Livre Rare Book
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1934ABE-1767196270025FORMAT 16,5 CM X 24 CM-128 PAGES-EN COUVERTURE : ILLUSTRATION DE GEORGES DUTRIAC-LA JEUNE FILLE AUX SEPTS RECORDS : HELENE BOUCHER, PAR JACQUES MORTANE, 8P-LE YACHT AUX VOILES ROUGES, ROMAN COMPLET DE GASTON PASTRE, 48P-(PG)
c4724Suivant la copie imprimée à Paris, 1671 ( Amsterdam,G. de Luynes, selon la BNF) ; in-12° broché, couverture factice de papier peigné du XIXe, étiquette manuscrite au 1er plat; 3ff.n.ch.( titre avec vignette,épitre), 61pp.Frontispice gravé, cul-de-lampe animalier à la fin de chaque acte.
174791802n. l.: s. n. 1747. Fine. s. n. n. l. 1747 10 x 16.8 cm Relié First edition of this work published by the Société du Bout-du-Banc the celebrated literary salon presided over by Mademoiselle Jeanne-Françoise Quinault and the Comte de Caylus. This intimate circle originally comprising eight members would gather on Mondays at dinner to exchange ideas and to write; at the close of each meal every distinguished guest was required to set down a few lines whether in the coarse poissard style or in a more refined vein on paper. It was in this context that Les Fêtes roulantes ou les regrets des petites rues came into being in the wake of the celebrations held in Paris in honour of the Dauphin's second marriage to Marie-Josèphe de Saxe. Pastiche binding in plum half-shagreen spine with five raised bands framed by gilt dotted fillets and six compartments decorated with gilt fillets and fleurons marbled paper boards gilt top edge pastedowns and endpapers in shell-pattern marbled paper. Some minor rubbing to the paper of the lower board corners slightly bumped. ""In his youth the Comte de Caylus had paid considerable tribute to the literature of fairy tales which the translations from Arabic and Persian by Galland and Pétis de la Croix had brought into fashion; one does not find him again in these artificial creations to which he returned when he was nearly seventy. But in the intervening years his character as a writer emerged and declared itself in accordance with his manners and tastes and in how propitious a milieu! The Société du bout du banc that academy of Gallic ribaldry presided over by Mademoiselle Quinault; those suppers at which an inkwell served as centrepiece and which La Chaussée d'Armenonville Voisenon Moncrif the Grand Prior of Vendôme Duclos Salley and Crébillon fils enlivened with their bawdy and bantering wit. All men of letters with little taste for philosophy all content to let the world go its own way and finding it perfectly satisfactory as it was all of that sacred flock of Epicurus somewhat transformed by Circe in which each member is satisfied or very nearly with what their presiding lady declared sufficient for Duclos the least fastidious among them. The popular literature of the eighteenth century that is to say literature which took the common people as the subject of its observations and tableaux was born within this company of mirth and folly and the Comte de Caylus was its natural father and its foster father; it took its first lively flights in those ""Écosseuses"" 1739 those ""Étrennes de la Saint-Jean"" 1742 those ""Mémoires de l'Académie des colporteurs"" those ""Avantures des bals des Bois"" those ""Fêtes roulantes"" 1748 a veritable magic lantern of Parisian popular life ."" Avertissement ""Mémoires et réflexions du comte de Caylus"" 1874 s. n. hardcover
44383Paris de l'imprimerie de P. de Lormel 1783 in 8 (18,5x12) 1 fascicule broché, couverture muette de papier marbré ancien, 31 pages. Paroles de Philippe Quinault, 1635-1688. Bon exemplaire ( Photographies sur demande / We can send pictures of this book on simple request )
200020308Somogy Editions d’Art /Musée départemental d’Île-de-France, Château de Sceaux, Sceaux 2000 In-4, pleine toile noire, sous jaquette illustrée, illustrations et photographies en noir et en couleurs, 144 pp. Etat neuf.
1882H1711Paris, Laplace, Sanchez & Cie, 1882 ; in-12, 476 pp., reliure demi-cuir beige, dos orné à nerfs, pièce de titre rouge (rousseurs éparses). Précédé d'une notice biographique par M. Victor Fournel. Quatre gravures coloriées dessinées par Allouard. Très bon état.
#[17732]8º: A 4 A4 A5 2 A-B 8 C 2 gepag.: 10 36 pp. op de titelpagina het vignet van 'Nil Volentibus Arduum'. Papieren omslag. Van Aken II p.312; Dongelmans NVA 128; CBMNL 4671 De Haas Het repertoire van de Amsterdamse schouwburg 1700-1772 Maastricht 2001 p.250 unknown
1860ABE-1741988270045IN 8-452 PAGES-GRAVURE EN FRONTISPICE-ADRIENNE LECOUVREUR-DANCOURT ET LA THORILLIERE-PREVOST-DUCLOS-DE CAMARGO-GAUSSIN-GAUTIER-DE SEYNE-SYLVIA-DE LA POPELINIERE-DE MAUPIN-FAVART-OLIVIER-QUINAULT-CLAIRON-DANGEVILLE-GUIMARD-FLEUR D'EPINE-LA MARQUISE ET LA COMEDIENNE-LES SEVIGNES DES COULISSES FEL MANON LE CLER MIRE-LES APRES-SOUPERS DE FRANCOISE LES BAS BLEUS DIDEROT, GRIMM, VOISENON, BACHAUMONT, SOPHIE ARNOULD, QUINAULT-SOPHIE ARNOULD-LANGE-CAMEES PROFILS ET SILHOUETTES DICTIONNAIRE HUMORISTIQUE DES PRINCESSES ET DEESSES-OPERA-RELIURE DOS CUIR, DECOR D'ENTRELACS, PIECE DE TITRES, PLATS CARTONNES-LEGERE MOUILLURE EN MARGE DROITE DES PREMIERES ET DERNIERES PAGES-(3C)
43386Boston: D. C. Heath and Co. no date ca. 1950s. 16mo.; cloth covered pictorial boards hardcover; 160 pages; black and white illustrations; Heath's Modern Language Series; French Text; a very good clean tight copy. <br/><br/> Boston: D. C. Heath and Co., no date [ca. 1950s] hardcover
2005Q-0521845904Cambridge University Press 2005-01-31. Paperback. New. New. In shrink wrap. Looks like an interesting title! Cambridge University Press paperback
2004x-0521845904Cambridge Univ Pr 2004. Paperback. New. new title edition. 260 pages. 8.50x5.25x0.50 inches. Cambridge Univ Pr paperback
183030318A Paris, aux Bureaux de la Chanson du Jour illustrée, sans date (vers 1830) . Album relié demi-toile rouge au format 27 x 18 cm, 30 livraisons de "Conservatoire Populaire du Chant", 4 pages chacune ayant paru "tous les samedis" (première série. Il ne semble pas y avoir eu d'autres séries au même titre). Oeuvres présentes : Adolphe et Clara, Gulistan ou le Hulla de Samarcande, Colinette à la cour, Alceste, Cosi fan Tutte, Obéron, Adieu, Vivre loin de ses Amours, La Molinara, Didon, Les deux jaloux, la Dot de Suzette, Gulnare, Camille ou le souterrain, Les Maris garçons, Les deux aveugles, La fausse magie, La belle Arsène, Annette & Lubin, Ariodant, Ernelinde, L'italienne à Londres, L'attente, Zoroastre, Blaise & Babet, Les Danaïdes, Nina, La création, La servante maitresse, Persée, - Puis 18 numéros de "La Chanson du jour", aux Bureaux de la Chanson illustrée dont les titres sont : Oui ! j'aime à rire, Mon chien fidèle, Aux fleurs la brise, Rose & marguerite, Le compagnon maçon, Le printemps, Légende de l'ange gardien, La dernière pensée du Christ, Les deux Pierrots, L'écaillère, La fête-Dieu, Que dites-vous ?, La réponse de Rosette, Grandis mon fils, Les rêves au pays breton, Le bon pasteur, Le loup & le chien, Page & chatelaine, Puis 24 numéros de "Les Chants de la Maison" (recueil bi-mensuel dirigé par M. Alberty, chez Amand Chevé, sans date, vers 1840).- Revues peu courantes dont les textes sont de Marsollier, Henri second, Marc Constantin, Jeaure, Marmontel, Favart, Poinsinet, Cahuzac, Monvel, Comte de Ségur, Baurans, Quinault etc.- Musique de Dalayrac, Grétry, Gluck, Werer, Shubert, Boieldieu, Paisiello, Piccinni, Madame Gail, Mehul, Monsigny, Martini, Phildor, Cimarosa, A. Pilati, Rameau, Dezède, Salieri, Haydn, Pergolèse etc.- 710g.- Très bon état.
972S.l. (Paris), nrf / Gallimard, s.d. (1986). In-16, reliure d'éditeur pleine peau rouge, dos lisse orné de filets dor., titre dor., sous jaquette rhodoïd, tranchefiles, double signet, tête grise, sous emb. pelliculé d'éditeur.
973S.l. (Paris), nrf / Gallimard, s.d. (1986). In-16, reliure d'éditeur pleine peau rouge, dos lisse orné de filets dor., titre dor., sous jaquette rhodoïd, tranchefiles, double signet, tête grise, sous emb. pelliculé d'éditeur.
1697abc4030Schelte Amsterdam 1697 Schelte Amsterdam 1697 small paperback 61 marble edges pages with b/w frontis has printed paper cover with explanation " No other editions recorded apart from this and the first excluding collected editions" Cover have been removed Otherwise in VERY GOOD CLEAN TIGHT READING ORDER. Full refund if not satisfied. 24 hour despatch via Tracked. If not pictured in this listing a scan of the actual book is available on request. Soft cover. Good. Schelte Amsterdam paperback
B9781441187802Paperback / softback. New. Analysis of the development of Democracy in Britain through the major leaders of the nation. paperback
A9781409420460Hardback. New. William Ewart Gladstone 1809-98 was an MP for over sixty years and four times Prime Minister. This study reappraises Gladstone by focusing on five themes: his reputation; his representation in visual and material culture; his personal life; his role as an official; and the ethical and political basis of his international policies. hardcover
1396045724.Ghardcover. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. hardcover
1777121877P., Deslauriers, s.d. (1777), in-folio (323 x 250 mm), (1) f. de titre, 279 pp, reliure plein veau raciné, dos à 5 larges faux-nerfs soulignés de doubles filets dorés, titre doré dans un encadrement floral au 1er plat, tranches mouchetées (rel.de l'époque), coiffes arasées, pt accrocs au 2e plat, pt mque à un coin, plats lég. frottés, coins émoussés, trace de mouillure ancienne en coin, infime travail de vers en marge sup. des 10 derniers feuillets, marges des 4 premiers feuillets restaurées, 4 pages manquantes (p. 217-220) remplacées par une copie manuscrite très bien exécutée à l'époque, bon exemplaire, entièrement gravé sur cuivre, imprimé sur papier fort
13175Paris, Pierre Ribou, 1701 / Michel Brunet, 1702 / Pierre Ribou, 1703 / Pierre Ribou, 1703 / Pierre Ribou, 1704. 5 ouvrages in-12, (8)-72--(12)-70-(2)--(8)-73-(3)--(10)-72--(8)-87-(1) pp., reliure de l'époque plein veau, dos orné, tranches mouchetées (dos légèrement frotté).
13175Paris, Pierre Ribou, 1701 / Michel Brunet, 1702 / Pierre Ribou, 1703 / Pierre Ribou, 1703 / Pierre Ribou, 1704. 5 ouvrages in-12, (8)-72--(12)-70-(2)--(8)-73-(3)--(10)-72--(8)-87-(1) pp., reliure de l'époque plein veau, dos orné, tranches mouchetées (dos légèrement frotté).
RO50028961Théodore Michaelis. fin XIXème. In-8. Broché. Etat d'usage, Livré sans Couverture, Dos abîmé, Intérieur frais. 380 pages. Plats et dos manquant. Gravure noire et blanche de J.B. Delaroche en page titre.. . . . Classification Dewey : 780.26-Partitions
1987C50155Paris 1987. First Edition Thus. Wraps. Very good. Decent copy. . 8vo. pp 72. Large format paperback. Text in French. Facsimile reprint of the 1676 edition. paperback
17102811Paris: A l’Entrée de la Porte de l'Academie Royale de Musique …: Henry de Baussen 1710. The first illustrated and the first edition engraved full score of Lully’s Persée. Engraved music. Folio. In somewhat later green half maroquin. Spine and front panel gilt. Supra ex-libris: M.me Adolp. de Lanneau - Partitions. With six engravings by Scotin and Deplaces after Duplessis. Binding rubbed at the extremities. Water stain to the lower edge of the first and last leaves. Sporadic foxing pages toned due to aging. Otherwise in fine condition. The first illustrated and the first edition engraved full score of Lully’s Persée. Engraved music. Folio. In somewhat later green half maroquin. Spine and front panel gilt. Supra ex-libris: M.me Adolp. de Lanneau - Partitions. With six engravings by Scotin and Deplaces after Duplessis. 4 229 1 p. The first illustrated and the first edition engraved full score of Lully’s Persée.<br /> Full score of Lully’s tragédie en musique with Philippe Quinault libretto. The opera premiered on 7 April 1682. This is the Persée’s first engraved edition adorned with six engravings illustrating scenes from the opera the first for the prologue and one for each of the five acts.<br /> Provenance: Madame Adolphe de Lanneau wife of A. de Lanneau 1796–1881 a French school director and politician to whom George Onslow dedicated his Violin Sonata No. 6 Opus 31.<br /> RISM L 2993. A l’Entrée de la Porte de l'Academie Royale de Musique […]: [Henry de Baussen] unknown
167539713Paris: Christophe Ballard seul Inprimeur du Roy pour la Musique ruë Saint Jean de Beauvais au Mont Parnasse . Par exprés commandement de Sa Majesté 1675. Quarto. Disbound. 1f. recto title verso blank 1f. "Acteurs du Prologue" 3ff. "Prologue" 1f. "Acteurs de la Tragedie" 70 pp. With woodcut device to title including Apollo with lyre figures in Greco-Roman dress with harp and lute and a pegasus; woodcut headpieces to each act; decorative woodcut initials and tailpieces throughout.<br /> <br /> Full named cast lists for the "Acteurs du Prologue" and the "Acteurs de la Tragedie."<br /> <br /> Somewhat worn browned foxed soiled and stained a bit heavier to title; some worming especially to lower inner margins; stub of front free endpaper and blank preliminary leaf preceding title; first signature detached; loss to blank outer margin of title repaired with contemporary paper; blank outer margin of all leaves of "Prologue" repaired with contemporary paper; numerous additional leaves with contemporary paper reinforcements to inner margins; other minor defects. Lacking first leaf of Prologue pp. 65-66 and pp. 71-76. First Edition first issue all other issues with a date of first performance as 11 January 1675. This issue not in Sonneck Librettos. Schmidt LLC3-1. <br /> <br /> Thesée a tragédie en musique in a prologue and five acts to a libretto by Quinault after Ovid's Metamorphoses was first performed at St Germain-en-Laye on 11 January 1675.<br /> <br /> "The orchestra and chorus are used with brilliant effect in several divertissements but especially in the evocation of battle throughout Act 1. Medea's role like that of Lully's final lovesick sorceress Armide is replete with expressive monologue airs: 'Doux repos' 'Dépit mortel' 'Sortez Ombres' and 'Ah! faut-il me venger'. Thésée was part of the standard repertory at the Paris Opéra from 1675 until 1767; in addition it was selected to represent Lully when in 1779 the Opéra presented an historical survey of French operatic styles. Lully's score was substantially modernized by editors for productions from 1754 onwards." Lois Rosow in Grove Music Online. Christophe Ballard, seul Inprimeur du Roy, pour la Musique, ruë Saint Jean de Beauvais au Mont Parnasse ... Par exprés command unknown
