Maurice ANDRIEUXBiblio.com
133 résultats
196876951Paris: Arthème Fayard 1968. Fine. Arthème Fayard Paris 1968 14 x 23 cm relié First edition one of 70 numbered copies on alfa paper the only deluxe copies. Half red shagreen binding with corners spine with five raised bands with blind fillets marbled paper boards endpapers and pastedowns original wrappers and spine preserved top edge gilt retaining deckled edges. Handsome copy handsomely bound. Arthème Fayard hardcover
1934BIBLIO-53075Librairie Giraud-Badin Paris auction catalogues for the sales held on 18th December 1933 and 30th October 1934Georges Andrieux 7th-8th May 1934 and H. Gilhofer & & H. Ranschburg Ltd 27th-28th November 1934. 4 vols in 1 later cloth original printed wrappers not retained top edge gilt gilt spine-title various formats 28 cm. various paginations and plates as described below. 97 lots 124 lots 349 lots 651 lots. A bound volume of 4 auction catalogues together including many black-and-white plates of bindings. The catalogues are: 1 Catalogue de beaux livres anciens et modernes provenant de la bibliothèque de M. le comte de Gramont 34 pp 30 plates 97 lots 2 Bibliothe`que B : livres anciens rares et précieux riches reliures anciennes armoriées 56 pp 15 plates including 3 double 124 lots; 3 Bibliothe`que de feu M. Emmanuel Rodocanachi. Très Précieux Livres Anciens; Éditions Originales de Grands Classiques Illustrés du Xviii - Exemplaires de Dédicace; Reliures de Grolier Des Ève Le Gascon Etc.Reliures aux Armes; Choix de Livres et de Reliures Romantiques et Modernes; 103 2 pp 8 plates ills 349 lots; and 4 Bibliothe`que Armand Sigwalt. Architecture - Ornement : Décoration Intérieure Perspective; Livres a gravures Livres de dentelles Jardinage et Botanique Topographie Archéologie et Antiquité L'Art officiel Bibliographie: Bibliographie des Incunables et des Livres illustrés du XVIme au XIXme siècle. Histoire de l'imprimerie. Histoire de la gravure et Catalogues raisonnés des Peintres-Graveurs du XVme au XIXme siècle 67 pp 8 plates 651 lots. 4 vols in 1 Librairie Giraud-Badin auction catalogues sale dates: 18 December 1933 7-8 Mai 1934 and 27-28 Novembre 1934 . 67 pp 8 plates. From the library of the bibliophile A R A Hobson though without indicia of that except that one photograph annotated in Hobson's hand is laid in. Very Good. Librairie Giraud-Badin, Paris, auction catalogues for the sales held on 18th December 1933 and 30th October, 1934,Georges Andrie hardcover
68-0818Paris France: Andrieux 1927. 4to. Soft Covers. 73 pp. Good: cover detached with tears staining else VG. B&W Plates. En Francais. Scarce.Provenance: Jacques Laget. Paris, France: Andrieux, 1927. paperback
68-0816Paris France: Salle Silvestre 1929. 4to. Soft Covers. 71 pp. Good with small tears to covers dog-eared corners & minor creasing else VG. B&W Frontispiece. En Francais.Provenance: Jacques Laget. Paris, France: Salle Silvestre 1929. paperback
182267531Paris: Chez Et Ledoux 1822-1825. 14 vols. Original blue boards hardcovers. 22x14 cm. Text in French / Français. signs of use paper bit browned spots/foxing Although still very good see pictures Chez Et Ledoux hardcover
182110774Paris: Firmin Didot 1821. Fine. Firmin Didot Paris 1821 32 x 22 cm 3 tomes en 3 Vol. reliés French gallery or collection of portraits of men and women who distinguished France in the 16th 17th and 18th centuries. First edition. A supplement would appear a few years later. The index is lacking in the last volume. Half black sheep with fillets smooth spine. Excellent condition some scattered foxing in the margins but on very white paper. The three volumes contain respectively 65 engravings 60 and 62 engravings. The historical notices opposite each portrait which comprise several pages are the work of Villemain Andrieux Denon Boissy d'Anglas and associates. the portraits by Mr Chrétien Rulhman Weber. Numerous facsimiles add to the interest of the work which contains portraits found nowhere else. This edition is uncommon and justly appreciated by collectors. Firmin Didot unknown
181889602Paris: Nepveu 1818. Fine. Nepveu Paris 1818-1823 12.5 x 21 cm 4 volumes reliés First collected edition of the works by the author of Les Étourdis ou le Mort supposé a comedy that enjoyed great success just before the Revolution.The set includes a portrait frontispiece in the first volume four engraved plates and ten engraved headpieces.Bound in contemporary full polished and mottled brown calf gilt decoration smooth spines with six false raised bands highlighted with gilt fillets and repeated gilt floral tools gilt fillet frames on covers bordered with a garland roll gilt tooling to head- and tailpieces green morocco spine labels marbled endpapers and pastedowns gilt edges on boards marbled edges contemporary bindings.Some foxing to a few leaves of volume IV and to the endpapers with minor surface abrasions to the covers.Poet and playwright F.-G.-J.-S. Andrieux 17591833 was for a time drawn to politics under the Consulate.He is remembered for his famous retort to Bonaparte who reproached him for his opposition in the Tribunate: « Citoyen Premier Consul on ne s'appuie que sur ce qui résiste ».In literature however his ultra-classical tastes prevented him from recognizing the genius of Balzac of whom he said after hearing Cromwell: « Ce jeune homme doit faire quoi que ce soit excepté de la littérature ». A splendid copy in Bradel-Derome le jeune bindings cf. Coligny Bradel-Derome type A-T2 bearing a printed label on the pastedown of the first volume and beneath it the bookplate of the library of Vicomte E. de Bourbon-Busset 17991863. Nepveu hardcover
181655305Paris: Vente 1816. Fine. Royal wedding edition of this popular pre-Revolution comedy issued on the occasion of the marriage of Princess Marie-Caroline and the Duc de Berry - and from the library of the Duchess herself who famously sold her books after her failed coup in 1832. The Duchess's wedding occurred only a year after the restoration of the royal House of Bourbon in 1815 following Napoleon's final defeat at Waterloo. On that occasion a special performance of Andrieux's 1787 play was performed for the Duchess a devotee of the theater. This rare edition was printed as a memento of that event which was to have massive implications in French history. <br /> <br /> The Duchess's new husband was the king's brother; after the Duc de Berry's assassination in 1820 their son became the heir apparent to the French throne. But when the July Revolution of 1830 deposed the Bourbons the Duchess and her son went into exile. In 1832 however the Duchess of Berry clandestinely returned to France to lead a rebellion becoming "the most wanted woman in France" Samuels. Her coup failed and she was once again exiled; her story would later be dramatized in fiction by Alexandre Dumas as LES LOUVES DE MACHECOUL 1859. <br /> <br /> Realizing she would never return to her beloved library of some 8000 volumes at Chateau Rosny she made the decision to sell it. It was then one of the most famous libraries in France with a tremendous range in philosophy history travel science law theology fiction and theater. This copy's binding and bookplates mark its provenance from the library of the Duchess. It was bound by René Simier 1772-1843 who "had no superior and few rivals during his career" Ramsden 190 with his ticket announcing him as "Binder to the King to Her Royal Highness the Duchess of Berry and to His Royal Highness the Duke of Bordeaux." The binding is in the style the Duchess regularly ordered from Simier featuring her gilt arms on the boards upon a carefully selected full morocco. It further bears the engraved bookplate of Rosny on the unusual pink endpapers. Books from the Duchess's library still appear with some regularity on the market today but rarely with such a close personal connection to the Duchess herself. Contemporary full honey morocco boards stamped in gilt with the arms of the Duchess of Berry bound by René Simier with his ticket "Relieur du Roi de S.A.R. Madame Duchesse de Berry et de S.A.R. Mgr le duc de Bordeaux". Pink glazed endpapers all edges gilt. 4 82 pages. Engraved bookplate of the Bibliothèque de Rosny on front pastedown; bookplates also of Alexis Rouart and Eugène Aubry-Vitet. Only trace rubbing and soil. Vente unknown
