59 résultats
1759015325London: A. Millar 1759. Book measures 18x11.5.cm. 6135pp. Bound in full period calf raised bands gilt lines leather title label. Calf rubbed wear loss on head and tail of spine hinge joints worn but binding holding firm. Internally portrait of Ariosto pasted to free endpaper. Pages in good clean condition. A good clean copy. . Full Calf. Near Very Good. Small 8vo. A. Millar Hardcover
178630730Londra / Livorno: Si vende in Livorno presso Tommaso Masi e compagni 1786. Very Good. Londra or Livorno: Si vende in Livorno presso Tommaso Masi e compagni 1786. First Edition. 12mo. 4 xxiii 3 96 2 122 23-42 2 3-99 1 collated and complete; Bentivoglio signatures misbound A3 A5 A4 A7 A6 A8 9 10 though also complete. Frontis; engraved title page. Text in Italian. Full contemporary calf; five raised bands gilt decoration and red title label to spine; marbled endpapers; edges stained light blue; green ribbon; sky blue endpapers. Boards lightly worn with brief exposure to extremities; minor chipping to base of spine. Binding sound and interior unmarked. Scarce collection of Italian satires; ESTC speculates the book was probably printed in Livorno. <br /> <br /> ESTC N476240. Si vende in Livorno presso Tommaso Masi e compagni unknown
17563785Amsterdam: Aux depens de la Compagnie 1756. Hardcover. Very Good. 12 mo. Contemporary calf bindings some wear but a decent set. <br/><br/> Aux depens de la Compagnie hardcover books
1775ST17632bParis: Brunet 1775-83. 225 x 142 mm. 8 7/8 x 5 5/8". With blank leaf M6 in volume III half title in volume IV. Four volumes. A new translation by M. d'Ussieux. <br/> Appealing contemporary marbled calf gilt covers with triple gilt fillet border flat spines gilt in compartments with central patera sunburst lancet tools at corners and sides one black and one red morocco label red paste paper endpapers all edges gilt. With engraved portrait in volume I and 92 ENGRAVED PLATES with original tissue guards 46 from the Baskerville suite see below and 46 by Cochin. Cohen-De Ricci 98; Ray "French" p. 113. Bindings with half a dozen small patches of lost patina due to insect activity leather on spines a little dried and crackled occasional mild browning other trivial imperfections but an extremely pleasing copy especially internally with a clean remarkably fresh text wide margins and excellent impressions of the engravings.<br/> <br/> Our French edition of Ariosto's great sprawling romantic epic combines illustrations from two famed editions with engravings by top artists of the period. Each of the 46 cantos of "Mad Orlando" has two plates depicting the events described one from the Baskerville edition of 1773 printed in Italian for Molini and one from the quarto edition of the present French translation published just before our octavo printing. These 46 pairs of images are not only aesthetically pleasing as engravings but they allow for fascinating studies in interpretation because the pairs are consistently--and sometimes very distinctly--different one from the other. Jean-Michel Moreau known as Moreau le Jeune 1741-1814 provided illustrations for Diderot's encyclopedia and engraved works for François Boucher in addition to illustrating the works of Rousseau and Voltaire. According to the Getty Museum "publishers sought him out for his powers of observation and ability to capture nuances of gesture pose and light." Ray says that the best work by Moreau "showed him to be the equal of the established rococo masters Boucher Eisen and Gravelot" and that in his heyday "he carried all before him." Ray was enchanted by the Moreau engravings seen here noting "Moreau was at the top of his form as might have been expected when the most elegant of illustrators encountered the most elegant of poets." Charles Nicholas Cochin 1715-90 was one of the foremost French illustrators and one of the most influential persons in the French art world of the 18th century. He began producing engravings in his teens was elected to the Academy at 26 and was a member of the court for 40 years doing portraits of almost every celebrity of the period. As the person who provided the finished plates from the 276 original compositions by Oudry for the famous large folio edition of La Fontaine's "Fables" 1755-59 Cochin played an instrumental role in producing what Ray says is "one of the most ambitious and successful of all illustrated books." At 50000 lines long and 26 years in the making and refining "Orlando Furioso" by Ariosto 1474-1533 is one of the most singular and extravagant of narratives ever conceived. The story takes place against the background of the war between Charlemagne and the Saracens when Orlando Roland one of Charlemagne's finest knights neglects his duty out of love for the pagan princess Angelica. After she falls in love with a Saracen and elopes Orlando goes mad and is only restored to sanity when another knight flies to the moon in Ezekiel's chariot and obtains a magic potion to break the spell. There are many more complications. First published in 1516 "Orlando" was translated into English French as here Spanish and German becoming one of the most influential works of literature writers indebted to Ariosto include Tasso Cervantes Spenser Shakespeare Milton Byron and Shelley. Brunet unknown
1756118675Paris : Aux dpens de la Compagnie 1756. 170x100mm. XXXI - 375 460 436 396 pages bandeaux lettrines culs-de-lampe reliure basane. Reliure de lÕpoque plein veau mouchet avec titre tomaison encadrements ornementations et felurons dors au dosn cinq nerfs tranche et garde marbr. Coiffes rognes et coins uss. Plat du tome 3 frott. Ex-libris : Manfred Gsteiger. 203 Aux dpens de la Compagnie unknown
178724350Paris: Plassan 1787. Gebunden. Plassan unknown
1775434078Paris : Chez Brunet Libraire 1775. 1st edition. Hardcover. Good copies in paper-covered boards backed in gilt-blocked cloth. Covers and spine stained nicked bumped roughly rubbed as with age and cracked with some loss. Physical description; 1-3 vols 24 cm. Subjects; Ariosto Ludovico 1474-1533. Französisch. Übersetzung. Paris : Chez Brunet, Libraire hardcover
17563785Amsterdam: Aux depens de la Compagnie 1756. Hardcover. Very Good. 12 mo. Contemporary calf bindings some wear but a decent set. <br/><br/> Aux depens de la Compagnie hardcover
1756400727Amsterdam : Aux Depens de la Compagnie 1756. First Edition. Hardcover. Very good copies all in the original gilt-blocked full aniline calf. Raised bands; contrasting labels; spine compartments uniformly tooled. Generalized wear to some of the boards and spines. Remains a particularly well-preserved set overall. Physical description: 4 volumes bound in 2; 17 cm. Subjects: French translations; Italian literature; Orlando furioso. Amsterdam : Aux Depens de la Compagnie hardcover
1788282456A Paris: rue et Hotel serpente 1788. First Edition. Softcover. Poor copy in the original stiff-card wrappers; wear and tear as with age. Text remains in fine condition and without blemish. Further bound in brown paper protective covering over leather boards. Provenance; from the Forbes Library Northampton Mass. with its library bookplate. Physical description; volume sixieme only: 488 pages. Notes: The poem of Roland. Lodocico Ariosto 1474-1533. French Poetry. Medieval Poetry. Medieval Literature. A Paris: rue et Hotel serpente paperback
17752091202133206166Chez Brunet 1775. Soft Cover. Fine. Number of books: 4 books in total Chez Brunet paperback
1787CLL-201Paris, Plassan, 1787 10 volumes petit in-12 de XII, 52pp., (2) ff., 401pp. - (4) ff., 475pp., (10)ff. - (4) ff., 503pp. - (4)ff., 527pp. - (4) ff., 452pp. - (2) ff., 34 pp., (1) f., 493 pp. - (4)ff., 493pp. - (4)ff., 507pp. - (4)ff., 465pp. - (4)ff., 595pp., maroquin vert, triple filet doré et dentelle dorée d'encadrement sur les plats, dos à nerfs ornés de caissons de fleurons dorés, coupes et bordures décorées, tranches dorées (Petit succ-r de Simier).
1780A2610Paris, Pissot, 1780 ; in-12, 323 pp. + 414 pp. + 444 pp. + 448 pp., reliures demi-veau, dos lisse. Les 4 volumes. De son vrai nom Ludovico Ariosto, l'Arioste est un poète de la Renaissance italienne. Il servit le cardinal d'Este et entra ensuite au service de son frère. Le 'Roland furieux' ('Orlando furioso' est une parodie de poème chevaleresque. L'Arioste en donna plusieurs versions au fil et à mesure des éditions. Bon état.
177587791775 A Paris, chez Brunet, Libraire [Laporte pour le volume IV], 1775-1783, deux tomes en quatre volumes, in-4°, 21 x 26,5 cm. I tome: [4] + 222 pp. + 1 portrait + 23 figures / II tome: [2] + 223-388 + 23 figures / [2] + 283 + [1 bl] pp.+ 24 figures / tome IV: [4] + 287-567 + [1 bl] pp. + 22 figures; toutes les gravures sont protégées par des serpentes. Reliure en basane finement marbrée, triple filet doré sur le plat, dos orné à 5 nerfs, pièce de titre et de tomaison en maroquin vert, tranches dorées. Bas des charnières du tome I endommagées, petits accrocs à la coiffe du tome II, exemplaire autrement en très bon état; intérieur parfaitement propre.
179546405166Paris, chez Laporte, [1795] ; 4 volumes in-4, demi cuir de Russie vert, dos lisses, faux nerfs ornés dorés, non rognés. (Reliure de l’époque) 374 pp. - 2 ff., 390 pp. - 2 ff., 384 pp. - 2 ff., 389 pp.Superbe édition typographique tirée sur grand papier vergé fort. Elle est ornée d’un portrait de l’Arioste dessiné par Eisen d’après le Titien, gravé par Fiquet et de 46 planches dessinées par C. N. Cochin gravées par De Launay, Lingée et Ponce, les mêmes que celles du Roland Furieux traduit par D’Ussieux paru chez Brunet en 1775-1783.C’est la traduction du comte de Tressan qui avait adapté de nombreux romans de chevalerie. Elle est précédée d’un Abrégé de la vie de l’Arioste extraite de Simon Fornari, de l’abbé Pezana, etc. d’une traduction de la Lettre de Galilée au seigneur François Rinuccini (au sujet de l’Arioste et du Tasse). Le dernier tome contient un Extrait du Roland de Boyardo (pp. 100-261) ainsi que La Fleur des Batailles de Doolin comte de Mayence.Bel exemplaire à toutes marges relié à l’époque. Qq. pâles mouillures et rares rousseurs.
178061838Pissot, Libraire 1780 4 tomes. In-16 10 x 17 cm. Reliures de l’époque plein veau fauve, dos lisses ornés de filets et de motifs dorés, pièces de titre maroquin rouge, roulettes dorées sur les coupes, 422 - 536 - 575 - 570 pp. Charnières fendillées, coiffes de tête des tomes I et II usées, coins émoussés, intérieurs en bon état. Tome I : Chants I - XI. - T. II : Chants XII - XXII. - T. III : Chants XXIII - XXXIV. - T. IV : XXXV - XLVI. Source d’inspiration inépuisable pour les poètes et les artistes, ce poème épique est l’ultime roman de chevalerie qui réunit toutes les qualités du genre.
178718758Paris, Chez Plassan, Libraire, 1787. 10 volumes in-16, demi-veau glacé rouge, dos lisses ornés de motifs et encadrements dorés.
1721177186Duprat-Duverger Paris, Chez L Duprat-Duverger, 1810. 7 volumes In-16 reliés pleine basane blonde de l'époque. Dos lisse à petits fers dorés, pièces de titre rouge et pièces de tomaison vertes. 215 + 234 +238 + 204 +224 + 240 pages, un frontispice à chaque volume pour Roland Furieux. Tome 8 : Roland l'amoureux. Extrait de Matheo Maria Boyardo, comte de Sandiano, par M. Le comte de Tressan. Paris Chez L Duprat-Duverger, 1811. Même reliure 184 pages, frontispice. Bel ensemble.
1775qw28A Paris, chez la veuve Barrois et fils, Quai des Augustins Relié 1775 In-12 (9 x 14,8 cm), reliure plein veau, dos lisse orné de filets et fleurons dorés, pièce de titre et de tomaison, 3° volume, tranches marbrées, gardes couleur, 436 pages ; coiffes, mors et coins frottés, pièce de tomaison frottée, bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
177762189Traduction nouvelle par M. Cavailhon, 1 vol. in-16 reliure de l'époque pleine basane marron, Chez la Veuve Duchesne, Stoupe, Esprit, Paris, 1777, xxiv-237 pp., 2 ff., 238 pp., 2 ff., 202 pp. et 3 ff. n. ch.
1785245009London: George Nicol 1785. hardcover. very good. 5 volumes. 6 plates designed by Kauffman Stothard Metz and Hamilton. One of the Stothard plates in vol. 3 was engraved by Wm. Blake; first state. 8vo full contemporary calf red leather spine labels some hinges reinforced & 1 spine chipped at extremities the interior is fine. London: George Nicol 1785. Second Edition.<br/><br/> Easson and Essick II. Lowndes 64.<br/><br/> George Nicol unknown books
1730046661Venice: Tefano Orlandini 1730. First Edition. Hardcover Vellum. Very Good Condition. Full contemporary vellum worn at corners soiled but sound. Scattered minor foxing and browning - mostly quite clean. Portrait of the author by Orsolini and 51 engraved plates. l 576; iv 400pp. The final section contains other works by Ariosto. Size: Folio. Quantity Available: 1. Shipped Weight: 2-3 kilos. Inventory No: 046661. Tefano Orlandini hardcover books
17731002816Birmingham: Baskerville 1773. First edition of the Baskerville Ariosto octavo issue with forty-six engraved plates. Set during the Saracen invasion of France Orlando Furioso 1516-1532 follows the adventures of Charlemagne's high-strung knight Orlando who goes mad for love. Ariosto's comic epic was hugely influential going on to inspire works as various as The Faerie Queene Much Ado About Nothing Don Quixote and Don Juan. Gaskell 48. Text in Italian. A very good set in handsome contemporary bindings. Four octavo volumes: 34 lviii 362 2; 2 450 2; 2 446 2; 2 446 2. Contemporary full tree calf Greek key border and floral cornerpieces in gilt to boards raised bands spine compartments ruled and patterned in gilt red and black morocco spine labels lettered in gilt gilt dentelles marbled endpapers. Copperplate frontispiece of Ariosto and forty-six engraved plates. Associati and Errata bound before Vita in Volume I all present. Bookplates of Francis Broderip and Irwin Laughlin to pastedowns. Light shelfwear to boards expert repair to joints and corners some foxing to text. Baskerville unknown books
17721284320Venezia: Press Antonio Zatta 1772. First Edition. Text entirely in Italian. Includes 3 of 4 Volumes; I II IV. Quarto; VG-/no-DJ hardcover; Brown spine with gold text; Boards strong moderate surface rubbing light scuffing; Textblock age-toned has some slight moisture damage some staining/foxing on several pages lighter to exterior edges; Bindings strong. SHELVED IN FIRST RIGHT-HAND BOOKCASE IN AISLE 10.<br /> <br /> Additional shipping may be necessary due to size/weight restrictions for international/expedited orders. 1284320. Rockville Non-Retail Listings. Press Antonio Zatta unknown books
1773WRCLIT80156Birmingham: Da' Torchj di G. Baskerville Per P. Molini Librajo dell' Accademia Reale e G. Molini 1773. Four volumes. 6lviii362; 2450; 2446; 244626pp. plus engraved frontis and forty-six plates. Octavo. Full contemporary straight grain crimson morocco spines ruled in gilt a.e.g. gilt inner dentelles marbled endsheets. Spines a bit darkened with rubbing and a bit of shelfwear to extremities scattered medium to light foxing and tanning characteristic of the medium quality paper utilized for the octavo edition but a very good set. With the bookplate of William G. Roelker in each volume and at the base of the title and the end of text on the terminal leaf in each volume appears a small stamped crowned signet in blue ink; in the case of the title of the first volume a second stamp appears a crown above the initials 'L.O.'. First Baskerville edition this being the printing in octavo. Sets were also issued on better paper in quarto format. In this set only A8 and D2 are cancels in the fourth volume and the errata and the extensive subscribers list appear at the end of that volume. The frontis is a portrait of Ariosto and the forty-six other plates each appear before the opening of the canto to which it relates. The plates are after works by Cipriani Moreau le jeune Eisen Cochin fils Monnet J.B. Greuze and engraved by Bartolazzi Launay Longueil de Ghendt Prevost Henriquez Massard Simonet Ponce Duclos Martini Moreau le jeune Choffard and Helmon. The earliest sections of Ariosto's epic poem appeared in 1516 and the first complete edition appeared in 1532. Through following generations it exerted a significant influence on the literatures of several languages as well as on art music and popular media. GASKELL 48. COHEN-DE-RICCI 95. ESTC T133621. Ray ART OF THE FRENCH ILLUSTRATED BOOK 64. Da' Torchj di G. Baskerville, Per P. Molini Librajo dell' Accademia Reale, e G. Molini unknown books