1 088 résultats
107680London: Trianon Press: 1977. 4to 155 pp. 51 plates. Original quarter brown morocco slipcase. § Copy 5 of 500 in quarter morocco from the limited edition of 562 copies. The definitive work on all known portraits of Mr. and Mrs. Blake. Not in Bentley BB or supplement. Trianon Press 1977. 4to unknown books
107687London: Trianon Press: 1976. 4to 155 pp. 51 plates. Original quarter brown morocco a bit worn. § The Trianon Press mock-up for the published edition which was limited to 562 copies. The definitive work on all known portraits of Mr. and Mrs. Blake this example annotated by Arnold Fawcus and Ted Dring noting that Keynes wanted it it be called “The Portraiture†whereas in this mock-up it is titled “Portraits and Sketches of William and Catherine Blakeâ€. Numerous corrections to the text by hand. Trianon Press 1976. 4to unknown books
107381London: Trianon Press: 1977. 4to 155 pp. 51 plates. Original full brown morocco slipcase. A fine copy. § #5 of 36 de luxe copies signed by Keynes of a total edition of 562 copies. The definitive work about and reproducing all known portraits of Mr. and Mrs. Blake. The definitive work on all known portraits of Mr. and Mrs. Blake. Not in Bentley BB or supplement. Trianon Press 1977. 4to unknown books
107383London: Trianon Press: 1977. 4to 155 pp. 51 plates. Original full brown morocco slipcase. A fine copy. § Copy A of 26 copies for the Trustees and publishers signed by Keynes of a total edition of 562 copies.The definitive work on all known portraits of Mr. and Mrs. Blake. Not in Bentley BB or supplement. Trianon Press 1977. 4to unknown books
1976110686Small 4to. London: Published by the Trianon Press for the William Blake Trust 1976. Small 4to 62 pp. and 11 plates with descriptions. Quarter morocco with cloth covered boards. § Edition limited to 438 numbered copies this being 1 of 26 copies for the Trustees. A study of William Blake’s Laocoon which he first started sketching in the early 19th century with illustrations reproduced by the collotype process. This volume completes the series begun by the William Blake Trust in 1951. Not found in Bentley’s Blake Books or the Supplement. Published by the Trianon Press for the William Blake Trust hardcover books
1957123810Folio. London: Trianon Press 1957. Folio with 9 color plates and 156 illustrations. Original quarter morocco a superb copy virtually mint preserved in a quarter blue morocco box lettered in gilt § Limited to 460 copies this is #219. A very scarce book in good let alone fine condition as the size of the book and the fact that it was not issued with a box or a slipcase eve means most copies are more or less worn. This was the first time that Blake’s Biblical illustrations had been brought together. The catalogue raisonné was compiled by Sir Geoffrey Keynes and comprises virtually every Biblical painting by Blake in existence. Bentley Blake Books 681. Trianon Press unknown books
19801087928vo. Oxford: Clarendon Press 1980. 8vo xxviii 235 pp with 25 black and white plates and one text illustration. The third edition revised and amplified. Near fine in original black cloth and dust-jacket. § Third edition. Bentley BBS refers to this edition but does not include it see p.96n. Clarendon Press hardcover books
1987123873Slim 8vo. New York: MJF Books 1987. Slim 8vo 8 92pp. Small portrait frontispiece. Red paper boards white paper backstrip dust-jacket as new. § First only edition of this selection. Bentley Blake Books Supplement p. 155. MJF Books hardcover books
1806107755Single leaf. London: printed for Longman; by T. Bensley 1806. Single leaf 200 x 130 mm being the frontispiece by Blake engraved by Cromek. Trimmed to the image recently cleaned with a couple of almost invisible creases and an ink smudge on the child’s nose. § A sentimental commercial engraving. The child was Malkin’s son apparently an infant prodigy who died at the age of seven. Bentley Blake Books p. 18 a good note on the book and #482. printed for Longman; by T. Bensley unknown books
19261107094to. London: Published for the Julian Editions by Ernest Benn Limited 1926. 4to xxiii 1 35 1. With 8 b/w plates by William Blake.Original black cloth dust-jacket slipcase. Jacket torn and browned book fine. § Limited to 300 copies beautifully printed by the CUP on hand-made paper. Bentley Blake Books 388. Published for the Julian Editions by Ernest Benn Limited hardcover books
1954104701Large 8vo. New York:Heritage Press 1954. Large 8vo 43; 44 2 pp. 12 gravure plates after the paintings by William Blake. Quarter red cloth marbled boards. § Reprint of the edition designed by Bruce Rogers. The illustrations are from the Blake designs in the collection of the Pierpont Morgan Library and the two works by Milton which they illustrate have been printed dos-a-dos. Heritage Press hardcover books
19231050764to. Cambridge: At the University Press 1923. 4to 32 2 pp. 6 plates. Quarter vellum green buckram very good. § De luxe edition limited to 150 copies on hand-made paper. Bentley Blake Books 389. At the University Press hardcover books
19231000764to. Cambridge: At the University Press 1923. 4to 32 2 pp. 6 plates. Cloth and decorated paper over boards paper label. § First edition. Light dust soiling corners faintly worn but a very good copy. Bentley Blake Books 389. At the University Press hardcover books
19261107072 vols. London: The Nonesuch Press 1926. 2 vols. in 1 8vo viii 283; xii 359 pp. Title pages in sepia and black 27 black-and-white plates. Full stiff vellum gilt-lettered backstrip covers slightly bowed and spotted in the vellum. Two gift inscriptions at front. § De luxe edition limited to 95 copies on India paper copies. One of the finest of the Nonesuch Press books with excellent reproductions of the watercolors and extensive notes on them by Geoffrey Keynes. Bentley Blake Books 394. The Nonesuch Press hardcover books
1887109161Folio. Edmonton: William Muir 1887. Folio 18 plates printed in blue. Original wrappers rebacbacked top edge gilt fine. § Uncolored Muir facsimile limited to around 50 copies of which according to Keynes in 1921 only 6 were hand-colored. This is copy #3 signed priced and numbered by Muir. "In the first of his "Continental Prophecies" see also Europe and The Song of Los Blake explores the radical paradigms of political repression and revolt through a highly imaginative treatment of the American Revolution. While historical figures such as Washington and Paine appear much of the symbolic and thematic weight is placed on Blake's own invented mythological figures including "Albions Angel" and "Londons Guardian" forces of the British government Urizen the god of restrictive reason and the origin of political repression and fiery Orc the spirit of revolt. The American Revolution is viewed as a harbinger of universal revolution epistemological as much as political." The Blake Archive. Eighteen copies of the original are known to exist. William Muir's facsimiles of Blake's works were the most ambitious and in many cases the first of their kind until the Trianon Press began work for the Blake Trust in 1951. Upon establishing the Blake Press at Edmonton his goals were clear: "My desire and intention is to reproduce ALL the important works by Wm Blake that exist in book form and also some of his finest designs and this by methods of working as nearly the same as Blake himself used as the need of maintaining fidelity to his results will allow. I will not use either photography or chromolithography. All outlines are drawn and all the colouring is by hand. I produce fifty copies only of each book and each of them is numbered".Keri Davies writes "‘Muir’s facsimiles not only made Blake’s works in “Illuminated Printing†accessible for the first time in reliable copies and helped establish Blake’s reputation as visual artist alongside his reputation as poet but I feel must also have contributed to the most advanced ideas in English art of the 1880s." Bentley Blake Books 249j. William Muir unknown books
1887109160Folio. Edmonton: William Muir 1887. Folio 17 plates richly hand colored. Original printed wrappers dated September 1887 backstrip renewed gilt top fine. § Limited to fewer than 50 copies this copy numbered #11 signed priced and numbered by Muir. Based on three different copies see below. With the frontispiece “The Ancient of Days†which is perhaps Blake’s most famous image. Bentley BB 249k1: "plates 1 and 4 are from originals in Mr. Muir's possession copy c plates 2 5-6 and 8 are from copy D and plate 7 9-18 from copy A." See also Bentley Blake Books Supplement pp.66-69. William Muir unknown books
1920123193Slim 4to. Edmonton: William Muir 1920. Slim 4to 8 unnumbered hand-colored plates. Half red calf upper cover lettered in gilt upper cover slightly soiled. § The second Muir facsimile based on copy J in the Houghton Library and limited to 50 copies so stated. With Muir's limitation statement and copy number 5 pasted in the front. Bentley Blake Books 249b. William Muir unknown books
1885123176Tall slim folio. Edmonton: William Muir 1885. Tall slim folio 8 unnumbered hand-colored plates with no printed outline. Full red straight-grain morocco covers panelled in gilt backstrip gilt-lettered. A fine copy bookplate of C.H. Wilkinson dated 1938. § The Muir facsimile based on copy D in the British Museum and limited to around 50 copies. The plates are delicately colored and the text is in golden-brown. Bentley Blake Books 249b. Essick notes three versions of the ca. 1885 edition one entirely executed by hand another version with the correction of 'sprin' to 'springs' on leaf 5 line 7 and a third version with the final two leaves numbered 5 and 6 as in Blake's original the two prior versions do not have numbered leaves. William Muir unknown books
1960198612Cambridge Golden Head Press 1960. 1960. First edition. Small 4to. Bibliography. 47 pages. Original stiff gray wrappers. Fine. 1st Edition. Soft cover. Cambridge, Golden Head Press, 1960. paperback books
19981015018vo. London: Longman York Press 1998. 8vo 96pp. Printed wrappers. As new. § First edition. York Notes Advanced. Punter is a well-established writer on Blake with numerous articles to his credit -- Bentley lists eleven up to 1995. Longman York Press unknown books
191410292112mo. London: George Bell and Sons 1914. 12mo cxxxiii 231pp. original blue cloth binding blindstamp decoration to top cover title stamped in gilt to backstrip. Backstrip slightly faded. Gift inscription dated 1914 to front free endpaper. Very good. § Sixth edition. Bentley Blake Books 299F. First printing of Tiriel in the first edition. George Bell and Sons hardcover books
1980100763Oblong 12mo. Hancock VT: Top Drawer Enterprises 1980. Oblong 12mo 4 double-sided folding panels with 11 reproductions of Blake images. The Sixfold Postcard/Poster/Periodical/Book. Very good. § Top Drawer Enterprises unknown books
1980100764Oblong 12mo. Hancock VT: Top Drawer Enterprises 1980. Oblong 12mo 4 double-sided folding panels with 11 reproductions of Blake images. The Sixfold Postcard/Poster/Periodical/Book. Stained on 2 panels. Good. § Top Drawer Enterprises unknown books
100776Los Angeles CA: Zeitlin & Ver Brugge Booksellers 1971. 8vo 48pp. Illustrated including a Blake image item 5: A Standing Archer. Printed wrappers with some water damage to spine. Good. § Zeitlin & Ver Brugge unknown books
19821007798vo. San Francisco CA: John Howell Books 1982. 8vo 128pp. Illustrated. Item 83 on page 31: Hayley William. The Life and Posthumous Writings of William Cowper with 6 engravings by William Blake. Printed wrappers. Very good to near fine. § John Howell Books unknown books