Ariosto, et alBiblio.com
22 résultats
154015172Venetia:: Alberto Gratia c1540. Very rare. 85 x 132mm. Single leaf. Single leaf. Title page. Very minor wear at top edge no affect. Mounted on verso at edge onto white paper backing. Portrait of Ariosto. Suitable for framing or mating with another copy. Alberto Gratia, unknown
1583088ADD63Appresso Pietro Dusinelli In Venegia Venice: . 1583 ff. 84. Printed in Italian italic throughout. Title page and preliminary leaves stained. 24 mo. 130 mm. / BOUND WITH / Tasso Torquato. IL PADRE DI FAMIGLIA DIALOGO Del S. Torquato Tasso. Nel quale breuemente trattando la vera Economia sinsegna non meno con facilita che dottamente il Governo non pur della Casa tanto di Citta quanto di Contado; ma ancora il vero modo di accrescere & conferuar le ricchezze. Con la Tavola delle cose notabili. Presso Aldo in Vinetia Aldo Manuzio Venice: 1583. pp. 84 12. Woodcut Aldine printer's mark; decorative head and tail pieces and initials. 24 mo. 130 mm. Wormed and age stained. This is apparently the 3rd part of volume two of 'Delle Rime et Prose'. Contemporary leather backed paper boards. No flyleaves. Renouard: 233:7. Adams T 247. Ludovico Aristo 1474-1533 and Torquato Tasso 1544-1595 were both great Italian poets. Their bond in this little volume might deserve some further study. PRICE JUST REDUCED! ALDINE BOX SAFE Language: eng. Hardcover. Good. Appresso Pietro Dusinelli, In Venegia (Venice): . hardcover
158330836Venice: Appresso Fabio & Agostin Zopini fratelli 1583. 8vo 14.6 cm 5.75". 8 206 1 ff. lacking original final blank. <br><br>Later edition of collected satires by famous Italian authors edited by one of them Francesco Sansovino 152186.<br>Â Â Â Â Sansovino dedicates this collection to the historian Camillo Portio Porzio 1526 ca. 1580 and introduces it with an essay on the material of satire which he breaks down as "pure simplicity with severe acerbity sometimes mixed with a bit of salt or with some feature that is tasty and acute." Prior to this Sansovino also worked on the satires of Ariosto 14741533 separately published.<br>Â Â Â Â The text is divided into sections by author each of whom the editor introduces with a brief biography. A short abstract printed in roman precedes each poem printed in italic. Fine woodcut head- and tailpieces and a variety of initials in historiated patterned and factotum designs decorate the text; and the title-page features the woodcut printers' device of Truth personified flanked by an eagle a lion a bull and an angel representing the Four Evangelists.<br>Â Â Â Â Provenance: Ownership inscription on front fly-leaf of Luigi Pagani Cesa possibly the Italian jurist born at Belluno in 1855 who served as a member of Parliament for 190413; and the words "penso che" "I think that . . ." written above in an earlier hand <br>Â Â Â Â <br>Â Â Â Â Adams A1691; CNCE 2806. Later glazed cream-colored boards title and date inked on upper spine small paper label on lower spine marbled red edges; boards soiled and front joint opening. One spot of worming on front pastedown and on colophon leaf; traces of former mounting on colophon leaf verso. Title-page with one letter added in manuscript o in Bentivoglio. Trimmed close at margins almost grazing headline on a few leaves. Very minor stains on a few leaves generally bright and crisp. Appresso Fabio, & Agostin Zopini fratelli hardcover books
1556044543Lyon: Guglielmo Rouillio 1556. Early Edition. Hardcover Vellum. Good Condition. Contemporary overlapping vellum darkened spine perished binding a little loose light wear to last few pages early underlining in a few discrete spots light scattered foxing otherwise clean internally. A charming little edition with woodcuts throughout. Book one of two printing the first 30 of 46 cantos.Rare. Adams 1667 Graesse A198. 808pp Size: 16mo . Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Antiquarian & Rare. Inventory No: 044543. Guglielmo Rouillio hardcover
1570022322Lyone Lyon: Appresso Guvliel. Roillio. 1570. Orignal book from 1570. Small book with nibbled edges and loss of the margins on the first 200 pages. 1148 pages plus index. A binding/reading copy only. Ludovico Ariosto 8 September 1474 6 July 1533 was an Italian poet. He is best known as the author of the romance epic Orlando Furioso 1516. The poem a continuation of Matteo Maria Boiardo's Orlando Innamorato describes the adventures of Charlemagne Orlando and the Franks as they battle against the Saracens with diversions into many sideplots. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Disbound. Poor. 24mo - over 5" - 5¾" tall. Appresso Guvliel. Roillio. Paperback
1570141722Lyone Lyon: Appresso Guvliel. Roillio 1570. 19th century full brown morocco by J. Bohn London gilt borders on boards four raised bands gilt on spine all edges gilt marbled endsheets. 12mo. 19th century full brown morocco by J. Bohn London gilt borders on boards four raised bands gilt on spine all edges gilt marbled endsheets. 1148 26 pages index at rear. Later edition of Ludovico Ariosto's 1474-1533 best known work as an author first published in 1516. Bookbinder's ticket on the front free endpaper. Rebacked with the original binding laid-down. Minor spotting throughout else a fine copy. <BR> <br /> <BR> <br /> Contains wood-engravings throughout the text.<BR> <br /> <BR> <br /> Ludovico Ariosto is best known as the author of the romance epic Orlando Furioso 1516. The poem a continuation of Matteo Maria Boiardo's Orlando Innamorato describes the adventures of Charlemagne Orlando and the Franks as they battle against the Saracens with diversions into many sideplots. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Appresso Guvliel. Roillio unknown
1556044543Lyon: Guglielmo Rouillio 1556. Early Edition. Hardcover Vellum. Good Condition. Contemporary overlapping vellum darkened spine perished binding a little loose light wear to last few pages early underlining in a few discrete spots light scattered foxing otherwise clean internally. A charming little edition with woodcuts throughout. Rare. Adams 1667 Graesse A198. Size: 16mo . One volume of the 2-volume set. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Antiquarian & Rare. Inventory No: 044543. <br/><br/> Guglielmo Rouillio hardcover books
15722012300015Venetia Appresso Vincenzo Valgrisi 1572. Hardcover. Good. The Romance of Roland: Early Italian edition Quarto. Early boards rebacked with renewed leather spine. Spine gilt ruled and lettered. Good binding. 16 654 32 p. Text in double columns. Title within architectural border surmounted by portrait bust of author and with Valgrisi's woodcut device. Full-page woodcut illustrations with ornamental sidepieces at beginning of each canto; head-pieces; historiated initials; printed marginalia. Scattered staining throughout browning. Chip missing from margin of rearmost leaf. Lacking final blank leaf. Mortimer Italian Books 29 citing 1562 ed. Adams A1673 citing 1571 ed. Venetia Appresso Vincenzo Valgrisi hardcover
1556001310Lyons: Bastiano di Bartholomeo Honorati 1556. Full Calf. Very Good Plus. 511 40 pp. 8vo 17 by 11 cm 6.5 by 4 inches. With woodcut illustrations for each canto above the "Argomento". 52 woodcuts in text plus title illustration plus a few header/footers and ornamented letter at beginning of each canto. Also Exposition by Ludovico Dolce and useful table or index. Brunet I 433. Light dampstaining to early pages hardly distinguishable from general age toning which is moderate in this copy. Small inkstain on title page corner and some occasional minor spotting elsewhere. Some wear to calf boards with minor chipping along edges. Rebacked sympathetically. Attractive modern marbled endpapers. Tight copy. <br/><br/> Bastiano di Bartholomeo Honorati unknown books
1556001310Lyons: Bastiano di Bartholomeo Honorati 1556. Full Calf. Very Good Plus. 511 40 pp. 8vo 17 by 11 cm 6.5 by 4 inches. With woodcut illustrations for each canto above the "Argomento". 52 woodcuts in text plus title illustration plus a few header/footers and ornamented letter at beginning of each canto. Also Exposition by Ludovico Dolce and useful table or index. Brunet I 433. Light dampstaining to early pages hardly distinguishable from general age toning which is moderate in this copy. Small inkstain on title page corner and some occasional minor spotting elsewhere. Some wear to calf boards with minor chipping along edges. Rebacked sympathetically. Attractive modern marbled endpapers. Tight copy. Bastiano di Bartholomeo Honorati unknown
15518514Vinegia (Venise) appresso Gabriel Giolito de Ferrari 1551 In-8 (15,5 X 23 cm) veau havane clair, triple filet doré encadrant les plats, enserrant un cadre constitué de deux filets et fleuron d'angle dorés, dos à nerfs, caissons ornés d'un double filet or en encadrement et petits fers dorés au centre, pièce de titre de veau noir, roulette dorée sur les chasses et à l'intérieur des plats, tranches dorées. (Reliure XIXe signée Lanne). 2 feuillets non chiffrées, titre illustré + 264 feuillets.
1582CLL-364Venezia, appresso Domenico & Giovanni Battista Guerra, 1582 In-8 de (336) ff., maroquin vert, triple filet doré en encadrement sur les plats, dos à nerfs orné de caissons de fleurons dorés, pièce de titre de maroquin rouge, coupes et bordures décorées, tranches dorées sur marbrure (reliure française du XVIIIe siècle).
153833452(Vinegia), 1538. Colophon: In Vinegia Nicolo d'Aristotile detto Zoppino M.D.XXXVIII. Small8vo. Fine full vellum with handwritten title on back (ca. 1850). Woodcut portrait of Ariosto on title copied after the woodcut to the edition of ""Orlando Furioso"" from 1532, which was done after Tizian by F. de Nanto. Ff. 32 (=64 pp.). Good margins, fine and clean.
153833452Vinegia 1538. Colophon: In Vinegia Nicolo d'Aristotile detto Zoppino M.D.XXXVIII. Small8vo. Fine full vellum with handwritten title on back ca. 1850. Woodcut portrait of Ariosto on title copied after the woodcut to the edition of "Orlando Furioso" from 1532 which was done after Tizian by F. de Nanto. Ff. 32 =64 pp. Good margins fine and clean. <br/><br/><em>Extremely scarce early edition first published 1532 of the Seven Satires modeled after the Sermons satires of Horats by the "Divino Lodovico". - Not in Adams the earliest edition here is from 1545 . </em> hardcover
155619212In Lione, Apresso Bastiano di Bartholomeo Honorati, 1556. Grand in-8 de 508-[42] pages, plein veau brun, dos à nerfs orné de filets et fleurons dorés.
158075291580 In Venetia: Appresso gli Heredi di Vincenzo Valgrisi, 1580. Deux parties en un vol. in-4: 18,5 x 26 cm. 8 ff. n. chiff. de pièce lim., 654 pp. de texte du Orlando et des Cinque Canti, 16 ff. n. chiff. de table. Nouvelle impression de la célèbre édition du Roland Furieux de l'Arioste imprimée pour la première fois chez Valgrisi en 1556 et illustrée des figures communément attribées à Dosso Dossi. (Brunet, I, 434). Édition établie par Girolamo Ruscelli. Volume illustré de 51 figures hors-texte finement gravés sur bois (46 pour l'Orlando et 5 supplémentaires pour les Cinque Canti). Parmis les nombreuses éditions illustrée de l'arioste, l'édition Valgrisi est la première à confier à l'illustration une place si importante, en effet, chaque chant est précédé d'une grande figure qui résume en image la narration. Reliure légèrement postérieure en veau brun. Dos à cin nerfs avec titre en capitales dorées et caissons aux petits fers. Tranches mouchetées. Reliure uniformément frottée. Mors de pied légèrement fendu, cependant ouvrage solide. Petit travail de vers discret dans la marge inférieure des derniers feuillets et dans la marge latérale des pages 525 à 542. Pale rousseurs aux premiers ff., sinon papier extrêmement frais. Un bijou d'impression.
1542173105Venetia: Appresso Gabriel Iolito di Ferrari 1542. Leather bound. Good front hinge weaker than rear hinge wear to extremities text block and pages clean and tight. Full red leather with elaborate gilt embossed design front and back reeded gilt edges to covers five raised bands with gilt devices in compartments and applied leather label. All edges gilt with impressed cross design on all three text block edges. Ancient marbled endpapers with bookplate of Olin Lane Merriam on inside front pastedown. 260 xx leaves collated complete title page within engraved architectural border text with 46 woodcut engravings and engraved initial at beginning of each canto in text wood-engraved oval bust portrait of Ariosto on verso of leaf 260; unpaginated 20-leaf commentary by Lodovico Dolce has its own title page with wood-engraved vignette of phoenix rising at center of title page and verso of last leaf. This is the first complete printing with the "Espositione di tutti i vocaboli et luoghi difficili . con vna brieue dimostratione di molte comparationi & sentenze dall' Ariosto in diuersi autori imitate / raccolte da M. Lodovico Dolce" 20 leaves at end has special t.p." at rear after portrait. A lovely example in an exceptional binding. Similar copy sold for 5000 Euro in 2016. Appresso Gabriel Iolito di Ferrari hardcover
1542173105Venetia: Appresso Gabriel Iolito di Ferrari 1542. Leather bound. Good front hinge weaker than rear hinge wear tpo extremities text block and pages clean and tight. Full red leather with elaborate gilt embossed design front and back reeded gilt edges to covers five raised bands with gilt devices in compartments and applied leather label. All edges gilt with impressed cross design on all three text block edges. Ancient marbled endpapers with bookplate of Olin Lane Merriam on inside front pastedown. 260 xx leaves collated complete title page within engraved architectural border text with 46 woodcut engravings and engraved initial at beginning of each canto in text wood-engraved oval bust portrait of Ariosto on verso of leaf 260; unpaginated 20-leaf commentary by Lodovico Dolce has its own title page with wood-engraved vignette of phoenix rising at center of title page and verso of last leaf. This is the first complete printing with the "Espositione di tutti i vocaboli et luoghi difficili . con vna brieue dimostratione di molte comparationi & sentenze dall' Ariosto in diuersi autori imitate / raccolte da M. Lodovico Dolce" 20 leaves at end has special t.p." at rear after portrait. A lovely example in an exceptional binding. Appresso Gabriel Iolito di Ferrari hardcover books
1550047702Lyon: Guillaume Rouillé for Matthia Bonhomme 1550. Second Edition. Hardcover Full Leather. Very Good Condition. Ca. 17th century full acid calf spine gilt in compartments slightly sprung. Portrait and 46 woodcuts modeled after those in Giolito's ediitons. Title repaired at edges obscuring part of the heading for the dedication by Urrea on the title verso. Trimmed a bit close sometimes touching the running title or page numbering worm hole in the middle margin starting around page 87 and hitting a woodcut on 121 and hitting text in one stanza from around 137-167 and touching one other woodcut. Early minor notes and underlining stanzas numbered by hand early on scattered minor ink stains moderate foxing and minor stains - still very good overall. 436 4pp with some mispaginations. An early addition is pasted to the top of page 180 "obras que hazen y pueden las culpables y maluadas hembras enfurcci das del amor por cumplir si apetito y desseofas de venganca". <br /> <br /> The second Urrea edition after the first from the year prior in Antwerp - an immensely influential edition an inspiration to Cervantes and a finely printed and illustrated book. Brunet I 443 "Traduction estimée" and he notes that only the 1553 Giolito is as attractive an edition. Adam 1682A the 1553 reimpression. Underrepresented in institutional collections maybe 2 dozen copies of the 1550 edition and a dozen of the 1549 and rare in commerce. Size: Quarto 4to. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Literature & Literary; Poetry. Inventory No: 047702. Guillaume Rouillé for Matthia Bonhomme hardcover
154748296appresso Gabriel Giolito de Ferrari | In Vinegia (Venise) 1547 | 10.50 x 16 cm | relié
154748296In Vinegia Venice Venise Venice: appresso Gabriel Giolito de Ferrari 1547. Fine. appresso Gabriel Giolito de Ferrari In Vinegia Venice Venise Venice 1547 10.50 x 16 cm relié A handsome illustrated edition and one of the first printed by Gabriele Giolito de Ferrari dedicated to the Dauphin of France. It has a superb engraved title with Giolito's printer's device a phoenix being reborn from its ashes on a globe marked with the printer's initials 56 attractive woodcuts and numerous large ornate capitals as well as a portrait of Ariosto after Titian in a medallion at the end of the poem and two states of the printer's device. The end of the work is made up of a vocabulary of obscure words and an explanation of the difficult passages in the work compiled by Lodovico Dolce with a separate title and not included in the pagination. Giolito published more than twenty books in thirteen years of printing this is the third edition of this work the first appearing in 1542 and the second in 1543. Printed in round Roman type double column. Late 17th or early 18th century red morocco spine richly gilt in six compartments one compartment marked with lettres rondes round Roman type. Covers with a frame of triple gilt fillets gilt roulette frame to insides of covers all edges gilt. Binding a little rubbed faint dampstaining to end of volume. A handsome copy in a lovely red morocco binding. appresso Gabriel Giolito de Ferrari unknown
15915552London: Richard Field 1591. Hardcover. Very Good. 4to in sixes 26.8 x 18.6 cm. 9 ff. 423 pp. 1 p. 5 ff. with 1 full-page engraved frontispiece and XLVI full-page engravings woodcut headpieces tailpieces and initials woodcut printer's device on colophon ruled in red ink throughout. Bound in 17th-century paneled calf rebacked with original spine laid down raised bands spine gilt in six compartments old paper label in top panel gold-tooled borders gold-tooled cornerpieces and board edges marbled pastedowns marbled edges. Some rubbing and wear to spine and boards corners neatly repaired. Preserved in a custom quarter red morocco box some damage to spine of box. Marginal finger-soiling and occasional other minor old staining some offsetting a few edge mends at title final prelim. leaf and pp. 59 81 103 109 290 295 small corner loss at p. 237 inconsequential rub to plate IX the occasional contemporary manuscript correction. Provenance: contemporary signature erased from title 'Montagu' signature 'Marie M.' in the margin of p. 343 "E. G. C." or "G. E. C." gilt initials on spine Hopetoun House presentation label from Martin dated 1822 Hopetoun bookplate W. A. White ownership signature dated 4 June 1890; Arthur Amory Houghton book label. Generally very good. Rare first edition of Orlando Furioso translated by the Elizabethan courtier and poet Sir John Harington 1560-1612 - the first English version of Ludovico Ariosto's 1454-1553 famous epic poem - here with its 47 full-page engravings enriched with exceptionally fine contemporary hand-coloring complete with extensive silver and gold accents and giving every appearance of being a presentation copy. Hand-coloring of this quality is outstandingly rare in any English work of this period and such an extensive suite of illustrations is very unusual for purely literary works. Containing "the best known engraved illustrations in an English book before 1700" Hodnett p. 46 Harington's Orlando Furioso represents a landmark in engraving in England an achievement that Harington himself highlighted in his prefatory comments on the "vse of the Pictures" in the book noting that its images "are all cut in brasse and most of them by the best workemen of that kinde" and that he had "not seene anie made in England better nor in deed any of this kinde in any booke." He further states that although England had produced some impressive illustrated volumes "all their figures are cut in wood & none in metall and in that respect inferior to these" fol. Ar. In these remarks "Harington gives us the first critical comment on book illustrating by an Englishman" Hodnett p. 46 and by citing the fine English woodcut books of "Liuy Gesner Alciats emblemes a booke de Spectris in Latin & in our tong the Chronicles the booke of Martyrs the book of hauking and hunting and M. Whitneys excellent Emblems" he announces his intention to produce an illustrated volume comparable to the best yet produced in England. In a further extraordinary step Harington had a handful of copies decorated by the best illuminators available thus elevating these select examples beyond even the most excellent English woodcut books and thereby creating a place for purely literary works in the pantheon of early English book illustration. for full description visit our website at www.martayanlan.com <br/> <br/> Richard Field hardcover books
