Ariosto, Lodovico [Ludovico]Biblio.com
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17391374075Venezia Venice: Giuseppe Bortoli 1739. Hardcover. 12mo. 708 pages. In Good condition. Half-bound in contemporary vellum and blue paper boards with handwritten text to spine. Boards show light wear to corners and edges light warping and damp staining overall. Text block has light age toning and wear to edges light uneven foxing to pages throughout interiorly an ink ownership inscription to the title page and some creasing to leaves near front of book. Lacking end papers but all printed text complete. 1374075. Special Collections - Downstairs. Giuseppe Bortoli hardcover
1583088ADD63Appresso Pietro Dusinelli In Venegia Venice: . 1583 ff. 84. Printed in Italian italic throughout. Title page and preliminary leaves stained. 24 mo. 130 mm. / BOUND WITH / Tasso Torquato. IL PADRE DI FAMIGLIA DIALOGO Del S. Torquato Tasso. Nel quale breuemente trattando la vera Economia sinsegna non meno con facilita che dottamente il Governo non pur della Casa tanto di Citta quanto di Contado; ma ancora il vero modo di accrescere & conferuar le ricchezze. Con la Tavola delle cose notabili. Presso Aldo in Vinetia Aldo Manuzio Venice: 1583. pp. 84 12. Woodcut Aldine printer's mark; decorative head and tail pieces and initials. 24 mo. 130 mm. Wormed and age stained. This is apparently the 3rd part of volume two of 'Delle Rime et Prose'. Contemporary leather backed paper boards. No flyleaves. Renouard: 233:7. Adams T 247. Ludovico Aristo 1474-1533 and Torquato Tasso 1544-1595 were both great Italian poets. Their bond in this little volume might deserve some further study. PRICE JUST REDUCED! ALDINE BOX SAFE Language: eng. Hardcover. Good. Appresso Pietro Dusinelli, In Venegia (Venice): . hardcover
BN65412dtv. Der rasende Roland: Band 1. Gesänge 1 - 25 Band 2 - Gesänge 26 - 46 <br/><br/> dtv unknown
85265Paris Prault 1746. Kl.8° jew. gestochenes Titelbl. 1 gestochene Taf. «Cochin filius inv.» VIII 357 444 441 u. 422 6 Bl. Verzeichnis 1 Bl. «Approbation» Priv.-Ldr. d. Zt. m. Goldpräg. Rundum-Goldschnitt Jew. kl. Rückenverluste an den Kapitalen 1 Bd. m. 1 cm am Fuss Rücken etw. brüchig Rückenkanten tlw. geplatzt Ecken etw. berieben jew. Exlibris a. Innendeckel innen sonst allg. tadellos. Text italienisch. 010 Paris, Prault, 1746 unknown
1799SKU1165506Otridge and Son; R Faulder; Vernor and Hood; Cadell and Davies 1799. Hardcover. Acceptable. London 1799; FIVE VOLUMES COMPLETE; marbled paper over leather covered boards; heavy edge and corner wear with board exposed at corners; bottom corner of front board appears chewed; spine edges frayed and chipped; front boards of volumes I IV and V detached but present; rear board of Volume I and front board of volume III hanging by threads; title blocks on back strips mostly missing; 8vo - over 7 3/4" to 9 3/4" tall; marbled end papers; previous owner's name plate on front paste-downs; interior clean and unmarked; individually paginated; Additional shipping charges may need to be requested due to size or weight of book. Otridge and Son; R Faulder; Vernor and Hood; Cadell and Davies hardcover
138660London: A. Dulau & Co. and L. Nardini 1801. 4 vols. 12mo 6¼ x 4 ins. Contemporary polished calf spines gilt tooled in six compartments with contrasting gilt lettered labels board edges gilt tooled blue sprinkled edges some light wear at joints and title label of vol I chipped - otherwise a VG set. Pp. viii ix 1 287 1 annotazioni 4 blank & viii 406 4 blank & viii 360 4 blank & viii 326 4 blank with half titles illus with engraved frontispiece in vol I endpapers toned at edges; no inscriptions. London: A. Dulau & Co. and L. Nardini, 1801 unknown
18881706270014Paris : Hachette 1888. Hardcover. Acceptable. Folio. vii 658 pp 82 plates by Gustave Dore. Contemporary half black leather over marbled boards. Boards detached lacking spine. Prelims detached and chipping. Moderate foxing throughout affecting plates. This is an oversized or heavy book that requires additional postage for international delivery outside the US. Paris : Hachette hardcover
19721-0198124074OUP Oxford 1972. Hardcover. New. 744 pages. 10.94x7.80x1.89 inches. OUP Oxford hardcover
1823BC06A-081London: John Murray 1823. Book. Good. Full Leather. 8vo - over 7¾ - 9¾" tall. AZ655 Ludovico Ariosto. The Orlando Furioso Translated into English Verse. Eight Volumes in Four. John Murray 1823-1829. Translated from the Italian by William Stewart Rose. Contemporary calf with light rubbing. Joints cracking and with chipping to some spine ends. Scattered foxing. Faint library stamps to top page edges with no other visible markings. Very good. John Murray Hardcover
17855067Couret Orleans 1785 1785. Opb. 2 Bände 414 421s.in gutem Zustand KSA35 HC Couret, Orleans 1785, unknown
3511745Short description: In Russian. Ariosto Ludovico. Furious Roland. St. Petersburg: the speedy establishment of B. M. Neiman 1879. The image is provided for reference only. It may reflect condition of one of the available copies or only help in identifying the edition. Please feel free to contact us for a detailed description of the copies available. SKU3511745 unknown
1783374457London 1783. 331; 336; 334; 333pp. 4 vols. 12mo. Bound in near contemporary brown polished tree calf gilt spines all edges gilt. In open faced slipcase. 331; 336; 334; 333pp. 4 vols. 12mo. unknown
17831577212024940<p>Author: Lodovico Ariosto.<br />Title: Orlando Furioso.<br />Publisher: London 1783.<br />Language: Text in Italian.<br />Size: 5 x 3 inches.<br />Pages: 272; 336; 334; 333 pages. Complete in four volumes.<br />Binding: Very good and attractive uniform contemporary bindings in brown calf spines with gilt decorative tooling over beautifully marbled paper-covered boards; spines richly gilt with title "Ariosto" and volume numbering; all edges marbled; a refined and decorative 18th-century set under a protective removable mylar cover.<br />Content: Very good content bright tight and clean rare light foxing - as shown.; text clean and well preserved; complete set; includes the engraved frontispiece portrait of Ariosto; a handsome and well-preserved pocket edition.<br />Illustrations: Engraved frontispiece portrait of the author complete.</p><p></p><p>The books: Orlando Furioso stands as one of the great masterpieces of Renaissance literature blending chivalric romance epic poetry and imaginative fantasy into a richly layered narrative. This elegant 1783 London pocket edition captures the enduring popularity of Ariosto's work in the 18th century presenting the text in a compact and highly collectible format. The finely marbled boards and gilt spines enhance its aesthetic appeal making it as pleasing to the eye as it is significant in literary history.</p> hardcover
196222152Carbondale: Southern Illinois University Press 1962. 1962. First printing thus. Limited edition: 1500 copies 750 of which were for sale in the U. S. Tall heavy 4to. xi 579 pp. Original navy blue cloth binding. Warmly inscribed to "Jon" a noted Renaissance and English literature scholar Jonathan Goldberg on the front free endpaper by an unknown person "J. C. M." Else this is a tight fine book in the scarce DJ with shallow edge wear at the backstrip extremities very good plus. Scarce thus. 1st Edition. Hardcover. Near Fine/Dust Jacket Included. Carbondale: Southern Illinois University Press (1962). hardcover
1854177051Florence: Felice Le Monnier 1854. A nicely bound set of Ariosto's Orlando Furioso with notes by Vincenzo Gioberti from Del primato morale e civile degl'Italiani "On the Moral and Civil Primacy of the Italians". In the prefatory notes he crowns Ariosto as "the prince of heroic poetry" "principe della cantica eroica" second only to Dante. Gioberti 1801-1852 was an Italian Catholic priest philosopher and politician serving as Sardinia's prime minister in 1848-9. This is the third Le Monnier edition the first appearing in 1846. 2 vols small octavo 175 x 108 mm. Contemporary vellum spine lettered and patterned in gilt covers with gilt floral borders textured endpapers gilt edges red silk bookmarkers. Vellum a little soiled bowing to boards dust soiling to top edges sporadic foxing light soiling to rear endpapers of vol. II. A very good set. hardcover
620067printed for the autho: sold by C. Bathurst; T. Payne & Son; J. Dodsley et al. Hardcover. Good/No Jacket. 8vo. - 5 Volume set - all volumes: corners bumped with boards slightly exposed - leather a little scuffed and rubbed with some marks and fading to some volumes - most hinges cracked but all boards still attached - some foxing primarily to endpapers - some chipping to leather on spine ends particularly to tail of spine on vol. 5 - previous owners name in ink on title pages - some minor pencil marks to a few pages - small closed tear to frontis on vol 5 - plate of Ariosto's chair and inkstand is missing - Books ow/ solid bindings tight content clean and bright - a very nice set for its age - full leather bindings with gilt tooling to board edges gilt bands to spines and red leather title labels with gilt titles 'Hoole's Ariosto' to spine - 335 407 427 438 & 320 pages plus postscript and index - engraved frontispieces to all vols. - No Jacket printed for the autho: sold by C. Bathurst; T. Payne & Son; J. Dodsley et al hardcover
1775434078Paris : Chez Brunet Libraire 1775. 1st edition. Hardcover. Good copies in paper-covered boards backed in gilt-blocked cloth. Covers and spine stained nicked bumped roughly rubbed as with age and cracked with some loss. Physical description; 1-3 vols 24 cm. Subjects; Ariosto Ludovico 1474-1533. Französisch. Übersetzung. Paris : Chez Brunet, Libraire hardcover
1823343Florence Italy Firenze: Presso Giuseppe Molini 1823. Contemporary fine vellum. Very Good. The most celebrated epic poem of the Italian Renaissance in beautiful contemporary fine vellum binding.<br /> <br /> Condition: VG or better. Complete.<br /> <br /> BOOK INFO<br /> <br /> Published in 1823 by Giuseppe Molini in Florence Italy. Complete in two volumes. In the original Italian. Bound in contemporary to near contemporary fine full vellum. Boards with single fillet gilt paneling. Spine with compartments ornately ruled and tooled in gilt gilt-lettered black morocco label in compartment two. Sextodecimo 16mo 5.25" x 3". Collated and complete: vi xxxvii 1 699 1 errata; iv 727 1 printer monogram. Engraved second title page and frontispiece in each volume. <br /> <br /> ABOUT THE AUTHOR & WORK<br /> <br /> Ludovico Ariosto 1474 - 1533 was an Italian poet. He is best known as the author of the romance epic Orlando Furioso 1516-1532. The poem a continuation of Matteo Maria Boiardo's Orlando Innamorato describes the adventures of Charlemagne Orlando and the Franks as they battle against the Saracens with diversions into many side plots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work.<br /> <p>Ariosto also coined the term 'humanism' for choosing to focus upon the strengths and potential of humanity rather than only upon its role as subordinate to God. This led to Renaissance humanism.</p> <br /> The story is a chivalric romance which stemmed from a tradition beginning in the Late Middle Ages and continuing in popularity in the 16th century and well into the 17th.<br /> <p>Orlando is the Christian knight known in French and English as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Saracen army that has invaded Europe and is attempting to overthrow the Christian empire.<br /> <br /> CONDITION REPORT: Very Good or better.<br /> <br /> Exterior and binding; firm hinges and joints tight pages slight bowing of boards sharp corners. Minimal rubbing. Soiling and aging of vellum. Slightly sunned spines. Top edge darkened per usual. Presents beautifully.<br /> <br /> Interior: Pages are bright and white. Mostly light and scattered foxing heaviest near engravings and at text block extremities. Evidence of handling: bent corners creasing an occasional smudge. A few leaves with marginal insect nibbling or some slight paper loss not affecting text. Abrasion mark to front pastedown in Vol. I. No writing ex libris marks or former owner bookplates.<br /> <br /> All in all a lovely set of Orlando Furioso volumes in exquisite fine full vellum.</p> . Presso Giuseppe Molini unknown
175616169Arezzo: Michele Bellotti Stampatore. Good with no dust jacket. 1756. Hardcover. Edgewear chipping to front board of volume two front paste-down of volume two detaching at bottom edge from board some text stains not affecting legibility some minor worming not affecting text in volume two otherwise light wear. Spine labels reverse volume numbers. Solid oversize hardcovers. ; Bilingual Italian and Latin languages in parallel columns. Two of two volumes complete set. Engraved portraits of Ariosto and Barbolani by Andrea Bolzoni. Signatures: v. 1: a4 A-3G4 3H6 -- v. 2: A-3G4. Title-page of t. 1 in red and black; title vignettes; decorative initials head and tail pieces. Period half leather binding with marbled boards and endpapers red spine labels with gilt lettering gilt spine rolls and decoration and black and red edge decor. Custom bookplate of Vera Kossovski on both paste-downs. Attractive 18th-century printing of the classic Italian epic poem of Lodovico Ariosto with the First Edition of the Latin translation of Torquato Barbolani. ; vii 435; 421 3 in 2v pages . Michele Bellotti Stampatore hardcover
1781WB18303London: Livorno presso Gio Tom Masi e Comp. 1781. Hardcover. Very Good. Four volumes. An attractive 12mo set in full red leather spines heavily gilt. Green spine labels gilt. Some rubbing overall and wear to spine labels but still a charming set. Each volume with engraved portrait engraved title and engraved plates throughout. <br/><br/> Livorno presso Gio Tom Masi e Comp. hardcover
1556044543Lyon: Guglielmo Rouillio 1556. Early Edition. Hardcover Vellum. Good Condition. Contemporary overlapping vellum darkened spine perished binding a little loose light wear to last few pages early underlining in a few discrete spots light scattered foxing otherwise clean internally. A charming little edition with woodcuts throughout. Book one of two printing the first 30 of 46 cantos.Rare. Adams 1667 Graesse A198. 808pp Size: 16mo . Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Poetry; Antiquarian & Rare. Inventory No: 044543. Guglielmo Rouillio hardcover
88234Nizza Società tipografica 1785. Ganzleder gebunden; marmorierte Einbände reich verzierte goldgeprägte Rücken je 1 grünes und 1 rotes goldgeprägtes Rückenschild Rotschnitt / 5 Bände / Anz. Seiten: XXXVIII 411 381 391 387 404 / 10 x 162 cm / Zustand: sehr gut geringe Alters-/ Gebrauchsspuren; Ecken teils etwas beschabt/bestossen äussere Lagen teils leicht stockfleckig Bibliotheksstempel auf Titelseiten handschriftliche Nummerierung auf Innendeckeln handbeschriftete Papieretiketten an Rücken Nizza, Società tipografica, 1785 unknown
ALDR0353In Venezia Presso Antonio Zatta 1772. 4°. Gest. Titelbl. 1 gest. Taf. 214 nn. Bll. mit 12 gest. Taf. je 13 gest. Kopfstücken Argomenti u. Initialen sowie 10 gest. Schlussvignetten. Marmorierter Lederband d. Zeit mit Rückenschildchen u. Rückenverzierung in Goldprägung Einbanddeckel mit Streicheisenlinien gerahmt Vorsatz aus einfärbig bedrucktem Buntpapier auf den Innendeckeln Buchschnitt rotgefärbt Ecken u. Kanten bestoßen Lederüberzug etwas schadhaft. Seiten weiß und fleckenlos lediglich Anfangsseiten an der Oberkante schwach wasserrandig. Brunet 1437. Graesse 1199. Lanckoronska. Venezianische Buchgraphik 14 - zweiter Band dieser aus vier Bänden bestehenden venezianischen Prachtausgabe des 'Rasenden Roland'. Der Humanist und Dichter L. Ariost 1474-1533 schuf mit diesem Versepos eines der bedeutendsten Werke der italienischen Literatur. Die Tafeln stammen von angesehenen venezianischen Kupferstechern wie Giuliano Zuliani 1730-1814 u. Pietro Antonio Novelli 1729-1804 In Venezia, Presso Antonio Zatta 1772. unknown
19014813-31021<p>Fierenze 1901 Edition Unstated Presumed 1st of This book. 549 Pages of this small 4 1/8" x 2 5/8" x 1" bound in Heavy full gilt-blocked buckram over boards text block edged in full gold gilt perceivable tilt else content appears as unread and unblemished with Near Fine wraps displaying minimal surface/edge wear as shown. Appearance is one that the books has been kept wrapped in cloth for years and is Immaculate & highly desireablel </p><p><strong>Synopsis:</strong> This book is in Italian. </p><p>Orlando furioso Italian: orˈlando fuˈrjoËzo; -oËso; The Frenzy of Orlando more literally Raging Roland is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516 although the poem was not published in its complete form until 1532. Orlando Furioso is a continuation of Matteo Maria Boiardo's unfinished romance Orlando Innamorato Orlando in Love published posthumously in 1495. In its historical setting and characters it shares some features with the Old French Chanson de Roland of the eleventh century which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th.<P>Orlando is the Christian knight known in French and subsequently English as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Saracen army that has invaded Europe and is attempting to overthrow the Christian empire. The poem is about war and love and the romantic ideal of chivalry. It mixes realism and fantasy humor and tragedy. The stage is the entire world plus a trip to the Moon. The large cast of characters features Christians and Saracens soldiers and sorcerers and fantastic creatures including a gigantic sea monster called the orc and a flying horse called the hippogriff. Many themes are interwoven in its complicated episodic structure but the most important are the paladin Orlando's unrequited love for the pagan princess Angelica which drives him mad; the love between the female Christian warrior Bradamante and the Saracen Ruggiero who are supposed to be the ancestors of Ariosto's patrons the d'Este family of Ferrara; and the war between Christian and Infidel.<P>The poem is divided into forty-six cantos each containing a variable number of eight-line stanzas in ottava rima a rhyme scheme of abababcc. Ottava rima had been used in previous Italian romantic epics including Luigi Pulci's Morgante and Boiardo's Orlando Innamorato. Ariosto's work is 38736 lines long in total making it one of the longest poems in European literature. </p><p><strong>Insurance & handling is included free. Extra Charges/Fees apply on Shipments Outside The U.S. and Expedited Shipments. Oversize and/or heavy books may require additional fees. Will advise. </strong> . Biblio #4813-31021 Img. 5985 & 5986 <strong>Updated 10.16.25</strong> </p> Firenze,
1570022322Lyone Lyon: Appresso Guvliel. Roillio. 1570. Orignal book from 1570. Small book with nibbled edges and loss of the margins on the first 200 pages. 1148 pages plus index. A binding/reading copy only. Ludovico Ariosto 8 September 1474 6 July 1533 was an Italian poet. He is best known as the author of the romance epic Orlando Furioso 1516. The poem a continuation of Matteo Maria Boiardo's Orlando Innamorato describes the adventures of Charlemagne Orlando and the Franks as they battle against the Saracens with diversions into many sideplots. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work. Disbound. Poor. 24mo - over 5" - 5¾" tall. Appresso Guvliel. Roillio. Paperback
