113 résultats
1797007894London: R. Noble for R. Edwards 1797. First Edition. Full Morocco. Very Good. Elephantine folio 44 by 34 cm. viii 2 95 2 pp. 43 of the pages have Blake's expansive charismatic illustrations surrounding the text. Four of these are section heads the balance being border ornamentation but even the latter are far more than merely decorative. The distinctive Blake artwork fires the imagination regardless. In fact the text which is framed with ruled lines seems to cover some of the illustration. Last two pages are the Explanation of the Engravings which are often not present. The full navy blue morocco is fairly heavily rubbed along the edges a bit less so by the joints. Some scattered soiling within but the pages are generally quite clean. There are a few closed tears not of great length and one repaired close tear which was somewhat longer. The Explanation of Engravings leaf has two repaired tears. Notwithstanding these flaws this is an attractive appealing copy. R. Noble for R. Edwards unknown
1797123299Large 4to. London: R. Noble 1797. Large 4to viii 1 95 2 pages; with 43 full-page engravings by Blake after his own designs surrounding the letterpress text. “Explanation†leaf bound in at the back. Half brown morocco backstrip gilt gilt top by Riviere; a very large copy measuring 16 1/2 x 13 inches thus preserving almost all the imprints. § First edition with Blake’s illustrations complete with the leaf of “Explanationsâ€. Essick and LaBelle explain in their commentary how Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned by the publisher Edwards to illustrate Young’s masterpiece. Edwards issued only the first four “Nights†or sections and had Blake etch and engrave 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake and Edwards ceased business shortly thereafter. Ironically today the poet Young once compared with Shakespeare and Milton is largely forgotten save for this edition. Colored copies are known in two palettes the earlier of which may have been colored under Blake’s direction. Bentley Blake Books 515. Easson and Essick William Blake Book Illustrator vol. 1 IV. Essick and LaBelle Night Thoughts Dover 1975. Bindman Complete Graphic Works of Blake 357-379. Ray The Illustrator and the Book in England 3. R. Noble unknown books
17911269381791. London: printed for J. Johnson 1791. <br /> <br /> 12mo xii 177 3ads pp with 6 plates by William Blake after his own designs each signed by Blake. Old half red morocco scuffed but sound some browning and rubbing. The Buxton Forman copy with his large bookplate and manuscript notes in pencil. Other illegible early notes partially erased.<br /> <br /> § First edition to contain William Blake's characteristic illustrations reminiscent in iconography to his designs for his own Songs of Innocence 1789. This copy has all the plates in the third state the only state to have every plate signed by Blake with notable variations from the first and second states. The Buxton Forman copy initialed by him in pencil with his shelf mark. According to Bob Essick this is the only copy known to him with the third state plates in the first edition -- they are usually found in the 1796 edition only.<br /> <br /> This collection of didactic tales for youth in part reinforcing the lessons of Wollstonecraft's first book Thoughts on the Education of Daughters proved her most popular book going through five editions by 1800. <br /> <br /> Windle Bibliography of Mary Wollstonecraft A3b. Bentley Blake Books 514A. Easson and Essick vol. I no. III. unknown
17891602030019Printed for C. Cooke No. 17 Pater-Noster-Row 1789-1790. 2nd. Hardcover. Acceptable. Massive folio. Circa 1790. Frontis 108 plates of 112. Lacking 1 map and 3 plates. 70 plates with double engravings 17 single engraving plates 9 single leaf maps 12 folding maps. Complete in one volume. 990 pages in double columns. Contemporary full calf. Binding is good front board detached. Corners bumped. Scattered foxing throughout affecting a few plates tanning to margins a few pages have ink blots. Tear to pages 595 and 827 affecting text. The front engraved frontispiece is torn lacking almost half with the remainder wrinkled. Minor loss to the corner margin of the title. Single leaf maps are in very good condition. Maps are in fair condition with heavy wrinkling to fold tears; The Chart map maps of Africa North America Italy Europe and England are in extremely poor condition with heavy tearing and wrinkling. The engraving plates have old tears restored by an earlier hand. Sold by subscription with list of subscribers at rear. No edition stated presumed to be the 2nd edition printed 1789-1790 1787-1788 was the 1st ed. This book went through 6 editions in the 1790s and was revised to reflect new discoveries and English interest in the colonization of New Holland. The book is divided along geographical lines. Much of the content deals with the South Pacific Cook's voyages and Australia New Holland. ESTC N42026. Sold with all faults. <br><br> Contents: 5-106 Book I New Discoveries 107-314 Book II Asia 315-460 Book III Africa 461-576 Book IV America 577-944 Book V Europe 944-947 Supplement 947-948 Origin and Progress of the Art of Navigation 949-953 A General Table of Coins 954-959 A New Geographical Table 960 The Superficial Contents of the Globe 961-980 A Guide to Geography 981-990 Index 2 pp. Directions to the Binder 2 pp. A List of Subscribers. For collation / edition history see: Alan Frost Thomas Bankes's A New Royal Authentic and Complete System of Universal Geography. LaTrobe Journal of the State Library of Victoria No 8. Oct. 1971. Prescott A Guide to Maps of Australia in Books Published 1780-1830 p. 242. <br> This is an oversized or heavy book that requires additional postage for international delivery outside the US. Printed for C. Cooke, No. 17, Pater-Noster-Row hardcover
1799562217Amsterdam: Johannes Allart 1799. Hardcover. Very Good. First Dutch edition. Volume one only of four. Octavo. xvi 339pp. illustrated with 16 engraved plates: including two folded maps a frontispiece portrait of Steadman engraved by R. Vinkeles and five unsigned plates engraved after the original English plates by William Blake. Contemporary quarter calf and speckled paper over boards gilt spine with dark red leather titling label. The spine is rubbed and darkened leather corner tips are bumped slight stain at top right corner of the front endpapers and at the top of fore-edge very good with all 16 plates in fine condition. The first Dutch edition of Captain John Stedman’s “Narrative of a five years expedition against the revolted Negroes of Surinam from 1772-1777â€. In the 1770s enslaved and formerly enslaved people of African descent led a rebellion in the Dutch colony of Surinam now Suriname South America. The Dutch army officer Stedman volunteered to lead in the fight to suppress the armed rebellion. The Narrative is based on the diary of his voyage and time in the colony. First published in London in 1796 with engravings by William Blake and Francesco Bartolozzi after drawings by Stedman his Narrative became a significant work within the campaigns to abolish the slave trade and slavery. The Narrative includes graphic descriptions and illustrations of the Dutch colonists’ brutal treatment of both enslaved and free Africans. An attractive copy of the scarce first volume featuring many fine plates and folded maps engraved by R. Vinkeles J. Wijsman and A. Zurcher after the original English plates. Johannes Allart hardcover
1793104757Single plate. London: Johnson 1793. Single plate in fine condition. § Essick William Blake’s Commercial Book Illustrations XXXIII #13. Johnson unknown books
17823348London: Printed for J. Buckland 1782. Hardcover in marbled leather boards with spine printed in red and gilt. Very clean intact copy. Foxing spots on title page only all 14 engravings none missing are Very Good with offsetting to adjacent papes. Cover is cleanly detached spine cracked and loose at pp 50-51 bumped corners spine chipped at top & bottom. Overall a nice unmarked copy with clean boards bright legible spine tho cracked and excellent engravings including 4 by Stothard/William Blake others by Bertolozzi Hall Heath Taylor Watts Page Godfrey Heath Woolette. 341 pp on laid paper 5-1/2 x 8-1/2 14 b/w engravings. <br/><br/> Printed for J. Buckland hardcover
1791025208London: J. Johnson 1791. 2nd Edition . Hardcover. Very Good . 11 15/16" Tall. Frontispiece Portrait By William Blake. Iii Viii Iv 756 Vii. One Volume Quarto Edition With The Blake Frontispiece Complete With Two Preliminary And Two Final Blanks. The Beginnings Of Western Scientific Philosophical Psychology Here Enlarged From The 1749 German Original With Additional Notes And A Biographical Sketch And Portrait. Original Spotted Calf Five Bands Morocco Label All Compartments Tooled With Gilt Designs And Rules. Edge Wear Front Hinge Cracked Externally But Binding Sound Original Endpapers Not Re-Backed No Names Or Marks Except A Few Pencil Notes On The Front Pastedown. Per Wikipedia David Hartley Frs 1705 - 1757 Was An English Philosopher And Founder Of The Associationist School Of Psychology. Like John Locke He Asserted That Prior To Sensation The Human Mind Is A Blank Slate. By A Growth From Simple Sensations Those States Of Consciousness Which Appear Most Remote From Sensation Come Into Being. And The One Law Of Growth Of Which Hartley Took Account Was The Law Of Contiguity Synchronous And Successive. By This Law He Sought To Explain Not Only The Phenomena Of Memory Which Others Had Similarly Explained Before Him But Also The Phenomena Of Emotion Of Reasoning And Of Voluntary And Involuntary Action. His Attempts At Explicit Albeit Somewhat Obvious Analysis Of The Mechanics Of Mental Activity Laid An Important Framework Of Discussion For Subsequent Academic Psychology. <br/> <br/> J. Johnson hardcover
178078782London:: John Bell 1780. A New Edition Revised Corrected and Augmented by an original Set of Prints. . old full calf rebacked retaining the old spine. Small attractive old bookplate on pastedown; offsetting of the fencing figures in the folding plates; one plate soiled at the fore-edge due to misfolding; misfolding without damage to another plate. One pair of leaves detached from the generally weak sewing structure; boards rubbed and worn and splitting at joints. A rare book in need of rebinding. 8vo. Complete with fourteen engraved plates thirteen of which are folding; one engraved by William Blake. John Bell, hardcover
17641263551764. London: Printed in the Year of our Lord God 1699: and Re-printed in the year 1764. <br /> <br /> Sm. 4to vii viii errata 179pp. Engraved portrait frontispiece not always present. Original blue boards white paper backstrip rather soiled ff. iv-v also soiled otherwise a good copy as issued entirely untrimmed.<br /> <br /> § Second edition of Lodowick Muggleton's spiritual autobiography published posthumously in 1699 and reprinted in 1764. Muggleton was the founder of a radical Protestant sect which engaged in heated debates with the Quakers and others. Morton in "The Everlasting Gospel" 1958 et seq. is responsible for suggesting that Blake many have been influenced by extreme dissenters including Muggletonians -- others disagreed. Bentley BBS p.579. "Blake participates in a radical politico-religious tradition that was most vocal and extreme in the seventeenth century. chiefly Ranters Muggletonians and other extreme dissenters". ESTC T91008; Smith Bibliotheca Anti-Quakeriana p. 310. See Wikipedia for a long entry on Muggletonianism. unknown
1792104007C. Cooke. London. 1792. C. Cooke. No date c.1792. Early edition. Elephant folio. Pagination: vi 7-723 plus 1 directions to binder page. Frontis. with small tear to outer margin 59 plates as called for including the 3 engraved by William Blake opposite pages 13 65 and 76. Two engraved maps lacks the folding plan of Jerusalem. Bound in full contemporary brown calf rebacked with origianl spine laid down and retains the original marbled endpapers. Boards worn and rubbed inner hinges visible but sound small tears to outer margins of a couple of plates. Endpapers lightly stained along hinges pages browned. Generally a sound copy. hardcover
17941087701794. London: J. Johnson 1794. <br /> <br /> Small 8vo viii 224 pp. with the frontispiece designed by Fuseli and engraved by Blake in the second state. Original calf worn at edges and corners both boards reattached spine worn with a small portion missing at top. Print block firm and clean with many aphorisms having a faint pencil cross or squiggle alongside. Frontispiece clear but with browning and slight spotting in the surrounding outer margins. <br /> <br /> § Third edition first printed in 1788 third state of the plate. The frontispiece is after a drawing by Fuseli see Essick Blake and His Contemporaries. 43 for the original drawing and is a powerful image. The text notes "End of Vol. I" but no further volumes appeared as a fire destroyed Lavater's manuscript at the printer. The Huntington Library has Blake's own copy extensively annotated throughout. Bentley BB 480. Essick and Easson 2 XXXII 1c. Essick William Blake's Commercial Book Illustrations XVIII. unknown
17987427London: Printed for John Murray 1798. First edition in English. Near Fine. Three folio volumes bound in five 12 7/8 x 10 1/4 inches; 327 x 260 mm. ii half-title verso blank ii vignette title-page verso blank ii translator's preface vi advertisement iv contents x list of subscribers ii dedication vi author's preface ii French translators' preface 3-280; iii-xii; 1-3 4-238; 1 half title vol II. part II verso blank 239-444; iii-iv title-page verso blank v-xii contents 1-252; 2 half title vol III. part III 253-437 1 blank 1-xi index 1 blank pp. Complete with 174 engraved plates after Rubens Fuseli Bartlozzi and Blake. Bound ca. 1830 in full dark green diced calf covers with double ruled gilt line and decorative corner-pieces in gilt. Spines with five raised bands elaborately tooled in gilt two brown morocco labels lettered in gilt. Gilt ruled board edges and turn-ins marbled endpapers all edges gilt. With the engraved armorial bookplate of Viscount Birkenhead on front paste-down of each volume. Some light foxing and offsetting throughout but still an incredible set of this landmark work. Near Fine.<br /> <br /> Johann Caspar Lavater 1741 - 1801 "was the last and most influential of the descriptive physiognomists a class of pseudo-scientists who attempted to ascertain character on the basis of physical features.Von der Physiognomik 1772 an unillustrated two-volume book was Lavater's first work on the subject; this was later expanded with the help of Goethe into the four-volume Physiognomische Fragmente 1775 - 1778 and further perfected in a French translation Essais sur la physiognomie 1781.supervised by Lavater himself. Lavater's physiognomy differed from those of his predecessors in that he paid special attention to the structure of the head particularly the forehead - a form of psychological indexing that exerted some influence on the development of phrenology and brain localization theories in the early nineteenth century. Lavater's work also influenced artists of the period both in the overall creation of portraits and in the use of his physiognomical theories to construct individual faces in historical paintings" Norman Library. Among the portraits included in Essays on Physiognomy are those of Descartes Locke Milton Newton Vesalius Voltaire and George Washington. <br /> <br /> Osler 3178. Near Fine. Printed for John Murray unknown
1794108770Small 8vo. London: J. Johnson 1794. Small 8vo viii 224 pp with the frontispiece designed by Fuseli and engraved by Blake in the second state. Original calf worn at edges and corners both boards reattached spine worn with a small portion missing at top.Print block firm and clean with many aphorisms having a faint pencil cross or squiggle alongside. Frontispiece clear but with browning and slight spotting in the surrounding outer margins. § Third edition first printed in 1788 third state of the plate. The frontispiece is after a drawing by Fuseli see Essick Blake and His Contemporaries… 43 for the original drawing and is a powerful image. The text notes “End of Vol. I†but no further volumes appeared as a fire destroyed Lavater’s manuscript at the printer. The Huntington Library has Blake’s own copy extensively annotated throughout. Bentley BB 480. Essick and Easson 2 XXXII 1c. Essick William Blake’s Commercial Book Illustrations XVIII. J. Johnson hardcover books
17981680London: Printed for John Murray 1798. First Edition in English. Three quarto volumes in five 339 x 272mm. Bound by J. Bohn in a close-to-contemporary diced Russian calf binding. Some of the joints reinforced and now all volumes holding well. Complete as to the text and with all five half-titles but with only 168 of the 173 full-page engraved plates by William Blake Bartolozzi Thomas Holloway and others. With the three engraved vignettes engraved by Blake Volume I pages 127 206 and 225 as well as a full-page plate engraved by Blake after Rubens V.I opposite page 159. <br/><br/>A Very Good set overall with light to moderate foxing near the plates most text leaves are generally in excellent shape. <br/><br/>Lavater 1741-1801 "was the last and most influential of the descriptive physiognomists a class of pseudo-scientists who attempted to ascertain character on the basis of physical features.Von der Physiognomik 1772 an unillustrated two volume book was Lavater's first work on the subject; this was later expanded with the help of Goethe into the four-volume Physiognomische Fragmente 1775-1778 and further perfected in a French translation Essais sur la physiognomie.supervised by Lavater himself. Lavater's physiognomy differed from those of his predecessors in that he paid special attention to the structure of the head particularly the forehead—a form of psychological indexing that exerted some influence on the development of phrenology and brain localization theories in the early nineteenth century. Lavater's work also influenced artists of the period both in the overall creation of portraits and in the use of his physiognomical theories to construct individual faces in historical paintings" Norman Library.<br/><br/>Lavater's work on physiognomy was extremely popular and by 1810 sixteen German twenty English fifteen French two American two Russian one Dutch and one Italian versions had appeared. Among the portraits included are those of Descartes Locke Milton Newton Vesalius Voltaire and George Washington. Garrison and Morton. Norman Library. Osler 3178. Printed for John Murray unknown books
1793Flo260Very good copy of the first edition of Gay's <i>Fables</i> with the William Blake engravings.<br /><br />First issue of the Stockdale edition distinguished by the use of the long "s" throughout the text two volumes bound in one.<br /><br />Complete with the "Gay Monument" frontispiece two engraved title-pages with vignettes and 68 engraved plates<br /><br />With the 12 plates etched and engraved by William Blake in his inimitable style Vol. 1: page 1 29 59 73 99 109 125 133 181; Vol. 2: page 1 105 181. Blake had launched his own career publishing <i>The Book of Thel </i>and <i>The Marriage of Heaven and Hell </i>by this time and started taking on commercial book illustrating and engraving jobs such as Mary Wollstonecraft's <i>Original Stories from Real Life</i> 1791 and <i>Fables</i> 1793. <br /><br />Plates newly engraved by Blake William Grainger Philip Audinet Peter Mazell William Skelton Lovegrove Wilson and Cook after original designs by John Wootton William Kent and Hubert Francois Gravelot from the 1729-1747 editions. <br /><br />With the List of Subscribers and one page advertisement in rear. Blake's name is listed alongside the other engravers Philip Audinet Peter Mazell and William Skelton.<br /><br />Large octavo size in three-quarter red morocco with some scuffing to spine and corners five raised bands dark green leather title label and gilt tooling on spine marbled boards and endpapers t.e.g. some scattered spotting to text and plates.<br /><br />In a fine binding by Zaehnsdorf 1907 with the bookplate of John Ingleby Jefferson Standard House Northallerton Yorkshire on front endpaper. John Stockdale, Piccadilly hardcover
1793287262London: Printed for John Stockdale 1793. First Edition. Full Leather. Very Good binding. First Edition First Issue of John Gay's Fables. With the long 's' throughout. Complete with sixty-eight plates including twelve by William Blake in addition to the two engraved title pages one at the start of each volume. Said to be the best examples of Blake's work as a reproductive engraver. Minor foxing to the title pages and some plates and offsetting to the opposite pages of most plates. Japanese tissue repair to the front joint of Vol. I. Surface wear to the leather binding. Full calf with red and black leather labels. Very Good. ESTC N9619. Very Good binding. Printed for John Stockdale unknown books
17951077691795. London: Boydell and Company c.1795. <br /> <br /> Oblong large folio on wove paper plate mark 583 x 455 mm on sheet 650 x 490 mm. An exceptionally fine dark impression on bright paper with the original wide margins untrimmed. <br /> <br /> § Third and best state of seven see below of the single plate Blake engraved for Hogarth's Works first published by Boydell in 1790 this state appearing in the second undated edition c. 1795. It was the last state of the plate before hands other than Blake touched up the plate. A remarkably crisp and brilliant impression of Blake's richly detailed rendition of Hogarth's painting showing the famous scene in which Macheath the highwayman stands chained under sentence of death between his two lovers the jailer's daughter Lucy Lockit and the lawyer's daughter Polly Peachum. The plate was next used for an 1822 edition by which time several small changes had been made by another engraver. Bentley BB 475 I. Essick CBI XX. unknown
180076319London:: T. Cadell and W. Davies 1800. First edition. old full calf blind-stamped and gilt-ruled; edges marbled. . There is some light foxing to the three Blake plates and 3-4 gatherings of the text are quite foxed. The joints are split and appear to have been reinforced with adhesive; corners worn. 4to. With three plates engraved by William Blake: a frontispiece Pericles not signed; The Death of Demosthenes; and Thomas Hayley the latter two with printed attributions to Blake. . T. Cadell and W. Davies, unknown
1793D19872London: Published by Printed by Darton and Harvey for F. & C. Rivington B & B. White T. Longman B. Law & Son and 1 others 1793. First Edition thus. Hardcover. Very Good. Small quarto. Contemporary calf nicely rebacked with spine gilt in 6 compartments. Frontispiece engraved title-page with vignette and 67 illustrations 12 of these after designs by William Blake on 34 leaves. The illustrations appear hear in oval form copied from the Stockdale edition also of 1793. Bookplate of Richard D. Friedlander and one additional large armorial bookplate. <br/><br/> Published by Printed by Darton and Harvey, for F. & C. Rivington, B & B. White, T. Longman, B. Law & Son [and 1 others], hardcover
1793106261John Stockdale London 1793-01-01. Hardcover. Very Good. 0x0x0. 2 volume set 1793 Stockdale in gilt ruled pebbled full leather bindings dentelles and marbled endpapers. 5 hub spine all edges gilt. Volume one shows tone to free endpapers from newspaper clipping having been laid in. Bookplate to front paste down. oversized and overweight. B43 Please email for photos. John Stockdale, London hardcover
1793D11653London: John Stockdale 1793. First Edition thus. Hardcover. Very Good. Contemporary morocco ornate gilt-stamped border on boards gilt-stamped lettering and ornament on spine; 2 volumes 4to; pp. xi 1 225; vii 1 187 1 ad; plus an engraved title-page for each volume and 68 plates including 12 by William Blake; collates complete. First Stockdale edition first issue with the long "s" throughout. Boards faintly rubbed; joints and edges of boards lightly bumped and scuffed. Some very faint foxing; the occasional dusty smudge; but overall internally bright and clean. Considered one of the finest examples of Blake's work as a reproductive engraver. Ray England 1; Essick William Blake's Commercial Book Illustrations XXVI. <br/><br/> John Stockdale hardcover
1793140941779London: John Stockdale 1793. First Thus. First Stockdale edition first issue with the long "s" throughout and list of subscribers. xi 1 225; 2 vii 187 1 pp. Two engraved title-pages with vignette "Gay Monument" frontispiece and 68 illustrations including 12 etchings by William Blake. Later full calf polished with gilt borders gilt decorated spines; marbled endpapers and edges. Very Good with joints expertly repaired and strengthened some general light wear and scuffing to calf offsetting to endpaper edges illustrated bookplates of author and bibliophile Louise Ward Watkins and Frances and Jourdan Hoyt scattered light foxing to interiors. The first edition of Gay's classic Fables to have etchings by William Blake who is listed as one of the subscribers at the rear. John Stockdale unknown
179339831London: John Stockdale. Very Good. 1793. Hardcover. Contemporary mottled calf neatly rebacked marbled endpages. Two volumes in one. Some foxing; bookplate old PO name. Seventy copperplates twelve engraved by Blake includes frontis to volume 1. A tall copy of the first Blake edition with the eleven page list of subscribers and ad on the final page for Barlow's Aesop Fables. First issue with the long "S. "; quarto . John Stockdale hardcover
17931229111793. London: John Stockdale 1793. <br /> <br /> 2 vols. royal 8vo xi 225; vii 187 1 advertisement pp. Engraved title to each part frontispiece to vol. I and 70 plates including 12 by Blake. Full contemporary calf rebacked a bit scuffed and untidy but quite sound internally good despite the usual browning and offsetting.<br /> <br /> § First edition with Blake's plates. The plates in this famous edition are free adaptations from the designs of Kent Wootton and Gravelot who illustrated the earlier printings of Gay's Fables. William Blake completely redesigned and redrew the 12 images for which he is responsible and is listed among the subscribers to the edition as are the other engravers who worked on this project. Blake engraved the plates opposite pp. 1 29 59 73 99 109 125 133 and 181 in volume one; and those opposite pp. 1 105 and 145 in volume two. The first issue is easily identified because it uses the long "s" throughout and the second does not. Bentley Blake Books 460A. Essick William Blake's Commercial Book Illustrations XXVI. Ray The Illustrator and the Book in England 1. Note that in the list of subscribers there is a "Mr. Blake". Very few books are known to have been subscribed to by Blake. unknown