques Sempé, et les deux invitations (dont l'une nominative de Michel Suffran) de Jacques Chaban-Delmas à participer à la réception. Français
Texte révisé et préface par Jules de Marthold, un des 200 exemplaires sur vélin du Marais (après 150 Chine) à la cuve numérotés (n°198) et paraphés par l'éditeur, 1 vol. in-8 reliure cartonnage bradel demi-percaline à coins marron, date en queue, couvertures et dos conservées, Librairie L. Conquet, Paris, 1897, 3 ff., xxxiv pp. 1 f., 334 pp. et 2 f.. n. ch. Superbe exemplaire du tirage sur vélin du Marais d'une fraîcheur absolument remarquable, magnifiant les si vivantes illustrations d'Albert Robida. Carteret, IV, 401 Français
Collection de 181 numéros, par numéro: 32pp. avec illustrations, 24cm., brochures originales, bon état, peu commun, revue bi-mensuelle (et mensuelle a partir de 1921), [Dans cette collection sont compris les numéros suivants: Année 15 (1908) nos.11 & 13 à 24, Année 16 (1909): nos.1 à 3 & 9-10 & 12 à 24, Année 17 (1910) complète: nos.1 à 24, Année 18 (1911) complète: nos.1 à 24, Année 19 (1912): nos.1 à 19 et 21 et 23-24, Année 20 (1913) complète: nos.1 à 24, Année 21 (1914): nos.1 à 9 et 11-12, Année 28 (1921): nos.7 à 9, Année 29 (1922): nos. 3 à 5 et 9 à 12, Année 30 (1923): nos.1 à 11, Année 31 (1924): nos. 2 à 12, Année 32 (1925): nos.1 à 6 et 8 à 12, Année 33 (1926): nos.1-2 et 4 à 6, et on y joint: Année 43 (1936): no.9], poids total: 11 kg., P90321
Very Good Persian Original wrappers. Folio. (33 x 25 cm) and some different sizes. In Persian with bilingual titles in English and Persian. A lot including 124 issues, published between July 30, 1991, to 1999. A lot including 124 issues of this rare Iranian satyric magazine "Gol Agha", which was the first such publication in post-revolutionary Iran, maintaining its dominance for more than two decades after its debut, adding monthly and annual editions as well as producing new generation of satirists and cartoonists. Kioumars Saberi Foumani, (1941-2004), also known by his pen name Gol-Agha, was an Iranian satirist, writer, and teacher. Saberi was born during the Second World War in Souma'eh Sara a city in Gilan Province. His father, originally from Rasht, worked for the Ministry of Economic Affairs and Finance. He was transferred to Souma'eh Sara in 1938 and then to Fuman in 1942 where he died a few months later. His mother, who was the daughter of a respected cleric and one of the few educated women in the city, taught the Quran after the death of her husband. His brother, who was 14 years older, had to leave school at the age of 15 to work to help with the family expenses. Education for Saberi was hard because of his family's poverty and he had to start working in a tailor shop after finishing his elementary education. He also worked in his brother's bicycle repair shop during elementary school and high school. He started high school education at his mother's insistence. At the age of 16, he gained entry to Sari's Agriculture teacher's college which only accepted one student from Fuman each year. He continued his college education and graduated in 1959. He worked as a teacher from 1959-1961. At the age of 20, he took his high school exams and received his high school diploma. He continued his education at the University of Tehran while working as a teacher. He achieved his bachelor of science degree in political science in 1965. He spent most of the 1970s reading and teaching and in 1978 he obtained his master's degree in comparative literature from the University of Tehran. Saberi got married in 1966 and he had a daughter and a son. His son died in a car accident in 1985 but this sad incident did not stop him from reaching his goal, which was to make people smile. Kioumars Saberi Foumani died on April 30, 2004. During his first year at university, Saberi was arrested for participating in student demonstrations and started to write political satire in Towfigh magazine. Towfigh magazine was Iran's most respected pro-democracy political satire magazine, with the highest circulation in Iranian history. Its editor-in-chief was Hossein Towfigh who, along with his brothers Hassan and Abbas, turned Towfigh magazine into the most influential journal in Iranian history. Saberi became one of the many staff writers of Towfigh magazine. After the Iranian Revolution, he became the cultural advisor for Mohammad Ali Rajai. One of his other political posts was as the counselor to the minister of Housing and Urban Development of Iran. Following the Revolution, Saberi worked in different political positions before deciding to leave politics. He was in charge of Roshde-Adabe-Farsi magazine and sometimes he wrote for the Ettelaat newspaper. He started a column called "Do-Kalame-Harfe-Hesab" in Ettelaat in 1984 which was a starting point for political satires after the revolution. He continued writing for this column for six years until he started his own magazine called Gol-Agha in 1990. His courageous and powerful writings were appreciated by many famous authors such as Mohammad Ali Jamalzadeh. Saberi received first prize in the press exhibitions of 1992 and 1994 and second prize in 1993. He stopped writing for Ettelaat in 1993. The main characters in his writings are Gol-Agha, Shagholam, Mamasadegh, Kamineh, The wife of Mamasadegh), Mash-Rajab, and Ghazanfar. In 2003 in his last editorial in Gol-Agha, Saberi announced that publishing Gol-Agha will be stop
Editions du Square 1969, ensemble 2 volumes In-folio reliures éditeur pleine toile beige et rouge regroupant 94 numéros du 3 février 1969 au 16 novembre 1970 et les 6 premiers numéros de Charlie hebdo du 1 au 6 inclus, 23 novembre 1970 au 28 décembre 1970. Ensemble bien complet du N° de l'Hebdo du 16 novembre 1970 "Bal tragique à Colombey-1 mort" qui générera l'interdiction de la revue ainsi que du document contrecollé sur page kraft "Interdiction de vente d'une revue aux mineurs de dix-huit ans, d'exposition et de publicité par voie d'affiches" du Ministre de l'Intérieur et du Directeur de la Police Nationale en date du 4 novembre 1970. Bel état de l'ensemble. Rare.
DE LA SIRENE. 1924-1935. In-4 Carré. Broché. Etat d'usage. Tâchée. Dos abîmé. Intérieur frais. CII + 340 + 324 + 361 + 337 + 337 + 351 + 340 + 316 + 434 + 365 + 346 + 338 pages - pages augmentées de nombreuses illustrations en noir et blanc dans et hors texte, dont certaines sous serpente - Bandeaux, lettrines et culs de lampe. Dos salis. 5 PHOTOS DISPONIBLES - EDITION nouvelle d'apres le texte d'origine de l'edition princeps Leipzig-Bruxelles-Paris (1826-1838) - Variantes des editions Schutz et Paulin-Rosez - Commentaires historiques et critiques.
1 vol. in-4 reliure de l'époque demi-chagrin rouge, dos à 5 nerfs, toutes tranches dorées, initiales A. B. poussée au premier plat du tome 1 (sans doute pour "Arnoux Bertall"), E. Plon et Cie, Paris, 1874, 1875, 1876, Tome I : 1874, 1 f. blanc, 3 ff., 651 pp. ; Tome II : 1875, 3 ff. (dont frontispice en couleurs), 652 pp., reliure signée de Ch. Magnier ; Tome III : 1876, 3 ff. (dont frontispice), 667 pp.. Rappel du titre complet : La Comédie de Notre Temps. (3 Tomes - Complet) [ Edition originale ] I : La Civilité - Les Habitudes - Les Moeurs - Les Coutumes - Les Manières et les Manies de notre époque. Etudes au crayon et à la plume par Bertall ; II : La Comédie de Notre Temps. Deuxième Série. Les Enfants - Les Jeunes - Les Mûrs - Les Vieux. Etudes au crayon et à la plume par Bertall ; III : La Vie Hors de chez Soi. Comédie de notre temps. L'Hiver - Le Printemps - L'Eté - L'Automne Agréable exemplaire de l'édition originale pour chacun des trois volumes, bien relié et bien complet des 3 tomes (dos très lég. frottés, des différences dans les dos des volumes publiés sur trois années, mouill. angulaire au début du tome III, petits frott. sur tranche au tome III, qq. rouss., très bon état par ailleurs). Vicaire, I, 438 Français
1 vol. petit in-8 carré cartonnage éditeur illustré, Denoël, Paris, achevé d'imprimer le 3 mars 1964, dépôt légal 1er trim. 1964, copyright 1963, 116 pp. Rare exemplaire de cette édition de 1964, enrichi d'une dédicace et d'un dessin de Sempé. Etat très satisfaisant (cartonnage un peu frotté, bon état par ailleurs). Français
- Le petit illustré amusant, Paris 1903, 30x39cm, relié. - Edition originale. Reliure en demi percaline rouge, dos lisse orné de filets estampés à froid, légères éraflures sur les mors, plats de papier marbré, reliure de l'époque. Cet hebdomadaire de caricatures est richement illustré par Raoul Thomen, Landelle, Jean d'Aurian, Poulbot, Edmond Guénin, Bogron, Vallet, Valéry Muller, Henry Muller, Léon Bardet, Haye, Ferdinand Bac, Ricardo Flores, Delannoy, Le Bocain, E. Tap, Gog, Malherbe, d'Albat... etc. Chaque numéro comporte huit pages, dont de grands dessins en couleurs sur la première et la dernière page et de nombreux dessins en noir. Rare et bel exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
- Le petit illustré amusant, Paris 1904, 30x39cm, relié. - Edition originale. Reliure en demi basane rouge, petites éraflures sans gravité sur le dos qui est orné de filets dorés, quelques épidermures, reliure de l'époque. Cet hebdomadaire de caricatures est richement illustré par Raoul Thomen, Landelle, Jean d'Aurian, Poulbot, Edmond Guénin, Bogron, Vallet, Valéry Muller, Henry Muller, Léon Bardet, Haye, Ferdinand Bac, Ricardo Flores, Delannoy, Le Bocain, E. Tap, Gog, Malherbe, d'Albat, Schuster, Viriez, Gus Bofa, Alex, Zybalt, A. Ziem, Blondeau, Fertom... etc. Chaque numéro comporte huit pages, dont de grands dessins en couleurs sur la première et la dernière page et de nombreux dessins en noir. Rare et bel exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
- Le petit illustré amusant, Paris 1905, 30x39cm, relié. - Edition originale. Reliure en demi basane rouge, dos lisse orné de filets dorés, quelques épidermures sans gravité sur les plats de papier marbré, coins légèrement émoussés, reliure de l'époque. Cet hebdomadaire de caricatures est richement illustré par Raoul Thomen, Landelle, Jean d'Aurian, Poulbot, Edmond Guénin, Bogron, Vallet, Valéry Muller, Henry Muller, Léon Bardet, Haye, Ferdinand Bac, Ricardo Flores, Delannoy, Le Bocain, E. Tap, Gog, Malherbe, d'Albat, Schuster, Viriez, Gus Bofa, Alex, Zybalt, A. Ziem, Blondeau, J. Cadet, Stick, Zilberty, Vosrie, Lenature, Bourguignon, Arthur Perrier, Brun, Jean Plumet, Arboult, Rose Maury, Sirdey, L. Forton, Fertom, Jako, Gonzague-Privat, Nay, ... etc. Chaque numéro comporte huit pages, dont de grands dessins en couleurs sur la première et la dernière page et de nombreux dessins en noir. Le numéro de Noël comporte une grand couverture dépliante en couleurs, dissimulant le Père Noël... Rare et bel exemplaire. [ENGLISH DESCRIPTION ON DEMAND]
1 vol. in-4 cartonnage éditeur illustré, Gallimard, Denoël, Paris, 1983, 67 pp. Bon exemplaire dédicacé par Jean-Jacques Sempé, avec un dessin original en page de garde. Français
1 vol. in-4 cartonnage souple illustré, Gallimard, Paris, 2001 Bon état pour cet exemplaire enrichi d'une dédicace et d'un grand dessin de Sempé. On joint un prospectus de la rétrospective Sempé au Musée d'Aquitaine à Bordeaux, en 2002, précisant notamment la séance de signature donnée à cette occasion, ainsi que deux coupures de presse évoquant l'événement. Bon état (prix gratté, bon exemplaire par ailleurs) Français