43 résultats
194899075Paris : Andr Martel 1948. 240x160mm. photos n/b reliure d'diteur. 1457 Andr Martel unknown
19381309046George Allen and Unwin 1938. hardcover. Used-Very Good/Good. 1st British edition. Prior owner's inked name. Clean crisp copy with no markings. Tears and damage to jacket George Allen and Unwin hardcover
193826045NY: NORTON. Very Good with no dust jacket. 1938. First American Edition. Cloth. A very good or better copy in red cloth lacking the dj. Exceedingly faint stain at upper righthand corner of front cover. Neat bookshop stamp at base of front endpaper A sound copy. . NORTON. hardcover
70302Couverture rigide. Bon/1952. in-8. Paris 1952 in-8 224pp broché Superbe exemplaire de l'édition originale numérotée sur Alfa Mousse! unknown
40412030like new. unknown
3-56976Paris Librairie Plon 1937 16mo brossura originale pp. 392. Parzialmente intonso. unknown
0244824053.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
232221924X.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
1947117006Paris : Aux Libres Horizons 1947. 290x195mm. illustr non pagin en feuille sous couverture remplie. Exemplaire numrot n.¡ HC XIII tir sur papier pur fil. Accrocs sur le haut du dos autrement bel exemplaire. 158 Aux Libres Horizons hardcover
2213629757.Gpaperback. Good. Access codes and supplements are not guaranteed with used items. May be an ex-library book. paperback
76968Couverture rigide. Bon/1947. in-8. Paris 1947 in-8 54pp broché Exemplaire en parfait état de l'édition originale numérotée sur papier Lana ex. n° 153. unknown
1938590672New York: W.W. Norton & Company Inc and The Museum of Modern Art 1938. Hardcover. Very Good/Very Good. First American edition. Translated and edited by Iris Barry. xii 412pp. Illustrated with black and white photographic plates. Chipping along the spine endleaves very lightly foxed page edges a bit toned and soiled very good in an about very good dust jacket with chips and tears along the spine and edges spine lightly sunned. W.W. Norton & Company Inc and The Museum of Modern Art hardcover
193831584New York: Norton 1938. First edition. Red cloth fine in slightly faded dust jacket. Norton unknown
19612901Paris: Vitte 1961. #99. 196ppTable. Le septieme de la collection Singuliers et Mal Connus. Couverture illustree. Edition Numerotee. Broche. Tres Bel Ex. 19 X 12. Vitte Hardcover
151998455Paris: Revue universelle November 1-15 1936. November 1-15 1936. Very good. - Octavo 10 inches high by 6-1/2 inches wide. Softcover 2 issues bound in printed gray wrappers titled in black on the front covers and the spines. The edges of the covers are lightly creased with a couple of very tiny tears and minor chipping to the head of the spines. Volume LXVII No. 15 November 1 1936 pages 257-384 & 4 pages of ads on orange stock; Volume LXVII No. 16 November 15 1936 pages 385-512 & 8 pages of ads on orange stock. There are minor creases & chipping to the overlapping edges of a few of the deckle-edged pages. Very good. <p>First edition the publication in book form is advertised on the back cover of the November 15 volume.<p>Near the beginning of the Spanish Civil War the Nationalist Colonel José Moscardo Ituarte the military governor of the Toledo Province held the Alcazar against overwhelming Republican forces during the Siege of the Alcazar. With a poorly armed group of fighters he held out for General Francisco Franco's Nationalist forces for 70 days from 22 July to 27 September 1936. The cadets were loyal to the Francoist army. This short work chronicles the siege of the Alcazar in Toledo by Republican forces.The work is pro-Nationalist with Falangist and Carlist songs reprinted in its pages.<p>Robert Brasillach 1909-1945 was a fascist and an antisemite. He was executed after the war for being a collaborator. His biographer Alice Kaplan called him the "James Dean of French fascism". Paris: Revue universelle, November 1-15, 1936. paperback
19385731JNew York: Norton - Museum of Modern Art 1938. First Edition - American. Translated and edited by Iris Barry founder of the Museum of Modern Art Film Department. The landmark and controversial study of film. Very good in a lightly used dust jacket with some tiny chipping small tears and the fold at the front flap internally reinforced by a paper conserbationist. Norton - Museum of Modern Art unknown
19813722058Plon 1981. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In fair condition suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item450grams ISBN:9782259008433 Plon paperback
1940208371ª Ed. portuguesa.- Lisboa: Livraria Classica Ed. 1939-1940.- 2 Vols. 322 p. 1 h.; 334 p. 1 h. ; 8º 19 x 125 cm; Conservando todas sus barbas; Texto en portugués; Rústica Ed.- RARO. Las cubiertas ligeramente ajadas. Por lo demás en buen estado. GUERRA CIVIL 1936-1939 Y EXILIO Livro no português Livraria Classica Ed. paperback
195112067Lausanne 1951- 1974. 225x155mm. broch. Le numro 19 est un tirage de luxe numrot de 80 exp. sur papier verg. 1820 unknown
1938mon0000059297W. W. Norton & Co./The Museum of 1938-01-01. Hardcover. Good. 1.6000 8.5000 5.7000. 1938 first edition hardcover in good condition. All inside pages are in great shape. Minor shelf wear to the red & black cloth spine and red cover. 412 pages. W. W. Norton & Co./The Museum of hardcover
44198Gallimard In-12 160pp. unknown
1935011474Paris: Denoel et Steele 1935 421 pp. 1; TPB. In French. The History of Cinema. Pages: clean ivory tight f.e. deckled; a.e. tanned. Cover: fragile white wraps red/black titles front black titles/text spine/back; moderate shelfwear 1" head torn away 2"tear front tail joint detached from book mildly soiled. Scarce softback. Denoel et Steele paperback
193656072Paris: in Combat 1936. Fine. in Combat Paris février 1936 21.50 x 28.50 cm agrafé First and only edition of this pamphlet published in the review Combat directed by Thierry Maulnier. Other contributions: Robert Brasillach Ce qui est perdu Thierry Maulnier Pierre Andreu. Very rare document bearing witness to the anti-democratic period of the young Maurice Blanchot. Vertical fold inherent to the distribution of this review. in Combat unknown
193674349Paris: in Combat 1936. Fine. in Combat Paris Novembre 1936 21.50 x 28.50 cm agrafé First edition and sole publication of this pamphlet published in the magazine Combat directed by Thierry Maulnier. Vertical fold inherent to the distribution of this magazine and small marginal tears. Other contributions: Robert Brasillach ""La machine à botter les culs"" Thierry Maulnier ""Sortirons-nous de l'abjection française "" Georges Blond ""Chapeau bas devant la casquette"" Jean-Pierre Maxence ""A nous la liberté ! "". Very rare document testifying to the anti-democratic period of the young Maurice Blanchot. in Combat unknown
193656073Paris: in Combat 1936. Fine. in Combat Paris novembre 1936 21.50 x 28.50 cm agrafé First and only edition of this pamphlet published in the review Combat directed by Thierry Maulnier. Other contributions: Robert Brasillach La machine à botter les culs Thierry Maulnier Georges Blond. Very rare document witnessing the anti-democratic period of young Maurice Blanchot. Vertical fold inherent to the distribution of this review with tear without loss at foot of same. in Combat unknown