Ludovico AriostoBiblio.com
71 résultats
181540621815. : 7 In part 3 a few pages have some torn pieces but the text is still readable. Volume III & V Binding: Contemporary Half Leather 24mo Height cm: 145 CM Width cm: 9 CM Thickness cm: 65 CM hardcover
1810FB5630(1&2) /17<p>Tomes 1-2 & Tomes 3 - 4. bound as two books. Red calf spine with marbled boards. Gilt title and banding. Dimensions are for one book.</p><p>Four books encapsulated into two volumes. The interior of all four books is good and clean. The 19th century bindings have seen better days. F.B.A. debated whether to have these two volumes rebound into four books that said the economy of time suggested these volumes are first offered in their acquired condition.</p><p><strong><em>Orlando furioso</em></strong> <em>The Frenzy of Orlando</em> is an Italian epic poem by Ludovico Ariosto which has exerted a wide influence on later culture. The earliest version appeared in 1516 although the poem was not published in its complete form until 1532. <em>Orlando furioso</em> is a continuation of Matteo Maria Boiardo's unfinished romance <em>Orlando innamorato</em> <em>Orlando in Love</em> published posthumously in 1495. In its historical setting and characters it shares some features with the Old French <em>Chanson de Roland</em> of the eleventh century which tells of the death of Roland. The story is also a chivalric romance which stemmed from a tradition beginning in the late Middle Ages and continuing in popularity in the 16th century and well into the 17th.</p><p>Orlando is the Christian knight known in French and subsequently English as Roland. The story takes place against the background of the war between Charlemagne's Christian paladins and the Saracen army that has invaded Europe and is attempting to overthrow the Christian empire. The poem is about war and love and the romantic ideal of chivalry. It mixes realism and fantasy humor and tragedy.The stage is the entire world plus a trip to the Moon. The large cast of characters features Christians and Saracens soldiers and sorcerers and fantastic creatures including a gigantic sea monster called the Orc and a flying horse called the hippogriff. Many themes are interwoven in its complicated episodic structure but the most important are the paladin Orlando's unrequited love for the pagan princess Angelica which drives him mad; the love between the female Christian warrior Bradamante and the Saracen Ruggiero who are supposed to be the ancestors of Ariosto's patrons the House of Este of Ferrara; and the war between Christian and Infidel.</p><p>The poem is divided into forty-six cantos each containing a variable number of eight-line stanzas in <em>ottava rima</em> a rhyme scheme of abababcc. <em>Ottava rima</em> had been used in previous Italian romantic epics including Luigi Pulci's <em>Morgante</em> and Boiardo's <em>Orlando Innamorato</em>. Ariosto's work is 38736 lines long in total making it one of the longest poems in European literature.</p><p><strong>Ludovico Ariosto</strong> 8 September 1474 – 6 July 1533 was an Italian poet. He is best known as the author of the romance epic <em>Orlando Furioso</em> 1516. The poem a continuation of Matteo Maria Boiardo's <em>Orlando Innamorato</em> describes the adventures of Charlemagne Orlando and the Franks as they battle against the Saracens with diversions into many side plots. The poem is transformed into a satire of the chivalric tradition. Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work.</p><p>Ariosto also coined the term "humanism" in Italian <em>umanesimo</em> for choosing to focus upon the strengths and potential of humanity rather than only upon its role as subordinate to God. This led to Renaissance humanism.</p> Gioacchino Avesani. hardcover
181826781818. : 75 Cover chipped and pages undulated. Small corner of white margin missing on page 207. Uncut folio paper between pages 413-415. . 3 Blank pages / 1 Portret / 1 Title Page / 1 Blank pages / 36 Roman numbered pages / 547 Pages / 1 NNP / 2 Blank pages Binding: Contemporary Half Leather Folio Height cm: 333 CM Width cm: 244 CM Thickness cm: 58 CM hardcover
1857H13653Trieste: Lloyd Austriaco 1857. Hardcover. Very Good. Tall 8vo maroon morocco backed paper-covered boards in flame orange. Very good light wear and discoloration to boards contents very good light occasional foxing especially to first and last pages text in two columns various paginations with title pages for each section several hundred pages in all including canzoni dramas Orlando Furioso etc. In Italian. Lloyd Austriaco hardcover
185737411Trieste: Sezione Letterario-Artistica del Lloyd Adriatico 1857. Sezione Letterario-Artistica del Lloyd Adriatico unknown
182735472AB1827. zweite rechtmäßige Auflage neue Bearbeitung Jena Friedrich Frommann 1827 8° 366 S. / 357 S. beide auf besserem Papier gedruckt Halbleder-Einbände der Zeit mit goldener Rückenbeschriftung und reicher goldener Rückenverzierung altersgemäß erstaunlich schöne saubere Exemplare mit dekorativem Rücken Ti2 Insg. erschienen 5 Bände. Abholung im Ladengeschäft in Frankfurt am Main Nordend ggü. Musterschule möglich. Das spart die Portokosten. Pickup at the store in Frankfurt am Main Nordend close to Musterschule is possible. It saves the shipping costs. unknown
180895290Friedrich Frommann Jena 1808. Hardcover. Used - Good. Jena: Friedrich Frommann 1804-1808. 383 414 434 419 pages. 8 x 5" marbled paper boards. Owner signatures N.C. Fleischmann; bookplates Paul Ernst. Covers worn texts clean tight very good. Friedrich Frommann, Jena hardcover
186547674Bulogna Pr'i Torch dlà Stamparì Real 1865. In 4° brossura originale pp. 414 testo du due colonne. Lievissime toccature al dorso ma esemplare non comune da trovarsi nella legatura originale. In buono stato di conservazione Bulogna, Pr'i Torch dlà Stamparì Real unknown
1828107035Milano Gaspare Truffi 1828. Parti 6 riunite in 3 volumi in 8° legature coeve in mezza pelle con tiroli ai dorsi su doppi tasselli ben solide ma con qualche mancanza per usura. Pp. XVI 293 3 312 310 2 n.n. 289 1 n.n. 257 3 n.n. 191 1 n.n. lievi gialliture. Copia mancante dell'apparato iconografico è presente solo il ritratto dell'A. in antiporta al primo volume Milano, Gaspare Truffi unknown
1809199192Pisa Italy: Dalla Tipografia 1809. Hardcover. Good ex-libris to front pastedown. vellum spine scuffed scratched & darkened; approx 2.5inch crack to lower spine edge; spine compartments rubbed w/ leather plates rubbed. vellum corners scuffed & darkened; lower corners rubbed to boards. orange cloth boards scuffed & smudged; some rubbed patched. darkening to textblock edges; edges rubbed. oversized; quarter vellum gilt decorative boards w/ orange cloth; five raised bands w/ 6 decorative gilt compartments leather title plates. marbled endpapers & pastedowns. 396 pgs. top edge gilt. Pages variously tanned with instances of speckled and spotted foxing; some pages will have high concentrations. Pages tanned/darkened near edges. Instances of light to moderate staining to upper page edges. Text/ink ghosting to pages. Dalla Tipografia hardcover
184080567n40Firenze: David Passigli 1840. Book. Good. Hardcover. 4to - over 9¾ - 12" tall. Contemporary full gilt leather hard covers. Rubbing and toning to covers. Edges toned; foxing to text. Otherwise clean tight and unmarked. A neat and sound copy. Illustrated -- engraved title-page and three additional plates. iv419platespp. David Passigli Hardcover
1861440934Paris : Didot 1861. Hardcover. Good copies in the original gilt-blocked cloth. Spine bands and panel edges somewhat bumped and rubbed as with age. Spine quite worn on vol. 2. Hinge starting in vol. 1. Library bookplates. Remain quite well-preserved overall. Physical description: 2 v. Paris : Didot hardcover
1821114527Prato: Presso Luigi Vannini 1821. An attractive complete set of this scarce 1821 printing of Orlando Furioso from the Chateau la Brede library Gironde France with the library tickets to the front pastedowns of each volume. Montesquieu was born lived and wrote the majority of his works at the Chateau la Brede. The library tickets bear the name M. le baron Clouet. 6 vols duodecimo. Contemporary calf backed marbled boards spines gilt in compartments with titles direct marbled endpapers red speckled edges. Some rubbing and marks to covers volume 5 with a chip from the leather at the tail all sound and internally clean very good condition. hardcover
1836001289Paris: Presso Baudry Libreria Europea 1836. Hardcover. Very Good -. 4 volumes: frontispiece portrait of the author in vol. 1; 21 cm. Half black morocco with marbled paper over boards. Five spine compartments between raised bands with "Ariosto" in the second compartment and the volume number in the fourth. All page edges speckled red. Marbled endpapers matching that on the boards. Frontispiece engraving is signed: "Geoffroy sc." The fourth volume includes additional short poems by the author. Text is entirely in Italian. In Very Good- Condition: bindings archivally repaired; covers are lightly rubbed with some loss of leather at spine ends; the frontispiece engraving has left a shadow on the title page of vol. 1; frontispiece and facing title page as well as parts of vol. 3 also lightly foxed; otherwise pages are clean and tight. Presso Baudry, Libreria Europea hardcover
187117840Frauenfeld 1871. Ein Ritt ins "romantische Land" mit manchen Rösselsprüngen in die modernste Gegenwart ausgeführt als Epische Dichtung in zwölf Gesängen EA W/G 7 Huber Vlg. Kl.-8°. Hln. marm. Literatur/Schweiz unknown
1826008345Lipsia: Fleischer 1826. Un volume in 8vo grande 24 cm di XXIII pagine di introduzione di Adolfo Wagner una pagina incisa in antiporta da Raffaello Morghen con il ritratto dei quattro poeti erroneamente nel titolo si indicano quattro ritratti; 236 colonne VII pagine e 160 colonne VII pagine e 644 colonne XVI pagine e 256 colonne 88 ppnn. Qualche brunitura. Legatura coeva in cartone telato con tassello di titolo al dorso etichetta del legatore J. Muller. Fleischer unknown
184261289Italy: David Passigli. Good with No dust jacket as issued. 1842. Second Edition; First Printing. Hardcover. Good 2nd Edition two-volume set stated in-8vo. Original buff leather binding with friezes on five-jointed backs with bright gold titles extremities lightly bumped and rubbed. Covers lightly soiled. Top edge stained brown. Edges foxed. Bindings shaken but secure. Internally no writing or stamps. Volume II front endpaper clipped to top corner one tissue detached but present. Clean occasionally foxed pages. Four works in two tomes Divine Comedy; Rime; Orlando Furioso and Gerusalemme Liberata. Carefully packaged and despatched within 48 hours from our wee bookshop in Scotland.; B&W Illustrations; 8vo 8" - 9" tall . David Passigli hardcover
181214153Paris: Chez Firmin Didot 1812. Book. VG. Hardcover. 1st Edition. 8vo - over 7¾ - 9¾" tall. 214pp notes printed in Italian with facing page in French three-quarter leather and marbled boards gilt title at spine light general wear hinges and extremities worn with leather stripped away just a bit old ink at front pastedown and half-title and several small holes noted at half-title text damp-stained throughout presentation exceeds description. A translation of Ludovico Ariosto's epic poem Orlando Furioso. Essay / translation credited by scholars to Pierre Samuel DuPont de Nemours. Very scarce. Chez Firmin Didot Hardcover
1854A141-4801854. Portr?t, Stahlstich nach Tizian, Platte ca. 16,5x12cm
185518722Stgt, Rieger`sche Verlagsbuchhandlung, 1855. Band 1 von 3 apart. Ins Deutsche übersetzt und mit einem Vorwort von Hermann Kurz. Mit 1 Stahlstich. Kl. 8°. XX,456 S. Grüner Pappband der Zeit mit Rückenvergoldung. Gesprenkelter Schnitt. Einband etwas berieben, Gelegentlich etwas braunfleckig.
