Ariosto, LodovicoBiblio.com
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1120693764.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1166984648.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
182223224Firenze: Giuseppe Molini 1822. First Edition. Hardcover. 511pp errata. Brown half calf over marbled boards spine lettered in gold. According to the publisher some of the poems in the Rime are here published for the first time. Includes annotations by Antonio Rienzi. Some foxing to title page and first few leaves. The corners of the last few leaves are worn. A very good copy. ; Octavo. Giuseppe Molini hardcover
0259088919.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0428819206.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0364524952.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0666006857.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1613013158Venice: part of title page torn away 1613 Book. Fair. Hardcover. In Venetia 1613 remainder of title page torn away. 83 numbered leaves. Title page damaged where the foot of the page has been torn away with the loss of the publisher's details. Replaced with blank paper. Old vellum binding which is browned and soiled. Titled in faint ink to the spine. Old paper label to the foot of the spine which is starting to peel off. Light browning and some staining to pages. Paper repair to one of the rear free end papers. Worming to the rear board and holes to the final rear free end paper. Ink owner's name to the front free end paper a small ink flower drawn on the front pastedown and an ink inscription to the title page more or less illegible and partly scribbled through. [ part of title page torn away ] hardcover
3566011592.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3566001228.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3368062018.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
3368008935.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0259598798.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
033254365X.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
3741120642.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1775ST17632bParis: Brunet 1775-83. 225 x 142 mm. 8 7/8 x 5 5/8". With blank leaf M6 in volume III half title in volume IV. Four volumes. A new translation by M. d'Ussieux. <br/> Appealing contemporary marbled calf gilt covers with triple gilt fillet border flat spines gilt in compartments with central patera sunburst lancet tools at corners and sides one black and one red morocco label red paste paper endpapers all edges gilt. With engraved portrait in volume I and 92 ENGRAVED PLATES with original tissue guards 46 from the Baskerville suite see below and 46 by Cochin. Cohen-De Ricci 98; Ray "French" p. 113. Bindings with half a dozen small patches of lost patina due to insect activity leather on spines a little dried and crackled occasional mild browning other trivial imperfections but an extremely pleasing copy especially internally with a clean remarkably fresh text wide margins and excellent impressions of the engravings.<br/> <br/> Our French edition of Ariosto's great sprawling romantic epic combines illustrations from two famed editions with engravings by top artists of the period. Each of the 46 cantos of "Mad Orlando" has two plates depicting the events described one from the Baskerville edition of 1773 printed in Italian for Molini and one from the quarto edition of the present French translation published just before our octavo printing. These 46 pairs of images are not only aesthetically pleasing as engravings but they allow for fascinating studies in interpretation because the pairs are consistently--and sometimes very distinctly--different one from the other. Jean-Michel Moreau known as Moreau le Jeune 1741-1814 provided illustrations for Diderot's encyclopedia and engraved works for François Boucher in addition to illustrating the works of Rousseau and Voltaire. According to the Getty Museum "publishers sought him out for his powers of observation and ability to capture nuances of gesture pose and light." Ray says that the best work by Moreau "showed him to be the equal of the established rococo masters Boucher Eisen and Gravelot" and that in his heyday "he carried all before him." Ray was enchanted by the Moreau engravings seen here noting "Moreau was at the top of his form as might have been expected when the most elegant of illustrators encountered the most elegant of poets." Charles Nicholas Cochin 1715-90 was one of the foremost French illustrators and one of the most influential persons in the French art world of the 18th century. He began producing engravings in his teens was elected to the Academy at 26 and was a member of the court for 40 years doing portraits of almost every celebrity of the period. As the person who provided the finished plates from the 276 original compositions by Oudry for the famous large folio edition of La Fontaine's "Fables" 1755-59 Cochin played an instrumental role in producing what Ray says is "one of the most ambitious and successful of all illustrated books." At 50000 lines long and 26 years in the making and refining "Orlando Furioso" by Ariosto 1474-1533 is one of the most singular and extravagant of narratives ever conceived. The story takes place against the background of the war between Charlemagne and the Saracens when Orlando Roland one of Charlemagne's finest knights neglects his duty out of love for the pagan princess Angelica. After she falls in love with a Saracen and elopes Orlando goes mad and is only restored to sanity when another knight flies to the moon in Ezekiel's chariot and obtains a magic potion to break the spell. There are many more complications. First published in 1516 "Orlando" was translated into English French as here Spanish and German becoming one of the most influential works of literature writers indebted to Ariosto include Tasso Cervantes Spenser Shakespeare Milton Byron and Shelley. Brunet unknown
1888H0-D4CP-P3PEParis: Librairie Hachette et Cie 1888. Illustrated Edition. Hardcover. Used - Very Good/no dj as issued. Gustave Dore. Very Good. Paris 1888. Large folio. 498 x 330 mm 19 4/8 x 12 3/4 inches. Weight 17 pounds!. 658 pages frontispiece and 81 steel-engraved full page plates 681 steel-engraved vignettes in the text by Gustave Doré. Folio copy preserved in its splendid publisher cardboard in red percaline illustrated by A. Souze. Cover and back decorated and gilded the first cover adorned with a gilded griffin bearing standard and coat of arms on a background of patterns with oak leaves and helm. Last illustrated book by Gustave Doré<br /> <br /> -- -- Most pages and plates very clean. Some foxing and smudges to first few and last few pages otherwise Very well preserved. The front cover is very well stamped the gilding is bright. The gilding on the back is just a little tarnished slight traces of handling <br /> Solid hinges tear on the lower part of the spine fresh and clean interior light scattered foxing denser on the first few pages. --- --- Roland Furieux Orlando Furioso required a long preparation work and can be understood as a synthesis of all the themes dear to the artist: medieval frames forests battle scenes heroines of sublimated beauty fantastic atmosphere. Most pages and plates very clean. Very well preserved. The plate on the first cover is very well stamped the gilding is bright. The gilding on the back is a little tarnished slight traces of handling two small slots on the joints max 2 cm.<br /> Solid hinges. fresh and clean interior light scattered foxing denser at first. Librairie Hachette et Cie hardcover
1978109325Aix-en-Provence : Editions dÕAujoudÕhui 1978. 250x170mm. frontispice XXIV - illustrations n/b in et hors texte rÂŽimpression de lՎdition J. Mallet Paris 1844 reliure d'ÂŽditeur. TrÂs bel exemplaire tirÂŽ ˆ 400 copies. 1232 Editions dÕAujoudÕhui unknown
2070429407.Gpocket_book. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. unknown
ria9791041920648_inpPaperback. New. New Book; Fast Shipping from UK; Not signed; Not First Edition; N/A paperback
1844117359Paris : J. Mallet et Cie. 1844. 255x180mm. frontispice XXIV - 365 gravures n/b in et hors texte reliure signÂŽe R. Molle pleine basane ˆ coins avec auteur titre encadrements et filets dorÂŽs au dos ˆ quatre nerfs. Triple filets dorÂŽs sur les deux plats. Garde papier marbrÂŽ. Rousseurs sur les premiÂres et derniÂres pages. 1542 J. Mallet et Cie. unknown
1756118675Paris : Aux dpens de la Compagnie 1756. 170x100mm. XXXI - 375 460 436 396 pages bandeaux lettrines culs-de-lampe reliure basane. Reliure de lÕpoque plein veau mouchet avec titre tomaison encadrements ornementations et felurons dors au dosn cinq nerfs tranche et garde marbr. Coiffes rognes et coins uss. Plat du tome 3 frott. Ex-libris : Manfred Gsteiger. 203 Aux dpens de la Compagnie unknown
1847LRB108Paris: Lehuby 1847 ARIOSTE - Roland furieux. Paris Lehuby 1847 . in-8 frontispice VIII-539 pp. cartonnage pleine toile d'éditeur dos lisse orné plats imprimés. Illustré de 20 dessins par Célestin Nanteuil. Bon état sauf 1 page en début avec rousseur. Illus. by Célestin Nanteuil. Couverture souple. Bon. Lehuby paperback
184487487Paris : J. Mallet 1844. 250x165mm. XXIV- reliure demi-basane. Dos faux-nerfs auteur et titre dors dorure passe rousseurs. 1544 J. Mallet unknown
187987997Paris : Isidore Liseux 1879. 153x95mm. XI- 331Êpages broch. couverture remplie. tome 1 dos fendu. Tirage trois cents exemplaires. 428 Isidore Liseux unknown
