869 résultats
1875VT - LA - HAY127561875 - Bibliothèque Nationale. Paris Librairie de la Bibliothèque Nationale. relié demi-basane marron. Quelques faibles rousseurs sur les pages de garde et de titres sinon très bon état. 2 volumes format : 13/8 cm. dos orné de filets et titres dorés. unknown
1514166208.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1885100049025Librairie de la bibliothèque nationale 1885. couvertures ternies abîmés nombreuses fentes sur les charnières intérieurs globalement jaunis bords très frottés. in16. 1885. Broché. 6 volumes. Roland Furieux - poëme héroique - bibliothèque nationale - tome un deux trois quatre cinq et six n°191-192-193-194-195-196 Librairie de la bibliothèque nationale unknown
11109Paris chez Nepveu et Aimé André 1822. 3 volumes in/8 reliure en plein maroquin rouge signé Niedré dos à nerfs à caissons dorés plats à triples filets dorés doré toutes tranches double filets sur les coupes dentelle intérieure vol1 : frontispice xliii ff 1 fac-similé dun autographe dArioste 2 vignettes 36 planche 463 pages. - vol. 2 : 31 planches 480 pages. - vol.3 : 27 planches 486 pages. Beaux exemplaires avec de très rares rousseurs Traduction par le Comte de TRESSAN. Le relieur Niedree fut distingué pour son travail en 1844. Il était réputé pour ses reliures de style Renaissance ; la conservation des marges était pour lui lobjet des plus grands soins. Orlando Furioso ou Roland furieux est un poème épique de 40 chants écrit par Ludovico Ariosto dit en français l'Arioste écrit au début du XVIe siècle le Cinquecento italien il sera publié en 1516. S'inscrivant dans le cycle carolingien comme un lointain descendant de la Chanson de Roland ou Chanson de Roncevaux et présenté à sa sortie comme une suite de l'Orlando Innamorato Roland amoureux de Matteo Maria Boiardo. Le poème fut écrit en ferrarais le dialecte utilisé à Ferrare puis l'Arioste lui-même l'adapta en toscan littéraire afin qu'il soit plus accessible pour le reste de l'Italie. Roger et Bradamante y sont présentés comme les ancêtres légendaires des ducs de Ferrare et donc du cardinal Alphonse d'Este qui était le protecteur de l'Arioste et sans doute le commanditaire du livre. unknown
178724350Paris: Plassan 1787. Gebunden. Plassan unknown
1980BN100263München : Winkler Verlag 1980. 1980. Der rasende Roland.- 2 Bände: Band 1 : Gesänge 1-25. Band 2 : Gesänge 26-46. Aus dem Italienischen von Johann Diederich Gries. Textredaktion Susanne Eversmann. Zeittafel sowie Erläuterungen und einem Nachwort von Horst Rüdiger. Ariost. In d. Übertr. von Johann Diederich Gries <br/><br/>Der rasende Roland.- 2 Bände: Band 1 : Gesänge 1-25. Band 2 : Gesänge 26-46. Aus dem Italienischen von Johann Diederich Gries. Textredaktion Susanne Eversmann. Zeittafel sowie Erläuterungen und einem Nachwort von Horst Rüdiger. Ariost. In d. Übertr. von Johann Diederich Gries München : Winkler Verlag unknown
1888H0-D4CP-P3PEParis: Librairie Hachette et Cie 1888. Illustrated Edition. Hardcover. Used - Very Good/no dj as issued. Gustave Dore. Very Good. Paris 1888. Large folio. 498 x 330 mm 19 4/8 x 12 3/4 inches. Weight 17 pounds!. 658 pages frontispiece and 81 steel-engraved full page plates 681 steel-engraved vignettes in the text by Gustave Doré. Folio copy preserved in its splendid publisher cardboard in red percaline illustrated by A. Souze. Cover and back decorated and gilded the first cover adorned with a gilded griffin bearing standard and coat of arms on a background of patterns with oak leaves and helm. Last illustrated book by Gustave Doré<br /> <br /> -- -- Most pages and plates very clean. Some foxing and smudges to first few and last few pages otherwise Very well preserved. The front cover is very well stamped the gilding is bright. The gilding on the back is just a little tarnished slight traces of handling <br /> Solid hinges tear on the lower part of the spine fresh and clean interior light scattered foxing denser on the first few pages. --- --- Roland Furieux Orlando Furioso required a long preparation work and can be understood as a synthesis of all the themes dear to the artist: medieval frames forests battle scenes heroines of sublimated beauty fantastic atmosphere. Most pages and plates very clean. Very well preserved. The plate on the first cover is very well stamped the gilding is bright. The gilding on the back is a little tarnished slight traces of handling two small slots on the joints max 2 cm.<br /> Solid hinges. fresh and clean interior light scattered foxing denser at first. Librairie Hachette et Cie hardcover
198721919CB1987. München Deutscher Taschenbuch Verlag = dtv klassik 1987 8° 815 und 838 Dünndruck-S. jeweils mit zahlr. s/w-Illustr. von Gustav Dore illustr. original Kartonagen Paperbacks ohne Schuber Band 1: untere Ecke des Vorderdeckels mit Knickspur / Band 2: Buchrücken mit vier Stecknadelkopf-großen Fleckchen sonst zwei schöne saubere Exemplare Seitenidentisch mit der Winkler Dünndruck-Ausgabe von 1980 Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. paperback
6202377712.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6202377747.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
50866117like new. unknown
6202407832.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6202377720.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6202377755.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
6202377704.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
178630730Londra / Livorno: Si vende in Livorno presso Tommaso Masi e compagni 1786. Very Good. Londra or Livorno: Si vende in Livorno presso Tommaso Masi e compagni 1786. First Edition. 12mo. 4 xxiii 3 96 2 122 23-42 2 3-99 1 collated and complete; Bentivoglio signatures misbound A3 A5 A4 A7 A6 A8 9 10 though also complete. Frontis; engraved title page. Text in Italian. Full contemporary calf; five raised bands gilt decoration and red title label to spine; marbled endpapers; edges stained light blue; green ribbon; sky blue endpapers. Boards lightly worn with brief exposure to extremities; minor chipping to base of spine. Binding sound and interior unmarked. Scarce collection of Italian satires; ESTC speculates the book was probably printed in Livorno. <br /> <br /> ESTC N476240. Si vende in Livorno presso Tommaso Masi e compagni unknown
1390131033.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1390130983.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1775ST17632bParis: Brunet 1775-83. 225 x 142 mm. 8 7/8 x 5 5/8". With blank leaf M6 in volume III half title in volume IV. Four volumes. A new translation by M. d'Ussieux. <br/> Appealing contemporary marbled calf gilt covers with triple gilt fillet border flat spines gilt in compartments with central patera sunburst lancet tools at corners and sides one black and one red morocco label red paste paper endpapers all edges gilt. With engraved portrait in volume I and 92 ENGRAVED PLATES with original tissue guards 46 from the Baskerville suite see below and 46 by Cochin. Cohen-De Ricci 98; Ray "French" p. 113. Bindings with half a dozen small patches of lost patina due to insect activity leather on spines a little dried and crackled occasional mild browning other trivial imperfections but an extremely pleasing copy especially internally with a clean remarkably fresh text wide margins and excellent impressions of the engravings.<br/> <br/> Our French edition of Ariosto's great sprawling romantic epic combines illustrations from two famed editions with engravings by top artists of the period. Each of the 46 cantos of "Mad Orlando" has two plates depicting the events described one from the Baskerville edition of 1773 printed in Italian for Molini and one from the quarto edition of the present French translation published just before our octavo printing. These 46 pairs of images are not only aesthetically pleasing as engravings but they allow for fascinating studies in interpretation because the pairs are consistently--and sometimes very distinctly--different one from the other. Jean-Michel Moreau known as Moreau le Jeune 1741-1814 provided illustrations for Diderot's encyclopedia and engraved works for François Boucher in addition to illustrating the works of Rousseau and Voltaire. According to the Getty Museum "publishers sought him out for his powers of observation and ability to capture nuances of gesture pose and light." Ray says that the best work by Moreau "showed him to be the equal of the established rococo masters Boucher Eisen and Gravelot" and that in his heyday "he carried all before him." Ray was enchanted by the Moreau engravings seen here noting "Moreau was at the top of his form as might have been expected when the most elegant of illustrators encountered the most elegant of poets." Charles Nicholas Cochin 1715-90 was one of the foremost French illustrators and one of the most influential persons in the French art world of the 18th century. He began producing engravings in his teens was elected to the Academy at 26 and was a member of the court for 40 years doing portraits of almost every celebrity of the period. As the person who provided the finished plates from the 276 original compositions by Oudry for the famous large folio edition of La Fontaine's "Fables" 1755-59 Cochin played an instrumental role in producing what Ray says is "one of the most ambitious and successful of all illustrated books." At 50000 lines long and 26 years in the making and refining "Orlando Furioso" by Ariosto 1474-1533 is one of the most singular and extravagant of narratives ever conceived. The story takes place against the background of the war between Charlemagne and the Saracens when Orlando Roland one of Charlemagne's finest knights neglects his duty out of love for the pagan princess Angelica. After she falls in love with a Saracen and elopes Orlando goes mad and is only restored to sanity when another knight flies to the moon in Ezekiel's chariot and obtains a magic potion to break the spell. There are many more complications. First published in 1516 "Orlando" was translated into English French as here Spanish and German becoming one of the most influential works of literature writers indebted to Ariosto include Tasso Cervantes Spenser Shakespeare Milton Byron and Shelley. Brunet unknown