BoccaccioBiblio.com
677 résultats
193566353Shakespeare Head Press 1935. Full Leather. very good. Quartos 11' x8" Two volume set. Bound in full blue leather. Gilt lettering to spines.Illustrated with wood-cut engravings. Decorative initial letters printed in blue. Printed by Isaac Jaggard. Limited to 350 copies of which this is #175. Some light scuffing and edge wear to spines. Corners bumped. The text of the First volume has been prepared from that of the First English translation printed by Isaac Jaggard for Mathew Lownes in 1625 and compared with the first edition of 1620. The wood engravings have been re-cut by R.J.Beedham and E.Joyce Francis from thos in the edition printed by the Brothers Gregorii at Venice in 1492. Text has been set by hand in Caslon's type. Illustrations have been copied in facsimile with a slight reduction from the woodcuts in the edition of the Decameron printed in Venice by the brothers De Gregorii in 1492. Shakespeare Head Press unknown
190366188Reliure bradel plein cartonnage de papier marbré. Dos à nerfs avec fleuron central doré. Toutes tranches dorées. Couverture couleurs conservée. Mors intérieur affaibli.E?dition ornée de 7 illustrations hors texte, de nombreuses vignettes et culs-de-lampe par Léon LEBE?GUE.
193450551Paris Gibert Jeune 1934 2 volumes in-4, bradel demi-parchemin bandes, plats de papier motifs onduls, dos portant le nom de l'auteur, le titre de l'ouvrage et la tomaison calligraphis en noir; et illustrs d'une petite composition aquarelle en couleurs reprsentant un personnage diffrent pour chaque volume; doublures et gardes de papier marbr, non rogns, couvertures illustres.170 compositions de Brunelleschi, dont 32 hors-texte en couleurs et 138 bandeaux et culs-de-lampe en noir. Tirage unique limit 2.500 exemplaires numrots sur vlin de Navarre. Exemplaire enrichi d'une suite en noir des hors-texte.
193448786Paris Gibert Jeune 1934 2 volumes in-4, maroquin vert pour le premier volume, maroquin bleu pour le second volume, orns sur chaque premier plat d'une composition en couleurs de Brunelleschi contrecolle dans un encadrement en creux; titres de l'ouvrage pousss or sur les dos sans nerfs orns de fers et roulettes dors; encadrements intrieurs orns de pointills dors avec des fleurons dors aux angles, doublures de soie moire verte (ou bleue), gardes de papier marbr, ttes dores, non rogns, couvertures illustres. Chemises, tui double (Ren Lix).170 compositions de Brunelleschi, dont 32 hors-texte en couleurs et 138 bandeaux et culs-de;lampe en noir. Un des 2.500 exemplaires numrots sur vlin de Navarre, seul tirage sur grand papier.
198149062Roma pero imp. en Milán: Edizioni d'Arte di Carlo E. Bestetti 1981.- 228 p. 1 h.: Ex-libris grabado del editor con el número de ejemplar y 11 preciosas láminas a todo color reproduciendo dibujos a la acuarela pegados a modo de cromo y protegidos por papel de seda; Gran Folio imperial 496 x 35 cm; Magnífica impresión a dos tintas sobre grueso papel ahuesado; Letras capitulares; Cinta-guía de lectura; Texto en italiano; Enc. en pleno Curpiel Ed. de color granate imitando chagrén lomo dorado 5 nervios dobles guardas de muaré estuche.- Edición limitada de 1999 ejemplares numerados y firmados a lápiz por el artista siendo éste el n.º 116. Ejemplar en excelente estado de conservación. La presente edición se distingue por la notable intervención del artista Renato Guttuso cuya labor ilustrativa confiere al volumen un carácter singular dentro de la tradición editorial del Decameron. Guttuso 19111987 figura destacada del neorrealismo italiano aporta una interpretación visual de fuerte carga expresiva y sensual en consonancia con los temas humanos eróticos y vitalistas que recorren los relatos de Boccaccio. EDAD MEDIA EUROPEA Libro in italiano Edizioni d'Arte di Carlo E. Bestetti hardcover
194065435New York:: The Grolier Club 1940. First edition; one of 300 copies printed on Italian hand-made paper at the De Vinne Press. publisher's elaborately decorated art vellum. Very slight rubbing at extremities; a very few slight marks to a very few leaves of text; a very attractive copy overall almost entirely free of the foxing often seen. . Small 4to. Frontispiece portrait; folding city view of Florence. With an Introduction and a Note on the Portraits of Dante by G. R. Carpenter. The Grolier Club, hardcover
19301022371930. BOCCACCIO Giovanni. The Decameron. Two volumes. xiii 199; 200-382 4 pp. 4to. bound in recent half maroon morocco matching red silk over boards black morocco spine labels gilt. New York: The Limited Editions Club 1930. One of the earliest publications of the Limited Editions Club and one of the most elegant. The books were designed by T.M. Cleland and printed by A. Colish. The chapter headings are beautifully printed in different colours. One of an edition of 1500 copies signed by Cleland. hardcover books
19528592Verona. Editiones Officinae Bodoni. 1952. Bound in half gilt ruled Vellum and paper covered boards. Gilt titles to spine. t.e.g. 4to. 7.5" x 11.5 This Edition has been pinted in Griffo type on the hand-press in 225 numbered copies on hand-made Fabrino paper of which this is number 93. Illustrated with Woodcuts by Bartolommeo Di Giovanni for a lost Quattrocentro Edition which were used to illustrate various later texts and now been reesembled and recut by Fritz Kredel. Very mild usual foxing to fore-edge. Very slight foxing to front and rear pastedowns. A Very Fine crisp copy. Editiones Officinae Bodoni. hardcover books
19528592Verona. Editiones Officinae Bodoni. 1952. Bound in half gilt ruled Vellum and paper covered boards. Gilt titles to spine. t.e.g. 4to. 7.5" x 11.5 This Edition has been pinted in Griffo type on the hand-press in 225 numbered copies on hand-made Fabrino paper of which this is number 93. Illustrated with Woodcuts by Bartolommeo Di Giovanni for a lost Quattrocentro Edition which were used to illustrate various later texts and now been reesembled and recut by Fritz Kredel. Very mild usual foxing to fore-edge. Very slight foxing to front and rear pastedowns. A Very Fine crisp copy. Editiones Officinae Bodoni. hardcover
19282091202133206096Fratelli Alinari 1928. Soft Cover. Fine. Volume: 1 Fratelli Alinari paperback
1952002184Verona: Editiones Officinae Bodoni 1952. Book. Near Fine. Hardcover. 1st Edition. Quarter vellum over patterned paper-covered boards; vellum ruled in gilt with gilt lettering at spine. Top edge trimmed and gilt other edges untrimmed. Housed in cream paper-covered slipcase. Special edition printed by hand-press in Griffo type on hand-made Fabriano paper limited to 225 numbered copies of which this is 106. Octavo. xi 1 blank 127 1 colophon pages. Illustrated with in-text woodcuts made by Bartolommeo di Giovanni for a lost quattrocento edition which were used to illustrate various later texts and have now been reassembled and recut. One full-page facsimile from the English version printed in 1597. Slightest toning and shelf wear to binding and slipcase. About fine. . Editiones Officinae Bodoni Hardcover
193519387Paris Le Vasseur 1935 Paris, Le Vasseur 1935. 3 volumes grand in-8 carrés, brochés, plus un portfolio de même format renfermant le cuivre et les planches libres, le tout sous chemises-étuis.
1934307366London: Printed at the Shakespeare Head Press and published for the press by Basil Blackwell 1934. #159 of 325 copies. Title pages printed within woodcut borders woodcut decorations throughout by R. J. Beedham and E. Joyce Francis after those found in the 1492 Venetian edition of Boccaccio printed by Joannes and Gregorius de Gregoriis decorative initial letters and running headlines printed in blue. 319; 268pp. 2 vols. 4to. This copy is one of an unspecified but small number of copies bound in full blue morocco t.e.g. on the rough rest uncut Colin Franklin notes the standard binding as "half bound in morocco on linen". #159 of 325 copies. Title pages printed within woodcut borders woodcut decorations throughout by R. J. Beedham and E. Joyce Francis after those found in the 1492 Venetian edition of Boccaccio printed by Joannes and Gregorius de Gregoriis decorative initial letters and running headlines printed in blue. 319; 268pp. 2 vols. 4to. Printed at the Shakespeare Head Press and published for the press by Basil Blackwell unknown books
1952698244 xii128 pages 23 woodcuts 1 facsimile title page limited edition no.188 of 225 copies handmade paper tipped in bookplate for John Ryder Published by Editones Officinae Bodoni hardcover
19762865A NICE. LE CHANT DES SPHERES. EDITIONS D’ART SEFER. 1976-1978. 5 VOLUMES IN-4 (21,5 X 27 X 29,5 CENTIMETRES ENVIRON), RELIURE DE L’EDITEUR PLEIN VEAU HAVANE, PLATS ENTIEREMENT ORNES D'UN DECOR MOYENNAGEUX ESTAMPE A FROID ET DORE, DOS A QUATRE NERFS DECORE DE MEME, TITRE ET TETE DORES, SOUS ETUI BORDE. AVEC 45 ILLUSTRATIONS EN COULEURS DANS LE GOUT DE L'ENLUMINURE : 5 TITRES-FRONTISPICES, 30 PLANCHES HORS TEXTE DONT 1 PLANCHE DOUBLE, 10 TETES DE CHAPITRES A PLEINE PAGE. NOMBREUSES LETTRINES ET CULS-DE-LAMPE EN COULEURS ET DORE. TEXTE ENCADRE DUNE GUIRLANDE A DECOR DE FEUILLAGES MONOCHROME. PREMIER TIRAGE LIMITE A 2530 EXEMPLAIRES NUMEROTES, DONT 30 HORS COMMERCE , TOUS SUR VELIN DE LANA FLIGRANE SEFER AU LEOPARD. UN DES 60 EXEMPLAIRES DE TETE NUMEROTES DE I A LX ET COMPORTANT: UNE ILLUSTRATION ORIGINALE EN COULEURS SIGNEE, UN DESSIN ORIGINAL EN NOIR SIGNE, UNE SUITE EN COULEURS ET UNE SUITE EN SEPIA DES ILLUSTRATIONS HORS TEXTE, CELUI-CI PORTANT LE NUMERO XXXVI. BEL EXEMPLAIRE.
19123011BBMünchen und Leipzig, Georg Müller und Hans von Weber, (1912-13). 8°. 264, 252, 188, 238, 227 Seiten. Orig. rotes Maroquin mit grünen Rückenschildchen, reicher Rückenvergoldung, Goldbordüre auf Deckeln, Kopfgoldschnitt.
19123011BB1912. München und Leipzig Georg Müller und Hans von Weber 1912-13. 8°. 264 252 188 238 227 Seiten. Orig. rotes Maroquin mit grünen Rückenschildchen reicher Rückenvergoldung Goldbordüre auf Deckeln Kopfgoldschnitt. Nicht bei Rodenberg. - Faksimile der berühmten Boccaccio-Ausgabe. "Von dieser Ausgabe wurden 100 Exemplare für die Mitglieder der Vereinigung 'Die Hundert' auf Velin von Van Gelder mit dem Hundertzeichen weitere 100 Exemplare auf gleichem Velin mit dem Wasserzeichen "Boccaccio" für die Luxusausgabe abegezogen." Vorliegendes Exemplar ist Nr. 42 der Luxusausgabe. - Rücken von Bd. 1 und Teil des hinteren Deckel etwas verblasst Kratzer auf Vorderedeckel von Bd. 4. unknown
19544798Verona: Officina Bodoni 1954. First Edition. Hardcover. Fine/fine. Printer/publisher Hans Mardersteig's copy with his bookplate on the inside endpaper. Fine copy in leather-edged slipcase with marbled boards matching the endpapers. One of 125 copies on Rives. Lovely book. <br/><br/> Officina Bodoni hardcover
1935313189Oxford: Printed at The Shakespeare Head Press and published for the Press by Basil Blackwell 1935. No. 132 of 325 copies. The text for this edition is from Isaac Jaggard's English translation of 1620. The illustrations are from a 1492 edition published in Venice by the De Gregorii brothers. 4to. Three quarters blue morocco and cloth sides t.e.g. rest uncut. Minor fading to spine else fine. No. 132 of 325 copies. The text for this edition is from Isaac Jaggard's English translation of 1620. The illustrations are from a 1492 edition published in Venice by the De Gregorii brothers. 4to. A handsomely bound copy of this modern fine press edition of the Decameron. Printed at The Shakespeare Head Press and published for the Press by Basil Blackwell unknown books
1935313189Oxford: Printed at The Shakespeare Head Press and published for the Press by Basil Blackwell 1935. No. 132 of 325 copies. The text for this edition is from Isaac Jaggard's English translation of 1620. The illustrations are from a 1492 edition published in Venice by the De Gregorii brothers. 4to. Three quarters blue morocco and cloth sides t.e.g. rest uncut. Minor fading to spine else fine. No. 132 of 325 copies. The text for this edition is from Isaac Jaggard's English translation of 1620. The illustrations are from a 1492 edition published in Venice by the De Gregorii brothers. 4to. A handsomely bound copy of this modern fine press edition of the Decameron. Printed at The Shakespeare Head Press and published for the Press by Basil Blackwell unknown
195013962Paris: Verve 1950. This issue of <i>Verve</i> features two sets of illustrations for Boccaccio's <i>Decameron</i> one set the so-called Duke of Burgundy version consists of twenty six miniatures reproduced in full color photogravure. The publisher of <i>Verve</i> Tériade found these black and white washes in Chagall's studio in 1948 and immediately wanted to use them in conjunction with the Duke of Burgundy miniatures. For the most part the selections from the miniatures were driven by linking them to the appropriate Chagall drawing so only about a quarter of the full set of 100 miniatures were used in this issue of <i>Verve</i>. These washes were a new development for Chagall making use of different techniques both brushes and pens as well as a wide range of shades of grey and black. The juxtapositon of the two media made for a memorable issue of Verve. The book opens with a poem by Jacques Prevert and an introduction by Frantz Calot then the curator of the Bibliotheque de l'Arsenal home of the Duke of Burgundy miniatures.This copy is inscribed from Chagall to a Monsieur Abeel Venice 1957. Laid in is a typed signed note from Chagall's wife Valentina along with the typed envelope addressed to M. Abeel at a hotel in Venice postmarked 1960. The note is regarding an invitation to dinner with the Chagalls.Very good condition overall with some of the usual problems with the exterior--paper of the corners chipped several smallish pieces missing from the spine one closed tear and one tear with a triangular piece missing. Most of the pieces of the cover are still present if folded. Held in place by the clear plastic cover. Signatures are securely sewn. Interior is near fine. Please see accompanying photographs. Anthonioz <i>Verve</i> page 213. Verve hardcover books
1903EXE-430Paris, H. Floury, 1903. In-8°, reliure de maroquin rouge cerise, ornementation géométrique, inspirée directement des illustrations de l’ouvrage; dos à cinq nerfs; tranches dorées; doublures de même maroquin avec des ornements or, avec en leurs centres une gouache originale; gardes de soie vert amande; couverture conservée; étui (Carayon). Illustré de nombreuses compositions par Léon Lebègue, dont de nombreuses vignettes et culs-de-lampe, ainsi que 7 compositions hors-texte. Tiré à 189 exemplaires, celui-ci sur papier vergé à la forme des papeteries d’Arches, bien complet de la suite en noir sur Chine. Contient deux dessins originaux à la gouache et aquarelle avec des rehauts d’or, signés, insérés chacun dans les doublures (21x14,5cm).
192550083Paris Ren Kieffer 1925 In-4, maroquin marron orn d'une grande composition pousse or sur chaque plat, dos trois larges nerfs plats portant le titre le l'ouvrage pouss or au-dessus de trois carquois; encadrements intrieurs orns d'une roulette dore, doublures et gardes de papier marbr, tte dore, non rogn, couverture imprime (Ren Kieffer).56 compositions en couleurs d'Alfred Le Petit, dont une sur la couverture, 12 titres de nouvelles en hors-texte et 43 in-texte. Tirage limit 600 exemplaires numrots. Un des 50 premiers exemplaires sur japon (n1), seuls comporter une aquarelle originale en couleurs signe par l'artiste, et une suite des gravures. Bel exemplaire.
195584970Verona: Officina Bodoni 1955. full crushed morocco five raised bands author and title stamped in gilt on spine in second compartment morocco-tipped slipcase. Officina Bodoni. 8vo. full crushed morocco five raised bands author and title stamped in gilt on spine in second compartment morocco-tipped slipcase. 125 7 pages. One of 140 copies of which this copy is one of 125 numbered copies. Two very light rubbing marks to two of the leather raised bands one the spine as well as to compartment four of the spine. Very light darkening to the endpapers from the leather turn-ins. Slipcase shows only the smallest hint of rubbing to the leather fore-edge tips. Else fine in fine slipcase. A beautiful copy of an extremely scarce Officina Bodoni imprint. Officina Bodoni unknown
19631371Les Heures Claires, Paris 1959-1963. 6 volumes in-folio (34 x 26 cm) en feuilles sous couvertures imprimées rempliées, chemises et étuis décorés de l'éditeur. 100 AQUARELLES ORIGINALES HORS-TEXTE DE SALVADOR DALI GRAVÉES SUR BOIS EN COULEURS par Raymond Jacquet. - Exemplaire : 1 des 3900 ex. numérotés sur pur chiffon de Rives filigrané. Les 6 ouvrages sont en excellent état et bien complets des 100 gravures et des 3 doubles-feuillets de justification numérotés. Les planches belles aux couleurs lumineuses. Les emboîtages sont en excellent état de conservation.
