68 résultats
1750009984Torino: Stamperia Reale 1750. Un volume 8x145 cm ad uso principalmente de' modesti giovani e studiosi della Toscana favella. Di 24-339-1 pagine; qualche goretta ai margini qualche brunitura. Legatura coeva in tutta pergamena sporca con macchie ed erosione ai margini. Quindi un libro molto studiato ed usato come la sua destinazione prevedeva. Questa edizione torinese al contrario delle altre pubblicate in varie città fino ai primi dell'800 sembra essere piuttosto rara: una sola edizione settecentesca e una sola copia censita nelle biblioteche Sbn. Nella prefazione Anton-Federico Seghezzi autore della antologia ringrazia in particolare gli editori-bibliofili Volpi per la revisione del testo e l'aggiunta sulla descrizione della peste. Stamperia Reale unknown
17236220702Firenze [Florenz]: Gio. Gaetano Tartini e Santi Franchi 1723.
1769146403Padua: Giuseppe Comino 1769. Eighteenth century edition of Giovanni Boccaccio's twenty-eighth novella from his 'Decameron.' Octavo original full vellum engraved frontispiece portrait of Boccaccio. In very good condition with light toning to the front and rear panel rubbing to the spine. Giovanni Boccaccio was an Italian writer poet correspondent of Petrarch and an important Renaissance humanist. Often referred to as one of the "Three Crowns" of Italian literature along with Dante Alighieri and Petrarch Boccaccio is responsible for the creation of classic works of imaginative literature such as 'The Decameron' and setting the stage of Renaissance Humanism in Italy. Giuseppe Comino hardcover
1739DC6_2013In Padova Padua. Appresso Giuseppe Comino: . 1739 pp. 24 255 1 Frontis portrait of Boccaccio engraved by G.P.S. set in decorative frame at the foot is the text "Effigie di M.Giovanni Boccacci presa da un antico ritratto appresso il Signor Apostolo Zeno." Some off setting from the engraving to the title page. Old damp stain in text. Numerous head and tail pieces. Text in Italian vernacular. 8vo. 170 mm. Old full vellum binding with 2" loss to spine. Includes: Twenty-eight novels by Boccaccio; and his description of the plague in Florence in 1348. With an extensive foreword by Anton Federigo Seghezzi. This collection of his lesser known but significant works is treasured by all collectors of the Renaissance humanist Giovanni Boccaccio 1313-1375. A great Italian author and poet a friend student and correspondent of Petrarch. His works in the Italian vernacular became a model for all who worked in that language for almost a millennium. SCARCE. SMALL BOX 4 Language: eng. Full Vellum. Very Good. In Padova (Padua). Appresso Giuseppe Comino: . hardcover
17786056Londra but Paris: Gian Claudio Molini 1778. Very Good/Boccaccio wrote this pastoral tale in the mid 1340s just as he began work on the Decameron where it would not have been out of place. A young shepherd unseen spies a group of naked nymphs bathing at the pool and falls in love with one of them. The plot includes a series of missed opportunities mistaken identities appeals to Venus goddess of love and plenty of nude bathing scenes. The text is based on the edition published in Florence 1568 with corrections. . iv 160 pages and engraved title page after Marillier. In mottled calf rebacked in the twentieth century with original spine. Gilt triple fillets on both boards; remains of gilt decoration on spine. Gilt turn-ins endleaves marbled in spirals. Gilt edges. Nice edition. Gamba 227 Gian Claudio Molini hardcover books
17786056Londra but Paris: Gian Claudio Molini 1778. Very Good. iv 160 pages and engraved title page after Marillier. In mottled calf rebacked in the twentieth century with original spine. Gilt triple fillets on both boards; remains of gilt decoration on spine. Gilt turn-ins endleaves marbled in spirals. Gilt edges. Nice edition. Gamba 227 <br /><br />Boccaccio wrote this pastoral tale in the mid 1340s just as he began work on the Decameron where it would not have been out of place. A young shepherd unseen spies a group of naked nymphs bathing at the pool and falls in love with one of them. The plot includes a series of missed opportunities mistaken identities appeals to Venus goddess of love and plenty of nude bathing scenes. The text is based on the edition published in Florence 1568 with corrections. Gian Claudio Molini hardcover
1770046665Livorno: Nella Stamperia di Via Grande 1770. Softcover. Good Condition. Original drab wrappers worn spine torn notes to endpaper scattered foxing generally bright and very good internally. Size: Octavo 8vo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Literature & Literary; Inventory No: 046665. Nella Stamperia di Via Grande unknown books
1770046665Livorno: Nella Stamperia di Via Grande 1770. Softcover. Good Condition. Original drab wrappers worn spine torn notes to endpaper scattered foxing generally bright and very good internally. Size: Octavo 8vo. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Literature & Literary; Inventory No: 046665. Nella Stamperia di Via Grande unknown
1715406838Paris: Chez Pierre Huet 1715. leather_bound. Gut. 4 Blatt 267 3 Seiten. Leder der Zeit mit ornamentaler Rückenvergoldung. Klein-Oktav ca. 165 x 95 cm . etwas berieben und bestoßen Rücken mit kleinem Loch anfangs Marginalien von alter Hand leicht wellig und braunfleckig insgesamt ordentlich erhalten. In der Auflösung des Asteronyms folgen wir den Online-Angaben französischer Bibliotheken es ist auch so von alter Hand auf Vortitel und Titel ergänzt. Über de Prémont den Übersetzer von "Der Traum des Boccaccio" konnten wir nichts eruieren. Das Buch schließt mit einem "Madrigal" von Mademoiselle de Scudery an "M.D.P." Auf dem Vorsatz mit dem Bleistifteintrag "Aus dem / Château de Premesque / près de Lille / im Frühjahr 1915 zerstört" Wegen Urlaub kann Ihre Bestellung / Anfrage erst nach dem 21.06.2026 bearbeitet werden. - Because of holidays your order / question can be handled only after 06/21/2026. Chez Pierre Huet hardcover
1781002053Avignon 1781. Collationengraved frontispiece 256pp 1 full page illustrations 4 vignettes. Bound in full contemporary mottled calf flat gilt bands elaborate gilt tooling on spine full coloured edges marble endpapers. Calf rubbed and suffed with some wear loss on edges and corners hinge joints cracked but boards still firmly attached. Generally binding in good condition.Internally previous owners bookplate on fixed endpaper 8 pages with light stain mark to margins.Pages in very good clean condition. A very nice copy in a contemporary full calf binding. Book measures 13x20cms.A55. New Edition. Hardcover. 8vo - over 7¾" - 9¾" tall. Avignon Hardcover
1757ST20210Londres i.e. Paris: Prault 1757-61. 205 x 132 mm. 8 x 5 1/4". Five volumes. Translated by Antoine Jean Le Maçon. <br/> LOVELY INDIGO CRUSHED MOROCCO GILT BY DAVID stamp-signed on front turn-in covers with French fillet border raised bands spine compartments with intricate central fleuron and scrolling cornerpieces gilt lettering turn-ins with multiple decorative rolls marbled endpapers all edges gilt. Housed in a maroon buckram chemise in a matching morocco-backed slipcase. Engraved illustrated title page in each volume 110 engraved chapter headings and 205 ENGRAVED ILLUSTRATIONS BY GRAVELOT AND OTHERS 110 of these plates and 95 tailpiece vignettes. A Large Paper Copy. Cohen-de Ricci 160-61; Ray 15; Furstenberg 26. A couple of boards with trivial chafing isolated faint foxing occasional minor marginal smudges touching text on a couple of pages but A VERY FINE SET clean and fresh internally with spacious margins and in sparkling bindings with virtually no signs of wear.<br/> <br/> This is an elegantly bound and unusually well-preserved copy of one of the most famous and charming illustrated books of the 18th century a work frequently regarded as the supreme example of refined libertine illustration of the period. Owen Holloway calls it one of the four masterpieces of book illustration at the end of the Rococo period. Ray too is expansive in his praise calling the work simply "one of the masterpieces of the illustrated book." The publisher first released this work in Italian in 1757 with the present edition following later the same year. Although he had as collaborators on this work some of the outstanding French artists of the 18th century Gravelot born Hubert-François-Bourguignon 1699-1773 was chiefly responsible for its production designing 89 of its 111 plates and all 97 of its immensely delightful tailpieces. In this the most ambitious undertaking of his career Gravelot gave Boccaccio's narrative the settings and costumes of 18th century France and this transposition Ray tells us "made it possible for him to exercise his special talent for depicting the social world around him. For the most part his figures are young the women graceful and pretty the men lithe and handsome." But "all levels of life are presented from the peasant in his hovel to the king in his palace. Every variety of interior is there from boudoirs and bedrooms to dining rooms and salons. Animated street scenes alternate with glimpses of gardens and farms forests and river banks. The human condition has rarely been so attractively displayed." Our copy is particularly pleasing: it is in fine condition with wide generous margins and was bound in rich indigo morocco by David. Parisian binder Bernard David 1824-95 worked under Pfister Dompierre Lortic and Gruel before striking out on his own to establish a very high reputation in the trade. His bindery was taken over by his son Salvador in 1890. Prault] unknown
1757114589Londres Paris: Prault 1757-61. One of the masterpieces of the illustrated book A fine edition illustrated in large part by Gravelot: "one of the most accomplished illustrated books of the 18th century" Cohen-de Ricci 158-61; "one of the masterpieces of the illustrated book" Ray 15. The imprint is false; the book was published in Paris by Prault. The French translation is by Antoine Jean Le Maçon. Prault published an Italian version the same year with the same illustrations which is dated 1757 throughout and is usually regarded as taking precedence. 5 vols octavo 197 x 125 mm. Engraved portrait frontispiece title pages 110 plates engraved en-têtes engraved cartouches and 97 culs-de-lampe by Lemire Legrand and others after Gravelot Boucher Eisen and Cochin. Text in French. Contemporary French mottled calf smooth spines gilt in compartments green morocco double labels sides with triple gilt rule boards turn-ins decoratively gilt comb-marbled endpapers gilt edges. Contemporary ownership inscriptions to binder's blanks; wood-engraved bookplates of Bibl. Hammer Stockholm. A little wear to headcaps corners worn internally clean and fresh a very good set. hardcover
1757850<p>Published 1757 in French. Volume one from a five volume set. Cover as shown with this listing bound in red Morocco five raised bands. Marbled endpaper as shown head and tail bands silk ribbon marker marbled edges under gilt. Previous owner bookplate on front endpaper and cutting from a magazine attached to blank page in front matter also with some hand written notes. A beautifully crafted book. Your purchase helps our small public library. pi A4</p> Prault hardcover
1757852<p>Published 1757-1761 <strong>in French</strong>. Volume five from a five volume set. Cover as shown with this listing bound in red Morocco five raised bands. small crack at head of spine see photo. Marbled endpaper as shown head and tail bands silk ribbon marker marbled edges under gilt. Previous owner bookplate on front endpaper. Text is foxed and mottled binding is firm. A beautifully crafted book. Your purchase helps our small public library. pi A4</p> Prault hardcover
172928931Florence: Philippo di Guntia 1729. Large 8vo. 9 1/2 x 6 1/2 inches. 7 284 ff. Contemporary vellum spine lettered direct in gilt covers a bit soiled and bowed<br/> <br/>The classic masterpiece of early Italian prose.<br/> <br/>This series of one hundred novellas set against the background of a plague-ridden Florence would have a profound influence on Renaissance literature throughout Europe. Although dated 1527 on the title this edition edited by Stefano Orlandinin and printed at the cost of Salvatore Ferrari was in fact printed in Venice in 1729 as a facsimile of the Giunta 1527 edition. It is sometimes referred to as the Consul Smith edition after Joseph Smith 1682-1770 the British consul at Venice and noted book collector who was involved in its production.<br/> <br/>Adams B 2147; Brunet I 999; Graesse I 440. Philippo di Guntia unknown books
172950857(Florenz, Philippo di Giuntas Erben, 1527 [Nachdruck: Venedig, Pasinello, 1729]). 4°. Mit wiederh. Holzschn.-Druckermarke am Titel u. am Ende. 8 nn. (das letzte weiß), 284 num. Bll., Pgmt. d. Zt. m. goldgepr. Rückenschild.
1768WRCLIT74044London i.e. Paris: Si trova .Appresso Marcello Prault 1768. Three volumes. xxiv490;471;443pp. 12mo. Contemporary mottled calf. Engraved title after Moreau in each volume. Portrait in first volume. Some chipping to spine extremities boards of first volume have severe surface abrasion still a sound internally fresh and clean set. Prefatory life of Boccaccio by Filippo Vilani. This modest pocket edition followed in the shadow of Prault's monumental five volume splendidly illustrated edition of 1757. ESTC T141491. Si trova ...Appresso Marcello Prault hardcover books
1725164132Londra: Tommaso Edlin 1725. Hardcover. Internally VGand clean one stain to one sheet both covers are off at hinges text block solid and tight. Gilt embossed and leather inlay within leather gilt ruled boards. Five raised bands with extensive gilt tooling within compartments showing wear all edges gilt. Marbled endpapers indicate binding date in 1880s with signed binder Estes and Lauriat Boston.Frontis portrait by L. Auberso. Title-page ten10 sheets including Prefazione then 284 numbered 12 49 pp. ozzervazioni. Bears the etched bookplate of Stephen Whitney dated 1904. Needs the attentions of a binder who will have wonderful material to work with. Well-worththe investment a lovely copy. Tommaso Edlin hardcover books
1725014798Londra: Published by Tommaso Edlin 1725. Hardcover. Very Good/No Jacket. With Engraved frontispiece "S. Grisoni in / B. Baron scu." and an engraved portrait "L. Auber sc" internally very good or better. Leather spine expertly and beautifully replaced with original leather boards. <br/> <br/> Published by Tommaso Edlin hardcover
1761146436Lucca: Giovanni Ghiara 1761. Eighteenth century edition of Giovanni Boccaccio’s masterpiece. Quarto bound in full flexible red calf with gilt titles to the spine floral endpapers frontispiece portrait of Boccaccio illustrated with woodcuts and a folding family tree. In very good condition. The Decameron is a collection of novellas by the 14th-century Italian author Giovanni Boccaccio 1313–1375. The book is structured as a frame story containing 100 tales told by a group of seven young women and three young men sheltering in a secluded villa just outside Florence to escape the Black Death which was afflicting the city. Boccaccio probably conceived the Decameron after the epidemic of 1348 and completed it by 1353. The various tales of love in The Decameron range from the erotic to the tragic. Tales of wit practical jokes and life lessons contribute to the mosaic. In addition to its literary value and widespread influence for example on Chaucer's The Canterbury Tales it provides a document of life at the time. Written in the vernacular of the Florentine language it is considered a masterpiece of classical early Italian prose. Giovanni Ghiara unknown
1703146400Amsterdam: Giovanni Ghiara 1703. Early eighteenth century edition of Giovanni Boccaccio’s masterpiece. Duodecimo original full brown calf with gilt titles and tooling to the spine marbled endpapers all edges speckled blue illustrated with engraved headpieces and initials. In very good condition contemporary ownership signatures to the front and rear flyleaves. The Decameron is a collection of novellas by the 14th-century Italian author Giovanni Boccaccio 1313–1375. The book is structured as a frame story containing 100 tales told by a group of seven young women and three young men sheltering in a secluded villa just outside Florence to escape the Black Death which was afflicting the city. Boccaccio probably conceived the Decameron after the epidemic of 1348 and completed it by 1353. The various tales of love in The Decameron range from the erotic to the tragic. Tales of wit practical jokes and life lessons contribute to the mosaic. In addition to its literary value and widespread influence for example on Chaucer's The Canterbury Tales it provides a document of life at the time. Written in the vernacular of the Florentine language it is considered a masterpiece of classical early Italian prose. Giovanni Ghiara unknown
1727874London 1727. <br /> <br /> Decameron remains one of the foundational works of European literature comprising one hundred novellas told over ten days by a group of young Florentines fleeing the Black Death. Blending satire wit eroticism social criticism and moral ambiguity the work profoundly influenced Renaissance and later European storytelling traditions including Chaucer and Shakespeare. This 1727 edition preserves the text in Italian and reflects the enduring circulation of Boccaccio in eighteenth-century continental and expatriate printing culture. Particularly notable in this set are the extensive contemporary or near-contemporary manuscript annotations and marginalia in Italian appearing throughout portions of the text. These annotations are substantial rather than casual ownership marks suggesting close scholarly or literary engagement by an early reader.<br /> <br /> Condition & Binding: Bound in contemporary full calf two volumes with raised bands gilt-ruled compartments and red morocco spine labels lettered in gilt. Bindings rubbed and worn with some loss at spine ends and corners heavier to Volume II; joints tender but holding. Text blocks generally sound and complete. Light to moderate foxing toning and scattered staining throughout including several dampstains and marginal marks. Overall- good. unknown
1729047470Florence i.e. Venice: Heirs of Filippo Giunta i.e. Pasinello Printed by Stefano Orlandelli at the expense of Salvatore Ferrar 1729. Later Edition. Hardcover Half Vellum. Near Fine Condition. Modern half vellum over early marbled paper. Contemporary bookplate to title slight browning to first few and last few pages otherwise a bright wide margined copy edges untrimmed. A lovely facsimile of the famed Giunta edition. 284ll. Adams B 2147; Brunet I 999; Graesse I 440 Pettas Giunti of Florence 217 refers to it as a counterfeit but notes the errors in foliation have been corrected. Size: Quarto 4to. Quantity Available: 1. Shipped Weight: Under 1 kilo. Category: Literature & Literary; Inventory No: 047470. Heirs of Filippo Giunta (i.e. Pasinello, Printed by Stefano Orlandelli at the expense of Salvatore Ferrar) hardcover
1757OB719<p>Londra i.e. Paris: Prault 1757-1761. Hard Cover. Five volumes: 116 plates incl. frontispiece and engraved title-pages; 97 tailpieces; 21 cm. Although the title-pages are all dated 1757 some of the tailpieces in vols. 2-5 are dated between 1758-61. Title-pages plates head- and tailpieces engraved after designs mostly by Gravelot i.e. Hubert Francis Bourguignon but also by Boucher Cochin & Eisen. The plates are in final state after letters and without the "paraphe" on verso--cf. Cohen Guide de l'amateur 5. éd. 1886 col. 69-70. Pareni Luoghi di Stampa Falsi p. 117; Ray "French" 15. Bound in contemporary full speckled olive leather rebacked. Stock#OB719.</p> [Prault], hardcover
1725164132Londra: Tommaso Edlin 1725. Hardcover. Internally VGand clean one stain to one sheet both covers are off at hinges text block solid and tight. Gilt embossed and leather inlay within leather gilt ruled boards. Five raised bands with extensive gilt tooling within compartments showing wear all edges gilt. Marbled endpapers indicate binding date in 1880s with signed binder Estes and Lauriat Boston.Frontis portrait by L. Auberso. Title-page ten10 sheets including Prefazione then 284 numbered 12 49 pp. ozzervazioni. Bears the etched bookplate of Stephen Whitney dated 1904. Needs the attentions of a binder who will have wonderful material to work with. Well-worththe investment a lovely copy. Tommaso Edlin hardcover