677 résultats
1916019615New Castle Pa.: C. B. Randall Publisher 1916. Book. Half Vellum Silk Cvrd.brds. Signed By the Publisher. No. 82 of 140 Copies. 5 volumes. A good copy the blue watered silk covers are faded around the the edges on four volumes and on the remaining volume 4th vol. the whole front cover is faded the vellum is a bit soiled on all volumes and there is a bookplate on the paste-down endpaper of each volume. The top edges are gilt. The frontispiece and the nine original etchings are clean and nearly all other text pages are clean. On the title page this is called the Mary Rose Randall edition. There were probably 26 six copies which contained eleven hand-lettered or illuminated initials. This is NOT one of those copies. The space is present for the initial but it is blank. Size: Folio - over 12" - 15" tall. C. B. Randall, Publisher hardcover
199123986Greenbrae: The Allen Press 1991. Limited edition. Hardcover. Previous owner's small exlibris label to front free endpaper else fine. 71 pp. illustrated with 4 wood engravings by John DePol; 8vo. 11 x 7.5 inches bound in brown cloth and hand-blocked Fortuny fabric. Text set in Goudy's Italian Old Style and printed in 2 colors on handmade Whatman cotton rag paper. Acetate jacket. <br/><br/>Edition of 116 copies The Allen Press hardcover
19312606055<p>hb no d/w 133pp illus.</p> Illustrated Editions Co hardcover
19312309016New York: Three Sirens Press 1931. First Thus. First Thus. Very Good/No Jacket. King Alexander. First thus. No slipcase. No jacket. Spine rubbed minor general wear. 1931 Hard Cover. We have more books available by this author!. 133 pp. Top page ridge gilt. Illustrations by Alexander King. ABOUT THE AUTHOR: "Giovanni Boccaccio 16 June 1313 Three Sirens Press unknown books
1960301620New York Columbia University Press 1960. 1960. First edition thus so stated. 8vo. Translated by Daniel J. Donno. Illustrations by Angela Conner. Dust jacket price clipped. Very good. 149 pages. No signatures or bookplates. Hardcover. Very Good/Very Good. New York, Columbia University Press, 1960. hardcover books
1960003534New York: Columbia University Press 1960. A translation by Daniel J. Donno; illustrations by Angela Conner. xvii 149p. b/w illus. original green cloth. Columbia University Press unknown books
1952AQ24646Verona: Editiones Officinae Bodoni 1952. Limited edition of 225 copies on hand-made Fabriano paper of which this is copy number 160. xi 1 127pp 3. With 23 woodcuts and a facsimile of the title page of the 1597 English edition. Original publisher's vellum-backed patterned paper boards lettered in gilt T.E.G. others uncut. Lightly rubbed corners bumped. Internally immaculate. A remarkably handsome edition of Boccaccio's greatest poem and unquestionably the best of his minor works. This edition unites the Elizabethan English translation with the woodcuts created for a lost fifteenth-century Italian edition . Quarto. Editiones Officinae Bodoni hardcover
1952698244 xii128 pages 23 woodcuts 1 facsimile title page limited edition no.188 of 225 copies handmade paper tipped in bookplate for John Ryder Published by Editones Officinae Bodoni hardcover
19528592Verona. Editiones Officinae Bodoni. 1952. Bound in half gilt ruled Vellum and paper covered boards. Gilt titles to spine. t.e.g. 4to. 7.5" x 11.5 This Edition has been pinted in Griffo type on the hand-press in 225 numbered copies on hand-made Fabrino paper of which this is number 93. Illustrated with Woodcuts by Bartolommeo Di Giovanni for a lost Quattrocentro Edition which were used to illustrate various later texts and now been reesembled and recut by Fritz Kredel. Very mild usual foxing to fore-edge. Very slight foxing to front and rear pastedowns. A Very Fine crisp copy. Editiones Officinae Bodoni. hardcover
1952002184Verona: Editiones Officinae Bodoni 1952. Book. Near Fine. Hardcover. 1st Edition. Quarter vellum over patterned paper-covered boards; vellum ruled in gilt with gilt lettering at spine. Top edge trimmed and gilt other edges untrimmed. Housed in cream paper-covered slipcase. Special edition printed by hand-press in Griffo type on hand-made Fabriano paper limited to 225 numbered copies of which this is 106. Octavo. xi 1 blank 127 1 colophon pages. Illustrated with in-text woodcuts made by Bartolommeo di Giovanni for a lost quattrocento edition which were used to illustrate various later texts and have now been reassembled and recut. One full-page facsimile from the English version printed in 1597. Slightest toning and shelf wear to binding and slipcase. About fine. . Editiones Officinae Bodoni Hardcover
19528592Verona. Editiones Officinae Bodoni. 1952. Bound in half gilt ruled Vellum and paper covered boards. Gilt titles to spine. t.e.g. 4to. 7.5" x 11.5 This Edition has been pinted in Griffo type on the hand-press in 225 numbered copies on hand-made Fabrino paper of which this is number 93. Illustrated with Woodcuts by Bartolommeo Di Giovanni for a lost Quattrocentro Edition which were used to illustrate various later texts and now been reesembled and recut by Fritz Kredel. Very mild usual foxing to fore-edge. Very slight foxing to front and rear pastedowns. A Very Fine crisp copy. Editiones Officinae Bodoni. hardcover books
19549407Lexington KY: Gravesend Press 1954. Vellum Binding. Near Fine binding. 18mo. 10 48 4 pp. illus. Limited edition number 9 of 200 copies. As issued in vellum-backed patterned-paper over boards. Lacking the slipcase. A handsome copy with only light toning to the perimeters of the boards; contents clean. This copy with 4-page prospectus. <br /> <br /> This work was the first book issued by the Gravesend Press that was actually printed using the Graves' press in their stable by Graves and Jacob Hammer. Kredel's charming engraved pressmark of a sleeping pressman graces the final page. Graves writes about this in his Bibliographical Confession the donkey in the window was their family pet Patience. Graves operated the press as a sideline from about 1949 through to the end of his life in 1960 issuing scarcely more than half a dozen books. While less known that some of his contemporaries he took his place amidst a vibrant mid-century printing and illustrating scene—friends with Victor Hammer Carolyn Reading Fritz Kredel John DePol John Fass and others. H. Richard Archer in a history of the Graves and his press published in The Kentucky Review Spring 1987 summarizes Graves's work thus: "All of the books whether pamphlets or bound books reflect the taste and high standards of a true amateur craftsman and as such they certainly qualify as choice examples from one of this generation's most distinguished private presses." Press historian Roderick Cave notes that this was "probably the most successful Gravesend book" p. 263. Cave The Private Press 2nd edition; Graves The Gravesend Press: A Bibliographical Confession p. 11-13. Gravesend Press unknown
1954MM319-055Lexington KY: Gravesend Press 1954. First Edition thus. Hardcover. Very Good. Fritz Kredel. LIMITED EDITION of 200 hand-numbered copies; this is copy 58 printed from handset Caslon type on hand-made Fabriano paper. 12mo. 7 5/16 x 4 1/8 inches. vi 48 2 pp. Half-title title page in red black and blue inks decorative initials throughout some in color 6 woodcut illustrations throughout including the woodcut on the colophon also laid-in is a woodcut illustration on a small French-fold sheet which is a proof of the original illustration Fritz Kredel cut for page 4 but ultimately replaced with the illustration on page 4 that Kredel liked better; text clean unmarked. Quarter parchment spine decorated patterned paper in red and green over boards spine titled in gilt; binding square and tight light toning to extremities of covers. Red dot label on front free end-paper with penciled price book seller notations in pencil on front end-papers. MM319-055. Very Good. The text of this volume is a "story of roguery in the fourteenth-century" excerpted from Boccaccio's Decameron. It features lovely woodcut illustrations in late-medieval style by Fritz Kredel 1900-1973 a German-American artist and graphic designer; Kredel created the presidential seal for John F. Kennedy's inauguration. Joseph Graves the proprietor of the Gravesend Press was a clothing merchant vice-president and treasurer of Graves Cox & Co. who was also a book collector with an interest in printing and book illustration before he began his printing efforts. In 1948 Graves taught a course on the history of printing and book illustration at Transylvania University. It was about this time that the Gravesend Press was founded. The Gravesend press mark on the colophon of this book shows Patience the Graves' pet donkey and the "Sleeping Pressman" cut by Fritz Kredel the first use of this press mark. The pressmark contains the motto in Spanish âQue hermosa es no hacer nada y luego descansar." "Fortunate is he who can rest after having done nothing." REFERENCE: H. Richard Archer "Joseph Graves and The Press of Gravesend" The Kentucky Review Vol. 7 No. 1 Spring 1987. Gravesend Press hardcover books
192323077Chicago: The Caxton Club 1923. FIRST and LIMITED EDITION one of only 160 copies printed on handmade Fabriano Paper. With 21 plates three of which are in beautiful full colour with printed tissue guards. Also with fine engraved ititials and tables throughtout. 4to publisher’s original half vellum over buff boards with small vellum corner-pieces. 24pp plates. A very fine copy near as pristine. SCARCE LIMITED TO ONLY 160 COPIES. A study of the genealogical tables used to decorate Boccaccio's great mythological work from manuscripts and the early printed editions. Genealogia deorum gentilium known in English as On the Genealogy of the Gods of the Gentiles is a mythography or encyclopedic compilation of the tangled family relationships of the classical pantheons of Ancient Greece and Rome written in Latin prose in circa 1360 by the Italian author and poet Giovanni Boccaccio. The first printed edition was in Venice at the early date of 1472. By 1499 no fewer then eight editions had published attesting to the popularity of the work.<br> Ernest Hatch Wilkins was a respected authority on Italian literature. His teaching career began at Amherst as an instructor of Romance languages from 1900 to 1904 and continued at Harvard where he taught from 1906 to 1912 and again from 1947 to 1950 as a visiting lecturer on Italian literature. In 1912 he went to the University of Chicago where he was successively Associate Professor and Professor of Romance languages until his move to Oberlin in 1927. From 1923 to 1926 he served the University as Dean of its College of Arts Literature and Science Wilkins served as Oberlin College's seventh president from 1927 until his retirement in 1946. He authored several respected works on Dante Petrarch and Papini. He was a corresponding member of the Accademia Della Crusca in Florence and was decorated with the Cavaliere della Corona d'Italia in 1920 for his international promotion of Petrarch and Dante. The Caxton Club hardcover
198550394Marlborough: Libanus Press 1985. quarter leather paper-covered boards. Libanus Press. tall 4to. quarter leather paper-covered boards. 24 pages. Printed in an edition limited to 300 copies of which this copy is one of 50 bound in quarter leather. A Dryden translation or paraphrase of Boccaccio probably from Dryden's Fables 1700. Five woodcuts by Carol Walklin accompany the text four printed in black and one in green and red. One of these is also printed in green as a title page decoration. Green leather with patterned paper on boards. Libanus Press unknown books
197481765NY:: Clarkson N. Potter. Near Fine in Near Fine dust jacket. 1974. Hardcover. 0517514923 . Translated from the Italian. Illustrated by Harry Carter. First edition thus. Remainder dot on bottom edge else near fine in a near fine dust jacket. . Clarkson N. Potter, hardcover books
197421000NY: Clarkson N. Potter. Near Fine in Near Fine dust jacket. 1974. Hardcover. 0517514923 . Translated from the Italian. Illustrated by Harry Carter. First edition thus. Remainder dot on top edge else near fine in a near fine two short closed edge tears at the base of the spine dust jacket. . Clarkson N. Potter hardcover books
1927031203London: Peter Davies 1927. Hard Cover. Very Good/Very Good. Limited Edition of 520 bound in green paper boards with light wear. Jacket shows some slight rubbing at the corners with a few very small tears. Some slight discoloration to jacket with some darkening of the light cream colored jacket in places. Otherwise jacket in very good condition for its age. Binding is tight and text is clean and unmarked. Front and Rear free endpapers have dark discoloration marks similar to foxing but ina larger area. The original owner and subscriber's purchase and delivery slip are present and laid into the rear of the book. Size: 8vo - over 7¾" - 9¾" tall. Quantity Available: 1. Shipped Weight: 2 lbs 0 oz. Category: Modern First Editions; Antiquarian & Rare; Inventory No: 031203. Peter Davies unknown
192753543Peter Davies London 1927. Later Edition limited to 520 copies. Hardcover. Good Condition/No Dust Jacket. Size: 8vo 7 3/4 - 9 3/4". xxiv 102pp. Binding firm with minor wear to spine. Endpapers browned text block clean. Edges browned. Covers slightly marked. Boards slightly bowed. Quantity Available: 1. Shipped Weight: Under 500 grams. Category: Fiction; Medieval 10th to 15thc; Pictures of this item not already displayed here available upon request. Inventory No: 53543. . Peter Davies hardcover
1927031203London: Peter Davies 1927. Hard Cover. Very Good/Very Good. Limited Edition of 520 bound in green paper boards with light wear. Jacket shows some slight rubbing at the corners with a few very small tears. Some slight discoloration to jacket with some darkening of the light cream colored jacket in places. Otherwise jacket in very good condition for its age. Binding is tight and text is clean and unmarked. Front and Rear free endpapers have dark discoloration marks similar to foxing but ina larger area. The original owner and subscriber's purchase and delivery slip are present and laid into the rear of the book. Size: 8vo - over 7¾" - 9¾" tall. Quantity Available: 1. Shipped Weight: 2 lbs 0 oz. Category: Modern First Editions; Antiquarian & Rare; Inventory No: 031203. Peter Davies unknown books
195471083Lexington Kentucky: Gravesend Press 1954. quarter paper-covered boards with decorated paper-covered covers. Gravesend Press. 12mo. quarter paper-covered boards with decorated paper-covered covers. vi 48 2 pages. First edition of 200 hand-numbered copies. With woodcut illustrations by Fritz Kredel. This copy also includes an extra illustration loosely inserted into the text. This woodcut was the first block cut produced for the tale. The artist later became dissatisfied with the image and replaced it with the woodcut that now appears on page four. A "story of roguery" from the fourteenth century. Loosely inserted is a handwritten note from Joe Graves to the printer and proprietor of Katydid Press John Lehman. Fine copy. Gravesend Press unknown books
1954103993Lexington Kentucky: Gravesend Press 1954. quarter paper-covered boards with decorated paper-covered covers. Gravesend Press. 12mo. quarter paper-covered boards with decorated paper-covered covers. vi 48 2 pages. First edition of 200 hand-numbered copies. With woodcut illustrations by Fritz Kredel. A "story of roguery" from the fourteenth century. A wonderful association item as this copy bears the following presentation at the top of the free endpaper "For John DePol with friendly greetings from Joe Graves Oct. 21st 1955" and has John DePol's bookplate on front pastedown. Four page prospectus loosely inserted. Gravesend Press unknown books
19162110502150308401Kokumin Bunko Publishing Association 1916. Soft Cover. Fine. Volume: 1 Kokumin Bunko Publishing Association paperback
19142090202120413768Jitsugyo no Nihonsha 1914. Soft Cover. Fine. Number of books: 1 Jitsugyo no Nihonsha paperback
195584970Verona: Officina Bodoni 1955. full crushed morocco five raised bands author and title stamped in gilt on spine in second compartment morocco-tipped slipcase. Officina Bodoni. 8vo. full crushed morocco five raised bands author and title stamped in gilt on spine in second compartment morocco-tipped slipcase. 125 7 pages. One of 140 copies of which this copy is one of 125 numbered copies. Two very light rubbing marks to two of the leather raised bands one the spine as well as to compartment four of the spine. Very light darkening to the endpapers from the leather turn-ins. Slipcase shows only the smallest hint of rubbing to the leather fore-edge tips. Else fine in fine slipcase. A beautiful copy of an extremely scarce Officina Bodoni imprint. Officina Bodoni unknown