Ludovico AriostoBiblio.com
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028218502X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0666712956.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
192834873Montevideo: Imp. "El Siglo Ilustrado" 1928. First edition. Stitched paper wrappers. Spine worn at ends some edgewear scattered foxing else very good. 144 pp. Illus. with 4 b/w plates. Sm. 4to. Provinance: Warmly inscribed by the author on the title page to the book dealer and Latin American scholar Maury Bromsen. Imp. "El Siglo Ilustrado" unknown
6202377755.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
46884081like new. unknown
0266702287.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0282829229.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
184261289Italy: David Passigli. Good with No dust jacket as issued. 1842. Second Edition; First Printing. Hardcover. Good 2nd Edition two-volume set stated in-8vo. Original buff leather binding with friezes on five-jointed backs with bright gold titles extremities lightly bumped and rubbed. Covers lightly soiled. Top edge stained brown. Edges foxed. Bindings shaken but secure. Internally no writing or stamps. Volume II front endpaper clipped to top corner one tissue detached but present. Clean occasionally foxed pages. Four works in two tomes Divine Comedy; Rime; Orlando Furioso and Gerusalemme Liberata. Carefully packaged and despatched within 48 hours from our wee bookshop in Scotland.; B&W Illustrations; 8vo 8" - 9" tall . David Passigli hardcover
1DR-288-MUWHardcover. Good. 1955 hardcover bound in blue cloth stamped in silver. No writing in book. Boards slightly bowed; otherwise Vey Good. hardcover
2121709Venice: Gabriele Giolito de' Ferrari. 1551. 12mo. Early 19th-century English half calf roll-tooled in blind spine with raised bands tooled in blind and lettered directly in gilt; ff. 43 1; woodcut printer's device to recto of first and final leaf woodcut initials and ornaments; extremities a little worn hinges cracked but hold firm head of spine chipped; a few small stains but otherwise a very good crisp copy; armorial bookplate of Samuel R. Block to front pastedown his ownership signature in ink to title page.First edition the final and definitive ""Ferrara"" version of Ariosto's first comedy in verse and his ""most problematic work for the stage"" Portner.Ludovico Ariosto 1474-1533 best known today for his epic poem Orlando furioso was also the author of five comedies. Following the successful staging of his comedy I Suppositi in the Vatican during the 1519 Carnival he was commissioned by Pope Leo X to write a new play. Il Negromante The Necromancer was sent to Rome on 16 January 1520 however its planned Roman premiere never took place; the pope instead chose to stage Niccolo Machiavelli's La Mandragola. The most likely reason for the play's cancellation was its veiled yet pointed critique of Leo X and the Vatican particularly regarding the sale of indulgences and clerical corruption. While Ariosto's wit was tolerated in other settings a performance of Il Negromante in the heart of the papal court - just three years after Martin Luther's Ninety-five Theses - may have been considered too unsettling.In the play the charlatan Mastro Iachelino the so-called ""Necromancer"" is summoned to cure the supposed impotence of Clintio through his claimed magic arts. Clintio a newlywed is in fact secretly married to another woman Lavinia. Seeking to escape the marriage imposed on him by his foster father Massimo he later turns to Iachelino himself hoping to maintain the illusion of impotence. Meanwhile another young man Camillo also seeks the Necromancer's help hoping to win the favour of Emilia the bride involved in the unconsummated marriage with Clintio.Two versions of the comedy exist: one ""for Rome"" and one ""for Ferrara"". The first sent to the papal court in 1520 was published posthumously in Venice in 1535. The second revised for the Ferrarese court around 1528 was also published posthumously in this edition printed by Gabriele Giolito de' Ferrari in 1551 and dedicated by the editor Lodovico Dolce c. 1508-1568 to Giovan Vincenzo Vigliona. Dolce based his edition on the original manuscript which he had acquired from Ariosto's heirs.Adams A-1655; Edit16 CNCE 2665; Agnelli-Ravegnani Annali delle Edizioni Ariostee II p. 123 ""of considerable rarity like all Giolito editions and of undeniable importance regarding the text of Il Negromante inasmuch as it provides us with a version of the comedy not merely corrected but entirely rewritten by the poet"" trans. See Portner ""A Non-Performance of Il Negromante"" Italica 59/4 Renaissance Winter 1982 pp. 316-329. hardcover
0364853948.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0364363290.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1390304655.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1396237046.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1826008345Lipsia: Fleischer 1826. Un volume in 8vo grande 24 cm di XXIII pagine di introduzione di Adolfo Wagner una pagina incisa in antiporta da Raffaello Morghen con il ritratto dei quattro poeti erroneamente nel titolo si indicano quattro ritratti; 236 colonne VII pagine e 160 colonne VII pagine e 644 colonne XVI pagine e 256 colonne 88 ppnn. Qualche brunitura. Legatura coeva in cartone telato con tassello di titolo al dorso etichetta del legatore J. Muller. Fleischer unknown
2012Q-1609136950Lippincott Williams & Wilkins 2012-02-09. Paperback. New. New. In shrink wrap. Looks like an interesting title! Lippincott Williams & Wilkins paperback
187117840Frauenfeld 1871. Ein Ritt ins "romantische Land" mit manchen Rösselsprüngen in die modernste Gegenwart ausgeführt als Epische Dichtung in zwölf Gesängen EA W/G 7 Huber Vlg. Kl.-8°. Hln. marm. Literatur/Schweiz unknown
1909173443Munich: Georg Muller 1909. Limited Edition. Hardcover. VG- light soiling and wear to boards. interior clean and tight. Vellum boards with 4 raised bands on spine metal clasp on cover and decorative endpapers. XII LIII 660 pp. Mounted BW illustrations. Text in German. Georg Muller hardcover
1019099895.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1019095628.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
2011260795.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1020111992.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1011047411.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1828107035Milano Gaspare Truffi 1828. Parti 6 riunite in 3 volumi in 8° legature coeve in mezza pelle con tiroli ai dorsi su doppi tasselli ben solide ma con qualche mancanza per usura. Pp. XVI 293 3 312 310 2 n.n. 289 1 n.n. 257 3 n.n. 191 1 n.n. lievi gialliture. Copia mancante dell'apparato iconografico è presente solo il ritratto dell'A. in antiporta al primo volume Milano, Gaspare Truffi unknown
38918PARIS LEFEVRE 1825. EIGHT VOLUMES. A CABINET EDITION 48mo. 10 by 7 cm. ATTRACTIVELY BOUND IN HALF LEATHER MARBLED BOARDS FRONTIS. ARMORIAL BOOKPLATE. ITALIAN TEXT. SLIGHT FOXING BUT CLEAN AND TIGHTLY BOUND. SCARCE. PARIS, LEFEVRE, 1825 hardcover
