1 088 résultats
19261232728vo. London: Noel Douglas 1926. 8vo 70pp.Original paper over boards with title on spine. Very good with spine a touch darkened and light dusting to original cream boards and slight spotting to endpapers. § Trade edition of this handsome facsimile of the very rare original edition of 1783. “The original 1783 copies were seventy-two pages in length printed in octavo by John Flaxman's aunt who owned a small print shop in the Strand and paid for by Anthony Stephen Mathew and his wife Harriet dilettantes to whom Blake had been introduced by Flaxman in early 1783. Each individual copy was hand-stitched with a grey back and a blue cover reading "POETICAL SKETCHES by W.B." It was printed without a table of contents and many pages were without half titles. Of the extant copies eleven contain corrections in Blake's handwriting. Poetical Sketches is one of only two works by Blake to be printed conventionally with typesetting; the only other extant work is The French Revolution in 1791 which was to be published by Joseph Johnson. However it never got beyond the proof copy and was thus not actually published.Even given the modest standards by which the book was published it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation suggesting that it was printed with little care and was not proofread by Blake thus the numerous handwritten corrections in printed copies. Gilchrist also notes that it was never mentioned in the Monthly Review even in the magazine's index of "Books noticed" which listed every book published in London each month signifying that the publication of the book had gone virtually unnoticed. Nevertheless Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808 and when he died several unstitched copies were found amongst his belongings.†Bentley BB 132. Noel Douglas hardcover books
19261107158vo. London: Noel Douglas 1926. 8vo 70pp.Original paper over boards with title on spine. Very good with spine a touch darkened and light dusting to original cream boards and slight spotting to endpapers. § Trade edition of this handsome facsimile of the very rare original edition of 1783. “The original 1783 copies were seventy-two pages in length printed in octavo by John Flaxman's aunt who owned a small print shop in the Strand and paid for by Anthony Stephen Mathew and his wife Harriet dilettantes to whom Blake had been introduced by Flaxman in early 1783. Each individual copy was hand-stitched with a grey back and a blue cover reading "POETICAL SKETCHES by W.B." It was printed without a table of contents and many pages were without half titles. Of the extant copies eleven contain corrections in Blake's handwriting. Poetical Sketches is one of only two works by Blake to be printed conventionally with typesetting; the only other extant work is The French Revolution in 1791 which was to be published by Joseph Johnson. However it never got beyond the proof copy and was thus not actually published.Even given the modest standards by which the book was published it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation suggesting that it was printed with little care and was not proofread by Blake thus the numerous handwritten corrections in printed copies. Gilchrist also notes that it was never mentioned in the Monthly Review even in the magazine's index of "Books noticed" which listed every book published in London each month signifying that the publication of the book had gone virtually unnoticed. Nevertheless Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808 and when he died several unstitched copies were found amongst his belongings.†Bentley BB 132. Noel Douglas hardcover books
19261087908vo. London: Noel Douglas 1926. 8vo 70pp.Original paper over boards with title on spine. Very good with spine a touch darkened and light dusting to original cream boards and slight spotting to endpapers. § Trade edition of this handsome facsimile of the very rare original edition of 1783. “The original 1783 copies were seventy-two pages in length printed in octavo by John Flaxman's aunt who owned a small print shop in the Strand and paid for by Anthony Stephen Mathew and his wife Harriet dilettantes to whom Blake had been introduced by Flaxman in early 1783. Each individual copy was hand-stitched with a grey back and a blue cover reading "POETICAL SKETCHES by W.B." It was printed without a table of contents and many pages were without half titles. Of the extant copies eleven contain corrections in Blake's handwriting. Poetical Sketches is one of only two works by Blake to be printed conventionally with typesetting; the only other extant work is The French Revolution in 1791 which was to be published by Joseph Johnson. However it never got beyond the proof copy and was thus not actually published.Even given the modest standards by which the book was published it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation suggesting that it was printed with little care and was not proofread by Blake thus the numerous handwritten corrections in printed copies. Gilchrist also notes that it was never mentioned in the Monthly Review even in the magazine's index of "Books noticed" which listed every book published in London each month signifying that the publication of the book had gone virtually unnoticed. Nevertheless Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808 and when he died several unstitched copies were found amongst his belongings.†Bentley BB 132. Noel Douglas hardcover books
19271017888vo. New York: Payson & Clarke 1927. 8vo 70pp. Original paper over boards. Very good. § US trade edition. Bentley Blake Books 132B. “The original 1783 copies were seventy-two pages in length printed in octavo by John Flaxman's aunt who owned a small print shop in the Strand and paid for by Anthony Stephen Mathew and his wife Harriet dilettantes to whom Blake had been introduced by Flaxman in early 1783. Each individual copy was hand-stitched with a grey back and a blue cover reading "POETICAL SKETCHES by W.B." It was printed without a table of contents and many pages were without half titles. Of the extant copies eleven contain corrections in Blake's handwriting. Poetical Sketches is one of only two works by Blake to be printed conventionally with typesetting; the only other extant work is The French Revolution in 1791 which was to be published by Joseph Johnson. However it never got beyond the proof copy and was thus not actually published.Even given the modest standards by which the book was published it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation suggesting that it was printed with little care and was not proofread by Blake thus the numerous handwritten corrections in printed copies. Gilchrist also notes that it was never mentioned in the Monthly Review even in the magazine's index of "Books noticed" which listed every book published in London each month signifying that the publication of the book had gone virtually unnoticed. Nevertheless Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808 and when he died several unstitched copies were found amongst his belongings.†Wikipedia Payson & Clarke hardcover books
19489023673New York: Random House 1948. Hardcover. Very good. Bound in the publisher's original cloth covered boards spine stamped in gilt. Lightly rubbed at the edges and extremities. Foxed endpapers. <br/><br/> Random House hardcover books
1926615581926. BLAKE William. THE PROPHETIC WRITINGS OF WILLIAM BLAKE. In two volumes. Edited and with a general introduction glossarial index of symbols commentary and appendices by D.J. Sloss and J.P.R. Wallis. Oxford; Clarendon 1925. 8vo. navy cloth gilt unopened and uncut. Very slight rubbing shelwear to edges of boards. Hint of bubbling to cloth at one spine one hinge just starting slight dust soil to top-edge. Still tight and near fine overall. unknown books
19648173Franklin NH: The Hillside Press 1964. Limited Edition. Hardcover. Fine. Tight bright and unmarred. Printed cloth boards frontispiece. 56x49mm. 52pp. Illus. b/w plates. Numbered limited edition this being 125 of 375. <br/><br/> The Hillside Press hardcover books
1982403432Harper Woods MI: Adagio Press 1982. Fine. 8vo. Printed in red and black. Original printed wrappers. LIMITED EDITION number 65 of approximately 200 copies signed by the publisher Leonard F. Bahr. <br/><br/> Adagio Press unknown books
198251881Harper Woods MI: Adagio Press 1982. Edition limited to approximately 200 copies signed by Bahr this no. 16 8vo pp. 32; printed in red black and blue; fine copy in original brown printed wrappers publisher's mailing envelope with this title printed on the address panel. Original prospectus laid in. <br/><br/> Adagio Press unknown books
194754332London: Westhouse 1947. First Edition. Large 8vo pp. 120. Illustrated wtih several wood engraviings.With an introduction by Denis Saurat. Gray cloth. Cover somewhat spotted and little bumped o/w a VG tight copy in chipped dj. Westhouse unknown books
1927WRCLIT83278London: Ernest Benn 1927. Small quarto. Gilt decorated cloth. First edition of this color facsimile of the BM copy printed on Japan vellum. Covers very slightly bowed but a very good bright copy. BENTLEY & NURMI 132. Ernest Benn hardcover books
1954295446London: Trianon 1954. Limited. hardcover. near fine. Full page color illustrations. Slim 8vo original 1/2 brown calf light scuff marks on spine tan boards board slipcase. London: Trianon Press 1954. Facsimile edition. Near fine.<br/><br/> Limited Edition. Number 168 of 800 copies.<br/><br/> Trianon unknown books
1911148526London: Arthur L. Humphreys 1911. Hardcover. VG- Outer spine has some wear with title block taking the brunt of it; boards and pages are in great shape. A small book in red leather stiff marbled flyleaves gilt letters on front cover and on black title block on spine; gilt top edges 64 pp. BW illus. tipped in. A small book edition of this collection of 19 poems written by English poet and artist William Blake 1757-1827. First published with engraved artwork in 1789. Perhaps the same artwork appears here tipped in. A nice volume to hold even though the spine is somewhat stiff. Arthur L. Humphreys hardcover books
1927245698London: Medici Society 1927. hardcover. very good. Parsons Jacynth. With a Prefatory Letter by W. B. Yeats. 12 color plates plus black & white text illustrations. 42pp. 8vo blue cloth dust 1927 ownership inscription on front free endpaper. London and Boston: The Medici Society 1927.<br/><br/> Medici Society unknown books
192844887Yellow Springs OH: Kahoe & Company 1928. quarter cloth paper-covered boards. small 8vo. quarter cloth paper-covered boards. vi 28 pages. Printed and bound at The Antioch Press. Twenty-one poems by the eighteenth-nineteenth century English artist/poet. Cover rubbed at edges soiled. Covers rubbed with wear along spine. Name in ink on free endpaper. Kahoe & Company unknown books
1954122284London: The Trianon Press for the William Blake Trust 1954. Hardcover. VG- Some wear to extremities of slipcase; Book in beautiful condition. Slipcase covered in patterned colored paper; Orange cloth over boards; Unpaginated approx. 70 pp.; 31 color plates. Facsimile edition of William Blake's Songs of Innocence; Printed on Arches pure rag paper which was made to match what Blake originally used and watermarked with his monogram; Hand-numbered no. 1208 of 1600 copies in this edition; This copy one of 800 reserved for distribution in the US. The Trianon Press (for the William Blake Trust) hardcover books
1954215276London: Trianon 1954. Limited. hardcover. near fine. Full page color illustrations. Slim 8vo original 1/2 brown calf tan boards board slipcase. London: Trianon Press 1954. Facsimile edition. Near fine.<br/><br/> Limited Edition. Number 424 of 800 copies.<br/><br/> Trianon unknown books
196642216Garden City NY: Doubleday 1966. First Edition. Raskin Ellen. Horizontal 8vo pp. 48. Music and illustrations in color by Ellen Raskin; guitar arrangement by Dick Weissman. A VG tight copy in somewhat chipped and soiled dj. For young people. Doubleday unknown books
192623723London: Ernest Benn Ltd. 1926. Facsimile of the original British Museum edition. Hardcover. Very good/No dust jacket. London: Ernest Benn Ltd. 1926. Facsimile of the original British Museum edition. Color illustration on one side of leaf surrounding text. Unpaginated. Hardcover. 12mo size. Red cloth. Loose leafs in contemporary portfolio with marbled paste-downs. Minor bumping and rubbing to pressure points. Spine and top & bottom board edges slightly sunned. Edges and pages lightly yellowed. Still clean and bright. Very good/No dust jacket. Ernest Benn, Ltd. hardcover books
1954WN36021London: The Trianon Press 1954. Number 832 of 1600; the group numbered 801 to 1600 were for distribution in the U.S. Facsimile done from the original in the collection of Lessing J. Rosenwald. Gift inscription on the ffep by Mr. Rosenwald: "To Adele & Tillman/Lessing/7/23/55". Some foxing of endpapers and preliminaries. Tan calf spine gilt is somewhat worn with chewing at tail. TEG. Slipcase tan calf mouth with some chipping at top and bottom. . Facsimile Edition. Quarter Leather. Fair/Slipcase Good. Illus. by Author. 8vo - over 7¾" - 9¾" tall. Trade. The Trianon Press Hardcover books
199420298South Dennis: Steven Albahari 1994. Hardcover. Orig. red cloth with pictorial inset. Fine in fine decorated white clam shell box. 171 pages. Photographs by Joel-Peter Witken of controversial content. Limited edition copy 159 of 915. Edited with an Introduction by John Wood editor of "21st: The Journal of Contemporary Photography." Plethora of plates in black and white and color Witken's interpretation of poems by Blake. Signed by Witken. Steven Albahari hardcover books
193547923New Rochelle NY: Peter Pauper Press 1935. One of an edition limited to 50 copies this being #14. Hardcover. Very good/No jacket issued. New Rochelle NY: Peter Pauper Press 1935. One of an edition limited to 50 copies this being #14. 58 pp. Hardcover. 12mo. Light blue Leather. Gilt title label to spine and gilt decorative device to front board. Lightly bumped and rubbed at head heel and corners; sun-toning to spine and upper edge of cover and rear board; interior tight and clean. Very good/No jacket issued. Peter Pauper Press hardcover books
1980107412Franklin Library 1980. Limited Edition. Hardcover. Fine/No Jacket. Fine with no dust jacket. This is an example of one of the older FULL LEATHER Franklin Library Books. Bound in Full gilt tooled Leather with gilt page edges; gilt spine decorations and lettering; silk Moire endpapers; silk ribbon place marker; 5 raised bands to the spine etc etc. A very clean and bright copy. A Volume in the 100 GREATEST BOOKS OF ALL TIMES Series. Franklin Library hardcover books
195620007London: Methuen 1956. Fifth reprint of the 1925 edn. Small 8vo pp 70. Marking in text donor's presentation and other writing on end paper o/w VG. Text based on a facsimile of Songs of Innocence published by Hollyer 1923 and on a facsimile of the Songs of Innocence and of Experience published by Quaritch 1893. Methuen unknown books
196738966New York: Orion Press 1967. 8vo unpaginated; 55 color facsimiles with printed poem on facing page text printed in black and brown; original blue cloth gilt spine in matching pictorial slip case; book spine and gilt toned slip case a bit soiled; previous owner's ink signature on front free endpaper else a very good copy. Introduction and commentary by Geoffrey Keynes. Laid in article about Blake from Vogue October 1982. <br/><br/> Orion Press hardcover books