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1882108773Oblong quarto. London: George Bell 1882. Oblong quarto bound in original pale brown cloth with gilt title on cover lightly worn at edges and corners. The Hesiod Works and Days and Theogeny follows the Iliad and Odyssey and collates: - 4 half title and contents list of plates 37 plates being original engraved title plus 36 of the Blake engravings. The Aeschylus follows as the last. Generally very good internally with occasional foxing at ends of the volume. The binding has been repaired at some stage: due to the oblong format and weight of the pages the first signature is loose but the remainder holding firm. § Bentley BB 456. This reduced-size edition appears to be a re-issue of Bentley's C edition of 1881 by Bell only the Hesiod being present is implied by Bentley for that edition. 4 volumes in one of Flaxman's designs reduced to half size from Blake’s original prints for use by art students including Blake's designs for Hesiod published in 1817. George Bell hardcover books
18881088084to. Edmonton: William Muir 1888. 4to intaglio title page iv text prologue 18 leaves with Muir's black and white intaglio engraved plates sewed and more recently bound in vellum and new endpapers and fitted into a modern marbled slipcase. Original Muir wrappers not bound in. § Possibly one of the copies Quaritch had for sale as recently as 1942 when their catalogue records only 31 copies had been published rather than the 50 first envisaged and of these 31 at least some were still being offered for sale. The facsimile is convincing enough that plates from it have been offered as originals on occasion. Copies in such fine condition are almost unheard of. Bentley BB 249m. William Muir hardcover books
1991107850Folio. Tate Gallery Publications London: The William Blake Trust 1991. Folio 302 pp. including 105 pages of color plates. Brown cloth in pictorial dust-jacket with protective plastic. As new. § The first volume in this series of Blake’s illuminated books. The hard-bound edition has been long out of print. The William Blake Trust hardcover books
1995105062Lge. Princeton: The William Blake Trust 1995. Lge. 4to 367 pages including 77 pages of color illustrations. Brown cloth in pictorial jacket. § The fourth volume in this series of Blake’s illuminated books edited overall by David Bindman. As new. The hard-bound edition has been long out of print. The William Blake Trust hardcover books
1995107847Folio. Princeton: The William Blake Trust 1995. Folio 231 pp. including 57 pp. of illustrations. Brown cloth in pictorial dust-jacket. The sixth volume in this series of Blake’s illuminated books. As new. § The sixth volume in this series of Blake’s illuminated books edited overall by David Bindman. As new. The hard-bound edition has been long out of print. The William Blake Trust hardcover books
193550515bdNew York: The Pierpont Morgan Library 1935. First Edition Thus. Folio cloth-backed stiff gray wrapper with paper labels. 6 facsimiles one of text three of water colors one of pencil & wash drawings and one of etchings. A total of 110 plates. Near-Fine. The Pierpont Morgan Library, 1935. First Edition Thus. hardcover books
123190London: plates dated 1825 but published 1826. Folio 320 x 254 mm engraved title and 21 plates. Proofs on India paper mounted on handmade paper some leaves 2 5 6 11 14 17 18 watermarked J. Whatman Turkey Mill 1825. Gilt-ruled green morocco over thick boards fleurons at the outer corners double-rule inner frame enclosing a bloom roll gilt-ruled spine sewing bands with gilt red morocco onlays thick dark blue endleaves all edges gilt by Riviere: a brilliant set with no foxing at all interleaved with blanks at the time of binding with no offsetting. Lower cover of the binding at some time tied up with string with ensuing indentation. § First edition limited to 150 proof sets 65 sets were also printed on French paper and 100 sets on drawing paper with the word ‘proof’ removed. This is one of finest sets of the proofs I have ever seen and far outshines the other two original printings and the later re-issue. The India paper set is the best printing of these famous plates which comprise Blake’s major single achievement as a printmaker after the illuminated books. Illustrations of the Book of Job was Blake’s last completed prophetic book: the text a series of biblical quotations is above and below each image. “It was produced while Blake was still working on Jerusalem his most obscure book; yet the illustrations are Blake’s most lucid; and they are the supreme example of his reading the Bible in its spiritual sense†S. Foster Damon A Blake Dictionary p. 217. “The modest size of the central panels does not prevent them from ranking with the supreme masterpieces of graphic art†Ray Illustrator and the Book in England #8. Note: as always the first plate after the title-page is misdated 1828. [plates dated] 1825 [but published 1826]. Folio hardcover books
107296London: plates dated 1825 but published 1826. Folio 320 x 254 mm engraved title and 21 plates. Proofs on India paper mounted on handmade paper some leaves watermarked J. Whatman Turkey Mill 1825. Matted a brilliant set with the original printed label preserved. § First edition limited to 150 proof sets 65 sets were also printed on French paper and 100 sets on drawing paper with the word ‘proof’removed. This is the finest set of the proofs I have ever seen and far outshines the other two original printings and the later re-issue. The India paper set is the best printing of these famous plates which comprise Blake’s major single achievement as a printmaker after the illuminated books. Illustrations of the Book of Job was Blake’s last completed prophetic book: the text a series of biblical quotations is above and below each image. “It was produced while Blake was still working on Jerusalem his most obscure book; yet the illustrations are Blake’s most lucid; and they are the supreme example of his reading the Bible in its spiritual sense†S. Foster Damon A Blake Dictionary p. 217. “The modest size of the central panels does not prevent them from ranking with the supreme masterpieces of graphic art†Ray Illustrator and the Book in England #8. [plates dated] 1825 [but published 1826]. Folio unknown books
1233531826. Folio single sheet 16 1/4 x 11 image inc. platemark 8 1/4 x 6 1/2 ins. Fine. § First edition from the printing of 65 sets with the word “Proof†on French wove paper. The plate depicts Job lamenting his unfortunate existence while his friends bear witness to his grief in silence Job 3:3. Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625–641C. Provenance: Sotheby’s May 4& 5 1983. 3). Bentley unknown books
1828107781e 1825 but published 1826. London: March 8 1828 i.e 1825 but published 1826. Single leaf recently cleaned. § First edition one of 100 sets printed directly onto Whatman wove with the word “proof†removed. Blake had a long pictorial engagement with the biblical story of Job. This a single leaf from a series of 21 engravings commissioned by John Linnell in 1823 that are generally considered to be Blake's masterpiece as an intaglio printmaker. "Rather than using the customary "mixed method" of preliminary etching followed by engraving Blake used pure line engraving in the Job plates. Perhaps one of his motivations was to evoke the art of the master engravers of the Renaissance whom Blake greatly admired such as Albrecht Dürer." The William Blake Archive.In the Book of Job Job and his old friends argue at length over the divine purpose of Job's afflictions. This plate illustrates the moment the youthful Elihu overcomes his respect for his elders and bursts into the conversation to explain why he thinks both sides are wrong Job 32:6. In Blake's elaborate borders the figure of Job's Humanity sleeps while soaring angels try to awaken him.Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625–641C. March 8 unknown books
1828107776e 1825 but published 1826. London: March 8 1828 i.e 1825 but published 1826. Single leaf recently cleaned. § First edition one of 100 sets printed directly onto Whatman wove with the word “proof†removed. Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625–641C. March 8 unknown books
1828107778e 1825 but published 1826. London: March 8 1828 i.e 1825 but published 1826. Single leaf recently cleaned. § First edition one of 100 sets printed directly onto Whatman wove with the word “proof†removed. Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625–641C. March 8 unknown books
1828107779e 1825 but published 1826. London: March 8 1828 i.e 1825 but published 1826. Single leaf recently cleaned. § First edition one of 100 sets printed directly onto Whatman wove with the word “proof†removed. Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625–641C. March 8 unknown books
1825104648Proof on India paper mounted on handmade paper. London: March 8 1825 but published 1826. Proof on India paper mounted on handmade paper some leaves watermarked J. Whatman Turkey Mill 1825. A fine impression. Matted. § Single plate from the first edition one of 150 proof sets on India paper. Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625–641C. March 8 unknown books
19511088124to. London: Trianon Press for The William Blake Trust 1951. 4to 6 ix 100 color plates. Very good in original dark blue buckram with protective acetate wrapper in a folding box with grey cloth spine and patterned paper covers slight fraying to cloth at top and bottom of front cloth spine for c 1/2" and tiny chip of loss to paper at top of rear of box. § Copy No. 393 of 516 issued. The first of the magnificent series of Blake Trust collotype and pochoir facsimiles by the Trianon Press of Blake’s illuminated books edited by Geoffrey Keynes. Bentley BB 78. Trianon Press for The William Blake Trust hardcover books
1955123270New York: Beechhurst Press 1955 Small 4to 116 text errata 100 facsimile pp. Original full orange hardgrain morocco stamped in gilt joints slightly scuffed very good. § 2500 copies printed. Facsimile of the Rinder copy a black-and-white version published to accompany the Stirling colored copy. This appears to be a de luxe copy of the NY edition in orange morocco rather than the standard orange cloth.Bentley Blake Books 79B. Beechhurst Press hardcover books
1951108836London: Trianon Press 1951 and London: Trianon Press for the William Blake Trust 1954. Small 4to 116 text errata 100 facsimile pp.and Small 4to xv 264 pp.Both vols. in original orange cloth with gilt lettering and dust jacket. Good copies if slightly worn § Jerusalem: 2500 copies printed. Facsimile of the Rinder copy a black-and-white version published to accompany the Stirling colored copy. Bently BB 79. Commentary: First edition 1500 copies printed. This commentary was intended to go with the full-scale color facsimile and this black-and-white Rinder facsimile. Bentley BB 2961. 9000$325. Trianon Press hardcover books
1951109186London: Trianon Press 1951 and London: Trianon Press for the William Blake Trust 1954. Small 4to 116 text errata 100 facsimile pp. and Small 4to xv 264 pp. Both vols. in original orange cloth with gilt lettering and dust jackets a bit worn. § Jerusalem: 2500 copies printed. Facsimile of the Rinder copy a black-and-white version published to accompany the Stirling colored copy. Bently Blake Books 79. Commentary: First edition 1500 copies printed. This commentary was intended to go with the full-scale color facsimile and this black-and-white Rinder facsimile. Bentley Blake Books 2961. Trianon Press hardcover books
19511005614to. London: Trianon Press for the William Blake Trust 1951. 4to 6 ix text and 100 pochoir colorplates. Blue buckram gilt title. Very good copy in a worn folding box. § Limited to 516 copies. The definitive facsimile of one of Blake’s greatest works and the first of the magnificent series of facsimiles created by the Trianon Press of Blake’s illuminated books. The Preludium is by Joseph Wicksteed and the Bibliographical Statement by Geoffrey Keynes. Bentley 78. "Blake's etched copperplates giving the text of his poem and the basis of the designs were printed by him in a rich orange ink and were then illuminated by hand in water colours and gold. The etched base has now been reproduced by collotype in orange and the prints have then been coloured by hand by a stencilling process so that the final result bears the closest possible resemblance to Blake's original plates. An average of forty-four applications of water colours was required for each full page illustration of which there are four. Of the remainder fifty-one have some text with designs filling half the page or more and thirty-five have text with small marginal decorations.". Introduction Trianon Press for the William Blake Trust hardcover books
1780110672Single plate. London: Harrison and co. 1780-81. Single plate 10 x 7.5 ins. A little browned around the edges very good. § First edition thus issued originally in parts and perhaps thus of great rarity. The last copy to change hands was in 1993 when Essick bought his copy; he has not recorded another copy in the marketplace since. That rarity is born out by ESTC which records 4 copies in all two at the BL seriously imperfect one in Oxford Queen’s College and one in North America Bentley Blake Collection at Victoria University. It is noteworthy for the profusion of illustrations from classical sources and in the five plates engraved by Blake he shows his knowledge of the work of Rubens and Raphael most likely from reproductions in earlier illustrated books. See Essick CBI VI. Bentley Blake Books 419. Darlow and Moule 1273. Harrison and co unknown books
1780110673Single plate. London: Harrison and co. 1780-81. Single plate 10 x 7.5 ins. A little browned around the edges very good. § First edition thus issued originally in parts and perhaps thus of great rarity. The last copy to change hands was in 1993 when Essick bought his copy; he has not recorded another copy in the marketplace since. That rarity is born out by ESTC which records 4 copies in all two at the BL seriously imperfect one in Oxford Queen’s College and one in North America Bentley Blake Collection at Victoria University. It is noteworthy for the profusion of illustrations from classical sources and in the five plates engraved by Blake he shows his knowledge of the work of Rubens and Raphael most likely from reproductions in earlier illustrated books. See Essick CBI VI. Bentley Blake Books 419. Darlow and Moule 1273. Harrison and co unknown books
19261012554to. Oxford: Clarendon Press 1926. 4to ix pp. illustrated facsimiles of the original letters. Quarter gray cloth marbled boards printed label on upper cover. § Limited to 325 copies. Facsimiles of the only 10 letters known to have survived written by Blake to his friend and patron of thirty years Thomas Butts 1759-1846. Also included are a rough draft of Butts’ reply to Blake’s first letter and a debtor and creditor account between them for the year 1805. This is the first time they were reproduced in facsimile and the first time Butts’ letter has been printed in full. Bentley Blake Books 90. Clarendon Press hardcover books
19681232818vo. Cambridge: Harvard UP 1968. 8vo 224 pages with a frontispiece and 12 plates. Original blue cloth dust-jacket. As new. § Final revised edition the best single account of Blake's manuscripts. Bentley Blake Books 93 C: “Comprehends fairly full notes some related documents such as receipts and provenances.†Includes importabt notes on Blake's extant manuscripts receipts etc. Harvard UP hardcover books
19061080028vo. New York: Scribners 1906. 8vo xlvii 237 40 ads pp. With a frontispiece and 11 plates. Original blue cloth gilt ink stain and ink signature on front endpaper a very good copy. § First edition of this collection. Bentley Blake Books 88. Scribners hardcover books
1976101504Small 8vo. Berlin: Insel Verlag 1976. Small 8vo 115pp. Pages 9-62 with full page full-color plates. Illustrated wrappers. Very good. § Early but not first printing 9-13 thousand. Bentley BB C191: “persuasive facsimile. German translation. and Hoffmann’s ‘Nachwort’.†Insel Verlag unknown books