184 résultats
1838ST17640fLondon: Printed for the author by C. Richards 1838. FIRST EDITION. 251 x 156 mm. 9 7/8 x 6 1/8". With the list of subscribers in volume I. Two volumes. <br/> HANDSOME EARLY 20TH CENTURY RED MOROCCO GILT BY MATTHEWS stamp-signed on front turn-in covers with gilt French fillet border enclosing a simple lobed panel raised bands spines very attractively gilt in compartments with spiral cornerpieces and centerpiece featuring either a fleur-de-lys a manuscript scroll and quill or Dibdin's cipher gilt inner dentelles marbled endpapers all edges gilt. With numerous engravings in the text and 44 ENGRAVED PLATES as called for including portraits views antiquities and manuscript facsimiles. Jackson 89; Windle & Pippin A-65; Lowndes I 641. ◆Plates with occasional minor foxing otherwise A VERY PLEASING SET IN ESPECIALLY FINE CONDITION the text clean and bright and the decorative bindings unworn and remarkably lustrous.<br/> <br/> This charming bibliographical travelogue takes us from Peterborough to London and on to Lincoln York Durham Newcastle Carlisle Dumfries Edinburgh Glasgow St. Andrews and the border lands of Sir Walter Scott with many stops along the way at libraries cathedrals castles and ruins. Dibdin 1776-1847 was perhaps the most visible figure among the bibliophiles and bibliographers of the first half of the 19th century. His "Bibliomania" 1809 was an amusing account of the then-current craze of book collecting among wealthy English aristocrats and the book while cynical did much to encourage the mania. And it was at his suggestion that the Roxburghe Club was founded in 1812. Our binding is typical of the elegant work produced by William Matthews a Scot who became the leading binder in America during the second half of the 19th century. He was head of the bindery at D. Appleton and Company was an early member of the Grolier Club and was an important advisor in the formation of the Club Bindery a firm organized with the generally realized intention of executing fine American bindings that rivalled the best being produced in Europe. Printed for the author by C. Richards unknown
182131659London: printed for the author by W. Bulmer and W. Nicol Shakespeare Press 1821. First edition 1000 copies printed this one of 900 of the regular issue; 3 volumes large thick 8vo vignette title pages in each volume 83 plates 5 double-page 3 printed in sepia and 1 colored 64 other illustrations on India paper mounted in the text plus a multitude of textual illustrations throughout 4 printed in red; bound without half-titles in slightly later full tan calf double gilt rules on covers black morocco labels on gilt decorated spines a.e.g.; edges worn upper joint on vol. III restored a number of the plates foxed largely confined to the margins; a good sound set. This copy enhanced with a presentation in each volume to "B. C. Brodie Esq. from the author." With the bookplates of B. C. Brodie and B. H. Goldschmidt in each volume. Benjamin Collins Brodie was author of the classic Pathological and Surgical Observations on the Diseases of the Joints G-M 4311. "The collation is very irregular by reason of the fact that all illustrations in the text being printed on India paper pasted-in are on separately inserted leaves . This Voyage Pittoresque is lavishly illustrated mainly with copperplates after drawings by G.R. Lewis and others. Dibdin says he spent over 7000 pounds on the book being the first patron to pay 100 guineas for a plate . It has been unkindly said of this book that it would have been better without any text. However it does contain a modicum of bibliographical information that is still useful if used with due caution" Jackson. Lowndes notes that it "contains much useful and curious information" on the libraries and private collections of Europe. The second edition of 1829 is abridged and omits all but 5 of the original plates. Windle & Pippin note but a single presentation copy that from Dibdin to his son. Jackson 48; Lowndes I 641; Windle & Pippin A38a. printed for the author, by W. Bulmer and W. Nicol, Shakespeare Press unknown
182121259London: Printed For The Author By W. Bulmer And W. Nicol 1821. First edition. leather_bound. Contemporary calf ruled in gilt raised bands black leather backstrip title and volume labels lettered in gilt rebacked with original spines laid-down. Aeg gilt. 3 Vols. Very good. 462 lxxIx 555 621 lxii. 28 x 19 cm. 83 engraved plates one hand-colored two double-page engraved vignettes many on India paper woodcuts within text. Index bound in Vol. I with printed ticket and Supplement at end of Vol. III. Dibdin's most extravagant work which went a long way toward ruining him plates alone purported to cost 5000 pounds. This copy with the rare "Diane of Poictiers" plate inserted which was supposedly destroyed after only 50 copies were printed LOWNDES II p. 641. With manuscript letter in ink signed by Bernard Quaritch June 17 1890 attesting to the genuineness of the Poicters engraving with another Quaritch letter dated Jan. 28 1881 letter attesting to the collation noting where three plates were misplaced by the binder. Text very clean plate offsetting to text with marginal toning to some plates bookplates of Charles Williston McAlpin joints repaired lacks black leather spine label Vol. II. DIBDIN Vol. II p. 682. "De toutes les productions de Dibdin celle-ci nous parait etre le plus origninale." calling it his most original work. Printed For The Author By W. Bulmer And W. Nicol unknown
18411034London: John Murray 1841. First Edition. Fine Leather Kelliegram Binding. Fine. George Cruikshank. <p dir="ltr">DIBDIN Charles; CRUIKSHANK George Illustrator</p> <br /> <p dir="ltr">Songs Naval and National of the Late Charles Dibdin; with a Memoir and Addenda.</p> <br /> <p dir="ltr">London: John Murray 1841. First Edition.</p> <br /> <p dir="ltr">The Binding</p> <br /> <p dir="ltr">An exceptional and striking mid-19th-century nautical binding stamped "Kelliegram Binding" to the rear. Bound in full navy crushed morocco. The upper board features a magnificent large gilt-tooled vignette of a fully rigged galleon in full sail cresting stylized turbulent waves. The lower board is centered with a brilliant gilt trident. The spine is divided into six compartments by five raised bands lettered in gilt in the second compartment with the remaining compartments featuring distinct gilt nautical motifs: a pennant a camp tent a ship an anchor and a leaping dolphin. Finished with gilt-ruled edges intricate gilt inner dentelles solid endpapers and a gilt top edge. The absolute precision lavish tooling and premium materials are characteristic of the famed Kelliegram style produced by Kelly & Sons placing this remarkable piece firmly alongside the finest work of Golden Age peers like Riviere Zaehnsdorf and Bayntun.</p> <br /> <p dir="ltr">The Work & Maritime Significance</p> <br /> <p dir="ltr">This volume represents the definitive collection of Charles Dibdin 1745-1814 the undisputed master of the sea song whose music forms the absolute bedrock of the traditional sea shanty. For collectors interested in the tall ships era the Golden Age of Piracy and naval history Dibdin's works offer the authentic rugged soundtrack of that world-the very drinking songs working chants and tavern ballads sung by sailors privateers and smugglers below decks.</p> <br /> <p dir="ltr">Notably this text features Dibdin's wildly famous sea ballad "Poor Jack" the genuine 18th-century archetype that inspired centuries of maritime folklore and modern cinematic characters. In the era of sail "Jack Tar" or simply "Jack" was the universal moniker for the fearless and fatalistic British sailor. "Poor Jack" perfectly encapsulates the adventurous spirit of the men who lived and died by the unforgiving ocean dealing heavily in shipwrecks naval battles grog and tavern brawls.</p> <br /> <p dir="ltr">The Illustrations</p> <br /> <p dir="ltr">The volume is vastly elevated by the etchings of George Cruikshank one of the most important British illustrators of the 19th century. Cruikshank's brilliant style perfectly captures the grit and humor of naval life. Plates such as "Saturday Night at Sea"-depicting sailors drinking smoking and carousing below decks-offer incredible visual appeal and provide exactly the kind of authentic maritime aesthetic sought after by discerning collectors.</p> <br /> <p dir="ltr">Finding a highly thematic heavily gilt nautical Kelliegram binding in such a brilliant state of preservation is highly uncommon. The magnificent gilt galleon on the upper cover makes this an undeniable shelf-piece and a cornerstone acquisition for any fine maritime library.</p> <br /> <p dir="ltr">A book in fine condition. Measures 6.5"x4.25". Internally bright and clean with very little foxing. Extra illustrated.</p> . John Murray unknown
1827ST12282London: Printed for Harding & Lepard 1827. Fourth Edition. 292 x 197 mm. 11 1/2 x 7 3/4". Two volumes. <br/> HANDSOME EARLY 20TH CENTURY BROWN STRAIGHT-GRAIN MOROCCO covers with gilt double fillet border fleuron cornerpieces raised bands spines richly gilt with panels dominated by a bold and complex quatrefoil incorporating spade-like tools and with palmette cornerpieces turn-ins with two gilt fillets marbled endpapers all edges gilt. With a facsimile of Greek and Latin text from the Complutensian Polyglot and volume I with a specimen leaf laid down as called for the leaf taken from the 1826 Pickering Diamond miniature edition of the New Testament. A Large Paper Copy. Front pastedowns with engraved armorial bookplate of John William Pease; rear pastedown with vellum armorial bookplate of Lord Wardington. Lowndes I 639; Brunet II 684 "Édition la plus complète et la meilleure"; Graesse I 382. ◆A touch of rubbing to tail edge of boards one leaf with a thin band of soiling along four inches of the fore edge light glue stain at lower corner of specimen leaf endpapers with faint fox spots isolated minor foxing elsewhere other trivial imperfections but generally A VERY FINE COPY the text clean and fresh with vast margins and the decorative bindings with no significant wear.<br/> <br/> This is the extremely attractive Wardington copy of the fourth and best edition of this quotable bibliographical classic. It is more heavily weighted than the earlier printings toward the Bible and the early Church Fathers and because of the presence of the Pickering specimen leaf it also qualifies as the earliest example to our knowledge of a leaf book. This was Dibdin's first work as a bibliographer and it quickly became the standard guide in English to editions of the classics. Its favorable notice brought him a position as Lord Spencer's librarian along with ecclesiastical preferment and he was consequently allowed to pursue his bibliographic career without financial worries. Spencer invited him not only to catalogue but also to add to the library at Althorp and Dibdin 1776-1847 turned it into the finest library in private hands in England. Our impressive Large Paper Copy comes from another of England's fine private libraries the collection of Lord Wardington 1924-2005 who was successively Chairman Vice-President and then President of the Friends of the British Library. His grandfather John William Pease was a member of the Northumberland banking and business family who amassed a substantial library and Lord Wardington added greatly to it particularly important Bibles and atlases. The Wardington sales at Sotheby's in London were major bibliophilic events in 2005 and 2006. Printed for Harding & Lepard unknown
1838979F3DLondon: For the Author by C. Richards 1838. First edition. Leather. Fine. 11" by 8". Not Stated. The very scarce three volume extra-illustrated large paper edition of Dibdin's final work illustrated throughout with engraved plates and in sumptuous Riviere morocco bindings. The first edition of English bibliographer Thomas Frognall Dibdin's final work a richly illustrated travel narrative that records his visits to libraries book collections historic sites and landscapes in the North of England and Scotland.The very scarce large paper edition of this work one of only 100 unnumbered copies of this large paper edition produced bound in three volumes rather than two; volume II Scotland is spread over two volumes rather than the single volume of the trade first.In vibrant full morocco bindings by Riviere.Volume I concerned with the North of England is illustrated with a frontispiece eleven plates and extra-illustrated with fourteen further mounted vignettes on India paper.Volume II being the first part of the Scotland volume is illustrated with a frontispiece and forty four plates and mounted vignettes.Volume III being the second part of the Scotland volume is illustrated with a frontispiece and seventeen plates and mounted vignettes.These three volumes are extra-illustrated with thirty-one mounted vignettes and plates.Collated complete. In full morocco signed bindings with extensive gilt detailing to back strips. Externally exceptional. Light fading to back strips as is common with deep shades of morocco. Internally firmly bound. Pages exceptionally clean and bright with only the odd light handling mark to page perimeters. Fine For the Author by C. Richards hardcover
1817153987London: Printed for the author by W. Bulmer and Co. 1817. A splendid copy First edition of the book which defined a golden age of book collecting epitomising an era of aristocratic collectors and great libraries focused on black-letter and early printing large paper and vellum copies. Dibdin's classic remains eminently readable and is held in high regard by modern collectors even those collecting in areas alien to Dibdin. 3 vols royal octavo 238 x 151 mm. With 37 plates as called for; an additional plate "Presentation in the Temple" was not ready at time of publication and is as usual not present here. Contemporary green straight-grain morocco spines gilt in compartments wide gilt border to covers broad gilt turn-ins pink endpapers gilt edges. Scattered minor rubbing skilfully retouched contents clean save for occasional light foxing bound without terminal imprint leaf in vol. I. An excellent copy. Lowndes p. 640; Windle and Pippin A28. hardcover
182224494London: printed by W. Nicol successor to W. Bulmer and Co. Shakespeare Press 1822. First edition this one of 55 large paper copies; 2 volumes large 4to pp. viii 1 lxii 279 1; 6 322; volume II occasionally printed in red and with liberal use of gothic letter; engraved frontispieces in each volume double-page plan and 30 engraved plates on 29 sheets plus 6 other engravings and 71 facsimiles in the text; beautiful copy in full brown morocco gilt extra by Bedford a.e.g. gilt decorated spines red morocco labels; fine and impressive. "The work is intended as a supplement to the Bibliotheca Spenceriana forming vols. 5 and 6. It contains an account of the ancestors of Earl Spencer a history of the mansion with an account of the pictures and 32 engravings of the most important in the gallery a systematic catalogue of editions of the Scriptures an account of the Aldine editions not contained in the former volumes and a supplement to the works printed in the fifteenth century. An additional plate of Lady Camden was afterwards published" Lowndes. Jackson 37. printed by W. Nicol, successor to W. Bulmer and Co., Shakespeare Press unknown
181152821811. Three facsimile illus. in the text. iv 34 pp. 8vo cont. red half-morocco & brown drab boards sides ruled in blind spine lettered in gilt a.e.g. London: Printed by W. Bulmer 1811.<br/> <br/> First edition limited to 36 copies only so printed on the half-title and a presentation copy inscribed on the free front endpaper “With the Author’s respectful Compts.†This is the very rare specimen of what was to ultimately become the great catalogue of the Spencer Collection published as the Bibliotheca Spenceriana 1814-15 in four volumes with three volumes of supplements appearing in 1822-23. In the rather charming “Address†which serves as the introduction Dibdin asks for corrections to be pointed out to him “over a home-cook’d beaf-steak lightly sprinkled with snow-white horse-radish and flanked with the best lettuce my garden can bestow.†<br/> <br/> A fine and lovely copy. Armorial bookplate apparently of the Eliot family their motto: “Credunt quod vident†and the leather bookplate of Howard Lehman Goodhart one of Dr. Rosenbach’s good clients and father of Phyllis Goodhart Gordan. <br/> <br/> ⧠Windle & Pippin A17–“It may not be exaggerating to add that this was the most important prospectus of the many ‘fliers’ that Dibdin put abroad in his long career.†Jackson 28. unknown
