162 résultats
0416650600.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1974557328New York: Steven Beckler and Charles Kalan / Studio Duplicating Service 1974. Softcover. Near Fine. 2nd draft. Conceived and adapted by Albert Harris based on Louis Kronenberger’s 1954 adaptation of Jean Anouilh’s 1950 play Colombe. Quarto. 110 mimeographed leaves printed on the rectos only in screwbound blue Studio Duplicating Service wrappers titled in gilt. Small neat handwritten control number "#21" on titlepage plasticized wrappers are lightly rubbed first and last leaf a bit age-toned very good or better. Issued for an intended production of the musical in New York in the 1974-75 season featuring Julie Harris the impending production created excitement being the first of his plays the French playwright Anouilh allowed to be set to music. Harris had co-starred in the non-musical version of the play with Edna Best and Eli Wallach. However the production with Julie Harris never came to fruition although the musical finally opened on February 7 1977 at Playwrights Horizons in New York City and ran for a grand total of two <br /> performances. Rare. OCLC appears to locate a small number of scripts for the non-musical version but no copies of the musical. This copy incldues all the lyrics but not the music. Steven Beckler and Charles Kalan / Studio Duplicating Service unknown
119606Paris Calmann-Lévy 1942. 3 tomes en 3 volumes. 1: 349 pages. 2 feuillets. 1 feuillet blanc. 2: 505 pages. 2 feuillets. 3: 535 pages. 2 feuillets. 185x12 Cm. Borchés. Couvertures imprimée d'imprimeur. Publiées en plein cur de la Seconde Guerre mondiale à Paris par Calmann-Lévy les "Pièces Roses" et "Pièces Noires" de Jean Anouilh suivies des "Pièces Brillantes" en 1951 reflètent les contrastes de l'époque. Anouilh dramaturge reconnu explore dans ces uvres les thèmes de l'illusion de l'amour et de la quête d'identité des sujets universels qui résonnent avec les interrogations de son temps. À travers ces textes l'auteur navigue entre légèreté et gravité offrant une échappatoire à un public confronté aux rigueurs et à l'incertitude de la guerre tout en s'inscrivant dans une réflexion plus large sur la condition humaine. Exemplaires très bien conservés. Paris, Calmann-Lévy, 1942. unknown
195630791La Table Ronde 1956. Broché. Etat moyen. in-8. Exemplaire numéroté sur Alfa Mousse Navarre. Couverture insolée coloration. Piqûres sur le dos. La Table Ronde unknown
27248Paris La Table ronde 7 novembre 1960. 1 vol. 145 x 210 mm de 369 p. et 2 f. Broché. . Edition originale. Un des 28 premiers exemplaires sur madagascar n° V. . Le volume réunit trois grandes fresques historiques d'Anouilh toutes créées au théâtre privé parisien : L'Alouette Jeanne d'Arc créée au Théâtre Montparnasse-Gaston-Baty le 15 octobre 1953 mise en scène Anouilh & Piétri ; Becket ou l'Honneur de Dieu créée au Théâtre Montparnasse le 8 octobre 1959 Anouilh & Piétri future source du film de Peter Glenville 1964 et La Foire d'empoigne créée à la Comédie des Champs-Élysées le 11 janvier 1962 Anouilh & Piétri publiée ici dès 1960. Paris, La Table ronde, (7 novembre) 1960. 1 vol. (145 x 210 mm) de 369 p. et [2] f. Broché. unknown
70137Couverture rigide. Bon/1951. in-8. Paris 1951 in-8 535pp broché Exemplaire en parfait état de l'édition originale numérotée sur papier d'Alfa N° 24. unknown
195171177Paris: La Table Ronde 1951. Fine. La Table Ronde Paris 1951 12 x 19 cm reliure de l'éditeur First edition one of the 90 numbered copies on pur fil Lafuma deluxe copies ""tirage de tête"". Nice copy. Signed handwritten inscription by Jean Anouilh to Robert Delaroche-Vernet. La Table Ronde unknown
GB008YMPE98I4N00La table ronde. Hardcover. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. La table ronde. hardcover
1961632814Les Editions de La Table Ronde Paris 1961. Hardcover. Very Good/No Jacket. 8vo. - SIGNED and dedicated by Anouilh on the half-title page - Covers a little rubbed toned and foxed - Protected by a loose mylar cover which is chipped and split - Book ow/ solid clean and bright - 507 pages No Jacket Les Editions de La Table Ronde, Paris hardcover
196035984Paris: Les Editions de la Table Ronde 1960. 1960. Very good. INSCRIBED AND SIGNED BY JEAN ANOUILH - Octavo off-white cloth titled between raised bands on the spine with a vignette color portrait of a French army officer on the front cover. With a cream silk bookmark. The corners of the covers are very lightly creased & there is a stain to the tail of the spine. 371 pages plus a 3-page colophon. Very good. <p>First trade edition and first publication of "La Foire d'Empoigne".<p>Inscribed in French and signed in full by the playwright on the half-title: "Pour Honoria Plesch pour la nouvelle annee pour une amitie nouvelle et pour le progres du francais.amicalement / Jean Anouilh / 1er janvier 61".<p>Jean Anouilh 1910-1987 was a French playwright whose career spanned five decades. Though his work ranged from high drama to absurdist farce he is best known for his 1943 adaptation of Sophocles' "Antigone". The play was seen as an attack on Marshal Petain's Vichy government. Anouilh was one of France's most prolific writers in the postwar period. Much of his work addresses themes of maintaining integrity in a world of moral compromise.<p>Costume designer Honoria Plesch 1919-1990 was born in Berlin. In 1933 together with her brother Peter and her family she left Germany and emigrated to England. Her most important professional assignment was as costume designer for the 1947 film "Brighton Rock" starring Richard Attenborough. Plesch was apparently Anouilh's neighbor for a time in Switzerland.<p>The text is in French. Paris: Les Editions de la Table Ronde, 1960. hardcover
2710307456.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
197076040Paris: La Table Ronde 1970. Fine. La Table Ronde Paris 1970 20.50 x 20 cm broché First edition one of 17 numbered copies on Japon a tête de tirage. Spine and some margins of the covers darkened some edges lightly toned otherwise a pleasing copy with full margins. Rare. La Table Ronde unknown
25892Paris La Table Ronde 25 août 1975. 1 vol. 140 x 190 mm de 170 p. et 6 f. Broché à toutes marges. Édition originale. Un des 17 premiers exemplaires sur japon n° VI. Courte pièce courte écrite pour le café-théâtre qui n'appelle que quatre rôles elle est mise en scène par Nicole Anouil au café-théâtre des Halles Le Fanal le 29 octobre 1974. C'est une parabole sèche sur la puissance sans amour et l'aveu tardif d'un noir grinçant : un magnat de l'import-export d'un cynisme total se confesse et meurt dans un fauteuil de coiffeur face à une manucure à qui il entend confier ses derniers mots. « La jeune payse de ferme montée à Paris ne flatte pas Mr. Barnett ne dissimule pas son dégoût mais fait la part des choses avec tact et franchise. Merveilleusement jouée par Christine Murillo cette scène laisse rêveur sur la carrière de Jean Anouilh. Pourquoi n'a-t-il pas toujours eu cette saisie complète subtile de ce qui se passe entre les personnes » Le Monde 16 novembre 1974. Paris, La Table Ronde (25 août) 1975. 1 vol. (140 x 190 mm) de 170 p. et [6] f. Broché, à toutes marges. unknown
197569710Paris: La Table Ronde 1975. Fine. La Table Ronde Paris 1975 14.50 x 19.50 cm broché First edition one of 60 numbered copies on Holland paper the only deluxe copies after 17 on Japan paper. A handsome full-margined copy. La Table Ronde unknown
196080192s. l. 1960. Fine. s. l. s. d. circa 1960 14 x 27 cm une feuille Autograph letter signed by Jean Anouilh addressed to the Provençal writer caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel Raimu and Marcel Pagnol but also of André Salmon and Max Jacob 22 lines in blue ink. ""Dear Carlo Rim I am leaving Paris without having managed to telephone you. I am going to ask you a small thing that would give me great pleasure. I have an old friend daughter of an even older friend Odette Talazac whom you knew. Georgette Talazac who is the ex-wife of Jonatte from the Opera is in trouble. She is stout comical shrewd 45 years old. I help her get extra work when I can she can speak but prefers to appear several times without speaking rather than say one line and disappear. Try to give her extra work with you you would oblige me greatly. Thank you in advance. Yours sympathetically while awaiting another legion of men that will succeed for us! Jean Anouilh. Georgette Talazac 13 bd Malsherbes sic Paris."" unknown
196083376Chesières-sur-Ollon Chesières-sur-Ollon 1960. Fine. Chesières-sur-Ollon Chesières-sur-Ollon s. d. circa 1960 21 x 29.50 cm une feuille Autograph letter signed by Jean Anouilh addressed to the Provençal writer caricaturist and filmmaker Carlo Rim who was notably the friend of Fernandel Raimu and Marcel Pagnol but also of André Salmon and Max Jacob 37 lines in blue ink from his chalet in Chesières-sur-Ollon in Switzerland. Two letters and one word having smudged: the ""C"" of dear Carlo Rim the ""L'"" of the intermission and just above the word ""avec"" Jean Anouilh warmly thanks Carlo Rim who intervened in favor of his son-in-law Alain Tesler so that he would join the staff of the Marseillais filmmaker. He nevertheless recommends not to spare him a way for Jean Anouilh to exorcise his thorny role as father-in-law: ""Les Ecovets Chesières-sur-Ollon Dear Carlo Rim thank you for your kindness. I am sure that you will be pleased with him and the best service you can render him him and me is to keep him busy hard word underlined. It's because of the ""loafer"" side of second assistant directors that I advised him against this phantom position he has already occupied. He illegible word well to direct but I maintain that it's as if one wanted to become a pretty woman and be kept and it's me who pushes him toward production with the worried feeling for the future of a Labiche father-in-law which I took on with a jacket on the wedding day. Dear Carlo Rim if you have a daughter make her a nun the role of father-in-law makes one stupid. Most affectionately yours. Thanks again and see you soon I'm struggling here with a damn play and don't dare return before the intermission for fear of being cut off forever. We will fictitiously decorate Barsacq. Jean Anouilh."" unknown
1014343801.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
43917210like new. unknown
SKU0608867Folio 2072-06-01. pocket_book. New. 4x0x7. New Textbook Ships with Tracking Folio unknown
GRP96694053Used - Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. unknown
1973Q-0030885299Holt Rinehart & Winston 1973-04-01. Paperback. New. In shrink wrap. Looks like an interesting title! Holt Rinehart & Winston paperback
1972Q-2070367592Folio 1972-06-01. Mass Market Paperback. New. New. In shrink wrap. Looks like an interesting title! Folio paperback
25890Paris La Table Ronde 20 septembre 1976. 1 vol. 140 x 190 mm de 206 p. et 2 f. Broché à toutes marges. Édition originale. Un des 17 premiers exemplaires sur japon n° X. Pièce des « secrètes » le décor du Scénario se passe en août 1939 dans une auberge de la forêt de Fontainebleau où deux cinéastes - interprétés par Jean Barney et Daniel Gélin - bricolent un film pendant qu'Hitler vocifère à la radio : Anouilh y fait une mise en abîme féroce du spectacle et de la manipulation où les deux auteurs croient conduire l'action alors que « le seul scénario prêt à être tourné c'est la guerre ». C'est l'une des premières pièces où apparaît Sabine Azéma qui débute au cinéma la même année. Paris, La Table Ronde, (20 septembre) 1976. 1 vol. (140 x 190 mm) de 206 p. et [2] f. Broché, à toutes marges. unknown
2070376109.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
197673734Paris: La Table Ronde 1976. Fine. La Table Ronde Paris 1976 14 x 20 cm broché First edition one of 17 numbered copies on Japan paper deluxe copy. Spine and covers very slightly and marginally faded without consequence some deckled edges partially trimmed otherwise handsome full-margined copy. La Table Ronde unknown