1 088 résultats
1994UJOHANC00MELVillard Books 1994. Very Good. Johanson Donald Lenora Johanson and Blake Edgar. Ancestors: In Search of Human Origins. New York: Villard Books 1994. 339pp. Illustrated. Bibliography. 8vo. Paperback. Book condition: Very good wtih gently bumped edges and spine slighlty askew. Villard Books paperback books
195045351London:: Longmans Green and Co. Very Good. 1950. Hardcover. Illustrated with 20 color plates depicting 110 wild flowers of Kenya. Third edition. Faded along the spine heavy foxing to front endpapers else very good in green cloth. No dust jacket. . Longmans, Green and Co., hardcover books
187266658"Hand-Book of Colorado" With Maps and Illustrations J.A. BLAKE & F. C. WILLETT Publisher. Hand-Book of Colorado. With Maps and Illustrations. Second Year of Publication. Denver: J.A. Blake & F.C. Willett 1872. First edition of second publication although no first publication has been listed on OCLC nor at auction in last 40 years. Octavo. 131 pp. 5 ads. Original purple pebbled colth gilt-stamped on front cover. Front endpapers are ads as is rear paste-down. Front hinge starting spine with small split to cloth covers stained extremities rubbed very good. Contains ads of the period and maps as well as a map with railroad connections. HBS 66658. $500 J.A. Blake & F.C. Willett hardcover books
2009Embry 175747U. of Nevada Press 2009. First edition first printing. Fine in fine dust jacket in mylar cover. B&W illustrations and photos. U. of Nevada Press, 2009. First edition, first printing. unknown books
1995120996Syracuse NY: Light Work 1995. First edition. Softcover. Text by Jeffrey Hoone and numerous others. Includes color and black and white images by Blake Fitch Barry Anderson KayLynn Deveney Lisa M. Robinson Philip Zimmermann Kerry Skarbakka Binh Danh Beatrix Reinhardt Don Gregorio Anton Yee Ling Tang Abigail Hadeed Laura Heyman Thilde Jensen and Rishi Singhal. A fine copy in wrappers. Light Work unknown books
2009185644Cambridge/ New York: Cambridge University Press 2009. Hardcover. VG/VG Ex-library with stamps and labels on spine inside front and rear covers ffep and block. Pages are very clean and clear. Six volumes bound in red cloth boards black title blocks with gilt lettering on front and spine. Volume 1 has a tan black and red dj. Volumes 2-6 have a yellow and black dj. Mylar covers on all volumes. Bw illustrations and maps. Various printings from 1992 to 2009. Volume 1 Beginnings to 1066: This volume deals with the history of English up to the Norman Conquest and contains chapters on Indo-European and Germanic phonology and morphology syntax semantics and vocabulary dialectology onomastics and literary language. Each chapter as well as giving a chronologically-oriented presentation of the data surveys scholarship in the area and takes full account of the impact of developing and current linguistic theory on the interpretation of the data. The chapters have been written with both specialists and non-specialists in mind. Volume 3 1476-1776: This volume begins at the time of the establishment of Caxtons first press in England and concludes with the American Declaration of Independence the notional birth of the first non-insular extraterritorial English. It encompasses three centuries which saw immense cultural change over the whole of Europe: the late middle ages the renaissance the reformation the enlightenment and the beginnings of romanticism. During this time Middle English became Early Modern English and then developed into the early stages of indisputably modern if somewhat old-fashioned English. In this book the distinguished team of six contributors traces these developments covering orthography and punctuation phonology and morphology syntax lexis and semantics regional and social variation and the literary language. The volume also contains a glossary of linguistic terms and an extensive bibliography. Contents: I. The beginnings to 1066 -- II. 1066-1476 -- III. 1476-1776 -- IV. 1776-1997 -- V. English in Britain and overseas: origins and development. -- VI. English in North America.; v. 1.; The beginnings to 1066 --; Introduction /; Richard M. Hogg --; The place of English in Germanic and Indo-European /; Alfred Bammesberger --; Phonology and morphology /; Richard M. Hogg --; Syntax /; Elizabeth Closs Traugott --; Semantics and vocabulary /; Dieter Kastovsky --; Old English dialects /; Thomas E. Toon --; Onomastics /; Cecily Clark --; Literary language /; Malcolm R. Godden.; v. 2.; 1066-1476 --; Introduction /; Norman Blake --; Phonology and morphology /; Roger Lass --; Middle English dialectology /; James Milroy --; Syntax /; Olga Fischer --; Lexis and semantics /; David Burnley --; The literary language /; Norman Blake --; Onomastics /; Cecily Clark.; v. 3.; 1476-1776 --; Introduction /; Roger Lass --; Orthography and punctuation /; Vivian Salmon --; Phonology and morphology /; Roger Lass --; Syntax /; Matti Rissanen --; Early modern English lexis and semantics /; Terttu Nevalainen --; Regional and social variation /; Manfred Gorlach --; Literary language /; Sylvia Adamson.; v. 4.; 1776-1997 --; Introduction /; Suzanne Romaine --; Vocabulary /; John Algeo --; Syntax /; David Denison --; Onomastics /; Richard Coates --; Phonology /; Michael K.C. MacMahon --; English grammar and usage /; Edward Finegan --; Literary language /; Sylvia Adamson.; v. 5.; English in Britain and Overseas : origins and development --; Introduction /; Robert Burchfield --; Part I.; Regional varieties of English in Great Britain and Ireland --; English in Scotland /; J. Derrick McClure --; English in Wales /; Alan R. Thomas --; English in Ireland /; Jeffrey L. Kallen --; The dialects of England since 1776 /; Ossi Ihalainen --; Part II.; English overseas --; English in Australia /; George W. Turner --; English in the Caribbean /; John A. Holm --; English in New Zealand /; Laurie Bauer --; English in South Africa /; William Branford --; English in South Asia /; Braj B. Kachru.; v. 6.; English in North America --; External history /; John Algeo --; British and American continuity and divergence /; John Hurt Fisher --; British and Irish antecedents /; Michael Montgomery --; Contact with other languages /; Suzanne Romaine --; Americanisms /; Frederic G. Cassidy and Joan Houston Hall --; Slang /; Jonathan E. Lighter --; Dialects /; Lee Pederson --; African-American English /; Salikoko S. Mufwene --; Grammatical structure /; Ronald R. Butters --; Spelling /; Richard L. Venezky --; Usage /; Edward Finegan --; Canadian English /; Laurel J. Brinton and Margery Fee --; Newfoundland English /; William J. Kirwin --; American English abroad /; Richard W. Bailey. Cambridge University Press hardcover books
110760London: Baldwin Cradock and Joy 1822. Single leaf. Oblong large folio on wove paper plate mark 583 x 455 mm on sheet 650 x 490 mm. § Blake’s one plate was first included in Hogarth’s Works 1790 and is here present in the third state of seven. Bentley Blake Books 475 I. Essick William Blake’s Commercial Book Illustrations XX. Baldwin unknown books
107769London: Boydell and Company c.1795. Oblong large folio on wove paper plate mark 583 x 455 mm on sheet 650 x 490 mm. An exceptionally fine dark impression on bright paper with the original wide margins untrimmed. § Third and best state of seven see below of the single plate Blake engraved for Hogarth’s Works first published by Boydell in 1790 this state appearing in the second undated edition c. 1795. It was the last state of the plate before hands other than Blake touched up the plate. A remarkably crisp and brilliant impression of Blake’s richly detailed rendition of Hogarth’s painting showing the famous scene in which Macheath the highwayman stands chained under sentence of death between his two lovers the jailer’s daughter Lucy Lockit and the lawyer’s daughter Polly Peachum. The plate was next used for an 1822 edition by which time several small changes had been made by another engraver. Bentley Blake Books 475 I. Essick William Blake’s Commercial Book Illustrations XX. Boydell and Company unknown books
1954100897Oblong 4to. Meriden CT: Meriden Gravure Company 1954. Oblong 4to 6pp. plus 3 plates. In sewn salmon-colored printed wrappers sun-faded and creased from top to bottom in center. Very good. § Limited edition of 400 printed by The Stinehour Press: Lunenburg: Vermont. Bentley BB 1867. Meriden Gravure Company unknown books
WELLER9780736868778New. New book. unknown books
196425709London: Arts Council of Great Britain 1964. Uneven toning to the gray paper else near fine. First Edition. Octavo. Pamphlet; 1-sheet folded twice. Exhibition catalogue for an early Hockney show. Includes short artist's biographies and a checklist. London: Arts Council of Great Britain unknown books
18061087518vo. London: Richard Phillips 1806. 8vo xxiv 270pp ii publisher's booklist with Blake's engraved frontispiece of Sir Joshua Reynolds design " The Graphic Muse". Original blue-grey boards spine slightly darkened and worn at edges. § First edition a very scarce book especially in boards. With the bookplates of Gilbert Redgrave and George Goyder : there are also signatures of Sir Edward Hoare an early owner on the title page and other pages. Bentley Blake Books 474. Essick William Blake's Commercial Book Illustrations XLVIII. Richard Phillips hardcover books
19342196865The Modern Library 1934. First Thus. Hard Cover. Very Good/No Jacket. First thus stated on copyright page. Lacks jacket. Minor loss of gilt from spine titles. 1934 Hard Cover. xvii 288 pp. Translated from the original French by William Hume Blake with an introduction by Hugh Eayrs. The Modern Library hardcover books
19242303240New York: The Macmillan Company 1924. Hard Cover. Near Fine/No Jacket. Jones Wilfred. First illustrated edition. No jacket. Spine lightly toned. 1924 Hard Cover. 284 pp. "Maria Chapdelaine" is a novel embodying the spirit of French Canada at its most lyrical was based by the author on his experiences in the Lac Saint-Jean district of Qu The Macmillan Company hardcover books
1934148527New York: The Modern Library 1934. Hardcover. VG Some spots on outer spine otherwise clean. Brown leather with decorated boards black title and author blocks with gilt letters on outer spine wood-grain-like flyleaves 288 pp. "If the editors of the Modern Library were to survey Canadian fiction or rather iction written on Canadian soil they could find nothing to surpass Louis Hemon's story of French Canada Maria Chapdelaine in its tanslation into English by William Hume Blake. First published in 1921 the intervening years the most productive in Canadian letters have yielded nothing which answers its challenge. This book originally written by a French emigre to Canada and done into English by a Canadian still remains Canada's most lasting contribution to English romantic literature." intro A nice book to hold. The Modern Library hardcover books
2014233933San Francisco: Left Magazine 2014. Magazine. 60p 9x6 inches landscape format articles ads photos events reviews interviews very good slick LGBT entertainment magazine for the Bay Area stapled pictorial wraps. Left Magazine unknown books
192718887.1Tokyo: The Hokuseido Press 1927. 1st edition BAL 7999. Green cloth binding with gilt stamped lettering to spine. TEG. Dust jacket. Modest wear slight lean bookplate usual bit of foxing & age-toning. A Very Good book in a similar jacket which has a sun-tanned spine panel. 140 pp. Color frontis and 10 inserted plates. Japanese colophon tipped in. Crown 8vo. 7-1/2 x 5-1/8 in. <br/><br/>William Blake the subject of two of the 11 essays contained herein. The Hokuseido Press hardcover books
18031050323 vols. Chichester: J. Seagrave 1803-04. 3 vols. 4to 10 table of contents iii-xiii 1-413; 8 1-424; 2 1-iii iv-xxxi 416 4 6 1-122 24 pp. With 5 plates and an engraving in the text one designed and engraved by Blake the others engraved by Blake after other artists. Original polished brown half calf marbled paper over boards. Backstrips of each volume with two black morocco labels lettered in gilt. Hinges and joints of vol. III just starting. Some spotting and foxing along edges of text blocks and within the text itself sometimes within the image. Minor rubbing and wear at extremities. Armorial bookplate of the Corbollis family on front pastedown of each volume. Excellent original copies in fantastic overall condition. § Second edition final state of the “Weatherhouse†plate designed by Blake. Hayley’s position as the most respectable and considerable literary figure who had known Cowper made him the inevitable choice to write the definitive work. Blake was living with his wife at Felpham and she helped him make and print the engravings for their old friend and patron Hayley however “the plates for vols i-ii are much more clearly and darkly printed in the second edition so indicated on the title pages than the first. Perhaps many of the lines were cut more deeply when the plates were converted in their second states but more careful inking and printing could account for the considerable tonal differences. One hesitates to blame Mrs. Blake for the poor impressions of the first states but that may indeed be the case†Essick William Blake’s Commercial Book Illustrations 86. Bentley Blake Books 468 A. Easson & Essick I VII. J. Seagrave hardcover books
18031027843 vols. Chichester: J. Seagrave 1803-04. 3 vols. 4to 2 xii 8 413; 4 424; 6 xxxi 416 pages. With 5 plates and an engraving in the text one designed and engraved by Blake the others engraved by Blake after other artists. Old diaper calf rebacked new labels a good set. § Second edition final state of the “Weatherhouse†plate designed by Blake. Hayley’s position as the most respectable and considerable literary figure who had known Cowper made him the inevitable choice to write the definitive work. Blake was living with his wife at Felpham and she helped him make and print the engravings for their old friend and patron Hayley. Bentley Blake Books 468 A. Easson & Essick I VII. Bound in at the end is another book entitled: Cowper Illustrated by a Series of Views in or near The Park of Weston-Underwood Bucks. London: 1803 published by Vernor and Hood and with an engraved title and 12 plates by Storer and Greig. This added text has nothing to do with Blake and only relates to William Cowper. J. Seagrave unknown books
1803007944Chichester : Printed by J. Seagrave for J. Johnson 1803. The first two volumes published 1803 of Hayley's biography Volume 3 published in1804 not present. 3 engraved portraits by Blake and engraving at Appendix of Vol. II featuring Cowper's Tame Hares. In contemporary quarter calf over marbled boards with later replaced plain endpapers with inked auction # 112 front paste downs marbled page edges. Near Fine scattered faint toning light rubbing at tips. SCARCE in the First Edition. . First Edition. Quarter Calf. Very Good Plus/No Jacket As Issued. 4to - over 9¾" - 12" tall. Printed by J. Seagrave for J. Johnson Hardcover books
1809108741Large 4to. Chichester: W. Mason 1809. Large 4to 8 416 7 pp with a portrait frontispiece and 11 engraved plates including one by Blake after Romney. Large paper copy in red half calf over marbled paper boards with gilt rules and titling. A very good copy with clean pages and prints throughout : just traces of ageing on the first few pages. § First edition large-paper copy. Although not substantially bigger than uncut copies of the regular issue the large-paper copies are on heavier paper and the impressions are stronger. The 1-page advertisment at the end for “Epistles to Romney†is not found in the small-paper copies. Blake’s plate of the shipwreck incorporates a number of familiar figures from his iconography and is a strong and vivid illustration. Bentley Blake Books 469 Essick William Blake's Commercial Book Illustrations XLIX: large-paper issue has an “1807†watermark without a maker’s name; the small paper is watermarked “Rye Mill / 1807â€. W. Mason hardcover books
18091092214to. Chichester: W. Mason 1809. 4to 8 7 416pp. With portrait frontispiece imprint trimmed at foot and 11 engraved plates including one by William Blake. Old half calf marbled boards joints rubbed but sound top of backstrip chipped away black label lettered in gilt. § First edition. Blake’s plate of the shipwreck incorporates a number of familiar figures from his iconography and is a strong and vivid illustration. Essick CBI XLIX. W. Mason hardcover books
108768Chichester: J. Seagrave for T. Cadell and W. Davies 1803. Small 8vo xii 165 pp with 6 plates designed by Maria Flaxman and engraved by Blake. A poor copy 4 of the plates in good condition but an extensive stain from pages 1 to 40 affects an oval area of about 1 cm x 2 cm to the left of the first plate at page 2 and a decreasing area up to page 40. There are also two small stains to the edge of plate 5 on the lower left margin one just intruding into the print area. Old mottled calf decorated and gilt ruled spine generally distressed and with darker 2 cm band across the front cover possibly a old damp stain. § First edition with Blake’s plates. DNB notes: “Possibly his greatest achievement however was his didactic poem Triumphs of Temper 1781 which ‘was to reform the entire feminine mind of England by the advice’ Bishop 53. This allegorical work aspired in rhyming couplets to teach young women the virtues of a pleasant nature. Its advice was heeded by some: Emma Hamilton thanked Hayley ‘for the lessons she had learnt from the poem’ p.Jaffe Drawings by George Romney 1978 44 and asked Romney to inform Hayley that his poem ‘made me Lady H. … for Sir W. minds more temper than beauty’ ibid. Triumphs of Temper ran into fourteen editions and proved to be the most durable of all his publications.†Bentley BB 471. Essick William Blake’s Commercial Book Illustrations XLIII. J. Seagrave unknown books
1817105709Sm. Chichester: William Mason for T. Cadell and W. Davies 1817. Sm. 8vo xii 166 pp. With a color-printed frontispiece by Brown after Romney. Slightly later polished calf gilt backstrip richly gilt marbled edges signature at front of H. Cotes dated 1821. Ink corrections to the text perhaps by Cotes. § A beautiful copy handsomely bound with the frontispiece printed in five colors. Friedman Color Printing in England #31. The Vershbow copy with bookplate. DNB notes: “Possibly his greatest achievement however was his didactic poem Triumphs of Temper 1781 which ‘was to reform the entire feminine mind of England by the advice’ Bishop 53. This allegorical work aspired in rhyming couplets to teach young women the virtues of a pleasant nature. Its advice was heeded by some: Emma Hamilton thanked Hayley ‘for the lessons she had learnt from the poem’ P. Jaffe Drawings by George Romney 1978 44 and asked Romney to inform Hayley that his poem ‘made me Lady H. … for Sir W. minds more temper than beauty’ ibid. Triumphs of Temper ran into fourteen editions and proved to be the most durable of all his publications.†William Mason for T. Cadell and W. Davies unknown books
102866Chichester: Printed by J. Seagrave; for J. Johnson. 1803-1806. 4 vols. including Supplementary Pages in three 4to pp. i-iii-xii not including 8 -- ‘Contents’ bound after title-page 1-413; 8 1-422; 4 xxxi 1-416; 4 1-122 24 with five plates and an engraving in the text by William Blake second state of those in Vols. I and II no second state for those in Vol. III top cover of Vol. II with worm track frontispiece to Vol. II slightly foxed occasional browning in Vol. III and a worm track in the upper margin of the first few leaves bound without half-titles contemporary mottled calf gilt borders to front and back covers flat spines not green gilt in compartments with red lettering pieces in the second and fifth a bit rubbed and worn joints tender the upper cover of Vol. III nearly detached; original blue silk bookmarks in all three vols.ownership inscription in each vol. of Charlotte Beatty that in the third vol. dated 1805. Good. § First edition and second state of the “Weatherhouse†plate the only illustration in the book designed and engraved by Blake of which only a few examples are known in the first state. This plate here present in a very good impression with the imprint quite clear is almost always in the second state; three or four copies are known in the first state. The other 5 plates are engraved by Blake after designs by others. Hayley’s position as the most respectable and considerable literary figure who had known Cowper made him the inevitable choice to write the definitive work. Blake was living with his wife at Felpham and she helped him make and print the engravings for their old friend and patron Hayley. Pencil inscription to front free endpaper reads: “These three volumes were obtained from the family of the Rev. Wm Bull of Newport Pagnell Friend of Cowper and Newton see DNB. Charlotte Beatty was the original owner of the books and she was a friend of this circle and also well-known in that area where alms houses were named in her honour.â€Keynes Grolier 124; Bentley 468A; Essick XLIV note that the entry in Easson and Essick IV is totally superseded by Essick’s new research in the Commercial Book Illustrations. Printed by J. Seagrave; for J. Johnson. 1803-1806. 4 vols. (including Supplementary Pages) in three unknown books