BARDECHE, Maurice - BRASILLACH, RobertBiblio.com
31 résultats
194899075Paris : Andr Martel 1948. 240x160mm. photos n/b reliure d'diteur. 1457 Andr Martel unknown
19381309046George Allen and Unwin 1938. hardcover. Used-Very Good/Good. 1st British edition. Prior owner's inked name. Clean crisp copy with no markings. Tears and damage to jacket George Allen and Unwin hardcover
193826045NY: NORTON. Very Good with no dust jacket. 1938. First American Edition. Cloth. A very good or better copy in red cloth lacking the dj. Exceedingly faint stain at upper righthand corner of front cover. Neat bookshop stamp at base of front endpaper A sound copy. . NORTON. hardcover
1947117006Paris : Aux Libres Horizons 1947. 290x195mm. illustr non pagin en feuille sous couverture remplie. Exemplaire numrot n.¡ HC XIII tir sur papier pur fil. Accrocs sur le haut du dos autrement bel exemplaire. 158 Aux Libres Horizons hardcover
1938590672New York: W.W. Norton & Company Inc and The Museum of Modern Art 1938. Hardcover. Very Good/Very Good. First American edition. Translated and edited by Iris Barry. xii 412pp. Illustrated with black and white photographic plates. Chipping along the spine endleaves very lightly foxed page edges a bit toned and soiled very good in an about very good dust jacket with chips and tears along the spine and edges spine lightly sunned. W.W. Norton & Company Inc and The Museum of Modern Art hardcover
193831584New York: Norton 1938. First edition. Red cloth fine in slightly faded dust jacket. Norton unknown
19612901Paris: Vitte 1961. #99. 196ppTable. Le septieme de la collection Singuliers et Mal Connus. Couverture illustree. Edition Numerotee. Broche. Tres Bel Ex. 19 X 12. Vitte Hardcover
19385731JNew York: Norton - Museum of Modern Art 1938. First Edition - American. Translated and edited by Iris Barry founder of the Museum of Modern Art Film Department. The landmark and controversial study of film. Very good in a lightly used dust jacket with some tiny chipping small tears and the fold at the front flap internally reinforced by a paper conserbationist. Norton - Museum of Modern Art unknown
19813722058Plon 1981. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item450grams ISBN:9782259008433 Plon paperback
1940208371ª Ed. portuguesa.- Lisboa: Livraria Classica Ed. 1939-1940.- 2 Vols. 322 p. 1 h.; 334 p. 1 h. ; 8º 19 x 125 cm; Conservando todas sus barbas; Texto en portugués; Rústica Ed.- RARO. Las cubiertas ligeramente ajadas. Por lo demás en buen estado. GUERRA CIVIL 1936-1939 Y EXILIO Livro no português Livraria Classica Ed. paperback
195112067Lausanne 1951- 1974. 225x155mm. broch. Le numro 19 est un tirage de luxe numrot de 80 exp. sur papier verg. 1820 unknown
1938mon0000059297W. W. Norton & Co./The Museum of 1938-01-01. Hardcover. Good. 1.6000 8.5000 5.7000. 1938 first edition hardcover in good condition. All inside pages are in great shape. Minor shelf wear to the red & black cloth spine and red cover. 412 pages. W. W. Norton & Co./The Museum of hardcover
1935011474Paris: Denoel et Steele 1935 421 pp. 1; TPB. In French. The History of Cinema. Pages: clean ivory tight f.e. deckled; a.e. tanned. Cover: fragile white wraps red/black titles front black titles/text spine/back; moderate shelfwear 1" head torn away 2"tear front tail joint detached from book mildly soiled. Scarce softback. Denoel et Steele paperback
193656072Paris: in Combat 1936. Fine. in Combat Paris février 1936 21.50 x 28.50 cm agrafé First and only edition of this pamphlet published in the review Combat directed by Thierry Maulnier. Other contributions: Robert Brasillach Ce qui est perdu Thierry Maulnier Pierre Andreu. Very rare document bearing witness to the anti-democratic period of the young Maurice Blanchot. Vertical fold inherent to the distribution of this review. in Combat unknown
193674349Paris: in Combat 1936. Fine. in Combat Paris Novembre 1936 21.50 x 28.50 cm agrafé First edition and sole publication of this pamphlet published in the magazine Combat directed by Thierry Maulnier. Vertical fold inherent to the distribution of this magazine and small marginal tears. Other contributions: Robert Brasillach ""La machine à botter les culs"" Thierry Maulnier ""Sortirons-nous de l'abjection française "" Georges Blond ""Chapeau bas devant la casquette"" Jean-Pierre Maxence ""A nous la liberté ! "". Very rare document testifying to the anti-democratic period of the young Maurice Blanchot. in Combat unknown
193656073Paris: in Combat 1936. Fine. in Combat Paris novembre 1936 21.50 x 28.50 cm agrafé First and only edition of this pamphlet published in the review Combat directed by Thierry Maulnier. Other contributions: Robert Brasillach La machine à botter les culs Thierry Maulnier Georges Blond. Very rare document witnessing the anti-democratic period of young Maurice Blanchot. Vertical fold inherent to the distribution of this review with tear without loss at foot of same. in Combat unknown
1938536567New York: W.W. Norton and The Museum of Modern Art 1938. Hardcover. Fine/Very Good. First American edition. Translated and edited by Iris Barry. Fine in a bright very good or better dust jacket wrapper with a few small chips at the upper extremities. An especially bright copy. W.W. Norton and The Museum of Modern Art hardcover
1957309941957. Bruxelles Editions Roger Wastiau 1970. Un vol. au format pt in-4 262 x 202 mm de 171 pp. brochÂŽ sous couverture ˆ rabats rempliÂŽs. PremiÂre ÂŽdition illustrÂŽe. Tirage unique ˆ 445 exemplaires. Celui-ci un des 350 du tirage numÂŽrotÂŽ sur vergÂŽ. Il s'agrÂŽmente - en premier tirage - de compositions en noir et couleurs par Amandine DorÂŽ ''reproduits et aquarellÂŽs ˆ la main''. ''Premier roman de Robert Brasillach il aborde dÂŽjˆ les thÂmes qui feront le bonheur de ses romans ultÂŽrieurs et qui apparaissent donc ici pour la premiÂre fois : nostalgie de l'enfance jeunesse temps qui pase joie d'exister sensualitÂŽ magie MÂŽditerranÂŽe et surtout l'importance de la famille. Monod I Manuel de l'amateur de livres illustrÂŽs modernes 1899. Infimes marques d'usage affectant les plats. Du reste trÂs belle condition. Exemplaire non rognÂŽ. b42961 unknown
194478912Paris: Grasset 1944. Fine. Grasset Paris 1944 12 x 19 cm broché First edition a Service de Presse advance copy. Two small and light dampstains on the spine. Work illustrated with a frontispiece by Cassandre. Precious autograph inscription signed by Paul Mousset to Robert Brasillach. Grasset unknown
1963173100Paris: Club de l'honnête homme 1963. Relié. Etat moyen. in-8. Reliure éditeur frottée Coiffes accidentées Rhodoïds abimés manque certains rhodoïds Piqures tranches Club de l'honnête homme unknown
195491210Paris: La Table Ronde 1954. Fine. La Table Ronde Paris 1954 12 x 19 cm Broché New edition one of 65 numbered copies on alfa paper the only deluxe paper issue.A fine copy. La Table Ronde unknown
195466530Paris: Les sept couleurs 1954. Fine. Les sept couleurs Paris 1954 14.50 x 19.50 cm broché First edition one of 70 numbered copies on Madagascar paper deluxe copy. Handsome copy. Les sept couleurs unknown
193674968Paris: Editions Corrêa 1936. Fine. Editions Corrêa Paris 1936 12 x 19 cm broché First edition a Service de Presse advance copy. Spine lightly sunned as is often the case tiny worming of no consequence to the boards. Autograph inscription signed by Robert Brasillach: ""A Michel Dard ces portraits qui sont au fond des mémoires."" ""To Michel Dard these portraits which are at heart memoirs."" Editions Corrêa hardcover
1967280441967. S.l. Plon 1967. Un fort vol. au format in-8 228 x 152 mm de 514 pp. en feuilles sous couverture titrÂŽe ˆ rabats rempliÂŽs et ÂŽtui-chemise de plein cartonnage crÂme dos lisse titre dorÂŽ. Edition originale collective. Tirage de tÂte : un des 50 exemplaires numÂŽrotÂŽs du tirage de luxe seul papier. ''Les Sept couleurs dont les textes sont ici reproduits permettent de comprendre la sÂŽduction exercÂŽe par le fascisme sur une jeunesse ˆ la recherche d'un idÂŽal davantage portÂŽe sur le romantisme que sur le politique et dont les prÂŽoccupations premiÂres ne sont que le bonheur''. LÂŽgÂres altÂŽrations superficielles affectant l'ÂŽtui-chemise. Du reste trÂs belle condition. Rare. b42961 unknown
195272447Paris: Les sept couleurs 1952. Fine. Les sept couleurs Paris 1952 14.50 x 19.50 cm broché First edition one of 100 numbered copies on Arches paper deluxe copy. Handsome copy despite two faint shadows on the first endpaper and half-title page left by the justification slip. Les sept couleurs unknown
