DIBDIN, Thomas FrognallBiblio.com
184 résultats
181152821811. Three facsimile illus. in the text. iv 34 pp. 8vo cont. red half-morocco & brown drab boards sides ruled in blind spine lettered in gilt a.e.g. London: Printed by W. Bulmer 1811.<br/> <br/> First edition limited to 36 copies only so printed on the half-title and a presentation copy inscribed on the free front endpaper “With the Author’s respectful Compts.†This is the very rare specimen of what was to ultimately become the great catalogue of the Spencer Collection published as the Bibliotheca Spenceriana 1814-15 in four volumes with three volumes of supplements appearing in 1822-23. In the rather charming “Address†which serves as the introduction Dibdin asks for corrections to be pointed out to him “over a home-cook’d beaf-steak lightly sprinkled with snow-white horse-radish and flanked with the best lettuce my garden can bestow.†<br/> <br/> A fine and lovely copy. Armorial bookplate apparently of the Eliot family their motto: “Credunt quod vident†and the leather bookplate of Howard Lehman Goodhart one of Dr. Rosenbach’s good clients and father of Phyllis Goodhart Gordan. <br/> <br/> ⧠Windle & Pippin A17–“It may not be exaggerating to add that this was the most important prospectus of the many ‘fliers’ that Dibdin put abroad in his long career.†Jackson 28. unknown
182224494London: printed by W. Nicol successor to W. Bulmer and Co. Shakespeare Press 1822. First edition this one of 55 large paper copies; 2 volumes large 4to pp. viii 1 lxii 279 1; 6 322; volume II occasionally printed in red and with liberal use of gothic letter; engraved frontispieces in each volume double-page plan and 30 engraved plates on 29 sheets plus 6 other engravings and 71 facsimiles in the text; beautiful copy in full brown morocco gilt extra by Bedford a.e.g. gilt decorated spines red morocco labels; fine and impressive. "The work is intended as a supplement to the Bibliotheca Spenceriana forming vols. 5 and 6. It contains an account of the ancestors of Earl Spencer a history of the mansion with an account of the pictures and 32 engravings of the most important in the gallery a systematic catalogue of editions of the Scriptures an account of the Aldine editions not contained in the former volumes and a supplement to the works printed in the fifteenth century. An additional plate of Lady Camden was afterwards published" Lowndes. Jackson 37. printed by W. Nicol, successor to W. Bulmer and Co., Shakespeare Press unknown
1817153987London: Printed for the author by W. Bulmer and Co. 1817. A splendid copy First edition of the book which defined a golden age of book collecting epitomising an era of aristocratic collectors and great libraries focused on black-letter and early printing large paper and vellum copies. Dibdin's classic remains eminently readable and is held in high regard by modern collectors even those collecting in areas alien to Dibdin. 3 vols royal octavo 238 x 151 mm. With 37 plates as called for; an additional plate "Presentation in the Temple" was not ready at time of publication and is as usual not present here. Contemporary green straight-grain morocco spines gilt in compartments wide gilt border to covers broad gilt turn-ins pink endpapers gilt edges. Scattered minor rubbing skilfully retouched contents clean save for occasional light foxing bound without terminal imprint leaf in vol. I. An excellent copy. Lowndes p. 640; Windle and Pippin A28. hardcover
1838979F3DLondon: For the Author by C. Richards 1838. First edition. Leather. Fine. 11" by 8". Not Stated. The very scarce three volume extra-illustrated large paper edition of Dibdin's final work illustrated throughout with engraved plates and in sumptuous Riviere morocco bindings. The first edition of English bibliographer Thomas Frognall Dibdin's final work a richly illustrated travel narrative that records his visits to libraries book collections historic sites and landscapes in the North of England and Scotland.The very scarce large paper edition of this work one of only 100 unnumbered copies of this large paper edition produced bound in three volumes rather than two; volume II Scotland is spread over two volumes rather than the single volume of the trade first.In vibrant full morocco bindings by Riviere.Volume I concerned with the North of England is illustrated with a frontispiece eleven plates and extra-illustrated with fourteen further mounted vignettes on India paper.Volume II being the first part of the Scotland volume is illustrated with a frontispiece and forty four plates and mounted vignettes.Volume III being the second part of the Scotland volume is illustrated with a frontispiece and seventeen plates and mounted vignettes.These three volumes are extra-illustrated with thirty-one mounted vignettes and plates.Collated complete. In full morocco signed bindings with extensive gilt detailing to back strips. Externally exceptional. Light fading to back strips as is common with deep shades of morocco. Internally firmly bound. Pages exceptionally clean and bright with only the odd light handling mark to page perimeters. Fine For the Author by C. Richards hardcover
1827ST12282London: Printed for Harding & Lepard 1827. Fourth Edition. 292 x 197 mm. 11 1/2 x 7 3/4". Two volumes. <br/> HANDSOME EARLY 20TH CENTURY BROWN STRAIGHT-GRAIN MOROCCO covers with gilt double fillet border fleuron cornerpieces raised bands spines richly gilt with panels dominated by a bold and complex quatrefoil incorporating spade-like tools and with palmette cornerpieces turn-ins with two gilt fillets marbled endpapers all edges gilt. With a facsimile of Greek and Latin text from the Complutensian Polyglot and volume I with a specimen leaf laid down as called for the leaf taken from the 1826 Pickering Diamond miniature edition of the New Testament. A Large Paper Copy. Front pastedowns with engraved armorial bookplate of John William Pease; rear pastedown with vellum armorial bookplate of Lord Wardington. Lowndes I 639; Brunet II 684 "Édition la plus complète et la meilleure"; Graesse I 382. ◆A touch of rubbing to tail edge of boards one leaf with a thin band of soiling along four inches of the fore edge light glue stain at lower corner of specimen leaf endpapers with faint fox spots isolated minor foxing elsewhere other trivial imperfections but generally A VERY FINE COPY the text clean and fresh with vast margins and the decorative bindings with no significant wear.<br/> <br/> This is the extremely attractive Wardington copy of the fourth and best edition of this quotable bibliographical classic. It is more heavily weighted than the earlier printings toward the Bible and the early Church Fathers and because of the presence of the Pickering specimen leaf it also qualifies as the earliest example to our knowledge of a leaf book. This was Dibdin's first work as a bibliographer and it quickly became the standard guide in English to editions of the classics. Its favorable notice brought him a position as Lord Spencer's librarian along with ecclesiastical preferment and he was consequently allowed to pursue his bibliographic career without financial worries. Spencer invited him not only to catalogue but also to add to the library at Althorp and Dibdin 1776-1847 turned it into the finest library in private hands in England. Our impressive Large Paper Copy comes from another of England's fine private libraries the collection of Lord Wardington 1924-2005 who was successively Chairman Vice-President and then President of the Friends of the British Library. His grandfather John William Pease was a member of the Northumberland banking and business family who amassed a substantial library and Lord Wardington added greatly to it particularly important Bibles and atlases. The Wardington sales at Sotheby's in London were major bibliophilic events in 2005 and 2006. Printed for Harding & Lepard unknown
182121259London: Printed For The Author By W. Bulmer And W. Nicol 1821. First edition. leather_bound. Contemporary calf ruled in gilt raised bands black leather backstrip title and volume labels lettered in gilt rebacked with original spines laid-down. Aeg gilt. 3 Vols. Very good. 462 lxxIx 555 621 lxii. 28 x 19 cm. 83 engraved plates one hand-colored two double-page engraved vignettes many on India paper woodcuts within text. Index bound in Vol. I with printed ticket and Supplement at end of Vol. III. Dibdin's most extravagant work which went a long way toward ruining him plates alone purported to cost 5000 pounds. This copy with the rare "Diane of Poictiers" plate inserted which was supposedly destroyed after only 50 copies were printed LOWNDES II p. 641. With manuscript letter in ink signed by Bernard Quaritch June 17 1890 attesting to the genuineness of the Poicters engraving with another Quaritch letter dated Jan. 28 1881 letter attesting to the collation noting where three plates were misplaced by the binder. Text very clean plate offsetting to text with marginal toning to some plates bookplates of Charles Williston McAlpin joints repaired lacks black leather spine label Vol. II. DIBDIN Vol. II p. 682. "De toutes les productions de Dibdin celle-ci nous parait etre le plus origninale." calling it his most original work. Printed For The Author By W. Bulmer And W. Nicol unknown
18411034London: John Murray 1841. First Edition. Fine Leather Kelliegram Binding. Fine. George Cruikshank. <p dir="ltr">DIBDIN Charles; CRUIKSHANK George Illustrator</p> <br /> <p dir="ltr">Songs Naval and National of the Late Charles Dibdin; with a Memoir and Addenda.</p> <br /> <p dir="ltr">London: John Murray 1841. First Edition.</p> <br /> <p dir="ltr">The Binding</p> <br /> <p dir="ltr">An exceptional and striking mid-19th-century nautical binding stamped "Kelliegram Binding" to the rear. Bound in full navy crushed morocco. The upper board features a magnificent large gilt-tooled vignette of a fully rigged galleon in full sail cresting stylized turbulent waves. The lower board is centered with a brilliant gilt trident. The spine is divided into six compartments by five raised bands lettered in gilt in the second compartment with the remaining compartments featuring distinct gilt nautical motifs: a pennant a camp tent a ship an anchor and a leaping dolphin. Finished with gilt-ruled edges intricate gilt inner dentelles solid endpapers and a gilt top edge. The absolute precision lavish tooling and premium materials are characteristic of the famed Kelliegram style produced by Kelly & Sons placing this remarkable piece firmly alongside the finest work of Golden Age peers like Riviere Zaehnsdorf and Bayntun.</p> <br /> <p dir="ltr">The Work & Maritime Significance</p> <br /> <p dir="ltr">This volume represents the definitive collection of Charles Dibdin 1745-1814 the undisputed master of the sea song whose music forms the absolute bedrock of the traditional sea shanty. For collectors interested in the tall ships era the Golden Age of Piracy and naval history Dibdin's works offer the authentic rugged soundtrack of that world-the very drinking songs working chants and tavern ballads sung by sailors privateers and smugglers below decks.</p> <br /> <p dir="ltr">Notably this text features Dibdin's wildly famous sea ballad "Poor Jack" the genuine 18th-century archetype that inspired centuries of maritime folklore and modern cinematic characters. In the era of sail "Jack Tar" or simply "Jack" was the universal moniker for the fearless and fatalistic British sailor. "Poor Jack" perfectly encapsulates the adventurous spirit of the men who lived and died by the unforgiving ocean dealing heavily in shipwrecks naval battles grog and tavern brawls.</p> <br /> <p dir="ltr">The Illustrations</p> <br /> <p dir="ltr">The volume is vastly elevated by the etchings of George Cruikshank one of the most important British illustrators of the 19th century. Cruikshank's brilliant style perfectly captures the grit and humor of naval life. Plates such as "Saturday Night at Sea"-depicting sailors drinking smoking and carousing below decks-offer incredible visual appeal and provide exactly the kind of authentic maritime aesthetic sought after by discerning collectors.</p> <br /> <p dir="ltr">Finding a highly thematic heavily gilt nautical Kelliegram binding in such a brilliant state of preservation is highly uncommon. The magnificent gilt galleon on the upper cover makes this an undeniable shelf-piece and a cornerstone acquisition for any fine maritime library.</p> <br /> <p dir="ltr">A book in fine condition. Measures 6.5"x4.25". Internally bright and clean with very little foxing. Extra illustrated.</p> . John Murray unknown
182131659London: printed for the author by W. Bulmer and W. Nicol Shakespeare Press 1821. First edition 1000 copies printed this one of 900 of the regular issue; 3 volumes large thick 8vo vignette title pages in each volume 83 plates 5 double-page 3 printed in sepia and 1 colored 64 other illustrations on India paper mounted in the text plus a multitude of textual illustrations throughout 4 printed in red; bound without half-titles in slightly later full tan calf double gilt rules on covers black morocco labels on gilt decorated spines a.e.g.; edges worn upper joint on vol. III restored a number of the plates foxed largely confined to the margins; a good sound set. This copy enhanced with a presentation in each volume to "B. C. Brodie Esq. from the author." With the bookplates of B. C. Brodie and B. H. Goldschmidt in each volume. Benjamin Collins Brodie was author of the classic Pathological and Surgical Observations on the Diseases of the Joints G-M 4311. "The collation is very irregular by reason of the fact that all illustrations in the text being printed on India paper pasted-in are on separately inserted leaves . This Voyage Pittoresque is lavishly illustrated mainly with copperplates after drawings by G.R. Lewis and others. Dibdin says he spent over 7000 pounds on the book being the first patron to pay 100 guineas for a plate . It has been unkindly said of this book that it would have been better without any text. However it does contain a modicum of bibliographical information that is still useful if used with due caution" Jackson. Lowndes notes that it "contains much useful and curious information" on the libraries and private collections of Europe. The second edition of 1829 is abridged and omits all but 5 of the original plates. Windle & Pippin note but a single presentation copy that from Dibdin to his son. Jackson 48; Lowndes I 641; Windle & Pippin A38a. printed for the author, by W. Bulmer and W. Nicol, Shakespeare Press unknown
1838ST17640fLondon: Printed for the author by C. Richards 1838. FIRST EDITION. 251 x 156 mm. 9 7/8 x 6 1/8". With the list of subscribers in volume I. Two volumes. <br/> HANDSOME EARLY 20TH CENTURY RED MOROCCO GILT BY MATTHEWS stamp-signed on front turn-in covers with gilt French fillet border enclosing a simple lobed panel raised bands spines very attractively gilt in compartments with spiral cornerpieces and centerpiece featuring either a fleur-de-lys a manuscript scroll and quill or Dibdin's cipher gilt inner dentelles marbled endpapers all edges gilt. With numerous engravings in the text and 44 ENGRAVED PLATES as called for including portraits views antiquities and manuscript facsimiles. Jackson 89; Windle & Pippin A-65; Lowndes I 641. ◆Plates with occasional minor foxing otherwise A VERY PLEASING SET IN ESPECIALLY FINE CONDITION the text clean and bright and the decorative bindings unworn and remarkably lustrous.<br/> <br/> This charming bibliographical travelogue takes us from Peterborough to London and on to Lincoln York Durham Newcastle Carlisle Dumfries Edinburgh Glasgow St. Andrews and the border lands of Sir Walter Scott with many stops along the way at libraries cathedrals castles and ruins. Dibdin 1776-1847 was perhaps the most visible figure among the bibliophiles and bibliographers of the first half of the 19th century. His "Bibliomania" 1809 was an amusing account of the then-current craze of book collecting among wealthy English aristocrats and the book while cynical did much to encourage the mania. And it was at his suggestion that the Roxburghe Club was founded in 1812. Our binding is typical of the elegant work produced by William Matthews a Scot who became the leading binder in America during the second half of the 19th century. He was head of the bindery at D. Appleton and Company was an early member of the Grolier Club and was an important advisor in the formation of the Club Bindery a firm organized with the generally realized intention of executing fine American bindings that rivalled the best being produced in Europe. Printed for the author by C. Richards unknown
18211227501821. London: Printed For The Author By W.Bulmer And W.Nicol Shakespeare Press And Sold By Payne And Foss Longman Hurst And Co. 1821. <br /> <br /> 3 vols. royal 8vo. pp. 2 p.l. xxv 3 leaves 462 lxxix 1 errata; 2 p.l. 555; 2 p.l. 622 lxii. without half-titles. 83 plates incl. portraits; 1 color 2 sepia & 5 double-page & 63 smaller illus. in the text some on India paper mounted. Early half dark green morocco marbled boards gilt-lettered backstrips a tall untrimmed set with usual occasional foxing or spotting. Bookplates of James Whatman and Charles Sebag-Montefiore.<br /> <br /> § First edition regular paper issue. One of a very few books by Dibdin that went into a second edition. "The collation is very irregular by reason of the fact that all illustrations in the text being printed on India paper pasted-in are on separately inserted leaves . This Voyage Pittoresque is lavishly illustrated mainly with copperplates after drawings by G.R. Lewis and others. Dibdin says he spent over 7000 pounds on the book being the first patron to pay 100 guineas for a plate . It has been unkindly said of this book that it would have been better without any text. However it does contain a modicum of bibliographical information that is still useful if used with due caution" Jackson. Lowndes notes that it "contains much useful and curious information" on the libraries and private collections of Europe. The second edition of 1829 is abridged and omits all but 5 of the original plates. Jackson 48; Lowndes I 641; Windle & Pippin A38a. Provenance: James Whatman; Lister; Colin Franklin; Charles Sebag-Montefiore. Windle and Pippin A38a. unknown
18141067671814. London: Printed for the Author by W. Bulmer Shakspeare Press and published by Longman Hurst etc. 1814-15. <br /> <br /> 4 vols. 8vo ix lii i 383; 503; 509 3; vii 509 lxxvii pp. with 22 plates including one double-page as called for and numerous additional woodcuts some in red in the text of all four volumes. These woodcut facsimiles are by the Byfield family. Full red morocco gilt dentelles. Bookplate of Ross Winans on the front pastedown of vol. one. Some occasional spotting or foxing especially in vol. 4 upper joint of vol. 4 beginning to split at head generally a very good set complete as issued.<br /> <br /> § First edition of Dibdin's great work. Loosely inserted at the front of vol. 1 is a manuscript note from Dibdin: "Subscription for copy of the Bibliotheca Spenceriana herewith sent £8.8. T.F. Dibdin Mar. 31." 500 copies were printed according to the prospectus and most nineteenth-century sources though A.N.L. Munby states that there were 550 copies; the prospectus states 50 copies on large-paper but Dibdin Bibliographical Decameron vol.II p.392 says: 'There were only 55 copies struck off on Large Paper.'. Regular and large-paper copies collate and paginate identically. In vol.I leaf M4 pp.87-88 occurs in two states both usually found together with and without the engraved facsimile of Polish type; the text of the bottom nine lines of p.87 is reset with the headline in a different type face; and there are minor changes in p.88. Ross Winans 1796-1877 was an American inventor mechanic and builder of locomotives and railroad machinery. He was one of the United States' first multimillionaires. His "small but choice" library Dickinson was bought en bloc by G.D. Smith and sold through various auctions though his copy of the First Folio was last recorded by Lee in the Census and is now unlocated. Windle and Pippin A25. unknown
1827107222London: Harding and Lepard 1827. Together with an account of polyglot Bibles polyglot Psalters Hebrew Bibles Greek Bibles and Greek Testaments; the Greek fathers and the Latin fathers. Fourth edition; greatly enlarged and corrected. In two volumes. Pp. ivxiv562iv580 1 engraved plate and small mounted specimen leaf Volume I corrigenda at end of Volume II; impl. 8vo; half dark green morocco the spines lettered and decorated in gilt marbled papered boards; edges slightly rubbed; t.e.g. others uncut and partly unopened; marbled endpapers; ribbon markers; bookplate on upper pastedowns small catalogue slip tipped-in after upper free endpaper Volume I large water stain to top fore-corner of the engraved plate and a couple of the surrounding leaves a little light offsetting from the bookmarkers scattered pale foxing; Harding and Lepard London 1827. Fourth edition large paper copy one of 250 thus. Windle & Pippin A3d. Contains much information not found in earlier editions. The plate is a facsimile of a page from the Complutensian Polyglot Bible and the mounted specimen leaf is from Pickering's 1826 Diamond Edition of the Greek New Testament. Harding and Lepard unknown
181713004London: The Author. By W. Bulmer & Co. Shakespeare Press 1817. FIRST EDITION. Complete with errata colophon and half-titles. With 40 plates including the oft missing "Presentation in the Temple" in Volume I portraits illustrations and facsimiles engraved vignettes woodcut and text illustrations some printed on India paper and mounted. Contemporary full crimson crushed levant morocco bound by St. James' Duke Street London a dated binding with the elaborate gilt spine in 6 compartments and "London 1827" in gilt at the foot. From the library of Thomas Willement 1786-1871 British stained glass artist called "the father of Victorian Stained Glass" with his signature a small circular binders label and his personal bookplate from the Society of London Antiquaries. A handsome copy with an important provenance. First and only edition of one of the monuments of typographical bibliography and the most extravagant of all Dibdin's works. It was limited to under 1000 regular and 50 large paper copies. "Its publication was a financial success and doubtless marks the high-water mark of the Dibdinian bibliomania" Windle & Pippin A28. According to Bigmore & Wyman the work is written in the same dialogue manner as Dibdin's Bibliomania with the same interlocutors and may be properly described as a continuation of that work. The Author. By W. Bulmer & Co., Shakespeare Press unknown
18211246701821. London: W. Bulmer and W. Nicol Shakespeare Press and Sold by Payne and Foss Longman Hurst and Co. J. and A. Arch R. H. Evans R. Triphook and John Major 1821. <br /> <br /> 3 vols. large thick 8vo iv xxv xxvi blank v vi blank 462 lxxixi index; iv 5551; iv 392.297-622 lxii pp lacking half-titles. 83 plates incl. portraits; 1 color 2 sepia & 5 double-page & 63 smaller illus. in the text some on India paper mounted. Finely bound by Tout in full polished calf with triple gilt fillet richly gilt backstrip with green labels gilt turn-ins marbled endpapers all edges gilt. Vols. 1 and 3 rehinged tips bumped. Plates occasionally foxed but in general a very good copy internally with the bookplates of renowned M.D. J.A. Knowles Renshaw in each vol. and the very faded signature of Mrs Boolys July 1821 on each title-page.<br /> <br /> § First edition regular paper issue; first state of vol. 1 p. 27 and p.95 vol. 3. One of a very few books by Dibdin that went into a second edition. "The collation is very irregular by reason of the fact that all illustrations in the text being printed on India paper pasted-in are on separately inserted leaves . This Voyage Pittoresque is lavishly illustrated mainly with copperplates after drawings by G.R. Lewis and others. Dibdin says he spent over 7000 pounds on the book being the first patron to pay 100 guineas for a plate . It has been unkindly said of this book that it would have been better without any text. However it does contain a modicum of bibliographical information that is still useful if used with due caution" Jackson. Lowndes notes that it "contains much useful and curious information" on the libraries and private collections of Europe. The second edition of 1829 is abridged and omits all but 5 of the original plates. Jackson 48. Windle & Pippin A38a and A44. unknown
1824164843London: N 1824. Pp. ivlii912 title page vignette index errata; thick demy 8vo; early half calf over marbled papered boards rebacked not recently with the original gilt lettered and decorated spine laid on the gilt worn away from the decorations between the raised bands the boards a trifle rubbed edges lightly worn with a few mainly small surface chips heavier below top fore-corner of upper board both joints worn with the upper joint cracking; uncut; ribbon marker; hinges cracking book label of David Levine Sydney on upper pastedown some light foxing and browning occasional slight soiling; printed for Harding Triphook and Lepard and J. Major London 1824. First edition one volume issue. 100 large paper copies were issued in two volumes. Windle & A50a. Tipped-in after the upper free endpaper is an autograph letter from Dibdin signed and dated April 15 1814 with an integral address leaf to W. Godwin Bookseller franked by Earl Spencer in Bath. George John Spencer 2nd Earl Spencer 1758-1834 served as Home Secretary from 1806 to 1807. He was renowned for his vast and impressive book collection and was the instigator and first President of the Roxburghe Club the oldest society of bibliophiles in the world. Thomas Frognall Dibdin 1776-1847 was also a founding member of the Roxburghe Club. Earl Spencer was Dibdin's patron for many years opening up the library at Althorp to Dibdin for cataloguing. The resulting Bibliotheca Spenceriana a Descriptive Catalogue of the Books Printed in the Fifteenth Century and of Many Valuable First Editions in the Library of George John Earl Spencer is regarded as one of the most thorough and elaborate catalogues of a private library. In 1818 Spencer commissioned Dibdin to buy books for him on the continent a trip described in Bibliographical Antiquarian and Picturesque Tour in France and Germany 1821. Dibdin also wrote Aedes Althorpianae an account of Althorp giving many details of the library. The letter to Godwin is Dibdin's response to a request for a copy of Bibliotheca Spenceriana: 'Sir I understand you have solicited for a third copy of the B S as subscribed for last July - but am sorry to add that such third copy never came to my knowledge and there must have been a mistake somewhere. It is wholly out of my power to furnish you with it. I am Sir Your undeciphered T. F. Dibdin.' It is possible that the recipient could have been the writer and political philosopher William Godwin 1756-1836 widower of Mary Wollstonecraft and father of Frankenstein author Mary Shelley. At the time of the letter 1814 Godwin was a bookseller and publisher in partnership with his second wife Mary Jane Clairmont. In 1805 Mary Jane and William Godwin opened a bookshop and publishing house M. J. Godwin & Co. Among other popular titles the firm published The Swiss Family Robinson and Charles & Mary Lamb's Tales from Shakespeare. The bookshop also known as The Juvenile Library specialised in literature for children. N unknown
1817261849London: Printed for the author by W. Bulmer and Co. Shakespeare Press 1817. First edition with half-titles and errata. Hundreds of engravings and examples of type etc. some tinted in red and blue and slip of gold printing with directions to binder slip at vol. II p. 417. 3 vols. Imperial 8vo 9-3/4 x 6 inches. Bound in contemporary three quarters blue pebbled morocco spine gilt and marbled boards and edges. Fine small bump to some pages in Vol. I. Bookplate of The Right Hon. Charles Abbot prob. Charles Abbot 1st Baron Colchester in Vols II & III. First edition with half-titles and errata. Hundreds of engravings and examples of type etc. some tinted in red and blue and slip of gold printing with directions to binder slip at vol. II p. 417. 3 vols. Imperial 8vo 9-3/4 x 6 inches. Windle & Pippin A28; Jackson no.40; Hart no.186; Bigmore and Wyman pp. 169-70 Printed for the author by W. Bulmer and Co. Shakespeare Press unknown
1821009041London: Printed for the Author by W. Bulmer & W. Nicol Shakespeare Press 1821. 1st Edition. Full-Leather. Near Fine. Three Volumes 4to. xxvv462 lxxix - Bibliographical indices i corrections; 2 555; ii622 lxii supplement. Gorgeous First Edition beautifully bound in contemporary long-grained tanned morocco four raised bands elaborate spine decorations and dentelles in gilt; titles in gilt. gilt borders on all boards. a.e.g. Complete with 83 plates without text and 63 plates with text. Remarkably well-preserved set. Square tight and generally clean throughout save a few light and scattered spots. As is usual off-setting to page opposite plates even some of those with tissue guards. Some quite mild rubbing and edge-wear. A tiny scuff here and there. Laid in is the printed Grolier Club announcement of its December 1935 meeting ".devoted to Thomas Frognall Dibdin the bibliographer and bibliophile 1776-1847". The pamphlet includes an engraved portrait of Dibdin. A most handsome collectable set. Please note: International and Priority orders will require additional postage. Printed for the Author by W. Bulmer & W. Nicol, Shakespeare Press unknown
182712350London: Printed for Harding and Lepard Pall-Mall East; and G.B. Whittaker Ave-Maria-Lane 1827. Fourth Edition Greatly Enlarged and Corrected. 3/4 modern brown leather with gilt lettering and 5 raised bands to spine with 4 ornaments. Dark cloth over boards. Very Good. Imperial octavo oversized. Boards are 117/8" by 8 1/2" paper is 11"x 7 1/2" with wide margins. Lovely marbeled endpapers with 2 new blank preliminary leaves in both volumes. Original half-titles in both volumes. Plate and specimen leaf p. 166 present in vol. 1. Some foxing to first and last few original pages diminishing quickly a bit more noticeable on v 2. Light fingermarks on upper corners of some pages. vol. 1 xiii 562 p. vol. 2 579 p. w/ 1 p. corrigenda. Large paper copies limited to 250 Dibdin's Reminscences p. 213. Considered the best of the editions of this work adding the best of both Hebrew bibles and editions of the early church fathers. An attractive set. <br/><br/> Printed for Harding and Lepard, Pall-Mall East; and G.B. Whittaker, Ave-Maria-Lane hardcover
18233702877London: G. and W.B. Whittaker 1823. Occasional foxing lightly rubbed at extremities. Tall quarto copperplate engraved music and text; contemporary half calf a very handsome copy the spine gilt and with an unusual triple "harlequin" set of labels in red white & blue. <p><p>First edition of this early collection of the patriotic ditties and rollicking shanties of the British navy: a fascinating and important record of the conditions of the Georgian sailor. Many of the songs had a lasting influence on the spirit of the navy especially during the protracted war with France. Each is present in an engraved musical score with lyrics.</p> <p>The collection was put together by the prolific Charles Dibdin 1745-1815. His son Thomas in a brief biographical notice appended to the 1850 collective edition of his father's sea-songs remarked: "These songs have been the solace of sailors in long voyages in storms in battles; and they have been quoted in mutinies to the restoration of order and discipline". Readers may be surprised to learn that many take "Grog" or trouncing the French as their theme.</p> <p>Bringing out his first two-act opera when he was only sixteen Dibdin had a long career as an actor and singer and worked briefly with David Garrick. A seemingly inexhaustible writer he composed some one thousand songs during his career and was also a sometime playwright self-publishing Great News or A Trip to the Antipodes in 1794. For a complete list of the dramatist-composer's published and unpublished plays musical entertainments and compositions see E.R. Dibdin A Dibdin Bibliography Liverpool 1937. Dibdin was not much of a sailor himself: in 1788 he sailed for the East Indies but bad weather forced the ship back to port at Torbay. He took it as a sign and returned to London.</p> <p>This book neatly demonstrates the difficulty of producing a book with a letterpress introduction and engraved plates throughout: several numbers are omitted from the series and conversely three listed songs are not included. This is nonetheless the standard collation of the book with ninety-five rather than ninety-nine songs.</p> </p> . G. and W.B. Whittaker unknown
181748738London: printed for the author by W. Bulmer & Co. Shakespeare Press 1817. First edition 3 volumes imp. 8vo 37 plates including 2 folding plus many other engraved vignettes and woodcut illustrations and facsimiles in the text several printed in color several mounted plus one mounted red leather label printed in gold; later full tan morocco triple gilt rules on covers gilt-lettered direct on gilt-decorated spines a.e.g.; a few of the plates a bit spotted else a very nice copy. Without the oft-missing "Presentation in the Temple" plate in vol. I. This is the only edition of one of Dibdin's most famous books there were 50 on large paper and certainly one of the best printed. Dibdin destroyed the plates for the book at a meeting of the Roxburgh Club. "This work forms one of the monuments of typographical bibliography. As in the style of its production it is the most sumptuous so in the nature of its contents it may be said to be one of the most interesting books relative to ancient and modern printing" Bigmore & Wyman. "The work is written in the same dialogue manner as the Bibliomania with the same interlocutors and may be properly described as a continuation of it. It is perhaps the most lavish of all Dibdin's works" Jackson. Hart 186: "A bibliographer's classic that marks the beginning of the general recognition of bibliomania as a plaything for wealthy." Bigmore & Wyman pp. 169-170; Jackson 40; Lowndes I 640; Windle and Pippen A28. printed for the author, by W. Bulmer & Co., Shakespeare Press unknown
1821996F55London: Printed for the author by W. Bulmer and W. Nicol Shakespeare Press 1821. First edition. Cloth. Very Good Indeed. 10" by 7". Not Stated. The impressive three volume first edition of this account of book buying in Europe in the early 19th century illustrated throughout and written by Thomas Frognall Dibdin on a trip to France and Germany. The first edition of this work complete in three volumes. Only 1000 copies of this first edition were produced.A fascinating work on books and book hunting in the early eighteenth century offering an intriguing insight into the industry.Illustrated with thirteen plates to volume I alongside thirty-nine vignettes volume II with twenty-four plates and twenty-four vignettes and volume III with forty-six plates and fifty vignettes. Collated complete.In 1818 Dibdin was commissioned by Earl George Spence to purchase books for him on the continent. It was this trip that is described in beautiful detail in this work which was first published in 1821.Dibdin was accompanied on his trip by George Lewis and together they spend nine months in French and Germany. They visited various public and private libraries.Rebound in cloth with endpapers renewed. Bound without half titles.The volumes are entertaining recounting their follies and errors during the trip. However the inaccuracies in the book upset the French; the French translation which appeared in 1825 contained many footnotes that attacked the original text. Rebound in cloth with endpapers renewed. Rubbing to spine label of volume I otherwise externally excellent. Internally firmly bound. Pages bright with offsetting to leaves facing plates and with the odd spot. Bound without half titles. Very Good Indeed Printed for the author, by W. Bulmer and W. Nicol, Shakespeare Press hardcover
1825009738Paris: Crapelet 1825 4 volumes 8vo 28 cm XXIV 344 pp.; 4 374 2 pp.; VIII 384 pp.; 4 446 2 pp. Contemporary red morocco-backed marbled boards spines with raised bands gilt-tooled compartments gilt lettering-pieces polished top edges fore- and bottom edges untrimmed green silk bookmarks marbled endpapers uniformly age-toned with occasional foxing; bookplates on pastedowns of each volume. Large-paper copy on papier vélin the binding signed by Thouvenin. A complete set of the French translation of the celebrated bibliographical travelogue by the Reverend Thomas Frognall Dibdin 1776-1847 the most influential English bibliographer and bibliophile writer of the Romantic period dedicated by the publisher G. A. Crapelet to the members of the Société des Bibliophiles Français. First published in English as the Bibliographical Antiquarian and Picturesque Tour in France and Germany 1821 the work is among Dibdin's most important and one of the great literary monuments of nineteenth-century bibliophily. Structured as 36 letters vols. I-II cover Dibdin's journey through Normandy -- Dieppe Rouen Caen Bayeux Coutances and the return to Paris via Falaise and Versailles -- while vols. III-IV are devoted principally to Paris with extended accounts of the Bibliothèque Royale its illuminated manuscripts and rare early printed books as well as the Bibliothèque de l'Arsenal Sainte-Geneviève and the Mazarine concluding with a journey to Strasbourg. Vol. III contains a separate translator's preface by Crapelet who notes the controversial reception of Dibdin's original among the French scholars and institutions it described. A desirable complete set in a distinguished contemporary binding by Joseph Thouvenin 1791-1834 one of the foremost Parisian bookbinders of the Restoration period. Crapelet hardcover
1831BIBLIO-59137Longman Rees Orme Brown and Green London first edition 1831. 6 volumes later blue half-calf and cloth gilt spine decoration and red leather title-panels 16mo 18 cm. various paginations tissue-guarded frontispiece portraits. Scarce Rare Book Hub has no auction record since 1954 and that for a supposed '1832' edition. An attractive collection of sermons of which Dibdin wrote in a letter "My hope & object is to fight Methodism with my right hand and radicalism with my left - by the influence of the excellent Sermons selected." Dibdin contributed the biographical sketches and notes in addition to any editing of the sermons but acknowledged privately that these were really included to protect copyright. Some 40 clerics are represented including several acquaintances of Dibdin e.g. Blomfield DOyly Heber Rennell and Sydney Smith. The publication was successful financially with a second edition produced in 1833-35 and Lister notes "Over 4000 sets were sold which is most remarkable in view of the considerable scarcity of the book today". Alas Dibdin's share of the proceeds was insufficient to make much impact on his very poor finances at the time - apart from his other troubles he had expensive costs from defending a libel action he had innocently become involved in. The set is bound without the advertisement leaves or half-titles mentioned in Windle & Pippin otherwise conforming to the pagination of their entry A56a with minor differences Vol III page 2 not numbered Vol IV prelims not numbered. A handsome first edition set slightly rubbed otherwise Very Good with a little faint foxing largely confined to the endpapers. Longman, Rees, Orme, Brown, and Green, London, first edition, 1831 hardcover
1824262161London: Printed for Harding Triphook and Lepard Finsbury-Square and J. Major Fleet Street 1824. Large paper copy of the first edition. li i 400; 512 pp. 1 vols. 8vo 9-3/4 x 6 inches. Full tree calf a.e. g. by Riviere. Labels reads "Dibdin's Work." Bookplates of Henry William Poor Marinus Willet Dominick Francis J. Gagliandi and Stuart B. Schimmel. Large paper copy of the first edition. li i 400; 512 pp. 1 vols. 8vo 9-3/4 x 6 inches. Pagination not as called for in Pippin and Windle who call for continuous pagination. Printed for Harding, Triphook, and Lepard, Finsbury-Square and J. Major, Fleet Street unknown
18381227511838. London: Printed for the Author. 1838. <br /> <br /> 2 vols royal 8vo i-v vi-xv xvi 10 subscribers plates contents 1 2-436 i ii-xxx supplement 1 errata 12 plates; iv 437-39 440-1090 pp. With 40 plates and woodcut vignettes on titles and throughout the text. Original pinkish buff boards printed paper labels skillfully rebacked retaining the original backstrips. Binding signed "J. MacKenzie Binder 4 Crown St. Westminster". Bookplate of Charles Sebag-Montefiore.<br /> <br /> § First edition regular paper copy. Dedicated to Frances Mary Richardson Currer. The dedicatee subscribed for nine copies eight on large-paper. Arthur Freeman has one of these still in original boards and Roxburghe quarter roan inscribed by Dibdin 'To Miss Currer From the Author April 19.1839. The first copy into boards.' Jackson states that there were 100 large-paper copies bound in three volumes with a third title-page inserted before p. 815 and with the index at the end of vol.3. The quantity of the regular issue is not known. The Barlow copy in original boards uncut has an eighteen-page Bohn catalogue an octavo and an additional leaf bound at the end of vol.I. 'I think it belongs there since it is printed by the same printer as the book on what appears to be the same paper.The unusual thing . is that it appears to be excerpts from a rare book catalogue selected specifically for this book rather than a publisher's catalogue.' Barlow in litt. Freeman's 'first copy into boards' has only pp.17-18 the last single leaf of this catalogue bound in at the end. This copy like Barlow's has the entire catalogue.<br /> <br /> Tipped into vol. 1 is an autograph letter from Dibdin dated 20 November 1848 addressee unknown. "May I venture to solicit your transferring your name from my "Reformation Lectures" which are postponed perhaps sine die to the enclosed work. Perhaps the same favour could be obtained from your Brother" signed T/F. Dibdin. Provenance: Lister; Colin Franklin; Sebag-Montefiore. Windle A65. unknown
