64 résultats
1991Q-0253345618Indiana University Press 1991-05-22. Paperback. New. New. In shrink wrap. Looks like an interesting title! Indiana University Press paperback
1853189172Paris: Furne 1853. Hardcover. G Covers have general wear edge/corner damage Spines have some folding. Bookblocks have age toning Interior pages have age toning and foxing. French language text. Decorative cloth boards Black leather spine and corners. Gilt lettering on spine Vol 1 782 pgs. Vol 2 775 pgs. Furne hardcover
188372425Paris: Librairie des bibliophiles L. Jouaust 1883. Fine. Librairie des bibliophiles L. Jouaust Paris 1883 11 x 18 cm relié Edition illustrated with an etching by Adolphe Lalauze as frontispiece. Half chocolate brown morocco binding smooth spine decorated with gilt floral frieze small traces of rubbing at foot of spine marbled paper boards marbled endpapers and pastedowns original wrappers preserved top edge gilt. Handsomely bound copy. Librairie des bibliophiles L. Jouaust hardcover
0859895440.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0666664587.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0243922833.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1883105648Paris : Librairie des Bibliophiles Jouaust 1883. 175x115mm. frontispice XI - lettrines bandeaux culs-de-lampe reliure demi-chagrin. Plats et garde marbrÂŽ. Dos muet. Tranche supÂŽrieure dorÂŽe. Couvertures conservÂŽes. Dos lÂŽgÂrement insolÂŽ autrement belle reliure. TrÂs bel exemplaire. 185 Librairie des Bibliophiles, Jouaust unknown
1165911833.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
#[66063]Leeuwarden H.A. de Chalmot 1771 8vo. full leather binding mottled calf ribbed spine with gold tooling marbled endpapers 28174 pp. the edges and corners of the binding are worn and the gold tooling is somewhat faded only some stains lovely soft paper solid construction complete with five engravings: frontispiece by J.M. Moreau le Jeune del. and N. de Launay sculp. Sping by J.M. Moreau le Jeune del. and B.L. Prevost sculp. Summer by J.M. Moreau le Jeune invenit and AJ Duclos sculpsit Autumn by J.M. Moreau inv. and J.B. Simonet sculp. and Winter by J.M. Moreau del. and B.L. Prevost sculp. Ex library copy with two stamps. Nederduitsche Leesbibliotheek Rotterdam. Not found in the collection of the Koninklijke Bibliotheek Dutch Royal LIbrary 12-06-2020. Translation of Les saisons. - 1769 written by Jean Franc¸ois de Saint-Lambert 1716-1803. hardcover
1772080862Leipzig: Dycksche Buchhandlung 1772. 2 Bl. 224 S. 4 Bl.; mit gestochener Titelvignette; mit Verzeichnis von in der Dyckschen Buchhandlung erschienenen Kupferstichen; Halbleineneinband der Zeit; Papier teils mässig fleckig fliegende Vorsätze scheinen zu fehlen locker im Einband Kanten etwas bestossen Ecken. Halbleinen. Noch befriedigend. 144 cm. Dycksche Buchhandlung Hardcover
1775322710Amsterdam 1775. Septiéme Édition. Engraved frontispiece and 6 plates after Moreau engraved by Delaunay Duclos Prévost and Simonet & Le Bas one fleuron on the title by Choffard & 4 etched vignettes head-pieces by Choffard. These vignettes are in two sates one being the "Tiarge à port." xxxvi 467 1 pp. 1 vols. 8vo. Bound in full modern full brown morocco a.e.g. for Hatchards Piccadilly Fine. Septiéme Édition. Engraved frontispiece and 6 plates after Moreau engraved by Delaunay Duclos Prévost and Simonet & Le Bas one fleuron on the title by Choffard & 4 etched vignettes head-pieces by Choffard. These vignettes are in two sates one being the "Tiarge à port." xxxvi 467 1 pp. 1 vols. 8vo. Cohen-de Ricci 925 unknown
1782187211782. A Londres s.ÂŽ. Cazin 1782. Un vol. au format in-16 163 x 83 mm de 1 f. bl. 1 frontispice gravÂŽ n.fol. 133 pp. et 1 f. bl. Reliure postÂŽrieure de demi-basane fauve dos lisse ornÂŽ de filets gras ˆ froid piÂce de titre de maroquin brique titre dorÂŽ toutes tranches mouchetÂŽes. Belle impression sortie des presses d'Hubert-Martin Cazin. L'exemplaire s'ouvre sur un joli frontispice signÂŽ B. Cheraux et Duponchel. Les ÂŽditions Cazin ÂŽtaient trÂs rÂŽputÂŽes pour leur qualitÂŽ mais aussi pour leur caractÂre licencieux qui valut ˆ lՎditeur la saisie des livres une amende et deux sÂŽjours ˆ la Bastille. Chef dÕÃuvre de la PoÂŽsie descriptive du xviiieÊsiÂcle Voltaire nÕhÂŽsite pas ˆ ranger ''Les Saisons'' parmi les ÇÊouvrages de gÂŽnieÊÈ affirmant mÂme : ÇÊCÕest le seul ouvrage de notre siÂcle qui passera ˆ la postÂŽritŽÊÈ. La publication des ''Saisons'' ouvrit d'ailleurs tout droit ˆ son auteur les portes de l'AcadÂŽmie. Oeuvre extrÂmement soignÂŽe - souvent brillante - certains passages tendent ˆ l'absolue grandeur la PoÂŽsie vraie. ConstituÂŽ de quatre chants le poÂme parcourt le cercle de lÕannÂŽe ; avec ses phÂŽnomÂnes mÂŽtÂŽorologiques le cycle des saisons de la vie des travaux de la campagne etc. L'un de ces Contes reliÂŽ ˆ la suite intitulÂŽ "ZimÂŽo'' met en scÂne les NÂgres-marons de la Jama”que laissant ainsi prÂŽjuger de l'ÂŽvolution des idÂŽes sur l'esclavage : "Peuples polis peuples sÂavants prenez-y garde vous n'aurez une morale de bons gouvernements & des moeurs que lorsque les principes du droit naturel seront connus de tous les peuples; . Vous sÂaurez que votre argent ne peut vous donner le droit de tenir un seul homme dans l'esclavage''. LiÂŽ aux EncyclopÂŽdistes à mentionnÂŽ comme lÕauteur anonyme des articles ÇÊfasteÊÈ ÇÊfamiliaritŽÊÈ ÇÊfermetŽÊÈ ÇÊflatterieÊÈ ÇÊfantaisieÊÈ ÇÊfrivolitŽÊÈ ÇÊfragilitŽÊÈ Morale ÇÊfrivolitÂŽ & gÂŽnieÊÈ LittÂŽrat. de lÕEncyclopÂŽdie de Diderot et DÕAlembert à l'auteur frÂŽquenta les salons de Mesdames dՃpinay de Lespinasse Geoffrin et du Deffand et les d”ners de Mlle Quinault. En 1752 il entama avec Sophie dÕHoudetot qui ÂŽtait la belle-sÃur de Louise d'ƒpinay et qui inspira une grande passion ˆ Jean-Jacques Rousseau une liaison qui devait durer prÂs dÕun demi-siÂcle. Durant la RÂŽvolution franÂaise il se retira ˆ Eaubonne auprÂs de Sophie dÕHoudetot. On lÕappela dÂs lors ÇÊle sage dÕEaubonneÊÈ. Devenu mÂŽlancolique il ne trouvait alors plus satisfaction que dans de rÂŽcurrents excÂŽs de gourmandise. Manuel du Cazinophile XLVII. Angles et coupes ÂŽlimÂŽs. Petit dÂŽfaut affectant chacun des mors infÂŽrieurs. Quelques rares rousseurs dans le texte. Infime manque en marge du dernier feuillet. Nonobstant bonne condition. b42961 unknown
2865032906.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1166313506.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1273435079.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1104990849.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0259016640.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
0265493137.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
0428304494.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
17691769LSP-SAI-1-FAmsterdam: anonymous 1769. 1st Edition. Fine. Illustrated with five engraved plates after Le Prince and Gravelot etched title-page fleuron and vignettes by Choffard. Bound by Emile Rousselle in full brown crushed morocco a.e.g. the spine with gilt titles doublures of blue crushed morocco with wide gilt tooled dentelle border and oval corner medallions inlaid in brown morocco marbled flyleaves. Front flyleaf cracked at inner joint fingerprint size darker spot on upper cover else fine. The rare illustrated octavo edition. An elegant book with the leater bookplate of Cortland Bishop. Cortland Bishop was an early 20th century aviator and book collector. Fived raised bands on spine. Text in French.<br /> <br /> Pages: 399<br /> Dimensions: 5¼ x 7¾ x 1. anonymous unknown
179671224Paris: De l'Imprimerie de P. Didot l'aîné 1796. Fine. De l'Imprimerie de P. Didot l'aîné Paris 1796 23 x 31.50 cm relié Edition illustrated with 4 copperplate engravings by Morel after drawings by Chaudet. Contemporary full red morocco binding spine with five raised bands richly decorated with gilt dentelles fillets and fleurons boards framed with double gilt dentelle gilt roulette on leading edges and headcaps marbled endpapers and pastedowns - framed with gilt dentelle all edges gilt. This poem is still considered today as the masterpiece of descriptive poetry of the 18th century; Voltaire wrote about it: ""it is the only work of our century that will pass to posterity."" Very handsome full-margined copy. De l'Imprimerie de P. Didot l'aîné hardcover
17751410060011Amsterdam 1775-01-01. Hardcover. Very Good. Octavo. 7th edition. xxxvi 467 pages 7 plates 4 vignettes 23 cm. Bound in contemporary full red Moroccan leather. Gilt lettering to spine. Gilt tooling to board edges. Inliad gilt tooling to inside board extremities. Contemporary blue page ends. AEG. Good binding and cover. Wear to extremities. Slight soiling to spine. Owners bookplate on FEP. Clean unmarked pages. Cohen-de Ricci 926; Brunet V 52; BMC XXII 435.475 <br><br>Jean Francois de Saint-Lambert was a French poet philosopher and military officer. Saint-Lambert began writing poetry in his adolescence though in all his life he read his works in salons and to his friends but did not rush to publish them. The Seasons his major poetical work The Season was begun in October 1733 but did not appear in print until 1769. Saint-Lambert's poetry is workmanlike and conventional typical of the latter half of the 18th century. His writings on society politics and moral philosophy are derivative a pale reflection of the ideas of the Philosophes the French Enlightenment thinkers such as Voltaire and Rousseau whom he lived among. Amsterdam hardcover
177548828Paris: S. n. 1775. Fine. S. n. Paris 1775 - relié Seventh edition illustrated with a frontispiece a fleuron on the title and 4 figures by Moreau le jeune 4 delightful vignettes by Choffard for Les Saisons and 2 figures by Moreau le jeune for the Contes Poésies fugitives and the Fables orientales. Our copy is enhanced with separate pulls of the title fleuron and Choffard's vignettes. Nineteenth-century binding in full midnight blue morocco. Spine with five raised bands decorated with pastoral fleurons vine wheat and pruning hook game and hunting horn. as well as gilt compartments. Triple fillet and gilt geometric dentelle framing the covers. Wide gilt dentelle framing the marbled paper pastedowns. Upper joint rubbed. From the libraries of Francis Kettaneh and Irwin Laughlin with their bookplates. S. n. hardcover
178219781782. : 8 . 4 Blank pages / 1 Blank pages / 1 Blank pages / 21 Roman numbered pages / 1 Blank pages / 187 Pages / 5 Blank pages Binding: Contemporary Half Leather 24mo Height cm: 134 CM Width cm: 82 CM Thickness cm: 11 CM hardcover
177538316à Amsterdam: S. n. 1775. Fine. S. n. à Amsterdam 1775 14 x 23 cm relié Seventh edition of Les Saisons after the first edition published in 1769 and illustrated by Gravelot but the first printing with Moreau's illustrations. This edition is a reprint of the 1769 edition and reproduces Chauffart's headpieces but adds 7 figures by Moreau engraved by Delaunay Duclos Lebas and Prévost. It should also be noted that the heavy paper used for this edition is not the same as the fine paper of the first edition. Contemporary full calf binding. Smooth spine richly decorated. Red morocco title label. Flamed calf boards with Greek key border frame of a later date added during restoration. Corners slightly bumped. A crack to the upper joint extending 5 cm. A reasonably good copy. Les Saisons is preceded by a preface on bucolic and pastoral poetry and followed by tales philosophical ones such as Ziméo occasional pieces and finally oriental fables. Voltaire had great admiration for Saint-Lambert particularly for his masterwork: Les Saisons. This descriptive poetry is not without charm and would continue to be appreciated in the 19th century. Saint-Lambert was moreover indispensable to 18th-century literary society through his presence in the salons. S. n. hardcover