1 088 résultats
1793D11653London: John Stockdale 1793. First Edition thus. Hardcover. Very Good. Contemporary morocco ornate gilt-stamped border on boards gilt-stamped lettering and ornament on spine; 2 volumes 4to; pp. xi 1 225; vii 1 187 1 ad; plus an engraved title-page for each volume and 68 plates including 12 by William Blake; collates complete. First Stockdale edition first issue with the long "s" throughout. Boards faintly rubbed; joints and edges of boards lightly bumped and scuffed. Some very faint foxing; the occasional dusty smudge; but overall internally bright and clean. Considered one of the finest examples of Blake's work as a reproductive engraver. Ray England 1; Essick William Blake's Commercial Book Illustrations XXVI. <br/><br/> John Stockdale hardcover books
189027621New York 1890. Original printed wrappers. Front wrapper has title printed in blue with vignette of a steam engine in background and the words "For Sale By Miller Chapman & Castle Butte Montana." Rear wrapper with an engraving of Blake's Vertical Marine Duplex Pump. 2 78pp with numerous additional pages i.e. 15A-15D 73A-73B etc. Profusely illustrated with the Company's products. Some wrapper spotting and text margin spotting else Very Good.<br/><br/> A classy showcasing of this Company's steam machinery with dozens of engravings. It is dated 'January 1 1890' on page 1. OCLC records several versions of this Catalogue all of them scarce one with a San Francisco merchant's name on the front wrapper.<br/>Romaine 193 reference. unknown books
1946128873Universal City CA: Universal Pictures 1946. Post-production Continuity and Dialogue script for the 1946 film. <br/><br/>A woman witnesses a murder committed by a killer who happens to also be a Gilbert and Sullivan fan. The police then produce an entirely new Gilbert and Sullivan musical on Broadway for her to star in so that while acting in the play she can identify the killer who is guaranteed to be in the audience of course! Peppered with eleven mildly relevant Gilbert and Sullivan numbers. <br/><br/>Studio self wrappers undated noting 9 reels. Mimeograph duplication. Very Good plus. Bound at the top margin with two gold brads front wrapper now encased in mylar. Universal Pictures unknown books
18631048982 vols. London: Macmillan 1863. 2 vols 8vo i-v vi-xv 1-389; i-v vi-vii 1-3 4-268 pp. In addition to the portrait frontispiece in vol. 1 the folding frontispiece of the Canterbury Pilgrims in vol. 2 and numerous illustrations from Job and Songs this is an extra-illustrated copy with 34 bound tipped-in or loosely inserted engravings from The Grave Triumphs of Temper Aphorisms on Man Life and Posthumous Writings of William Cowper Botanic Garden and Gay’s Fables. 19th-century full tan-colored calf rebacked surely to accommodate the extra-illustrations triple gilt fillet borders on covers fleurons at corners gilt backstrip with red-colored morocco labels gilt turn-ins all edges gilt marbled endpapers. The front flyleaf in vol. I with a chip at the upper-right corner. Occasional spotting or foxing. See below for complete list of extra material. Very good. § First edition. This copy is unusual and desirable for the extra material from many of Blake’s most famous commercial engravings as follows: Volume I: Originally bound in opposite pp. 1 but now detached ‘Guillermo Blake’ T Phillips Pinx t L Schiavonetti V.A. Sculpt. Frontispiece from the very rare Meditaciones Poeticas 1826 folded three times 8-1/2 x 13-1/2 inches; and 11 additional engravings from the same edition are bound in after the text all folded in order of original appearance and fairly tightly cropped; and a single engraving from The Triumphs of Temper: Flaxman/ Blake Canto I Verse 29 1803 Cadell and Davies.Volume II: After pp. 268 we find the cropped title page from the quarto issue of The Grave 8-6/8 x 13 inches. After the text in vol. 2 resumption of grangerized material from the1803 Triumphs of Temper continues as follows: Canto II Verse 471; Canto III Verse 201; Canto VI Verse 294; Canto V Verse 43; and Canto IV Verse 328. The frontispiece from Lavater’s Aphorisms on Man showing William Cowper looking up measuring 8 x 9-1/2 inches. Four engravings from Life and Posthumous Writings Cowper: A View of St Edmunds Chapel; William Cowper Author of The Task; William Cowper Carmine Nobilem; and Mrs Cowper. From the 1799 J. Johnson 8vo edition of Darwin’s Botanic Garden: The Fertilization of Egypt London Dec 1st 1791 St Pauls Church Yard. 9 engravings from Gay’s Fables Vol I 1793: The Goat without a Beard; The Shepherd and the Philosopher; The Pin and the Needle; The Tame Stage; The Miser and Plutus; The Persian the Sun and the Cloud; The Butterfly and the Snail; The Setting Dog and the Patridge; and The Owl and the Farmer.Also of interest are the prints found in all copies - three from electrotypes of the Virgil prints and 17 from electrotypes of the Songs of Innocence and of Experience. Gilchrist was Blake’s first full-scale biographer. The work was unfinished when he died and largely completed by Dante Gabriel Rossetti who wrote the final chapter from Gilchrist’s notes with help from his brother William Michael and also Swinburne whose own book on Blake was the result of his researches when reviewing Gilchrist’s book. Bentley Blake Books 1680A. Macmillan unknown books
18635924London: Macmillan 1863. First edition. Bentley said it better than we can: "Never has an important literary reputation been posthumously established so effectively instantaneously and forcefully. Gilchrist's title 'Pictor Ignotus' had not been mere showmanship. Blake had been unknown and Gilchrist made him sensationally well-known. From 1863 on Blake took an unchallenged place in literary and artistic history as one of the great figures of the Romantic Movement. Gilchrist's biography is still in many respects the best biography of Blake" pp. 12-13. 24 cm; 2 volumes. i-v vi-xv 1-389; i-v vi-vii 1-3 4-268 pages and 66 plates including the "Job" engravings and 16 plates from electrotypes of the copperplates of "Songs of Innocence and of Experience." Text illustrations. Folding plate of Canterbury pilgrims in volume 2. Bound in roughly contemporary red half morocco over marbled boards with gilt-tooled compartments on spine with original gilt-stamped morocco covers laid down on front pastedowns in both volumes. Binding somewhat worn at joints and edges but this is a sound copy internally without blemish. Reference: Bentley Blake Books 1234A. Macmillan hardcover books
1939115642Toledo Ohio: The Toledo Museum of Art 1939. Softcover. Good- green sticker on front cover; spine lettering; pencil marking on first page. Blue hard-stock cover; gold lettering on front and spine; 336 pp; profusely illustrated with bw plates. An overview of European bw paintings that can be found at the Toledo Museum of Art; this particular publication is fully illustrated and contains many famous Italian paintings. The Toledo Museum of Art unknown books
2007169658London: Paul Stolper 2007. Hardcover. New in shrinkwrap. Red and color-illustrated boards with multi-colored lettering. 64 unnumbered pages. Color illustrations. Published in conjunction with the exhibition "Peter Blake: an alphabet" at the Paul Stolper Gallery London Nov. 23 2007-Jan. 5 2008. Includes interview with Blake by Mel Gooding. Paul Stolper hardcover books
1995115551West Hollywood: Alluvial Publiishing 1995. Magazine. 98p. 9x12 inches illustrated with mostly homo-erotic art and photography very good oversized magazine in lightly-worn pictorial wraps. Alluvial Publiishing unknown books
1904156890London: John Long 1904. Octavo pp. i-vi vii-viii 9-319 320 original red cloth front and spine panels stamped in gold publisher's monogram stamped in blind on rear panel bottom edge untrimmed. First edition. Emilia Blake Gowing 1846-1905 "married an actor whose stage name was Walter Gordon in 1887 and worked as an actress and elocutionist; she also did recitations. She published verse and recitations from 1874 plays and fiction. She published three novels of a fantastic tendency in the period: AS CAESAR'S WIFE 1902 BY THAMES AND TIBER 1903 and A KING'S DESIRE 1904. The half-English half-Italian heroine of BY THAMES AND TIBER gets lost in the Roman catacombs and dreams for half the book of the sacrifice of a martyr ancestress in the days of Nero. A KING'S DESIRE is Saharan and Ruritanian: the monarch of a tiny German state loves an Englishwoman of mysterious parentage." - Kemp Mitchell and Trotter Edwardian Fiction p. 157. Most of Mrs. Gowing's books are quite scarce especially her novels. Some light stains to cloth on front cover top edge of text block dusty some foxing to text block early and late and to page edges endpapers tanned a very good copy. #156890 John Long unknown books
1993229422Oakland: FTM 1993. 126. includes covers 8.5x11 inches news events opinion interviews photos letters services and resources very good newsletter of folded sheets. Female to Male transgender organization house organ. This issue includes several nude photos of transgender people including a close-up of female to male genitalia. FTM unknown books
19551008864to. London: British Broadcasting Corporation 1955. 4to 42pp numbered 682-724. Newspaper The Listener Volume LIV No. 1391 October 27 1955 in which the Blake article appears on pages 700-701. Illustration of William Blake at Hampstead from a line drawing by John Linnell about 1825. Staples rusting. Some edgewear. Pages browned. Very good. § British Broadcasting Corporation unknown books
199276572Kingston:: Jamaica Media Productions. Very Good. 1992. Paperback. 9768091118 . First edition paperback. Faded along the spine else very good in illustrated wraps. . Jamaica Media Productions, paperback books
18031051664 vols. Chichester: J. Seagrave 1803-04. 4 vols. in 3 4to 8 table of contents 1-413 2; 6 iii-xii introductory letter 1-424; 4 i-iii iv-xxxi 1-416 1; 2 ads 1-122 22 pp. With 5 plates and an engraving in the text one designed and engraved by Blake 4 engraved by Blake after other artists and 1 engraved by Caroline Watson. Contemporary mottled calf with gilt borders on both covers. Backstrips and labels chipped covers rubbed with minor loss of calf hinges considerably worn yet sound. Armorial bookplate of Mrs Gosling in all three vols. § Second edition final state of the “Weatherhouse†plate designed by Blake. Hayley’s position as the most respectable and considerable literary figure who had known Cowper made him the inevitable choice to write the definitive work. Blake was living with his wife at Felpham and she helped him make and print the engravings for their old friend and patron Hayley however “the plates for vols i-ii are much more clearly and darkly printed in the second edition so indicated on the title pages than the first. Perhaps many of the lines were cut more deeply when the plates were converted in their second states but more careful inking and printing could account for the considerable tonal differences. One hesitates to blame Mrs. Blake for the poor impressions of the first states but that may indeed be the case†Essick William Blake’s Commercial Book Illustrations 86. Bentley Blake Books 468 A. Easson & Essick I VII. J. Seagrave unknown books
102866Chichester: Printed by J. Seagrave; for J. Johnson. 1803-1806. 4 vols. including Supplementary Pages in three 4to pp. i-iii-xii not including 8 -- ‘Contents’ bound after title-page 1-413; 8 1-422; 4 xxxi 1-416; 4 1-122 24 with five plates and an engraving in the text by William Blake second state of those in Vols. I and II no second state for those in Vol. III top cover of Vol. II with worm track frontispiece to Vol. II slightly foxed occasional browning in Vol. III and a worm track in the upper margin of the first few leaves bound without half-titles contemporary mottled calf gilt borders to front and back covers flat spines not green gilt in compartments with red lettering pieces in the second and fifth a bit rubbed and worn joints tender the upper cover of Vol. III nearly detached; original blue silk bookmarks in all three vols.ownership inscription in each vol. of Charlotte Beatty that in the third vol. dated 1805. Good. § First edition and second state of the “Weatherhouse†plate the only illustration in the book designed and engraved by Blake of which only a few examples are known in the first state. This plate here present in a very good impression with the imprint quite clear is almost always in the second state; three or four copies are known in the first state. The other 5 plates are engraved by Blake after designs by others. Hayley’s position as the most respectable and considerable literary figure who had known Cowper made him the inevitable choice to write the definitive work. Blake was living with his wife at Felpham and she helped him make and print the engravings for their old friend and patron Hayley. Pencil inscription to front free endpaper reads: “These three volumes were obtained from the family of the Rev. Wm Bull of Newport Pagnell Friend of Cowper and Newton see DNB. Charlotte Beatty was the original owner of the books and she was a friend of this circle and also well-known in that area where alms houses were named in her honour.â€Keynes Grolier 124; Bentley 468A; Essick XLIV note that the entry in Easson and Essick IV is totally superseded by Essick’s new research in the Commercial Book Illustrations. Printed by J. Seagrave; for J. Johnson. 1803-1806. 4 vols. (including Supplementary Pages) in three unknown books
1809108741Large 4to. Chichester: W. Mason 1809. Large 4to 8 416 7 pp with a portrait frontispiece and 11 engraved plates including one by Blake after Romney. Large paper copy in red half calf over marbled paper boards with gilt rules and titling. A very good copy with clean pages and prints throughout : just traces of ageing on the first few pages. § First edition large-paper copy. Although not substantially bigger than uncut copies of the regular issue the large-paper copies are on heavier paper and the impressions are stronger. The 1-page advertisment at the end for “Epistles to Romney†is not found in the small-paper copies. Blake’s plate of the shipwreck incorporates a number of familiar figures from his iconography and is a strong and vivid illustration. Bentley Blake Books 469 Essick William Blake's Commercial Book Illustrations XLIX: large-paper issue has an “1807†watermark without a maker’s name; the small paper is watermarked “Rye Mill / 1807â€. W. Mason hardcover books
18091092214to. Chichester: W. Mason 1809. 4to 8 7 416pp. With portrait frontispiece imprint trimmed at foot and 11 engraved plates including one by William Blake. Old half calf marbled boards joints rubbed but sound top of backstrip chipped away black label lettered in gilt. § First edition. Blake’s plate of the shipwreck incorporates a number of familiar figures from his iconography and is a strong and vivid illustration. Essick CBI XLIX. W. Mason hardcover books
108768Chichester: J. Seagrave for T. Cadell and W. Davies 1803. Small 8vo xii 165 pp with 6 plates designed by Maria Flaxman and engraved by Blake. A poor copy 4 of the plates in good condition but an extensive stain from pages 1 to 40 affects an oval area of about 1 cm x 2 cm to the left of the first plate at page 2 and a decreasing area up to page 40. There are also two small stains to the edge of plate 5 on the lower left margin one just intruding into the print area. Old mottled calf decorated and gilt ruled spine generally distressed and with darker 2 cm band across the front cover possibly a old damp stain. § First edition with Blake’s plates. DNB notes: “Possibly his greatest achievement however was his didactic poem Triumphs of Temper 1781 which ‘was to reform the entire feminine mind of England by the advice’ Bishop 53. This allegorical work aspired in rhyming couplets to teach young women the virtues of a pleasant nature. Its advice was heeded by some: Emma Hamilton thanked Hayley ‘for the lessons she had learnt from the poem’ p.Jaffe Drawings by George Romney 1978 44 and asked Romney to inform Hayley that his poem ‘made me Lady H. … for Sir W. minds more temper than beauty’ ibid. Triumphs of Temper ran into fourteen editions and proved to be the most durable of all his publications.†Bentley BB 471. Essick William Blake’s Commercial Book Illustrations XLIII. J. Seagrave unknown books
1817105709Sm. Chichester: William Mason for T. Cadell and W. Davies 1817. Sm. 8vo xii 166 pp. With a color-printed frontispiece by Brown after Romney. Slightly later polished calf gilt backstrip richly gilt marbled edges signature at front of H. Cotes dated 1821. Ink corrections to the text perhaps by Cotes. § A beautiful copy handsomely bound with the frontispiece printed in five colors. Friedman Color Printing in England #31. The Vershbow copy with bookplate. DNB notes: “Possibly his greatest achievement however was his didactic poem Triumphs of Temper 1781 which ‘was to reform the entire feminine mind of England by the advice’ Bishop 53. This allegorical work aspired in rhyming couplets to teach young women the virtues of a pleasant nature. Its advice was heeded by some: Emma Hamilton thanked Hayley ‘for the lessons she had learnt from the poem’ P. Jaffe Drawings by George Romney 1978 44 and asked Romney to inform Hayley that his poem ‘made me Lady H. … for Sir W. minds more temper than beauty’ ibid. Triumphs of Temper ran into fourteen editions and proved to be the most durable of all his publications.†William Mason for T. Cadell and W. Davies unknown books
1803007944Chichester : Printed by J. Seagrave for J. Johnson 1803. The first two volumes published 1803 of Hayley's biography Volume 3 published in1804 not present. 3 engraved portraits by Blake and engraving at Appendix of Vol. II featuring Cowper's Tame Hares. In contemporary quarter calf over marbled boards with later replaced plain endpapers with inked auction # 112 front paste downs marbled page edges. Near Fine scattered faint toning light rubbing at tips. SCARCE in the First Edition. . First Edition. Quarter Calf. Very Good Plus/No Jacket As Issued. 4to - over 9¾" - 12" tall. Printed by J. Seagrave for J. Johnson Hardcover books
18031050323 vols. Chichester: J. Seagrave 1803-04. 3 vols. 4to 10 table of contents iii-xiii 1-413; 8 1-424; 2 1-iii iv-xxxi 416 4 6 1-122 24 pp. With 5 plates and an engraving in the text one designed and engraved by Blake the others engraved by Blake after other artists. Original polished brown half calf marbled paper over boards. Backstrips of each volume with two black morocco labels lettered in gilt. Hinges and joints of vol. III just starting. Some spotting and foxing along edges of text blocks and within the text itself sometimes within the image. Minor rubbing and wear at extremities. Armorial bookplate of the Corbollis family on front pastedown of each volume. Excellent original copies in fantastic overall condition. § Second edition final state of the “Weatherhouse†plate designed by Blake. Hayley’s position as the most respectable and considerable literary figure who had known Cowper made him the inevitable choice to write the definitive work. Blake was living with his wife at Felpham and she helped him make and print the engravings for their old friend and patron Hayley however “the plates for vols i-ii are much more clearly and darkly printed in the second edition so indicated on the title pages than the first. Perhaps many of the lines were cut more deeply when the plates were converted in their second states but more careful inking and printing could account for the considerable tonal differences. One hesitates to blame Mrs. Blake for the poor impressions of the first states but that may indeed be the case†Essick William Blake’s Commercial Book Illustrations 86. Bentley Blake Books 468 A. Easson & Essick I VII. J. Seagrave hardcover books
18031027843 vols. Chichester: J. Seagrave 1803-04. 3 vols. 4to 2 xii 8 413; 4 424; 6 xxxi 416 pages. With 5 plates and an engraving in the text one designed and engraved by Blake the others engraved by Blake after other artists. Old diaper calf rebacked new labels a good set. § Second edition final state of the “Weatherhouse†plate designed by Blake. Hayley’s position as the most respectable and considerable literary figure who had known Cowper made him the inevitable choice to write the definitive work. Blake was living with his wife at Felpham and she helped him make and print the engravings for their old friend and patron Hayley. Bentley Blake Books 468 A. Easson & Essick I VII. Bound in at the end is another book entitled: Cowper Illustrated by a Series of Views in or near The Park of Weston-Underwood Bucks. London: 1803 published by Vernor and Hood and with an engraved title and 12 plates by Storer and Greig. This added text has nothing to do with Blake and only relates to William Cowper. J. Seagrave unknown books
192718887.1Tokyo: The Hokuseido Press 1927. 1st edition BAL 7999. Green cloth binding with gilt stamped lettering to spine. TEG. Dust jacket. Modest wear slight lean bookplate usual bit of foxing & age-toning. A Very Good book in a similar jacket which has a sun-tanned spine panel. 140 pp. Color frontis and 10 inserted plates. Japanese colophon tipped in. Crown 8vo. 7-1/2 x 5-1/8 in. <br/><br/>William Blake the subject of two of the 11 essays contained herein. The Hokuseido Press hardcover books
2014233933San Francisco: Left Magazine 2014. Magazine. 60p 9x6 inches landscape format articles ads photos events reviews interviews very good slick LGBT entertainment magazine for the Bay Area stapled pictorial wraps. Left Magazine unknown books
1934148527New York: The Modern Library 1934. Hardcover. VG Some spots on outer spine otherwise clean. Brown leather with decorated boards black title and author blocks with gilt letters on outer spine wood-grain-like flyleaves 288 pp. "If the editors of the Modern Library were to survey Canadian fiction or rather iction written on Canadian soil they could find nothing to surpass Louis Hemon's story of French Canada Maria Chapdelaine in its tanslation into English by William Hume Blake. First published in 1921 the intervening years the most productive in Canadian letters have yielded nothing which answers its challenge. This book originally written by a French emigre to Canada and done into English by a Canadian still remains Canada's most lasting contribution to English romantic literature." intro A nice book to hold. The Modern Library hardcover books
19242303240New York: The Macmillan Company 1924. Hard Cover. Near Fine/No Jacket. Jones Wilfred. First illustrated edition. No jacket. Spine lightly toned. 1924 Hard Cover. 284 pp. "Maria Chapdelaine" is a novel embodying the spirit of French Canada at its most lyrical was based by the author on his experiences in the Lac Saint-Jean district of Qu The Macmillan Company hardcover books