1 088 résultats
1825104648Proof on India paper mounted on handmade paper. London: March 8 1825 but published 1826. Proof on India paper mounted on handmade paper some leaves watermarked J. Whatman Turkey Mill 1825. A fine impression. Matted. § Single plate from the first edition one of 150 proof sets on India paper. Bentley Blake Books 421A. Bindman Complete Graphic Works of Blake 625–641C. March 8 unknown books
193518547New York: Pierpont Morgan Library 1935. Stiff Wraps. Orig. stiff gray wrappers black cloth spine. Fine. Six parts. 38 x 29 1/2 cm. Folio 61 pages in text. Introduction by Lawrence Binyon and Geoffrey Keynes. All the reproductions except the collotypes in the text of the Introduction made and printed by Emery Walker Ltd and the Introduction printed by John Johnson at the Oxford University Press. Published in six parts sixty three water colors The Thomas Butts John Linnell & New Zealand Set -- being parts IIIII V. Twenty-five pencil and wash drawings part IV and twenty-two etchings of the Book of Job part VI. The Trainon Press "Book of Job" does not reproduce all the drawings. Internally very clean each part with printed paper front cover label small smudge upper left corner Vol. IV. Pierpont Morgan Library unknown books
1957123810Folio. London: Trianon Press 1957. Folio with 9 color plates and 156 illustrations. Original quarter morocco a superb copy virtually mint preserved in a quarter blue morocco box lettered in gilt § Limited to 460 copies this is #219. A very scarce book in good let alone fine condition as the size of the book and the fact that it was not issued with a box or a slipcase eve means most copies are more or less worn. This was the first time that Blake’s Biblical illustrations had been brought together. The catalogue raisonné was compiled by Sir Geoffrey Keynes and comprises virtually every Biblical painting by Blake in existence. Bentley Blake Books 681. Trianon Press unknown books
197558206Richmmond VA: Virginia Museum 1975. Tall 8vo reprint of the illustrations from the 1822 original. Very good. Virginia Museum unknown books
192786607Cambridge: Fogg Museum of Art 1927. Limited Edition. Hardcover. Very Good. 20p. tied booklet containing text plus 30 unbound plates 5 in color. Original flapped cloth portfolio with cloth ties. Folio. Fading and wrinkling on cloth ties. Copy No. 192 of an edition limited to 500 numbered copies. Prefatory Note by Chester N. Greenough. Introductory Essay by Geoffrey Keynes. <br/><br/> Fogg Museum of Art hardcover books
192786608Cambridge: Fogg Museum of Art 1927. Limited Edition. Hardcover. Very Good. 20p. tied booklet containing text plus 30 unbound plates 5 in color. Original flapped cloth portfolio with cloth ties. Folio. Moderate cover soil. Fading and wrinkling on cloth ties. Former owner's red ownership stamp on title-page and faintly on portfolio cover. Copy No. 191 of an edition limited to 500 numbered copies. Prefatory Note by Chester N. Greenough. Introductory Essay by Geoffrey Keynes. <br/><br/> Fogg Museum of Art hardcover books
20096633London: William Blake Trust 2009. Limited Edition. Hardcover. Fine in Fine Slipcase and Fine Portfolio. Tight bright and unmarred. Black cloth red leather matching slipcase gilt lettering. Small fo. Illus. color plates. <br/><br/>"Bound in gilt-lettered quarter deep scarlet calf over black moiré silk covered boards deep scarlet leather label blocked in gilt to the centre of the upper board; 96pp. illustrated throughout with colour and b/w reproductions of Blake's drawings and watercolours. Contents: Morton D. Paley William Blake and Robert Blair's 'The Grave'. Martin Butlin The History of Blake's Illustrations to 'The Grave' and The Newly Discovered Water-colours. Blake's twenty watercolour designs with a Catalogue and illustrated Commentaries by Martin Butlin. Robert Blair's The Grave from Cromek's edition 1808. Schiavonetti's engravings of twelve of Blake's designs from the 1808 edition. Blake's rejected engraving of 'Death's Door'. Printed throughout in black and white and colour on 200 gsm archival acid-free paper. With A portfolio 35x28x2.8 cm bound in maroon calf with tongue-and-strap closure blocked in gold flap blind-embossed with double rule border lined in red; all in close replication of the portfolio made sometime after 1822 to contain: 19 of 20 watercolour inventions by Blake in illustration of Blair's The Grave mounted on thick beige paper within ruled and tinted borders and trimmed to 33.3x26.7 cm; here reproduced in facsimile. One of 36 copies of the Portfolio Plates and Book in cloth-covered double slipcase numbered I-XXXVI." William Blake Trust hardcover books
100909New York: Harper & Row Publishers 1974. 8vo 52pp. Printed stapled wrappers. Very good. § An exploration of the nearly uniformly negative image of “the city†in literature of the 18th and 19th centuries. Includes a look at William Blake on pages 10-11. Harper & Row unknown books
1971142738Lawrence KS: The University of Kansas Museum of Art 1971. First edition. Softcover. Exhibition catalog for a show that ran October 17 through November 7 1971 at The Art Gallery of Illinois State University and then November 28 to December 18 1971 at The University of Kansas Museum of Art. Text by Vernon H. Minor. Includes 4 black and white illustrations. A very good copy in stapled wrappers and from the Cranbrook Academy of Art Library with their stamp to the front cover. Otherwise a clean copy. The University of Kansas Museum of Art unknown books
100737Normal IL: Art Gallery Illinois State University 1971. 4to 32 pages. illustrated. Original illustrated wrappers. Very good. § Miscellaneous Publications of the Museum of Art No. 84. Bentley BB 704. Art Gallery unknown books
100742Normal IL: Art Gallery Illinois State University 1971. 4to 32 pages. illustrated. Original illustrated wrappers. Very good. § Miscellaneous Publications of the Museum of Art No. 84. Bentley BB 704. Art Gallery unknown books
100745Normal IL: Art Gallery Illinois State University 1971. 4to 32 pages. illustrated. Original illustrated wrappers. Very good. § Miscellaneous Publications of the Museum of Art No. 84. Bentley BB 704. Art Gallery unknown books
100743Normal IL: Art Gallery Illinois State University 1971. 4to 32 pages. illustrated. Original illustrated wrappers. Very good. § Miscellaneous Publications of the Museum of Art No. 84. Bentley BB 704. Art Gallery unknown books
100738Normal IL: Art Gallery Illinois State University 1971. 4to 32 pages. illustrated. Original illustrated wrappers. Very good. § Miscellaneous Publications of the Museum of Art No. 84. Bentley BB 704. Art Gallery unknown books
100746Normal IL: Art Gallery Illinois State University 1971. 4to 32 pages. illustrated. Original illustrated wrappers. Very good. § Miscellaneous Publications of the Museum of Art No. 84. Bentley BB 704. Art Gallery unknown books
100747Normal IL: Art Gallery Illinois State University 1971. 4to 32 pages. illustrated. Original illustrated wrappers. Very good. § Miscellaneous Publications of the Museum of Art No. 84. Bentley BB 704. Art Gallery unknown books
100739Normal IL: Art Gallery Illinois State University 1971. 4to 32 pages. illustrated. Original illustrated wrappers. Very good. § Miscellaneous Publications of the Museum of Art No. 84. Bentley BB 704. Art Gallery unknown books
100740Normal IL: Art Gallery Illinois State University 1971. 4to 32 pages. illustrated. Original illustrated wrappers. Very good. § Miscellaneous Publications of the Museum of Art No. 84. Bentley BB 704. Art Gallery unknown books
100744Normal IL: Art Gallery Illinois State University 1971. 4to 32 pages. illustrated. Original illustrated wrappers. Very good. § Miscellaneous Publications of the Museum of Art No. 84. Bentley BB 704. Art Gallery unknown books
100741Normal IL: Art Gallery Illinois State University 1971. 4to 32 pages. illustrated. Original illustrated wrappers. Very good. § Miscellaneous Publications of the Museum of Art No. 84. Bentley BB 704. Art Gallery unknown books
1967150244N.p.: N.p. 1967. Collection of five vintage borderless black and white photographs from the set of the 1967 film. With two printed mimeo snipes on the verso along with the stamp of still photographer James Johnson. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br/><br/>Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Truman Capote's most famous book and remains one of the great meditations on violence in America. Nominated for four Academy Awards.<br/><br/>10 x 8 inches. Most Very Good plus with light creasing and edgewear one Very Good with a tear to the top right corner repaired with cello tape on the verso. <br/><br/>National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US. N.p. unknown books
1967146012Culver City CA: Columbia Pictures 1967. Vintage borderless photograph of Robert Blake and Scott Wilson from the 1967 film. Crop annotations in holograph pencil and the stamp of photographer Michel Ciment stamp on the verso.<br/><br/>Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book and remains one of the great meditations on violence in America.<br/><br/>Nominated for four Academy Awards.<br/><br/>10 x 8 inches. Very Good plus some light creasing and edgewear.<br/><br/>National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US. Columbia Pictures unknown books
1967144377Culver City CA: Columbia Pictures 1967. Vintage photograph of Mary Linda Rapelye on the set of the 1967 film. Holograph annotations in pencil and press agency stamps on the verso. <br/><br/>Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book and remains one of the great meditations on violence in America. <br/><br/>10 x 8 inches. Near Fine. <br/><br/>National Film Registry. Criterion Collection 781. Ebert II. Penzler 101. Columbia Pictures unknown books
1968136751Culver City CA: Columbia Pictures 1968. Vintage pressbook for the first release of the groundbreaking 1968 film based on the nonfiction book by Truman Capote. Laid in are all 4 of the original pressbook inserts drawing equal attention to the best selling book and its filmed realization. <br/><br/>Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book and remains one of the great meditations on violence in America. <br/><br/>11 x 17 inches. Unfolded. Fine. Columbia Pictures unknown books
1967134332N.p.: Bernie Abramson 1967. Vintage silver gelatin reference photograph from the brutal 1967 film based on Truman Capote's nonfiction book. Stamped twice on the verso once in red Columbia Pictures and once in black ORIGINAL PRINT / Pictorial Press Ltd. with contact information. <br/><br/>This image shows Dick Scott Wilson taking a rifle from the back seat of his car just prior to entering the house and committing the vile crime that is the subject of the film. <br/><br/>Richard Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Capote's most famous book and remains one of the great meditations on violence in America. <br/><br/>8 x 10 inches. Near Fine. Bernie Abramson unknown books