Livre Rare Book
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1959ABE-1130604232516 PAGES FORMAT 30 CM X 43 CM-EN UNE 13 MAI 1958: REVOLTE AU FORUM 13 JANVIER 1959: BEN BELLA QUITTE LA SANTE,DESSIN DE LENO "BEN BELLILE AUJOURD'HUI, LE PALAIS.DEMAIN, L'ELYSEE?."-DE LA COTELETTE A LA GRANDEUR,1P PAR LUCIEN REBATET-RETOUR EN ABSURDIE,2P PAR AROUET-PROVOCATION ET AGITATION AU CONGO BELGE-LA FIN DES HABSBOURG ET LE SUICIDE DE L'EUROPE (III),1P PAR EDITH DELAMARE,PHOTO-MAITRE A SON BORD.APRES DIEU,1P PAR PIERRE DOMINIQUE
1959ABE-1131228463116 PAGES FORMAT 30 CM X 43 CM-EN UNE: PHOTO DEFILE SUR LES CHAMPS ELYSEES,"QUAND LA VEDETTE N°1 DES "BALLETS ROSES" APPARTENAIT ENCORE AUX "BALLETS DES CHAMPS ELYSEES",SUITE P2,LE TROQUER-DEMISSIONS, EMEUTES ET CRISES POLITIQUES AU SEIN DE LA "COMMUNAUTE"-UN TYPHON DANS UN JOLI BOCAL,PAR LUCIEN REBATET,"LES POSSEDES"-ALGERIE, AN I DE LA GRANDE RENOVATION NATIONALE-QUAND FERONS-NOUS AUX FELLAGHA LA GUERRE QU'IL FAUDRAIT LEUR FAIRE?-LA DECONFITURE DU RPF RACONTEE PAR UN "HOMME DU GENERAL"-RETOUR EN ABSURDIE (SUITE) CHAPITRE VII,PAR AROUET,2 DESSINS DE BEN-EN DERNIERE PAGE: UNE GUERRE QUI POURRIT SUR PLACE, LE VOILA LE SCANDALE DES SCANDALES!,PAR PIERRE DOMINIQUE-PLIURE DE UNE JAUNIE
1959ABE-1134273439916 PAGES FORMAT 30 CM X 42 CM-EN UNE: POUR QUI SONNE LE "DERNIER QUART D'HEURE"?,DESSIN DE LENO "BEN BELLILE (SUITE) AIX ILE OU AIX EAT?"-L'AFFAIRE LACAZE NE DOIT PAS ETRE ETOUFFEE,SUITE P4 P5 P16-P2: LES "ECONOMIQUEMENT FAIBLES" OFFRENT LE CHAUFFAGE CENTRAL A BEN BELLA-LE MONDE EST-IL TROP PEUPLE?,1P PAR GUY MOUGENOT-UN GENERAL QUI N'AIME PAS LA GRANDEUR.LE MARTYRE DE SAINT-EXUPERY,3P PAR J.M.DAURIER,5 PHOTOS-UN GRAND JUGE DE FRANCE,PAR LUCIEN REBATET,RENE CASSIN-LES LIVRES PAR ROBERT POULET,AUTOUR DU "BRASILLACH" DE JEAN MADIRAN-MOLIERE SERVI AVEC PROBITE,"L'ECOLE DES FEMMES",GEORGES WILSON,JEAN VILAR-RETOUR EN ABSURDIE,1P PAR AROUET CHAPITRE VI-DERNIERE PAGE: S'ADRESSER A LA RESISTANCE POUR TROUVER DES TUEURS! BENOUVILLE, QUI L'EUT CRU? BLOCH-DASSAULT, QUI L'EUT DIT?,1P PAR PIERRE DOMINIQUE
1959ABE-1134279509616 PAGES FORMAT 30 CM X 43 CM-EN UNE: SUR UNE SAISIE-EN UNE: ON NOUS AVAIT DIT QU'IL SUFFIRAIT D'UN "GOUVERNEMENT FORT ET STABLE" POUR METTRE BOURGUIBA A LA RAISON.,SUITE P4-FAUDRAIT-IL DONC REGRETTER GAMELIN?,PAR LUCIEN REBATET-A MOI, JAURES! L'HUMANISME SOCIALISTE EST EN DANGER.,DESSIN LE TROQUER,BALLETS ROSES-A PROPOS D'UN CENTENAIRE LA BELLE HISTOIRE DE "MIREILLE",1P PAR RAOUL BERENGUIER-THEATRE, OU LA FAMILLE HERNANDEZ FAIT "TCHOUFA"-RETOUR EN ABSURDIE,PAR AROUET,FIN,DESSIN ET TEXTE DE BEN-LIVRES PAR ROBERT POULET,ANNABEL: COMME TOUT LE MONDE-ANTHONY HAMILTON, LE PLUS FRANCAIS DES ROMANCIERS ANGLAIS,PAR DOMINIQUE ESPARIAT,PORTRAIT-EN DERNIERE PAGE: DE LA FOSSE OU POURRIT LA QUATRIEME, VINCENT TAURIOL S'EST RELEVE,1P PAR PIERRE DOMINIQUE,PHOTO AVEC VIOLON
1959ABE-1137854685116 PAGES FORMAT 30 CM X 43 CM-EN UNE: LE FLN N'A PAS REPONDU A LA "CLEMENCE" DU GENERAL? MAIS SI.EN ASSASSINANT LE DR AUGER ET SA FEMME-EN UNE: 3 DESSINS DE LENO (RALPH SOUPAULT)-L'"INEXPERIENCE" DE M.MICHEL DEBRE NOUS RAMENE AUX MOIS D'APPRENTISSAGE DU LUNAIRE PINEAUCCHIO-MARTEL DELOUVRIER MASSU-"CE SANG ETAIT-IL DONC SI PUR?",PAR LUCIEN REBATET-DU GENDRE DE GAY AU GAI LEGENDRE,2P-AU PORTUGAL JEUX DANGEREUX-L'AFRIQUE NOIRE SUR LE CHEMIN DE L'INDEPENDANCE,PAR JACQUES ROY,CONGO BELGE-RETOUR EN ABSURDIE,1P PAR AROUET,(SUITE),TEXTE ET 2 DESSINS DE BEN-LA FIN DES HABSBOURG ET LE SUICIDE DE L'EUROPE (IV),PHOTO-QUAND LA GAUCHE S'ACCROCHE AUX BASQUES DU GENERAL,1P PAR PIERRE DOMINIQUE
1959ABE-1140652443312 PAGES FORMAT 30 CM X 43 CM-EN UNE: "UN NOUVEAU 13 MAI EST-IL POSSIBLE?",DESSIN DE LENO (RALPH SOUPAULT)-UN ARRET DE LA COUR DE CASSATION SUR L'AFFAIRE DES MILLIARDS DE NEUVIC (DORDOGNE)-SUR L'EXCITATION DES VIEILLARDS A LA DEBAUCHE,PAR LUCIEN REBATET,LE TROQUER,"LES LIAISONS DANGEREUSES","ET DIEU CREA LA FEMME"-POURQUOI UN CONCILE,QUAND LE PAPE EST INFAILLIBLE?,PAR EDITH DELAMARE-RETOUR EN ABSURDIE,PAR AROUET,1P PAR BEN,2 DESSINS-ANOUILH OTE LES MASQUES DE LA TETE DES AUTRES,"L'HURLUBERLU" OU "LE REACTIONNAIRE AMOUREUX"-EN DERNIERE PAGE "EN VOULEZ-VOUS,DES ORDONNANCES? ON VOUS LES DONNE AU POIDS DU PAPIER,1P PAR PIERRE DOMINIQUE-PETITES DECHIRURES COIN SUP G
1777ST20535-04La Haye The Hague but Geneva: Aux dépens des Libraries 1777. FIRST EDITION. 215 x 140 mm. 8 1/2 x 5 1/2". 1 p.l. 303 3 pp. <br/> Publisher's marbled paper wrappers flat spine edges untrimmed. A Large Paper Copy. Benesco 1860. Andrew R. Morehouse "The Voltaire Collection in the Rare Book Room" The Yale Library Gazette 17 no. 4 1943 p. 75.<br /> Paper wrappers a bit faded as expected slightly defective at corners and a little curled otherwise and perhaps even so A VERY FINE COPY--the text within immense margins entirely clean fresh and bright.<br/> <br/> This is a remarkable survival in its original wrappers of a work related to one of the most resonating controversies of Voltaire's life and writings--the question of his anti-Semitism. A giant of the Enlightenment and one of the greatest of French writers and philosophers Voltaire real name François-Marie Arouet 1694-1778 writes here in response to "Lettres de quelques Juifs portugais allemands et polonais à M. de Voltaire" a 1776 critique by Antoine Guénée objecting to the anti-Semitism especially as expressed within a commercial context in our author's "Dictionnaire Philosophique." Deeply philosophical and leavened with satire the 120 chapters of the seminal "Dictionnaire" were widely read much condemned and not infrequently burned as they challenged religious authority advocated for toleration and dealt with many social and political issues from an uncomfortable Enlightenment perspective. And there can be no doubt that Voltaire's "Dictionnaire" does in fact contain critical remarks about the Jews; at the same time the author's criticism is extended with equal warmth to organized religion in other forms. In the present response to Guénée Voltaire is nothing if not scathing which in the end works against him. As Voltaire scholar Andrew R. Morehouse wryly puts it the text here expands upon Voltaire's previous points in such a way as to "justify the accusation that he is cruelly anti-Semitic." This work is not exactly rare but it is very unusual to find it in original wrappers as here particularly in such fine condition. Aux dépens des Libraries unknown
1893ST17884Paris: Imprimé pour Les Amis de Livres par Chamerot et Renouard 1893. No. 55 OF 115 COPIES printed for M. Van der Vrecken de Bormans. 275 x 190 mm. 10 3/4 x 7 1/2". 4 p.l. 159 3. <br/> DAZZLING CONTEMPORARY SCARLET MOROCCO VERY ORNATELY DECORATED IN GILT SILVER AND BLACK AS WELL AS INLAID BY MARIUS MICHEL stamp-signed on front doublure covers elaborately embellished with a floral frame enclosing a large central panel filled with diapered compartments formed by gently curving black leaves each compartment containing a floral sprig tooled in silver and gold flat spine with similarly decorated ogival compartments and gilt titling OLIVE BROWN MOROCCO DOUBLURES filled with rows of inlaid red carnations with dark green pedicels leather hinges jacquard silk endleaves in pink blue and green pattern marbled flyleaves all edges gilt. Original white textured paper wrappers bound in. In a slightly worn brown morocco-trimmed marbled paper slipcase. With eight pleasing color engravings by Rops 4 Robaudi 2 and Garnier 2 depicting scenes from the story accompanied by 29 proofs in red yellow cyan and black & white as called for in the colophon. A Large Paper Copy. Front flyleaf with INK INSCRIPTION SIGNED BY MARIUS MICHEL and dated Mai 1920 noting that he had bound this copy for M. Van der Vrecken de Bormans in 1896 for a very substantial price of 600 francs. Carteret IV 407; Vicaire I 47. Three blank front flyleaves with narrow faint brown horizontal blemish across most of the page apparently a tape shadow; in all other ways A BEAUTIFUL COPY clean fresh and bright internally IN A PRISTINE BINDING.<br/> <br/> This ravishing object is a bibliophile's treasure: an illustrated luxury edition in Large Paper format of Voltaire's philosophical novel offered in a binding from a pre-eminent Parisian atelier. The impressive binding stands out not only because of its remarkable condition but also because of the variety and unerring execution of its decorative elements--from the vigorous use of black gold and silver on the cover and spine to the particularly animated inlaid morocco doublures. Considered the best binder of his generation as well as the founder of modern French bookbinding Henri Marius Michel 1846-1925 began his career in the workshop established by his father Jean in Paris in 1849 where they produced distinguished bindings in the prevailing historical styles for two decades. After the father's death in 1890 the firm came to even greater prominence when Henri began producing bindings in a completely new and original style that did nothing less than change the course of modern bookbinding in France. According to Duncan & De Bartha Henri believed passionately "that bookbinding needed a new vocabulary of ornamentation in order to express the mood and spirit of contemporary authors." The "vocabulary of ornamentation" he developed was based on nature the revolutionary "La Flore Ornamentale" style that he unveiled at the 1878 International Exposition. His favored floral forms dominate the present binding both as inlays and as silver and gold tooling. Our binding was commissioned by Paul Van der Vrecken Baron de Bormans an attaché at the Belgian Embassy in Paris and a bibliophile who belonged to "La société du livre contemporain" as well as the "Cercle Parisien du livre." The 600 francs the binding cost would have bought a very great deal in France at the end of the 19th century. Another copy of this work with the same special features and also bound in inlaid morocco by Marius Michel sold at Sotheby's in 1995 for the hammer price equivalent of $31200. Imprimé pour Les Amis de Livres par Chamerot et Renouard unknown
1799ST17632cParis: de l'Imprimerie de Crapelet an VII 1799. 228 x 150 mm. 9 x 6". Two volumes. <br/> Very attractive 19th century red morocco by Capé stamp-signed in gilt on front turn-in French fillet border raised bands compartments with central quatrefoil surrounded by lacy gilt tooling gilt lettering gilt dentelles all edges gilt. Housed in a later marbled slipcase. WITH engraved frontispiece by Gaucher and 21 ENGRAVED PLATES after Marillier Monsiau and Ponce as called for AND EXTRA-ILLUSTRATED WITH 46 PLATES comprised of a suite of 20 small plates a suite of 21 large plates and five portraits. Verso of front free endpaper with the bookplate of Jacques Bastenet. Cohen-de Ricci 1035; Graesse VI 393. See also: Cohen-de Ricci 1047-48 for the plates by Moreau. ◆Two three-inch abrasions on one cover and a hint of wear to joints both very well disguised by refurbishment leather faintly soiled but the decorative bindings still lustrous and quite pleasing without any significant condition issues. Occasional mostly light foxing never serious and most of the plates clean but noticeable enough to be regrettable some of the smaller extra-illustrations slightly browned due to paper stock but still a book with considerable appeal inside and out with the engravings richly impressed.<br/> <br/> This printing of Voltaire's mock-heroic "Pucelle" a licentious burlesque based on the Joan of Arc story features the same beautiful engravings found in the Didot edition of 1795 but without the frames plus two additional suites of plates taken from other editions. The set of 20 small plates seem to be close copies of Gravelot's illustrations from the 1762 Geneva edition of "La Pucelle"; the set of 21 larger images are by Moreau all but two being before letters. The latter set probably comes from the suite of images for Voltaire's "Oeuvres" published by Renouard in 1802 of which there were just 40 copies before letters according to Cohen-de-Ricci. Capé was one of the most distinguished binders in France in the middle years of the 19th century being especially well known for the delicacy of his work as evidenced by our spines. He was the binder to the Empress Eugénie and Béraldi calls him "the Bozérian of the second Empire.". de l'Imprimerie de Crapelet unknown
1927ST15053eLondon: Nonesuch Press 1927. No. 303 of 1500 copies. 191 x 121 mm. 7 1/2 x 4 3/4". 4p.l. 156 pp. 1 leaf. <br/> Original boards covered in marbled paper in muted tones of rose blue and cream parchment spine and tips top edge gilt other edges untrimmed. 11 elegant full-page illustrations and three vignettes by Thomas Lowinsky. Dreyfus 48. ◆Tiny dent to head of spine otherwise A NEAR-MINT COPY clean bright and unread.<br/> <br/> Described in its prospectus as "the airiest and most charming of all Voltaire's romances" this fable set in an exotic land reveals the frothy précieux side of Voltaire's complex personality. Lowinsky 1892-1947 has cleverly illustrated the tale with willowy figures sporting the towering hairdos and plunging necklines of Voltaire's own time and place to suggest that the frivolity of the story reflects homegrown decadence. This was the first of four books he illustrated for Nonesuch; his style is reminiscent of that of Beardsley. Nonesuch Press unknown
175920441759 Sans Nom (éditions Cramer), sans Lieu, 1759-1765. 2 volumes petit in-8 demi basane (moderne). (xxxix), 302, 283 pages. Frontispice (portrait de la Tsarine Elisabeth, d'après une médaille). 2 cartes rempliées, couleurs aux frontières, une carte gravée (sur bois) in texte au 2ème volume. "par l'auteur de l'histoire de Charles XII"
177156745No place, No printer, 1771. Contemp. hcalf. Spine gilt. Gilt lettering. A paperlabel pasted on upper part of spine. Stamp on both title-pages. VIII,478 pp. A few scattered brownspots.
174450051BB2 oeuvres en un volume. Paris, chez Prault. et Londres (i.e. Paris, Prault) 1744. In-8°. 2 ff. n.ch (titre, avis au lecteur), XXIV p., 115 p., 1p.bl., titre, 16 p. avec le portrait de Voltaire comme frontispice d'après le tableau de La Tour et deux gravures par Duflos. Reliure demi cuir d'époque, pièce de titre en maroquin framboise, décor doré.
179231870Paris: Chez Madame Vaux-Fleuri De l'Imprimerie de L. Potier de Lille 1792. First edition. 1-2 title verso blank leaf paged 63-64 with "Avis" and "Errata" 3-74 small woodcuts. 1 vols. 8vo. Later boards uncut. Spine and extremities rubbed with chipping a few leaves with spots else a very good copy. First edition. 1-2 title verso blank leaf paged 63-64 with "Avis" and "Errata" 3-74 small woodcuts. 1 vols. 8vo. According to the editor's "Avis" most of these fugitive pieces appear first here and some which have appeared elsewhere have been amended or corrected. Includes Mr. D. Rhullieres' "La Chanoinesse Conte" "Sur le Buste de Mirabeau" by M. Deseine"sourd et muet de naissance" and "La Mort de Patrocle Tragédie en Deux Actes¶ Commencing on page 25 is the "Epitre a Monsieur de Voltaire du 31 Decembre 1742" with the "Stances" pp. 28-30. On page 31 is the "Reponse de M. De Voltaire du Premier janvier 1743 Chez Madame Vaux-Fleuri [De l'Imprimerie de L. Potier de Lille] unknown
73138CBOhne Ort u. Verlag 1759/63. Mod. Ppbd. mit reicher Rvg. Papier teils etwas fleckig. Originalumschlag eingebunden. Es fehlen 1 Frontispiz u. 2 Karten. Eine Karte in Kopie beigebunden. Ohne Ort u. Verlag 1759/63. unknown
68484No place 1761. 8vo. xlviii 379 pp. Minor spotting foxing at the end and with markings in margins with red pencil. Somewhat worn contemporary half calf spine with raised bands and red label. A reprint of the first part first published in 1759. The second part was published in 1763. A reprint of the first part first published in 1759. The second part was published in 1763. hardcover
177156745No place No printer 1771. Contemp. hcalf. Spine gilt. Gilt lettering. A paperlabel pasted on upper part of spine. Stamp on both title-pages. VIII478 pp. A few scattered brownspots. <br/><br/><em>Collection complette des Oeuvres de Mr. de Voltaire. Tome 12. Separately printed </em> unknown
17681591281768. First Edition. paperback. 182pp. half-title; woodcut title page vignette. sewn; unlettered buff wrappers. N.p. Geneva 1768.<br/> <br/> One of Voltaire's best known prose works it came out in many editions the same year. This is presumably the first and conforms to the copy in the Bibliotheque Imperiale.<br/> <br/> unknown
176658868Uten sted. Amsterdam eller Haag. 1766. 8vo. I materie. Ubeskåret. 6 120 s. Fransk. <br/><br/><em>Første 4 s. med et lite hull. Boken utkom flere steder i året 1766 - London Berlin Augsburg m. fl.Materien noe smusset. </em> unknown
1977327195Lincoln: Penmaen Press 1977. First edition of this translation deluxe handbound issue limited to 100 roman numeralled copies signed by Anthony Hecht Lynd Ward and Arthur Wilson this copy is one of a few copies for the translator Anthony Hecht as it is designated copy: "AH" by Hecht in place of a roman numeral. 35 pp. 4to. Quarter-cloth decorated paper covered boardsA fine copy in near fine publisher's cloth slipcase box; nicely printed and illustrated. First edition of this translation deluxe handbound issue limited to 100 roman numeralled copies signed by Anthony Hecht Lynd Ward and Arthur Wilson this copy is one of a few copies for the translator Anthony Hecht as it is designated copy: "AH" by Hecht in place of a roman numeral. 35 pp. 4to. Penmaen Press unknown
055801Sans Lieu 1763 in 12 (16x9,5) 2 volumes reliures plein veau fauve de l'époque, dos lisses ornés de caissons dorés, pièces de titre de maroquin rouge, pièces de tomaison vertes, tranches teintées rouge, XXXIX et 290 pages; XXIV et 334 pages, petite fente sur les 2 mors du plat supérieur du tome 1. Bel exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
052750S.l 1760 in 8 (19,5x12) 1 volume reliure pleine basane havane de l'époque, dos à nerfs, 282 pages. Bel exemplaire
71810P., Rivarol, Numéro Spécial du 23 mars 1959, in 8° broché, 93 pages ; couverture illustrée.
201612932Paris, Génies et réalités, hachette, 1978 ; in-8, 238 pp., cartonnage de l'éditeur. Avec jaquette.
12081S.I.P., 1947. Plaquette in-8, agrafée, illustrations.
