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106538London: W. Pickering Chancery Lane and W. Newbery 6 Chenies Street Bedford Square 1839. Small 8vo xxi 3 74 pp. Original pebbled plum cloth upper cover lettered in gilt partly worn away as often a very good copy in a variant original binding slightly worn around the edges upper hinge a touch weak internally bright and very attractive. Enclosed in a modern protective box. § First Typographical Issue the issue with the poem “The Little Vagabond†not present - this has long been held to be the first issue see Keynes although others have claimed that it was present but cancelled due to content and thus this is the second issue. Either case is plausible; copies of each issue turn up with about the same frequency which is to say rarely. The preface by J.J. Garth Wilkinson gives a mostly favorable account of Blake’s life in the context of his work and concludes stirringly: “If the volume gives one impulse to the New Spiritualism which is now dawning on the world;-if it leads one reader to think that all Reality for him in the long run lies out of the limits of space and time; and that spirits and not bodies and still less garments are men; if it gives one blow even the faintest to those term-shifting juggleries which usurp the name of “Philosophical Systems†and all the energies of all the forms of genuine Truth must be henceforth expended on these effects it will have done its work in its little day.†Keynes Blake 135 issue without “The Little Vagabond". Bentley Blake Books 171 this issue said by Bentley to have two leaves canceled by the editor out of prudishness. W. Pickering hardcover books
1868105253Small 8vo. London: Pickering 1868. Small 8vo xiv 112 pp. and 8 pp. of ads at the front. Original cloth red printed paper backstrip label darkened some pencil annotations in the text. A very good copy. Ink signature at front of Wm. C. Pritchard. § New edition taken largely from the 1866 edition with some slight changes including an expanded preface and two more poems. Although a typographic issue of the Songs had appeared in 1839 and Gilchrist and Rossetti had included them in the 1863 biography neither of those versions were faithful to Blake’s original text with Rossetti in particular standing accused of efforts at “improvementâ€. The editor of this edition Richard Herne Shepherd gives for the first time in accessible form the exact text of Blake’s idiosyncratic engraved publications of 1789 and 1794 only twenty-two complete copies of each of which survive though omitting lines from “Mary†and from “Auguries of Innocence†which contained the word “whoreâ€. The additional poems two of them previously unpublished are printed from Blake’s original manuscripts. Bentley Blake Books 335 B. Pickering hardcover books
1955122595Small 8vo. London: Trianon Press 1955. Small 8vo 54 color plates 3 pp. printed text at end. Full teal morocco slipcase backstrip faded as usual and lightly rubbed at crown a very good copy with the book plate of the California physician K. Garth Huston. § Limited to 526 copies this being number 9; the superb color facsimile of the Rosenwald-LC copy Z. One of the scarcest and the most desirable of all the magnificent Trianon Press Blake facsimiles which have been hailed as the finest examples of color collotype facsimile printing of the 20th century. The colophon notes that as many as thirty stencils were used to create each plate. Bentley Blake Books 187. Blake and his wife Catherine hand-printed and bound fewer than forty copies of the Songs of Innocence and the combined Songs of Innocence and of Experience and yet they have become his most popular and enduring work. Trianon Press unknown books
191110879312mo. London: Arthur L. Humphreys 1911. 12mo 64 pp.In stiff folded wrappers over card covers. Wrappers age-darkened and browned and slightly worn at edges. Very good internally unopened. Printed in red and black with engravings tipped in: these are reduced-sized classical designs not by Blake. § First edition. A beautiful little edition printed in red and black with headpieces not by Blake throughout. Bentley BB 177. Arthur L. Humphreys unknown books
18851228882 vols. Edmonton: William Muir 1885. 2 vols. 4to 34; 30 leaves hand-colored with the original blue-gray wrappers as issued enclosed in a modern quarter-blue morocco folding box lettered in gilt. § Limited to around 50 copies of each "Innocence" inscribed "No. 0 Pearson's copy" and "Experience" inscribed "for The Times". These are amongst the most alluring and successful of Muir’s facsimiles. Songs of Innocence was taken from the Pearson copy and he is recorded at the end as the Publisher in London in 1884 but his death caused Muir to take the project to Quaritch who distributed the whole series. Songs of Experience is taken from the Beckford copy. The general title to both works is found at the end of Experience. Bentley BB 249 a and 249 d. Loosely inserted in the box is a prospectus from John Pearson for a series of facsimiles after Blake and a 4-pp ALS from Muir to the editor of The Times. Last sold by Heritage Bookshop in 1998. William Muir unknown books
18851223852 vols. Edmonton: William Muir 1885. 2 vols. in one. 4to 34; 30 leaves hand-colored with the original blue-gray wrappers as issued; copies No. 24 Innocence and 11 Experience. Full dark red morocco gilt top gilt-lettered backstrip with gilt device at foot bookplates of Thomas William Waller and Willis Vickery. Very good with tissue guards as issued. § Limited to around 50 copies of each. These are amongst the most alluring and successful of Muir’s facsimiles. Songs of Innocence was taken from the Pearson copy and he is recorded at the end as the publisher in London in 1884 but his death caused Muir to take the project to Quaritch who distributed the whole series. Songs of Experience is taken from the Beckford copy. The general title to both works is found at the end of Experience. Bentley BB 249 a and 249 d. William Muir unknown books
1927108835A single hand-coloured specimen proof copy of the frontispiece for Muir's 1927 facsimile. London: Quaritch for William Muir 1927. A single hand-coloured specimen proof copy of the frontispiece for Muir's 1927 facsimile prepared from the Beaconsfield original. Fine. § A lovely hand-colored facsimile of Blake's famous frontispiece being a unique proof inscribed by Muir: “This a specimen page not to be sold of the Centenary of Blake’s death Edition of the Songs of Innocence and of Experience facsimilied sic from the Beaconsfield original now being prepared by William Muir.†Quaritch for William Muir unknown books
2015109140Square 4to. London: Tate Gallery 2015. Square 4to 12 pp color illustrated calendar for wall hanging - overall size 30 x 30 cm. With 12 good quality colored designs by Blake from the Tate's holdings mainly from the Large Designs or paintings each 28 x 20.5 cm. As new . Staple bound with repeat of the " Newton" design to cover with hole cut for pinning to wall in each right hand margin. § Tate Gallery unknown books
1928100249Slim 8vo. London: Ernest Benn 1928. Slim 8vo 31pp. Original printed wrappers. § One in a series of printings of English poets this one containing 34 of Blake’s best known poems. Ernest Benn unknown books
19691107272 vols. London: Heinemann 1969. 2 vols. oblong 8vo text vol. xiv 40 pp. with 12 illustrations; facsimile vol. to match in calf-backed green buckram slipcase faded backstrip scuffed on volumes 1 and 2. Facsimile volume with loose leaves repaired. § Limited to 800 copies. The facsimile of the notebook was printed by the Trianon Press. This is the “small†notebook which was broken up and sold at auction a few years ago. Almost invariably the facsimile volume is sprung with many leaves coming loose. Bentley BB 401: “includes 36 Visionary Drawings by Blakeâ€. Heinemann hardcover books
19791090338vo. London: The Collector Ltd 1979. 8vo 176 pp.Very good in magenta wrappers. § There are 5 essays covering Blake and Palmer including those by Michael Phillips Sir Geoffrey Keynes Raymond Lister and Arnold Fawcus. The Collector Ltd unknown books
19731106794to. London: Trianon Press 1973. 4to 6 color facsimile leaves 5 pp.of commentary. Quarter black morocco slipcase. As new. § #283 of 808 copies. Bentley BB A15. “Blake suppressed the “Book of Ahania†and recast her tale in “The Four Zoasâ€. She is Urizen’s ‘Shadowy Feminine Semblance’ â€. Damon Blake Dictionary. Trianon Press unknown books
18851088074to. Edmonton: William Muir 1885. 4to 1 preface by Muir 8 hand- colored leaves; 1preface by Muir 11 hand-colored leaves bound with tissue guards in original gray wrappers as issued by Muir: copies 24 and 30. Bound in contemporary half navy calf gilt with navy morocco and gilt label on cover and navy cloth boards with H.C. Plimmer's bookplate. Very good. § The Thel facsimile is based on copy D colored by hand and limited to about 50 copies. Essick notes three versions of the ca. 1885 edition one entirely executed by hand this version with the correction of ’sprin’ to ’springs’ on leaf 5 line 7 and with the two final plates numbered 7 and 8 and a third version with the final two leaves correctly numbered 5 and 6 as in Blake’s original. The Visions facsimile also limited to around 50 copies is on Hodgkinson wove paper some copies were printed on a thinner “Antique Note†laid paper. Based on copy A in the British Museum. Bentley Blake Books 249 b and c William Muir hardcover books
1917Embry 95284Blake Society ca. 1917. Limited edition of 30 copies. Text block fine and bright. Small stains to endpapers and pastedowns. Boards near fine with light rubbing and with wear to edges and corners. B&W illustrations. White cloth spine over olive boards with paper label. Blake Society, ca. 1917. Limited edition of 30 copies. hardcover books
123269Brown UP: 1971. 4to xiv 82pp. original cloth dust-jacket. As new. § Fine reproduction of the NYPL copy with a foreword by David Erdman. Bentley Blake Books 27: “The bibliographical details are novel and important.†1971. 4to hardcover books
19791088538vo. London: Thames and Hudson 1979. 8vo 102pp with colored reproduction of the original Copy G and a 35 page commentary. Very good in original illustrated wrappers with slight crease to one corner of rear wrapper. § Reissue of 1978 Shambhala edition. Bentley Blake Books Supplement 76. Thames and Hudson unknown books
1969101395Small 8vo. Florida: University of Miami Press 1969. Small 8vo 54pp. plus 27 black and white plates. Printed wrappers. Signs of wear. Very good. § Second edition. Bentley BB 41B: “ dealing largely with Gnosticismâ€. University of Miami Press unknown books
1945108884Slim 4to. London: Faber and Faber 1945. Slim 4to 24 pp with 10 tipped-in color plates. Very good sewn into decorated pink wrappers as issued; slightly dusty at edges. § A selection of Blake’s best-known images in color. Bentley BB 398. Faber and Faber unknown books
108914London: Christie’s July 22 1949. 8vo 44 pp illustrated with 16 full page black and white plates. Very Good in original wrappers slightly dusty with pencil annotations of prices and buyers for all 90 lots. § Bentley Blake Books 659. Christie’s unknown books
19581104034to. London: Trianon Press 1958. 4to 27 plates 5pp text plus the extra materials. Full red morocco slipcase very good. § Limited to 526 copies of which this is copy V of XX with a suite of progressive states of one plate an original guide-sheet and stencil etc. The de luxe copy is very hard to come by. Even the trade edition is one of the more difficult Trianon Press books to find. Bentley Blake Books 40. “Blake’s most ambitious production thitherto. seven copies and a few scattered pages have been located. intended to be the first of a series dealing with activities in the supernatural world which caused the creation of the natural world and the early history of mankind.†Damon Blake Dictionary. Trianon Press unknown books
1949123271Sm. Seattle: Silver Quoin Press 1949. Sm. slim 4to 12pp. Title-page within a red border. Original blue paper wrappers as new. § No limitation stated doubtless printed in a tiny edition. Unrecorded by Bentley not noted in the Blake Archive. These were the first four poems in Blake's first book "Poetical Sketches". Silver Quoin Press unknown books
18881223864to. Edmonton: William Muir 1888. 4to intaglio title page iv text prologue 18 leaves with Muir's black and white intaglio engraved plates sewed. with 25 leaves including the preliminary and final blank. Original wrappers upper cover lettered in manuscript and signed and numbered by Muir. with 1 leaf signed and numbered by Muir. Dark green straight grain morocco panelled in gilt gilt top backstrip lettered in gilt slightly worn but internally perfect. § The "Gates" is copy #17 signed by Muir. The facsimile is convincing enough that plates from it have been offered as originals on occasion. Bentley BB 249m. "There is No Natural Religion" is copy #4 and includes “ All Religions are One†and Muir's own version of the missing plate b5. Essick notes: There is No Natural Religion. The "Preface" dated 1886 indicates that the facsimile is based on plates "in the British Museum copy A and from some papers in my own possession copy L." Upper wrapper present. "On Homer's Poetry" is a single leaf #4 signed by Muir. Bentley BB 249 h. William Muir unknown books
17881107522 prints. London: J.R. Smith 1788. 2 prints images 21 x 26 cms. with full margins and imprints. Well printed in brown ink cleaned and titles mounted below the prints in very good condition. § Second state of The Idle Laundress third state of Industrious Cottager good impressions. These two prints were designed to be issued together but they are extremely rarely found so. I have had two copies of the first plate third state and one copy of any state of the second plate. The first is known in one copy of the first state and Essick records only two copies of the second state BM and Keynes; Essick has the third state printed in 1803. The second plate is known in one copy each of the first and second states and 4 copies of the third state. Essick The Separate Plates of William Blake XXX and XXXI. J.R. Smith unknown books
1905108795Small 8vo. Oxford: Clarendon Press 1905. Small 8vo li 196 pp with frontispiece from "Milton". Very good in original green cloth with ornate gilt cover and spine rules and decoration and spine a touch darkened. § Bentley BB 275 A. First Sampson Edition. Clarendon Press hardcover books
18851088034to. Edmonton: William Muir 1885. 4to 1p.preface by Muir 27 leaves hand-colored 1p.appendix 2 leaves at the end in facsimile of Blake’s manuscript arrangement of the Songs of Innocence and of Experience and the separate plate ‘A Divine Image’. Original printed wrappers bound into contemporary half navy calf gilt with navy morocco gilt label on cover and navy cloth boards with the bookplate of H.C.Plimmer. Very good with tissue guards as issued. § The superb Muir facsimile limited to 50 copies this copy numbered 2. Reproduces copy A - the Beckford-Harvard copy. “This book is Blake’s Principia in which he announced a new concept of the universe.†Damon Blake Dictionary. One of Blake’s most popular texts with numerous famous lines. See Bentley BB #249e. William Muir hardcover books