455 résultats
18961342084Boston: Houghton Mifflin adn Company 1896. Riverside edition. Hardcover. Octavo; volume 7 only; Riverside edition; Fair; Hardcover; Spine green with gold print; Boards in green cloth with gold print light wear to spine caps and corners slight blemish on rear slightly cocked spine; Text block has gilt top edge cracked hinges front and rear hinge tear to half-title page inscription in ink on half-title page puckering to entire text block else clean and tight; vii 470 pages. 1342084. FP New Rockville Stock. Houghton, Mifflin adn Company hardcover books
1892mon00000060401892-01-01. Unknown Binding. Acceptable. in x in x in. Ex library book usual markings. Some wear to spine and book covers and discolouring due to age. Still very useable. Clean copy. unknown
18051277681805. BLAKE William HAYLEY William. Ballads founded on Anecdotes Relating to Animals with Prints Designed and Engraved by William Blake. London: Richard Phillips 1805. Octavo early 20th-century full blue morocco raised bands elaborately gilt-decorated spine top edge gilt uncut. $6000.Expanded second editionthe only obtainable editionof this poetry collection with five engravings by William Blake handsomely bound by Bedford.""These Ballads were originally intended to have been issued separately in fifteen quarto parts with numerous illustrations by Blake and for the benefit of the artist. Four parts were issued in 1802 but the series did not meet with success and was discontinued. Later it was arranged to issue them in the present again for Blake's benefit"" Keynes. This 1805 edition is an expanded version with additional poems of the extremely rare 1802 first edition which last appeared at auction 70 years ago. Blake reengraved the first three plates and added two more to illustrated the additional poems. The first three plates are in first state. Easson & Essick 41-44. Bookplates.Fine condition. hardcover
180546810WILLIAM BLAKE ILLUSTRATED <br />first edition 8vo. 2 blank 8 title leaf preface leaf a blank leaf half or sub-title 212 2 contents and colophon 2 blankpp. 5 plates by Blake untrimmed and clearly exhibiting the plate mark near contemporary maroon roan backed boards marbled paper over boards edges untrimmed as issued paper title label on spine lettered in faded ink manuscript plain later endpapers light water stain at the lower gutter side of the last 2 leaves mainly evident on the terminal blank leaf with very light marks at the same point on neighbouring leaves including the last plate leaves A4-A5 a trifle creased and dusty some light dustiness mainly at the untrimmed edges some plates with light foxing and some lightly toned at the untrimmed edges last plate The Horse with small patch of light surface abrasion at lower corner outside the image but inside the plate mark occasional other minor dusty smudges generally a very good and pleasing copy. <br />Armorial bookplate of James Balfour slightly damaged.<br /><br />Bentley Blake Books 465<br />The plates are signed below the images "Blake inv & sc' and have the imprint 'Pubd. or Pub'd june 18 1805 by R. Phillips No6 Bridge Street Black Friers".Plates 1 to 3 inclusive are in the second more extensively worked state. Plates 4 and 5 are in the first and only state. This copy has a comma rather than a full stop after 'BLAKE' on the title page as in the copy at Princeton with plates 1 and 2 in the second state.<br />This book is possibly a copy in the original boards that have at some later point in the nineteenth century been backed with maroon roan and the boards covered with cloth and then with marbled paper and supplied with new endpapers possibly by an amateur. The bookplate looks as if it may have been lifted from an earlier setting and relaid. Printed by J. Seagrave; for Richard Phillips .. hardcover
180576378Chichester and London:: J. Seagrave; for Richard Phillips 1805. First edition. old full straight-grain morocco; gilt spine; all edges gilt. Some inoffensive very slight tanning to a couple of leaves; contents almost entirely clean and fine. Some scuffing to the spine and extremities of the leather but tight sound and attractive. . 12mo. With Prints Designed and Engraved by William Blake. The five plates are in the first state. Keynes 74. There are two old pencil notes of provenance: one that this copy was in the "Hy. White sale" and the other a 1902 ownership signature. J. Seagrave; for Richard Phillips, hardcover
18051228731805. Chichester: J.Seagrave for Richard Phillips 1805. <br /> <br /> Small 8vo 6 212 1 indexpp. with 5 plates designed and engraved by Blake. Overall a clean and very pleasing copy in contemporary calf skillfully rebacked retaining the original backstrip and red label. Bookplate of Benjamin Dickinson ink signature of J.W. Dickinson dated Oct. 9th 1824 later bookplate of Walter Hirst.<br /> <br /> § First edition with plates 1-3 in the first state. An important book in the Blake canon being his second version of the Ballads after the extremely rare 1802 edition see above for the frontispiece. "For this 1805 volume Hayley added twelve ballads to the four first published in 1802. Blake engraved new plates of his designs for three of the 1802 ballads plates 1-3 and both designed and engraved new illustrations for two of the additional ballads plates 4-5. Blake and Phillips were to "go equal shares . . . in the expense and the profits" Blake's letter to Hayley of 22 January 1805 Erdman page 763. Robert Southey's mocking review of Hayley's poems and Blake's illustration to "The Dog" Plate 1 appeared in the Annual Review for 1805." Bentley BB 465. Easson and Essick WBBI Vol. I VIII. Bindman Complete Graphic Works of Blake 403-407. unknown
1886biblio38120<p>Boston: Congregational Sunday-School and Publishing Society; First Edition 1886. 240 pages. NearFine Hardcover no dj. No Wear. Clean Unmarked Strong Tight binding and hinges. 7.7"x5.25"x1.0". be22002.</p> Congregational Sunday-School and Publishing Society hardcover
187010325<p>R. Ackermann. London. 1813 Circa 1870. PORTFOLIO OF 13 PLATES. No text as issued. Paper size 14.9 x 11.3 inches. The portfolio is 15.5 x 12 inches. Portrait of Blake by T. Phillips RA; Engraved title page dated 1808 and 11 plates all stating Ackermann as publisher dated 1813 and engraved by Louis Schiavonetti after Blake's designs. The pages have a little bumping to the edges but well away form the engraved area. Plates a little dusty and toned but the impressions are good. The original portfolio is brown Morocco grained cloth with elaborate blind tooled designs to both boards. Gilt lettering to the front board. Only one small piece of one silk tie remaining. Yellow coated endpapers. 3 small clippings from bookseller catalogues each listing copies of the Blair/Blake book tipped in to the front pastedown endpaper. Some minor rubbing and bumping to the cloth but the gilt is still very bright and the cloth clean. Overall a very good example of this rare edition. ----- "When Gilchrist's Life of William Blake 1863 made the artist's name familiar again a deposit of prints left over from 1813 came to light probably in Ackermann's storehouse. Somebody possibly John Cameron Hotton reissued the books. There are no new title pages no dates or places indicated; but the bindings are in mid-Victorian style and could not have been made in the first half-century." A Blake Dictionary: The Ideas and Symbols of William Blake By Samuel Foster Damon. ---- "My theory on that is that Camden Hotten who produced the 1870 issues not only got the copperplates from Ackermann with the Spanish inscriptions for de Mora but also some remainders of the impressions and letterpress and bound these up in a slightly different fashion. He removed the Spanish on the coppers and had an engraver restore the 1813 English inscriptions then printed for both the portfolio and the 1870 issue of the text with the engravings."--Essick.</p> R. Ackermann. London. 1813 (Circa 1870?) hardcover
18930849573Oxford: H. Daniel 1893. First Edition. Paperback. Very Good-. 8vo - over 7¾" - 9¾" In cloth tape backed cream colored paper covers deckled page edges 8vo 38pp. #36 of 100 copies printed on the occasion of christmas 1893. Single Illustration opposite page 5. toning to extremities 1cm tape repair to lower cover edge name/date to endpaper. H. Daniel paperback
189815981G. P. Putnam's Sons. Good. 1898. First Edition. Hardcover. Scarce. Tan pictorial cloth cover has general wear and light soiling to back cover but in good condition. Boards and spine are straight. Binding is tight. Former owner's name on front end sheet. Pages are lightly toned but clean and very good. .; 351 pages . G. P. Putnam's Sons hardcover
1898133500New York and London: G. P. Putnam's Sons 1898. Octavo inserted frontispiece original pictorial tan cloth stamped in red blue black and gold. First edition. Eight stories several first published in CENTURY MAGAZINE and NEW ENGLAND MAGAZINE. Wright III 4301. Cloth rubbed at spine ends a very good copy. #133500 G. P. Putnam's Sons unknown books
18761029001876. London: Spottiswoode & Co. 1876. <br /> <br /> 4to 71pp. Tipped-in illustrations between pages 14 & 15. Original wrappers worn contents good.<br /> <br /> § An astonishing exhibition catalogue of 333 entries with a 9pp. introduction by William B. Scott. Bentley Blake Books 571. unknown
18761029004to. London: Spottiswoode & Co. 1876. 4to 71pp. Tipped-in illustrations between pages 14 & 15. Original wrappers worn contents good. § An astonishing exhibition catalogue of 333 entries with a 9pp. introduction by William B. Scott. Bentley Blake Books 571. Spottiswoode & Co unknown books
18271259791827. N.p.: n.d. <br /> <br /> 8vo 141pp. original printed blue wrappers with the Blake plate pasted in at the front. The image and plate mark as per Essick 3.1 x 7.8 cm. and 3.3 x 8.1 cm. respectively. Printed in black on wove India paper measuring 5 x 10 cm.<br /> <br /> § Enigmatic version of the famous "Cumberland card" Blake's last engraving executed for one of his closest friends. It is lightly printed and pasted into a copy of the Hayward catalogue: inscribed at the front by Geoffrey Keynes to Robin Skelton and with a later pencil inscription see below noting that this is "a copy of Blake's engraving struck off by Keynes from the plate". This cannot be true since Keynes never owned the original plate and its whereabouts have never been established. More likely is that Keynes gave Skelton a spare proof of the card illustrated in his book Engravings by William Blake plate 38. A subsequent owner William Clair notes in pencil: "Presented to Robin Skelton by Geoffrey Keynes with a copy of Blake's engraving struck off by Keynes from the plate." and adding "Bought in Toronto". Skelton was a highly regarded poet and academic who though English lived in Toronto and taught at the University of Victoria.<br /> <br /> The images invoke one of Blake's greatest themes-the relationships between time and eternity. Opinions vary on the purpose of this plate but it should be noted that at the time 1827 it was not uncommon to paste a calling card into a book as proof of ownership. However no book once owned by Cumberland has been located with his card pasted in. It has also been suggested that the name of Cumberland in the center was executed by a writing engraver and Blake added his borders later. 39 examples of this print are known to Essick not including examples now untraced all but three on laid paper printed later and three on card but it is quite rare in commerce. <br /> <br /> Offered with the book Engravings by William Blake.<br /> <br /> Essick The Separate Plates of William Blake XXI. Bindman Complete Graphic Works of Blake 654. unknown
18271050781827. London: William Blake 1827. <br /> <br /> Printed in black ink on thick card. Very finely printed in good condition though trimmed very close to the image at the left and right edges once pasted down and thus with traces of mounting on the verso and pencil notes from an earlier collector c. 1950 image and plate mark exactly as per Essick 1DD.<br /> <br /> § Blake's last engraving executed for one of his closest friends. "Blake inscribed the plate lower right with his name and age "A Æ 70." He may have sensed that 1827 could well be the last year of his life but took pride in being capable of pursuing his art and craft to the end. Blake was in fact 69 when he died; perhaps he inscribed "70" on the Cumberland card in anticipation of working on it until he turned that age. At least when considered in retrospect this most unusual inscription contributes to the elegiac and prophetic iconography of the design."<br /> <br /> The images invoke one of Blake's greatest themes-the relationships between time and eternity. Although probably intended as a calling card two books have been located with this card pasted in both written by George Cumberland Jr. Thus it has on occasion been sold as a "bookplate." Examples on card not in Cumberland's book are exceptionally rare and have been presumed to be of the earliest printing and possibly by Blake himself. All other impressions on laid paper most often are posthumous. Thirty-nine examples in all are known to Essick not including examples now untraced of which eight are on card of which one is described as printed in green ink. Essick The Separate Plates of William Blake XXI see entry 1DD for identical measurements but not this copy. Bindman Complete Graphic Works of Blake 654. unknown
1892050666London: Printed for Her Majesty's Stationery Office By Eyre and Spottiswoode 1892. With an introduction by Professor Roberts-Austen. xi 435p. partially unopened original blue cloth with gilt trim. Printed for Her Majesty's Stationery Office By Eyre and Spottiswoode unknown
189290022629London: Her Majesty's Stationary Office 1892. First Edition. . Hardcover. Good. 4to. Ex library with neat labels on eps. Dk blue cloth with gilt lettering and VR crest on spine. 435pp listing and describing 3709 specimens. Some pages very browned others still bright Minor foxing to a few pages. Immediate despatch from the UK <br/> <br/> Her Majesty's Stationary Office hardcover
18671225<p>London: Puttick and Simpson 1867.</p><p>8vo. 220 x 145 mm. 8 ½ x 5 ¾ inches. 2 71 1 pp. Stitched as issued. Very good copy.</p><p>Very nice catalogue of books formed by the Protestant divine former rector at St. Stephens in Dublin and the English Congregation in Rome. He was the author of a number of sermons on topical subjects of the day and wrote essays published in his "Correspondence on the Roman Catholic Controversy" published in 1865.</p><p>The auction sale was organized over five days in May in 1867 and included 1717 lots. As the title suggests this is a gentleman's library reflecting a diverse collecting range from early theology to contemporary novels. His voyage and travel section is considerable.</p><p>Allibone S. Austin. <em>A Critical Dictionary of English Literature and British and American Authors </em>III p. 2831.<em> List of English Books Sales 1676-1900 Now in the British Museum</em> p. 310.</p><p>.</p> Puttick and Simpson
187522709New York: D. Van Nostrand Publisher 1875. First edition. Hardcover. Orig. dark salmon cloth lettered in gilt. Near fine. 148 pages of text. 23 x 15 cm. The author was United States Centennial Commissioner and Delegate to the International Jury Group 1 Vienna. This book from the volume of Reports of the Massachusetts Commission to Vienna. 7 pages of adverts and 48 pages of Scientific Van Nostrand titles. Signed presentation copy. Illustrated. Chromolithograph of Minton floor tiles from Miller & Coates. Fresh clean copy. Nicks to backstrip head and foot. D. Van Nostrand, Publisher hardcover books
1881108279Impression measures 93. London: Colnaghi printing after 5 March 1881. Impression measures 93.9 x 30 cm. printed on laid India paper; recently cleaned. § Final state: it is worth noting that the only difference between the so-called fourth and fifth states is the absence of the scratched dry-point inscriptions clearly visible in a few prints and less and less visible until completely absent by the time Sessler was printing the plate. Instead of “states†the more accurate definitions might be very early to very late 4th state and in that scheme then this print would be well after the early impressions with some or most of the scratched inscriptions visible but before the Sessler printings of the 1940s none of which were on laid India. “‘Chaucers Canterbury Pilgrims’ was one of Blake’s major attempts at building a reputation as a painter-engraver and achieving the sort of critical and financial success that had escaped him for so many years.…†However Blake wasn’t to meet with the critical success he had hoped for and the competition created when Thomas Stothard executed a plate of the same subject caused him to become bitter. “Most contemporary connoisseurs probably found the print old-fashioned and ‘Gothic’ in the pejorative sense.… The record of prices brought by the print at auction indicates that it has attracted strong interest from collectors only in the last few years†Essick pp. 86-88. “It is only in the last two states of the plate that we find Blake’s mature artistry as an original printmaker bringing to his largest and most ambitious single print the same techniques distinguishing his Job and Dante engravings.†Essick Separate Plates of William Blake XVI and see William Blake Printmaker. Colnaghi printing unknown books
1837428851837. Chir. Hand-Bib. 16. - Weimar im verlage des Landes-Industrie-Comptoirs 1837 8° VIII 311 pp. Pappband der Zeit; feines Exemplar mit rotem Rückenschild. Erste deutsche Ausgabe von Bransby Blake Cooper 1792-1853: Surgical Essays: the result of clinical observations made at the Guy's Hospital by B.B.Copper F.R.S. Surgeon of Guy's Hospital Lecturer on Anatomy etc. etc. London 1833. unknown
18081238991808. London: Cadell and Davies 1808. <br /> <br /> Single plate etching on wove unwatermarked paper margins slightly spotted image clean.<br /> <br /> § From the first 4to edition. Bentley Blake Books 435b. unknown
18131107781813. London: Ackermann 1813. <br /> <br /> Single plate folio etching on wove unwatermarked paper good.<br /> <br /> § From the second folio edition. Bentley Blake Books 435. unknown
18131092031813. London: Ackermann 1813. <br /> <br /> Single plate etching on wove unwatermarked paper recently cleaned.<br /> <br /> § From the second 4to edition. Bentley Blake Books 435D. unknown
18081073291808. London: Cadell and Davies 1808. <br /> <br /> Single plate etching on wove unwatermarked paper margins slightly soiled image clean. <br /> <br /> § From the first 4to edition. Bentley Blake Books 435 A. unknown