65 résultats
1834elala1621London: William Pickering 1834. 1834. 4 Volumes. 8vo. 1 p.l. vii-viii clxxvi 198 79; 2 p.l. 436; 2 p.l. 424; 2 p.l. 330. woodcut frontis. portrait. woodcut printers device on title. very handsome contemporary binding of full vellum over bds. by Hayday gilt tooled spines gilt inside dentelles all edges gilt covers bowed. First Panizzi Edition. Usually found with Panizzis edition of Bioardos Orlando Innamorato published by Pickering in 1830 in five volumes. Keynes p. 90. 1st Edition. Hardcover. London: William Pickering, 1834. Hardcover
183977042Paris: Knab 1839. Fine. Knab Paris 1839 12.50 x 21.80 cm 3 volumes reliés New translation by A. Mazuy. The 3 volumes are illustrated with a portrait of Ariosto as frontispiece and 85 wood-engraved figures printed on China paper and mounted on strong paper. They are numbered from 1 to 85. The 3 volumes properly contain the placement sheets for the engravings at the end and the errata. This beautiful illustration a romantic vision of the chivalrous Middle Ages is the work of Meissonnier Baron Français Girardet. Contemporary full glazed calf binding in violet. Smooth spine decorated with Rocaille tools in long and mirror patterns. Gilt title. Boards stamped in blind with a large ornamental plate in Renaissance style. Gilt framing fillets. Interior frieze. Lemon-yellow endpapers. Tissue guards present. Some occasional scattered foxing on an otherwise clean set the tissue guards often browned or foxed. Signs of rubbing. Cracks on one lower joint at foot. Spine uniformly blue-green. Very handsome copy rare in this condition. The work is completed with several studies by the translator notes on chivalric romances oriental traditions chronicles songs of the trouvères and troubadours. An index of proper names in Orlando Furioso. Knab hardcover
1888H0-D4CP-P3PEParis: Librairie Hachette et Cie 1888. Illustrated Edition. Hardcover. Used - Very Good/no dj as issued. Gustave Dore. Very Good. Paris 1888. Large folio. 498 x 330 mm 19 4/8 x 12 3/4 inches. Weight 17 pounds!. 658 pages frontispiece and 81 steel-engraved full page plates 681 steel-engraved vignettes in the text by Gustave Doré. Folio copy preserved in its splendid publisher cardboard in red percaline illustrated by A. Souze. Cover and back decorated and gilded the first cover adorned with a gilded griffin bearing standard and coat of arms on a background of patterns with oak leaves and helm. Last illustrated book by Gustave Doré<br /> <br /> -- -- Most pages and plates very clean. Some foxing and smudges to first few and last few pages otherwise Very well preserved. The front cover is very well stamped the gilding is bright. The gilding on the back is just a little tarnished slight traces of handling <br /> Solid hinges tear on the lower part of the spine fresh and clean interior light scattered foxing denser on the first few pages. --- --- Roland Furieux Orlando Furioso required a long preparation work and can be understood as a synthesis of all the themes dear to the artist: medieval frames forests battle scenes heroines of sublimated beauty fantastic atmosphere. Most pages and plates very clean. Very well preserved. The plate on the first cover is very well stamped the gilding is bright. The gilding on the back is a little tarnished slight traces of handling two small slots on the joints max 2 cm.<br /> Solid hinges. fresh and clean interior light scattered foxing denser at first. Librairie Hachette et Cie hardcover
1821114527Prato: Presso Luigi Vannini 1821. An attractive complete set of this scarce 1821 printing of Orlando Furioso from the Chateau la Brede library Gironde France with the library tickets to the front pastedowns of each volume. Montesquieu was born lived and wrote the majority of his works at the Chateau la Brede. The library tickets bear the name M. le baron Clouet. 6 vols duodecimo. Contemporary calf backed marbled boards spines gilt in compartments with titles direct marbled endpapers red speckled edges. Some rubbing and marks to covers volume 5 with a chip from the leather at the tail all sound and internally clean very good condition. hardcover
188838124Paris: Libraire Hachette Et Cie 1888. Hardcover. Very Good. Hardcover. Nouvelle Edition. Elephant Folio. A French translation of the Italian epic poem Orlando Furioso 1516 which is a chivalric romance known for its intricate plot humor and the eventual madness of Orlando Roland due to unrequited love. It is a fantastical story featuring soldiers war sorcerers mythical creatures a trip to the moon and romances between several characters. One of the longest poems in European literature it took the author over twenty years to complete Wikipedia. Gustave Doré's exquisite illustrations compliment Roland's expeditions and encounters perfectly. His detailed portrayals of sea monsters griffons fairyfolk demons and epic battles are stunning. <br /> <br /> A beautiful publisher's binding in the original red cloth with black and gilt illustration of a griffin to front board and spine. Repaired two inch split to bottom of front joint. Rear hinge interior is starting; although binding remains secure. Minor rubbing and light soiling to boards and spine. Foxing throughout; although text and illustrations remain bright. Includes 82 full page illustrations along with hundreds of in text illustrations by Gustave Doré. All plates are present. 165 pages plus plates. This is a large heavy book that may require an extra shipping fee. FRE/070925. Libraire Hachette Et Cie hardcover
18991396568Milano Milan: Fratelli Treves Editori Fratelli Treves Publishing 1899. Hardcover. Large quarto xvi 64 74-80 74-294 293 296-740 2 inconsistent pagination. In Good condition. Half bound in brown leather with brown cloth. Faded gilt lettering and ornamentation to spine and boards. Cracking along the joints and small tears along the spine. Boards have light stains chipping and rubbing wear along the edges and light bumping to corners. Rear board is slightly detached. Textblock has marbled end papers and a closed tear on the title page impacting some text. Light plus age toning and very minor foxing scattered on some pages throughout. Text in Italian. Shelved in Room A Oversized. 1396568. Special Collections. Fratelli Treves Editori [Fratelli Treves Publishing] hardcover
1823343Florence Italy Firenze: Presso Giuseppe Molini 1823. Contemporary fine vellum. Very Good. The most celebrated epic poem of the Italian Renaissance in beautiful contemporary fine vellum binding.<br /> <br /> Condition: VG or better. Complete.<br /> <br /> BOOK INFO<br /> <br /> Published in 1823 by Giuseppe Molini in Florence Italy. Complete in two volumes. In the original Italian. Bound in contemporary to near contemporary fine full vellum. Boards with single fillet gilt paneling. Spine with compartments ornately ruled and tooled in gilt gilt-lettered black morocco label in compartment two. Sextodecimo 16mo 5.25" x 3". Collated and complete: vi xxxvii 1 699 1 errata; iv 727 1 printer monogram. Engraved second title page and frontispiece in each volume. <br /> <br /> ABOUT THE AUTHOR & WORK<br /> <br /> Ludovico Ariosto 1474 - 1533 was an Italian poet. He is best known as the author of the romance epic Orlando Furioso 1516-1532. The poem a continuation of Matteo Maria Boiardo's Orlando Innamorato describes the adventures of Charlemagne Orlando and the Franks as they battle against the Saracens with diversions into many side plots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work.<br /> <p>Ariosto also coined the term 'humanism' for choosing to focus upon the strengths and potential of humanity rather than only upon its role as subordinate to God. This led to Renaissance humanism.</p> <br /> The story is a chivalric romance which stemmed from a tradition beginning in the Late Middle Ages and continuing in popularity in the 16th century and well into the 17th.<br /> <p>Orlando is the Christian knight known in French and English as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Saracen army that has invaded Europe and is attempting to overthrow the Christian empire.<br /> <br /> CONDITION REPORT: Very Good or better.<br /> <br /> Exterior and binding; firm hinges and joints tight pages slight bowing of boards sharp corners. Minimal rubbing. Soiling and aging of vellum. Slightly sunned spines. Top edge darkened per usual. Presents beautifully.<br /> <br /> Interior: Pages are bright and white. Mostly light and scattered foxing heaviest near engravings and at text block extremities. Evidence of handling: bent corners creasing an occasional smudge. A few leaves with marginal insect nibbling or some slight paper loss not affecting text. Abrasion mark to front pastedown in Vol. I. No writing ex libris marks or former owner bookplates.<br /> <br /> All in all a lovely set of Orlando Furioso volumes in exquisite fine full vellum.</p> . Presso Giuseppe Molini unknown
1854177051Florence: Felice Le Monnier 1854. A nicely bound set of Ariosto's Orlando Furioso with notes by Vincenzo Gioberti from Del primato morale e civile degl'Italiani "On the Moral and Civil Primacy of the Italians". In the prefatory notes he crowns Ariosto as "the prince of heroic poetry" "principe della cantica eroica" second only to Dante. Gioberti 1801-1852 was an Italian Catholic priest philosopher and politician serving as Sardinia's prime minister in 1848-9. This is the third Le Monnier edition the first appearing in 1846. 2 vols small octavo 175 x 108 mm. Contemporary vellum spine lettered and patterned in gilt covers with gilt floral borders textured endpapers gilt edges red silk bookmarkers. Vellum a little soiled bowing to boards dust soiling to top edges sporadic foxing light soiling to rear endpapers of vol. II. A very good set. hardcover
1823BC06A-081London: John Murray 1823. Book. Good. Full Leather. 8vo - over 7¾ - 9¾" tall. AZ655 Ludovico Ariosto. The Orlando Furioso Translated into English Verse. Eight Volumes in Four. John Murray 1823-1829. Translated from the Italian by William Stewart Rose. Contemporary calf with light rubbing. Joints cracking and with chipping to some spine ends. Scattered foxing. Faint library stamps to top page edges with no other visible markings. Very good. John Murray Hardcover
18881706270014Paris : Hachette 1888. Hardcover. Acceptable. Folio. vii 658 pp 82 plates by Gustave Dore. Contemporary half black leather over marbled boards. Boards detached lacking spine. Prelims detached and chipping. Moderate foxing throughout affecting plates. This is an oversized or heavy book that requires additional postage for international delivery outside the US. Paris : Hachette hardcover
1818012195Milan Italy: Giovanni Pirotta 1818. Book. Very Good. Buckram. Second Edition. Folio - over 12" - 15" tall. Rebound in brown buckram with spine panel lettered in gilt. xxxvi5471 pp. illus. w/ frontis. engraving of author printed in double column type. The fore-edge margins of the Preface show dampstaining generally light ranging to moderate on several leaves with slight dampstaining affecting only the first several leaves of the text proper not impinging onto any text. Approx. 9 1/2" x 13". Excepting the initial dampstaining the text block is clean and bright a solid Near Fine. The binding is functional rather than ornamental but shows only modest rubbing at corners and spine extremities. Giovanni Pirotta Hardcover
1814435523Londra: Presso Romualdo Zotti No.16 Broad-Street Golden-Square 1814. Hardcover. Good. Four volumes. 12mos. Volume one illustrated with an engraved frontispiece plate. Text in Italian. Bound in contemporary full parchment gold tooling on both covers and spine plain endpapers edges sprinkled. Owner's name in ink on front free endpaper of volume one only. The parchment covers are dust soiled and splaying else very good the text pages are clean and tight. A varorium edition edited by Romualdo Zotti: "con note e dilucidazioni grammaticali da Romualdo Zotti ad uso degli studiosi della lingua italiana.". Presso Romualdo Zotti, No.16, Broad-Street, Golden-Square hardcover
1810FB5630(1&2) /17<p>Tomes 1-2 & Tomes 3 - 4. bound as two books. Red calf spine with marbled boards. Gilt title and banding. Dimensions are for one book.</p><p>Four books encapsulated into two volumes. The interior of all four books is good and clean. The 19th century bindings have seen better days. F.B.A. debated whether to have these two volumes rebound into four books that said the economy of time suggested these volumes are first offered in their acquired condition.</p><p><strong><em>Orlando furioso</em></strong> <em>The Frenzy of Orlando</em> is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516 although the poem was not published in its complete form until 1532. <em>Orlando furioso</em> is a continuation of Matteo Maria Boiardo's unfinished romance <em>Orlando innamorato</em> <em>Orlando in Love</em> published posthumously in 1495. In its historical setting and characters it shares some features with the Old French <em>Chanson de Roland</em> of the eleventh century which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th.</p><p>Orlando is the Christian knight known in French and subsequently English as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Saracen army that has invaded Europe and is attempting to overthrow the Christian empire. The poem is about war and love and the romantic ideal of chivalry. It mixes realism and fantasy humor and tragedy.The stage is the entire world plus a trip to the Moon. The large cast of characters features Christians and Saracens soldiers and sorcerers and fantastic creatures including a gigantic sea monster called the Orc and a flying horse called the hippogriff. Many themes are interwoven in its complicated episodic structure but the most important are the paladin Orlando's unrequited love for the pagan princess Angelica which drives him mad; the love between the female Christian warrior Bradamante and the Saracen Ruggiero who are supposed to be the ancestors of Ariosto's patrons the House of Este of Ferrara; and the war between Christian and Infidel.</p><p>The poem is divided into forty-six cantos each containing a variable number of eight-line stanzas in <em>ottava rima</em> a rhyme scheme of abababcc. <em>Ottava rima</em> had been used in previous Italian romantic epics including Luigi Pulci's <em>Morgante</em> and Boiardo's <em>Orlando Innamorato</em>. Ariosto's work is 38736 lines long in total making it one of the longest poems in European literature.</p><p><strong>Ludovico Ariosto</strong> 8 September 1474 – 6 July 1533 was an Italian poet. He is best known as the author of the romance epic <em>Orlando Furioso</em> 1516. The poem a continuation of Matteo Maria Boiardo's <em>Orlando Innamorato</em> describes the adventures of Charlemagne Orlando and the Franks as they battle against the Saracens with diversions into many side plots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work.</p><p>Ariosto also coined the term "humanism" in Italian <em>umanesimo</em> for choosing to focus upon the strengths and potential of humanity rather than only upon its role as subordinate to God. This led to Renaissance humanism.</p> Gioacchino Avesani. hardcover
1823154750London: John Murray 1823. Original. Hardcover. Contents all VG- a hint of general age wear but ALL UNREAD; page tops uncut; covers mostly faded to brown; spines brittle and with some wear; both covers to Vol. I are detached but present. Bindings however are tight. Maroon/brown embossed cloth/boards. Gilt lettering on spines. Each volume numbered individually around 260-275 each; Vols. III and V have slightly over 300 pages each and none include any illustrations. A complete set of this classic epic poem which is a parody of the legends of chivalry of Charlemagne and the Saracen invasion of France. A very scarce edition. With helpful notes by William Stewart Rose prominent British poet and translator. Last 8th volume includes a Dramatis Personae and general index. Notes follow each canto in every volume. John Murray hardcover
1832036257Venice Italy: Giuseppe Antonelli 1832. Hardcover. Near Fine/No Jacket. Octavo. Two volume set. In Italian. Volume 2 is L'Orlando furioso di Lodovico Ariosto. In near fine condition. Plenty of foxing to the pages. Shipped from the Calico Cat Bookshop a brick and mortar bookshop established in1975. <br/> <br/> Giuseppe Antonelli hardcover
181826781818. : 75 Cover chipped and pages undulated. Small corner of white margin missing on page 207. Uncut folio paper between pages 413-415. . 3 Blank pages / 1 Portret / 1 Title Page / 1 Blank pages / 36 Roman numbered pages / 547 Pages / 1 NNP / 2 Blank pages Binding: Contemporary Half Leather Folio Height cm: 333 CM Width cm: 244 CM Thickness cm: 58 CM hardcover
1832403278Londra : Presso Treuttel Wurtz e Richter 1832. 2nd London edition. Hardcover. Goof copies only in half cloth over paper-covered boards. Spine bands and panel edges rubbed and bumped as with age. Internally bright and clean. Remains a quite-well preserved set overall. Physical description; 3 volumes. Subjects; Italian poetry. Roland Legendary character. Knights and knighthood. Epic poetry. Londra : Presso Treuttel, Wurtz, e Richter hardcover
1844254387Paris: J. Mallet et Cie 1844. First Edition. Hardcover. Finely bound in quarter contemporary gilt-blocked aniline-calf over marble boards. Remains preserved overall; tight bright clean and sharp-cornered. Physical description; 614 pages. Subjects; Lodovico Ariosto 1474-1533. French fiction. Paris: J. Mallet et Cie hardcover
1836001289Paris: Presso Baudry Libreria Europea 1836. Hardcover. Very Good -. 4 volumes: frontispiece portrait of the author in vol. 1; 21 cm. Half black morocco with marbled paper over boards. Five spine compartments between raised bands with "Ariosto" in the second compartment and the volume number in the fourth. All page edges speckled red. Marbled endpapers matching that on the boards. Frontispiece engraving is signed: "Geoffroy sc." The fourth volume includes additional short poems by the author. Text is entirely in Italian. In Very Good- Condition: bindings archivally repaired; covers are lightly rubbed with some loss of leather at spine ends; the frontispiece engraving has left a shadow on the title page of vol. 1; frontispiece and facing title page as well as parts of vol. 3 also lightly foxed; otherwise pages are clean and tight. Presso Baudry, Libreria Europea hardcover
184436422Paris: J. Mallet & Cie 1844. Fine. J. Mallet & Cie Paris 1844 17 x 25.50 cm relié New edition of the French prose translation established by V. Philipon de La Madelaine and first printing of the illustrations. Half red shagreen binding spine with four raised bands decorated with triple gilt compartments adorned with gilt floral motifs red paper boards a light scratch to front board marbled endpapers and pastedowns top edge gilt. Work illustrated with 300 vignettes as well as 25 plates printed separately on China paper by T. Johannot Baron Français and C. Nanteuil. Occasional light foxing without serious consequence. J. Mallet & Cie hardcover
1875VT - LA - HAY127561875 - Bibliothèque Nationale. Paris Librairie de la Bibliothèque Nationale. relié demi-basane marron. Quelques faibles rousseurs sur les pages de garde et de titres sinon très bon état. 2 volumes format : 13/8 cm. dos orné de filets et titres dorés. unknown
1844017627J. Mallet 1844. Hardcover. Good. Tony Johannot Baron Français et C. Nanteuil. Traduction nouvelle en prose par Philipon de la Madelaine. 300 vignettes et 25 gravures hors texte sous serpente sur chine par Tony Johannot Baron Français et C. Nanteuil. 616 pages dont les premieres 50 et dernieres 200 pages legerement jaunis. Quelques rousseurs dans les marges des pages. Tranches dorees. Gilt page edges marbled endpapers extensive embossed gilt decor to boards. Corners rubbed through otherwise minimal exterior wear. About a third of the book has yellowed paper first 50 and last 200 pages and light foxing mostly in page margins. Not severe enough to affect the many wonderful illustrations nor distract from reading the text. Half the text or more is in fine condition. Despite the defects it is hard to find this title in better condition. <br/> <br/> J. Mallet hardcover
186547674Bulogna Pr'i Torch dlà Stamparì Real 1865. In 4° brossura originale pp. 414 testo du due colonne. Lievissime toccature al dorso ma esemplare non comune da trovarsi nella legatura originale. In buono stato di conservazione Bulogna, Pr'i Torch dlà Stamparì Real unknown
184972309Firenze: Felice Le Monnier 1849. 8vo. ITALIAN TEXT. In two volumes. xxiv 516; 572 pp. Half vellum over marbled boards; with blacl leather title labels gilt lettering and decoration to the spines. Endpapers marbled and all edges burnished red. Rubbing to boards and edges and vellum is slightly marked. Rolandl booksellers ticket to the first free endpaper of volume 1. With pencil annotations throughout and ink inscription to the prelims of both volumes and a small sketch of a ship. Ariosto's continuation of Boiaro's unfinished 'Orlando Innamorato' This Italian epic poem is a chivalric romance that tells the story of Orlando - one of the 12 paladins of Charlemagne - who is driven to madness by his love for the princess Angelica. . Near Fine. Half Vellum. 1849. Felice Le Monnier 1849 hardcover
182561410Milano : Nicolo Bettoni 1825. 210x140mm. cartonnage vert de lÕpoque auteur titre et tomaion dors au dos. 2483 Nicolo Bettoni unknown